User Manual
Table Of Contents
- Important notes
- Features
- Contents
- Panel description
- Shortcut list
- Before you start using the BK5OR
- Connecting the AC adaptor
- Connecting the BK5OR to an amplifier, mixer, etc.
- Connecting a MIDI device
- Connecting the BK5OR to your computer
- Connecting a television set
- Connecting an optional footswitch, hold pedal or expression pedal
- Connecting a portable audio player
- Listening through headphones
- Installing the music rest
- Turning the power on/off
- Demo of the BK5OR
- Basic operation of the BK5OR
- Playing the BK5OR’s real-time parts
- Rhythm functions
- Using the BK5OR as a USB player
- Getting ready to use the BK5OR as a USB player
- Selecting a song or rhythm on a USB memory
- Playing back a song or rhythm from a USB memory
- Renaming or deleting files/folders on a USB memory
- Using the ‘Search’ function to locate songs, rhythms or pictures
- Activating the ‘Play All Songs’ parameter for the USBmemory
- Loop function (MARK A/B)
- Other important functions
- Performance Lists
- Performance/Music Assistant/ Factory Songs info
- Loading a Performance/‘Music Assistant’/‘Factory Songs’ List
- Recalling a Performance/‘Music Assistant’/‘FactorySongs’memory
- Quickly locating Performance memories
- Saving your settings as a Performance
- Other Performance List functions
- Editing Performance memories
- Adding pictures to the music
- Recording your performance as audio data
- Lock functions
- Menu options
- General procedure
- Internal Lyrics
- ‘Performance Edit’ parameters
- ‘Tone Part View’ parameters
- Tone
- Volume
- Reverb Send
- Chorus Send
- Panpot
- Key Touch (velocity sensitivity)
- Eq Part Edit
- Mfx
- Expression Pedal
- Pedal Exp Down/Up
- Hold Pedal
- Octave Shift
- Coarse Tune
- Fine Tune
- Portamento Mode
- Portamento Time
- Bender Assign
- Bender Range
- Modulation Assign
- Cut Off
- Resonance
- Attack (only for Tones)
- Decay
- Release
- Vibrato Rate
- Vibrato Depth
- Vibrato Delay
- C1
- ‘Tone Part MFX’ parameters
- ‘Rhythm Parts’ parameters
- Split
- Scale Tune Switch
- Scale Tune
- Key
- ‘Arranger Setting’ parameters
- ‘Melody Intelligent’ parameters
- Save As Default
- ‘Tone Part View’ parameters
- ‘Global’ parameters
- Mastering Tools
- Makeup Tools (rhythms and SMF)
- Rhythm Composer (programming your own rhythms)
- Clearing the RAM memory (Initialize Rhythm)
- Getting ready for the first track
- Recording a rhythm pattern
- Auditioning your rhythm and adding more tracks
- Saving your rhythm
- Recording other tracks and divisions
- Help function on the main Rhythm Composer page
- Muting tracks while recording others
- Solo
- Rhythm Track Edit functions
- Editing individual rhythm events (Micro Edit)
- MIDI parameters
- Factory Reset
- Formatting a USB memory
- Visual Control function
- Troubleshooting
- Specifications
- MIDI Implementation Chart
- Chord Intelligence
- Index
Menu options
80
r
Backing Keyboard BK-5 OR
Reverb
Use this parameter to set the reverb send level. Nega-
tive values decrease the current reverb send level,
positive values increase it. (This is a relative setting
that is added to, or subtracted from, the original set-
ting.)
Chorus
Use this parameter to set the chorus send level. Neg-
ative values decrease the current chorus send level,
positive values increase it. (This is a relative setting
that is added to, or subtracted from, the original set-
ting.)
Panpot
Use this parameter to change the stereo placement
of the selected instrument. “0” means “no change”,
negative (–) values shift the instrument towards the
left and positive (+) values shift it towards the right.
NOTE
In the case of Drum Sets, this setting applies to all drum/
percussion instruments. There is also a parameter that can
be set for specific drum instruments. See page 82.
Octave (T)
Use this parameter to transpose the selected instru-
ment up or down by up to 4 octaves.
Velocity
This parameter allows you to modify the velocity
range of the instrument in question. “0” means that
the recorded velocity values are left untouched, neg-
ative values reduce all velocity values by the same
amount (leaving differences between notes intact),
while positive settings increase all velocity values.
Cut Off
This filter parameter allows you to make the selected
sound darker or brighter. Positive settings mean that
more overtones are allowed to pass, so that the
sound becomes brighter. The further this value is set
in the negative direction, the fewer overtones will be
allowed to pass and the sound will become softer
(darker).
NOTE
For some sounds, positive (+) “Cut Off” settings will cause
no noticeable change because the preprogrammed “Cut
Off” parameter is already set to its maximum value.
Resonance
This is a parameter one invariably associates with a
synthesizer. When the “Resonance” value is increased,
the overtones in the area of the cutoff frequency will
be emphasized, creating a sound with a strong char-
acter.
NOTE
For some sounds, negative (–) “Resonance” settings may
produce no noticeable change because the resonance is
already set to the minimum value.
The following parameters allow you to set the
sound’s “envelope”. The envelope parameters affect
both the volume (TVA) and the filter (TVF). The cutoff
frequency will rise as the envelope rises and fall as
the envelope falls.
Attack (T)
This parameter adjusts the onset of the sound. Nega-
tive values speed up the attack, so that the sound
becomes more aggressive.
Decay (T)
This parameter adjusts the time over which the
sound’s volume and cutoff frequency fall from the
highest point of the attack down to the sustain level.
NOTE
Percussive sounds usually have a sustain level of “0”. Piano
and guitar sounds are in this category. Holding the keys for
a long time will have little effect on the duration of the
notes you are playing, even if you select a high value here.
Parameter Setting
Reverb -127~0~+127
Parameter Setting
Chorus -127~0~+127
Parameter Setting
Panpot -127~0~+127
Parameter Setting
Octave -4~0~+4
Parameter Setting
Velocity -127~+127
Parameter Setting
Cut Off -127~+127
Parameter Setting
Resonance -127~+127
Parameter Setting
Attack -127~+127
Parameter Setting
Decay -127~+127
Characteristics of a low-pass filter
Cutoff frequency
Frequency
Setting
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