User Manual
Table Of Contents
- Important notes
- Features
- Contents
- Panel description
- Shortcut list
- Before you start using the BK5OR
- Connecting the AC adaptor
- Connecting the BK5OR to an amplifier, mixer, etc.
- Connecting a MIDI device
- Connecting the BK5OR to your computer
- Connecting a television set
- Connecting an optional footswitch, hold pedal or expression pedal
- Connecting a portable audio player
- Listening through headphones
- Installing the music rest
- Turning the power on/off
- Demo of the BK5OR
- Basic operation of the BK5OR
- Playing the BK5OR’s real-time parts
- Rhythm functions
- Using the BK5OR as a USB player
- Getting ready to use the BK5OR as a USB player
- Selecting a song or rhythm on a USB memory
- Playing back a song or rhythm from a USB memory
- Renaming or deleting files/folders on a USB memory
- Using the ‘Search’ function to locate songs, rhythms or pictures
- Activating the ‘Play All Songs’ parameter for the USBmemory
- Loop function (MARK A/B)
- Other important functions
- Performance Lists
- Performance/Music Assistant/ Factory Songs info
- Loading a Performance/‘Music Assistant’/‘Factory Songs’ List
- Recalling a Performance/‘Music Assistant’/‘FactorySongs’memory
- Quickly locating Performance memories
- Saving your settings as a Performance
- Other Performance List functions
- Editing Performance memories
- Adding pictures to the music
- Recording your performance as audio data
- Lock functions
- Menu options
- General procedure
- Internal Lyrics
- ‘Performance Edit’ parameters
- ‘Tone Part View’ parameters
- Tone
- Volume
- Reverb Send
- Chorus Send
- Panpot
- Key Touch (velocity sensitivity)
- Eq Part Edit
- Mfx
- Expression Pedal
- Pedal Exp Down/Up
- Hold Pedal
- Octave Shift
- Coarse Tune
- Fine Tune
- Portamento Mode
- Portamento Time
- Bender Assign
- Bender Range
- Modulation Assign
- Cut Off
- Resonance
- Attack (only for Tones)
- Decay
- Release
- Vibrato Rate
- Vibrato Depth
- Vibrato Delay
- C1
- ‘Tone Part MFX’ parameters
- ‘Rhythm Parts’ parameters
- Split
- Scale Tune Switch
- Scale Tune
- Key
- ‘Arranger Setting’ parameters
- ‘Melody Intelligent’ parameters
- Save As Default
- ‘Tone Part View’ parameters
- ‘Global’ parameters
- Mastering Tools
- Makeup Tools (rhythms and SMF)
- Rhythm Composer (programming your own rhythms)
- Clearing the RAM memory (Initialize Rhythm)
- Getting ready for the first track
- Recording a rhythm pattern
- Auditioning your rhythm and adding more tracks
- Saving your rhythm
- Recording other tracks and divisions
- Help function on the main Rhythm Composer page
- Muting tracks while recording others
- Solo
- Rhythm Track Edit functions
- Editing individual rhythm events (Micro Edit)
- MIDI parameters
- Factory Reset
- Formatting a USB memory
- Visual Control function
- Troubleshooting
- Specifications
- MIDI Implementation Chart
- Chord Intelligence
- Index
Menu options
90
r
Backing Keyboard BK-5 OR
2.
Rotate the [CURSOR÷VALUE] dial to select
“Save” and press the [ENTER/SELECT] but-
ton.
The display now shows the contents of the “My
Rhythms” folder on the connected USB memory.
Press the [EXIT] button if you want to select a differ-
ent folder.
NOTE
Your own rhythms can only be saved to a USB memory. If
you forgot to connect one, the display now shows the mes-
sage “USB Device not inserted”.
If you initialized the RAM memory before recording
your first part, the BK-5 OR suggests the name
“User_Rhythm”. Otherwise, it suggests the name of
the rhythm you have been editing.
3.
Use the TONE buttons to select a different
character.
4.
Rotate the [CURSOR÷VALUE] dial to select
the next character position you want to
change.
You can also press the [LWR] button to delete the
selected character, or the [UP2] button to insert a
character.
5.
Repeat steps (3) and (4) to complete the
name.
6.
Press the [WRITE] button to confirm your
desire to save the rhythm.
The display briefly confirms the operation and then
returns to the main Rhythm Composer page.
If the USB memory already contains a rhythm file of
the specified name, you will be asked whether you
want to overwrite it:
In this case, select “YES” using the [CURSOR÷VALUE]
dial and press [ENTER/SELECT] to replace the old file
with the new one (the old file will be lost).
Otherwise, select “NO” and press the [ENTER/SELECT]
button to return to the “Save” page and enter a dif-
ferent name.
Recording other tracks and divisions
You can now record the second track – probably the
bass. If you’d like to do the guided tour again, return to
page 86. Do not forget to set the key for the bass part
(see “Key” on p. 87).
Once the first Division is finished, you can record other
Divisions. Use the clone functions (“=”) to record several
patterns in one go.
Do not forget to record the Fills, Intros and Endings to
complete your rhythms. There are two groups of three
fills: “Up” 1~3 and “Dwn” 1~3. “Up” fills are used when
you switch on the [AUTO FILL] button and then press a
VARIATION button of a higher number (transition from
[1] to [2], for example).
“Dwn” fills are used when you switch on the [AUTO FILL]
button and then press a VARIATION button of a lower
number.
Intros are usually used at the beginning of a song and
End patterns provide professional closing sections.
NOTE
The ABass track is monophonic. You can only record single-
note patterns.
Help function on the main Rhythm Composer
page
1.
Press and hold the [NUMERIC] button.
The display changes to:
This page explains how to temporarily switch off
(“Mute”) and isolate (“Solo”) specific tracks.
2.
Press the [EXIT] or [NUMERIC] button to
return to the main Rhythm Composer page.
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