User Manual
Table Of Contents
- Important notes
- Features
- Contents
- Panel description
- Shortcut list
- Before you start using the BK5OR
- Connecting the AC adaptor
- Connecting the BK5OR to an amplifier, mixer, etc.
- Connecting a MIDI device
- Connecting the BK5OR to your computer
- Connecting a television set
- Connecting an optional footswitch, hold pedal or expression pedal
- Connecting a portable audio player
- Listening through headphones
- Installing the music rest
- Turning the power on/off
- Demo of the BK5OR
- Basic operation of the BK5OR
- Playing the BK5OR’s real-time parts
- Rhythm functions
- Using the BK5OR as a USB player
- Getting ready to use the BK5OR as a USB player
- Selecting a song or rhythm on a USB memory
- Playing back a song or rhythm from a USB memory
- Renaming or deleting files/folders on a USB memory
- Using the ‘Search’ function to locate songs, rhythms or pictures
- Activating the ‘Play All Songs’ parameter for the USBmemory
- Loop function (MARK A/B)
- Other important functions
- Performance Lists
- Performance/Music Assistant/ Factory Songs info
- Loading a Performance/‘Music Assistant’/‘Factory Songs’ List
- Recalling a Performance/‘Music Assistant’/‘FactorySongs’memory
- Quickly locating Performance memories
- Saving your settings as a Performance
- Other Performance List functions
- Editing Performance memories
- Adding pictures to the music
- Recording your performance as audio data
- Lock functions
- Menu options
- General procedure
- Internal Lyrics
- ‘Performance Edit’ parameters
- ‘Tone Part View’ parameters
- Tone
- Volume
- Reverb Send
- Chorus Send
- Panpot
- Key Touch (velocity sensitivity)
- Eq Part Edit
- Mfx
- Expression Pedal
- Pedal Exp Down/Up
- Hold Pedal
- Octave Shift
- Coarse Tune
- Fine Tune
- Portamento Mode
- Portamento Time
- Bender Assign
- Bender Range
- Modulation Assign
- Cut Off
- Resonance
- Attack (only for Tones)
- Decay
- Release
- Vibrato Rate
- Vibrato Depth
- Vibrato Delay
- C1
- ‘Tone Part MFX’ parameters
- ‘Rhythm Parts’ parameters
- Split
- Scale Tune Switch
- Scale Tune
- Key
- ‘Arranger Setting’ parameters
- ‘Melody Intelligent’ parameters
- Save As Default
- ‘Tone Part View’ parameters
- ‘Global’ parameters
- Mastering Tools
- Makeup Tools (rhythms and SMF)
- Rhythm Composer (programming your own rhythms)
- Clearing the RAM memory (Initialize Rhythm)
- Getting ready for the first track
- Recording a rhythm pattern
- Auditioning your rhythm and adding more tracks
- Saving your rhythm
- Recording other tracks and divisions
- Help function on the main Rhythm Composer page
- Muting tracks while recording others
- Solo
- Rhythm Track Edit functions
- Editing individual rhythm events (Micro Edit)
- MIDI parameters
- Factory Reset
- Formatting a USB memory
- Visual Control function
- Troubleshooting
- Specifications
- MIDI Implementation Chart
- Chord Intelligence
- Index
Rhythm Composer (programming your own rhythms)
Backing Keyboard BK-5 OR
r
99
After selecting a sound with a slow release (i.e. a
sound that lingers on after all notes have been
released), however, “Change Gate Time” will help you
cut the notes down to size and thus avoid undesir-
able overlaps.
Press the [WRITE] button (its indicator flashes) to
confirm your settings and edit the data.
■ Global Change
This function allows you to make quick changes to
certain settings. The changes always apply to entire
tracks (you cannot use “Global Change” for just a few
measures). You can apply global changes to the four
editable rhythms track parameters (“Express”,
“Reverb”, “Panpot” and “Chorus”) when you notice
that the effect is too prominent or not strong
enough.
You can also use it to “upgrade” older rhythms to
ensure that they use the BK-5 OR’s new sounds.
Parameter Setting Explanation
Track ADrums~Acc6,
ALL
Allows you to select
the track you wish to
edit. You can also
select “ALL” here, in
which case the opera-
tion applies to all
tracks.
Mode Major, Minor,
7th
Allows you to select
the Mode to be edited.
Division Intro 1~4,
Main 1~4, Fill
Dwn 1~3, Fill
Up 1~3, End
1~4
Use this parameter to
select the Division you
want to edit.
From Bar~
To CPT
See page 92.
Bias –1920~1920 This parameter sets the
amount by which the
duration (or gate time)
of the selected notes is
to change. The shortest
possible “Gate Time”
value is “1” (used for all
drum notes), so that
selecting “–1000” for
notes with a “Gate
Time” value of “1” in
the specified time
range still leaves you
with the same value.
Magnify 0~200% Use this parameter
rather than “Bias” to
produce proportional
changes to the
affected “Gate Time”
values. Values below
“100%” decrease the
duration, while any-
thing above “100%”
increases it. Select
“100%” if you prefer to
work with the “Bias”
parameter (see above).
From Note/
To Note
0 C-~127 G9 “From Note” refers to
the lower limit of the
note range you want
to change. “To Note”
represents the upper
limit.
Parameter Setting Explanation
Track ADrums~Acc6,
ALL
Allows you to select
the track you wish to
edit. You can also
select “ALL” here, in
which case the opera-
tion applies to all
tracks.
Mode Major, Minor,
7th, ALL
Allows you to select
the Mode to be edited.
Division Intro 1~4,
IntroALL,
Main 1~4,
Fill Dwn 1~3,
Fill Up 1~3,
End 1~4, ALL
Use this parameter to
select the Division you
want to edit.
Alteration
Mode*
Nearest,
Degree, —
This message type is
only available for
melodic rhythm tracks
(i.e. not for ADrums or
ABass tracks). Rhythm
tracks you only just
recorded do not con-
tain it. See also “About
‘Alteration Mode’ mes-
sages” on p. 104.
Parameter Setting Explanation
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