User Manual
Table Of Contents
- Important notes
- Features
- Contents
- Panel description
- Shortcut list
- Before you start using the BK5OR
- Connecting the AC adaptor
- Connecting the BK5OR to an amplifier, mixer, etc.
- Connecting a MIDI device
- Connecting the BK5OR to your computer
- Connecting a television set
- Connecting an optional footswitch, hold pedal or expression pedal
- Connecting a portable audio player
- Listening through headphones
- Installing the music rest
- Turning the power on/off
- Demo of the BK5OR
- Basic operation of the BK5OR
- Playing the BK5OR’s real-time parts
- Rhythm functions
- Using the BK5OR as a USB player
- Getting ready to use the BK5OR as a USB player
- Selecting a song or rhythm on a USB memory
- Playing back a song or rhythm from a USB memory
- Renaming or deleting files/folders on a USB memory
- Using the ‘Search’ function to locate songs, rhythms or pictures
- Activating the ‘Play All Songs’ parameter for the USBmemory
- Loop function (MARK A/B)
- Other important functions
- Performance Lists
- Performance/Music Assistant/ Factory Songs info
- Loading a Performance/‘Music Assistant’/‘Factory Songs’ List
- Recalling a Performance/‘Music Assistant’/‘FactorySongs’memory
- Quickly locating Performance memories
- Saving your settings as a Performance
- Other Performance List functions
- Editing Performance memories
- Adding pictures to the music
- Recording your performance as audio data
- Lock functions
- Menu options
- General procedure
- Internal Lyrics
- ‘Performance Edit’ parameters
- ‘Tone Part View’ parameters
- Tone
- Volume
- Reverb Send
- Chorus Send
- Panpot
- Key Touch (velocity sensitivity)
- Eq Part Edit
- Mfx
- Expression Pedal
- Pedal Exp Down/Up
- Hold Pedal
- Octave Shift
- Coarse Tune
- Fine Tune
- Portamento Mode
- Portamento Time
- Bender Assign
- Bender Range
- Modulation Assign
- Cut Off
- Resonance
- Attack (only for Tones)
- Decay
- Release
- Vibrato Rate
- Vibrato Depth
- Vibrato Delay
- C1
- ‘Tone Part MFX’ parameters
- ‘Rhythm Parts’ parameters
- Split
- Scale Tune Switch
- Scale Tune
- Key
- ‘Arranger Setting’ parameters
- ‘Melody Intelligent’ parameters
- Save As Default
- ‘Tone Part View’ parameters
- ‘Global’ parameters
- Mastering Tools
- Makeup Tools (rhythms and SMF)
- Rhythm Composer (programming your own rhythms)
- Clearing the RAM memory (Initialize Rhythm)
- Getting ready for the first track
- Recording a rhythm pattern
- Auditioning your rhythm and adding more tracks
- Saving your rhythm
- Recording other tracks and divisions
- Help function on the main Rhythm Composer page
- Muting tracks while recording others
- Solo
- Rhythm Track Edit functions
- Editing individual rhythm events (Micro Edit)
- MIDI parameters
- Factory Reset
- Formatting a USB memory
- Visual Control function
- Troubleshooting
- Specifications
- MIDI Implementation Chart
- Chord Intelligence
- Index
Menu options
96
r
Backing Keyboard BK-5 OR
8.
Use the “From” and “To” parameters (3
each) to specify the beginning and end of
the excerpt you want to copy.
By default, the “From” parameters are set to “Bar 1,
Beat 1, CPT 0”, while the “To” values are set to include
the entire track.
9.
Set “Location” to “Destination”.
The following parameters are displayed:
10.
Set “Copy Mode” to “Replace” or “Mix”.
In either case, the length of the destination track may
change to include all data of the source track.
11.
Use the [CURSOR÷VALUE] dial and [ENTER/
SELECT] button to set “Track” to the track
you wish to copy the data to.
NOTE
AccDrums data can also be copied to other tracks (prefera-
bly Acc1~Acc6). You can only copy ABass data to other
ABass tracks. If you selected “ALL” for “Source – Track”, this
“Track” parameter is also set to “ALL”.
12.
Repeat this operation with the “Mode”
(Major, Minor, 7th, ALL) and “Division”
parameters (Intro 1~4, Main 1~4, Fill Dwn
1~3, Fill Up 1~3, End 1~4, ALL).
NOTE
If you selected “ALL” for “Source – Mode” or “Source – Divi-
sion”, this “Mode” or “Division” parameter is also set to
“ALL”.
13.
Use the [CURSOR÷VALUE] dial and [ENTER/
SELECT] button to select “Copy Times” and
specify the number of copies you need.
Select “1” to copy the excerpt only once.
14.
Press the [KEY] button to audition the desti-
nation track.
15.
Use the [CURSOR÷VALUE] dial and [ENTER/
SELECT] button to specify the target posi-
tion using the three “Into” parameters.
16.
Press the [WRITE] button (its indicator
flashes) to confirm your settings and edit
the data.
■ Insert
“Insert” allows you to insert space and shift data that
lie behind the “From” position further towards the
end of the track (this is the exact opposite of
“Delete”). The empty measures you create can be
“filled” using the “Copy” function or by recording new
phrases in that area.
Parameter Setting Explanation
Location Source, Desti-
nation
Allows you to select
the rhythm whose
tracks you wish to
copy (“Source”) to
another rhythm (“Des-
tination”).
Track ADrums~Acc6,
ALL
Allows you to select
the track you wish to
edit. Select “ALL” only
to replace all tracks.
Mode Major, Minor,
7th, ALL
Allows you to select
the Mode to be edited.
Division Intro 1~4,
Main 1~4, Fill
Dwn 1~3, Fill
Up 1~3, End
1~4
Use this parameter to
select the Division you
want to edit.
Into Bar
Into Beat
Into CPT
The” Into” position indicates where the
beginning of the source excerpt will be
after the copy operation. To copy the
source data to the beginning of the
destination track, select BAR= “1”,
BEAT= “1” and CPT= “0”.
Copy Mode Replace The data in the
selected range of the
source track overwrite
the destination track.
Mix The data in the
selected range of the
source track are added
to the data on the des-
tination track.
Copy Times 1~999 Allows you to to spec-
ify the number of cop-
ies to be made. Select
“1” to copy the excerpt
only once.
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