Owner`s manual

‘Performance Edit’ parameters
Backing Module BK-7m r
55
Mfx Type
The BK-7m provides 84 different multi-effects types,
some of which are combinations of two effects for
added flexibility. This parameter allows you to select
the desired type. The available types are:
NOTE
Some of the names shown above may be abbreviated in the
display.
Mfx Edit
If you also want to edit the parameters of the
selected effect type, press the [CURSOR÷VALUE] dial
on the “Mfx” page to jump to the “Mfx Edit” page.
You can then use the [CURSOR÷VALUE] dial to edit
the available parameters.
See “MFX types and parameters” on p. 107 for the
parameters that are available for the selected Mfx
type.
The first two parameters for each Mfx type are “Cho-
rus Send” (0~127) and “Reverb Send” (0~127). They
allow you to specify whether—and to what
extent—the Mfx signal should be processed by the
Chorus and/or Reverb effect.
b) Reverb parameters
This function group can be selected using [MENU]
button ‰ “Performance Edit” ‰ “Tone Part Effects” ‰
“Reverb”.
Reverb switch
Select “Off” you don’t need any reverb effect.
Reverb Type
This parameter allows you to select one of the twelve
effects types, two of which are actually delay effects.
Reverb Edit
If you also want to edit the parameters of the
selected effect type, press the [CURSOR÷VALUE] dial
to jump to the “Reverb Edit” page. You can then use
the [CURSOR÷VALUE] dial to edit the available param-
eters.
Parameters for the “1. SRV Room”, “2. SRV Hall”, “3.
SRV Plate” types:
Parameter Setting
Reverb Switch Off, On
1. Thru
2. Stereo EQ
3. Overdrive
4. Distortion
5. Phaser
6. Spectrum
7. Enhancer
8. Auto Wah
9. Rotary
10. Compressor
11. Limiter
12. Hexa-Chorus
13. Trem Chorus
14. Space-D
15. St. Chorus
16. St. Flanger
17. Step Flanger
18. St. Delay
19. Mod. Delay
20. 3 Tap Delay
21. 4 Tap Delay
22. Time Delay
23. 2 Pitch Shifter
24. FBK Pitch
25. Reverb
26. Gate Reverb
27. OD‰ Chorus
28. OD‰ Flanger
29. OD‰ Delay
30. DST‰ Chorus
31. DST‰ Flanger
32. DST‰ Delay
33. EH‰ Chorus
34. EH‰ Flanger
35. EH‰ Delay
36. Chorus‰ DLY
37. Flanger‰ DLY
38. CHO‰ Flanger
39. CHO/DLY
40. Flanger/DLY
41. CHO/Flanger
42. Isolator
43. Low Boost
44. Super Filter
45. Step Filter
46. Humanizer
47. Speaker Sim
48. Step Phaser
49. MLT Phaser
50. Inf Phaser
51. Ring Modul
52. Step Ring
53. Tremolo
54. Auto Pan
55. Step Pan
56. Slicer
57. VK Rotary
58. 3D Chorus
59. 3D Flanger
60. 3D Step Flgr
61. Band Chorus
62. Band Flanger
63. Band Step Flg
64. VS Overdrive
65. VS Distortion
66. GT Amp Simul
67. Gate
68. Long Delay
69. Serial Delay
70. MLT Tap DLY
71. Reverse DLY
72. Shuffle DLY
73. 3D Delay
74. Long Time DLY
75. Tape Echo
76. LoFi Noise
77. LoFi Comp
78. LoFi Radio
79. Telephone
80. Phonograph
81. Step Pitch
82. Sympa Reso
83. Vib-Od-Rotary
84. Center Canc
Parameter Setting Explanation
Level 0~127 Output level of the
reverb signal.
Pre Delay 0.0~100.0 ms Adjusts the delay time
between the direct
sound until the reverb
sound is heard. This is
used to simulate the
distance between the
original signal and the
reflective surfaces.
Time 0~127 The duration of the
reverb signal. The
higher the value, the
“longer” the simulated
room becomes.
Size 1~8 Determines how the
later reverberations are
propagated, which
gives the listener
important clues about
the height of the simu-
lated room.
High Cut 160~12500Hz,
Bypass
Adjusts the frequency
above which the high-
frequency content of
the reverb will be
reduced. If you do not
want to attenuate the
high frequencies, set
this parameter to
BYPASS.
Density 0~127 Density (number) of
the reflections.
1. SRV Room
2. SRV Hall
3. SRV Plate
4. GM2 Reverb
5. Room1
6. Room2
7. Stage1
8. Stage2
9. Hall1
10. Hall2
11. Delay
12. Pan Delay
BK-7m_UK.book Page 55 Tuesday, January 4, 2011 9:25 AM