User Manual
Table Of Contents
- Important notes
- Features
- Contents
- Panel description
- Shortcut list
- Before you start using the BK5OR
- Connecting the AC adaptor
- Connecting the BK5OR to an amplifier, mixer, etc.
- Connecting a MIDI device
- Connecting the BK5OR to your computer
- Connecting a television set
- Connecting an optional footswitch, hold pedal or expression pedal
- Connecting a portable audio player
- Listening through headphones
- Installing the music rest
- Turning the power on/off
- Demo of the BK5OR
- Basic operation of the BK5OR
- Playing the BK5OR’s real-time parts
- Rhythm functions
- Using the BK5OR as a USB player
- Getting ready to use the BK5OR as a USB player
- Selecting a song or rhythm on a USB memory
- Playing back a song or rhythm from a USB memory
- Renaming or deleting files/folders on a USB memory
- Using the ‘Search’ function to locate songs, rhythms or pictures
- Activating the ‘Play All Songs’ parameter for the USBmemory
- Loop function (MARK A/B)
- Other important functions
- Performance Lists
- Performance/Music Assistant/ Factory Songs info
- Loading a Performance/‘Music Assistant’/‘Factory Songs’ List
- Recalling a Performance/‘Music Assistant’/‘FactorySongs’memory
- Quickly locating Performance memories
- Saving your settings as a Performance
- Other Performance List functions
- Editing Performance memories
- Adding pictures to the music
- Recording your performance as audio data
- Lock functions
- Menu options
- General procedure
- Internal Lyrics
- ‘Performance Edit’ parameters
- ‘Tone Part View’ parameters
- Tone
- Volume
- Reverb Send
- Chorus Send
- Panpot
- Key Touch (velocity sensitivity)
- Eq Part Edit
- Mfx
- Expression Pedal
- Pedal Exp Down/Up
- Hold Pedal
- Octave Shift
- Coarse Tune
- Fine Tune
- Portamento Mode
- Portamento Time
- Bender Assign
- Bender Range
- Modulation Assign
- Cut Off
- Resonance
- Attack (only for Tones)
- Decay
- Release
- Vibrato Rate
- Vibrato Depth
- Vibrato Delay
- C1
- ‘Tone Part MFX’ parameters
- ‘Rhythm Parts’ parameters
- Split
- Scale Tune Switch
- Scale Tune
- Key
- ‘Arranger Setting’ parameters
- ‘Melody Intelligent’ parameters
- Save As Default
- ‘Tone Part View’ parameters
- ‘Global’ parameters
- Mastering Tools
- Makeup Tools (rhythms and SMF)
- Rhythm Composer (programming your own rhythms)
- Clearing the RAM memory (Initialize Rhythm)
- Getting ready for the first track
- Recording a rhythm pattern
- Auditioning your rhythm and adding more tracks
- Saving your rhythm
- Recording other tracks and divisions
- Help function on the main Rhythm Composer page
- Muting tracks while recording others
- Solo
- Rhythm Track Edit functions
- Editing individual rhythm events (Micro Edit)
- MIDI parameters
- Factory Reset
- Formatting a USB memory
- Visual Control function
- Troubleshooting
- Specifications
- MIDI Implementation Chart
- Chord Intelligence
- Index
Mastering Tools
Backing Keyboard BK-5 OR
r
75
5.
If none of the preset memories contains the
settings you need, press the [ENTER/SELECT]
button to select and set the following
parameters:
Write User
This function allows you to save the settings you
made on the “Compressor” page.
1.
Press the [WRITE] button.
2.
Rotate the [CURSOR÷VALUE] dial to select
“YES”, then press the [ENTER/SELECT] but-
ton to save the current settings.
Parameter Setting Explanation
Level 0~127 Use this parameter to set
the compressor’s input level.
The higher the value, the
stronger the three frequency
bands are compressed.
The value you set here is
added to the “Level” settings
of the three bands. Do not
set this parameter to “0” if
the compressor is switched
on, because doing so means
that the keyboard parts, the
SMF song or Rhythm parts
are no longer audible.
Gain –12~0~
12dB
Use this parameter to cor-
rect the level at the com-
pressor’s outputs. If the
settings of the remaining
parameters lead to a signifi-
cantly lower level, select a
positive value. If your set-
tings lead to a significantly
higher level, select a nega-
tive value. “0” means that
the level is neither boosted
nor attenuated.
High/Mid/Low: Because “Attack”, “Release”, “Threshold”,
“Ratio” and “Level” are the same for each band, we will
only discuss them once. As you see, each of the three fre-
quency ranges has its own set of parameters that allow
you to specify their behavior.
Attack 0~100ms Use this parameter to spec-
ify how fast the compressor
of the band in question
should start processing the
signal once the level of that
band exceeds the “Thresh-
old” level. Choose a smaller
value if you prefer a com-
pression similar to that of
FM radio stations. Higher
values may yield a “snap-
pier” or “funkier” sound.
Release 50~
5000ms
This parameter allows you to
specify how fast the com-
pressor of the corresponding
band should stop working
when the signal level drops
below the “Threshold” value.
Threshold –36~0dB This parameter allows you to
set the level the frequency
band (“High”, “Mid” or
“Low”) must reach to trigger
its compressor. The lower
the value, the more notice-
able the compression will be.
Ratio 1:1.0~
1:INF
Use this parameter to spec-
ify how strongly the level
should be reduced when the
band’s level exceeds the
“Threshold” level. “1:2.0”, for
example, means that level
values above the “Threshold”
level are halved. “1:INF” is
useful if you set “Threshold”
to “0dB” or thereabout. This
produces a limiter effect,
which means that no signal
level will ever exceed the
“Threshold” value. This may
help you protect the speak-
ers of the PA system etc.
Level –24~
+24dB
This parameter allows you to
establish the desired mix
among the three compressor
bands. Choose a negative
value to decrease the level,
or a positive one to increase
it. Choose “0” for a band
whose level is OK as is.
Split High 2000~
12000Hz
These two parameters spec-
ify the frequency where two
bands are separated. The
compressor has three bands,
and so there are two cross-
over frequencies you can
set: “High” between the
“Mid” and “High” ranges;
and “Low” between the
“Mid” and “Low” ranges.
Split Low 80~800Hz
Parameter Setting Explanation
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