User Manual

Settings for the Entire FA
99
Performance
Functions
Editing
Sequencer
(Creating Songs)
Sampler Pads DAW
Appendix
Overview Performing Settings
Settings
For the basic procedure for system settings,
refer to p. 97.
SOUND MODIFY knob settings (Knob)
Parameter Value Explanation
Knob Assign
Source
SYSTEM, STUDIO
Species whether the functions
controlled by the SOUND MODIFY
knobs will be determined by the
system settings (SYSTEM) or by the
studio set settings (STUDIO).
Knob Mode DIRECT, CATCH
When you operate a knob, this
setting species whether control data
corresponding to the knob’s position
is always transmitted (DIRECT) or
whether control data is transmitted
only after the knob passes through
the current value of the parameter
(CATCH).
Auto Knob
Reset (for
Single)
OFF, ON
When you switch tones in Single play
mode, this setting species whether
the SOUND MODIFY knob settings are
reset (ON) or not reset (OFF).
If this is “ON,” the following
parameters are reset when you switch
tones.
• CUTOFF
• RESONANCE
• AT TACK
• RELEASE
• PAN
• LEVEL
• EQ LOW
• EQ MID1
• EQ MID2
• EQ MID3
• EQ HIGH
• COMPRESSOR
• TONE
• TFX SELECT
• ASSIGN 1, ASSIGN 2, ASSIGN 3,
ASSIGN 4, ASSIGN 5 (with the KNOB
ASSIGN settings in their factory-set
state)
Assignable
Sound Modify
Knob 1–6
Assign
Specify the functions that are controlled by the SOUND
MODIFY knobs.
OFF No function is assigned.
CC01–31,
32 (OFF), 33–95
Controller number 1–31, 33–95
PITCH BEND
Applies the same eect as when the
pitch bend lever is moved.
AFTERTOUCH Aftertouch
TFX PARAM 1–3
Controls parameters 1–3 of the Total
Eect.
D-BEAM controller settings (D-Beam)
Parameter Value Explanation
D-Beam Sens 0–127
The higher the value you set for this
parameter, the more sensitive the
D-BEAM controller becomes.
D-Beam Assign
Source
SYSTEM, STUDIO
Species whether the functions
controlled by the D-BEAM controller
will be determined by the system
settings (SYSTEM) or by the studio set
settings (STUDIO).
Parameter Value Explanation
D-Beam Switch
Specify the functions that are controlled by the D-BEAM
controller.
OFF No function is assigned.
SOLO SYNTH
The D-BEAM controller operates as a
monophonic synthesizer.
EXPRESSION
The D-BEAM controller controls the
volume.
ASSIGNABLE
The D-BEAM controller controls the
function that you assign.
Solo Synth
Level 0–127 Adjusts the volume of the solo synth.
Chorus Send
Level
0–127 Adjusts the chorus send level.
Reverb Send
Level
0–127 Adjusts the reverb send level.
Range 2–8OCT
Adjusts the range in which the pitch of
the solo synth will vary.
Osc 1
Waveform
SAW, SQR
Selects the waveform.
SAW (sawtooth wave), SQR (square
wave)
Osc 1 Pulse
Width
0–127
Species the pulse width of the
waveform. By cyclically modifying
the pulse width you can create subtle
changes in the tone.
Osc 1 Coarse
Tune
-48–+48
Adjusts the pitch of the tone’s sound
(in semitones, +/-4 octaves).
Osc 1 Fine
Tune
-50–+50
Adjusts the pitch of the tone’s sound
(in 1-cent steps).
Osc 2
Waveform
(same as Osc 1)
Osc 2 Pulse
Width
Osc 2 Coarse
Tune
Osc 2 Fine
Tune
Osc 2 Level 0–127 Adjusts the level of the Osc 2.
Osc Sync
Switch
OFF, ON
Turning this switch on produces a
complex sound with many harmonics.
This is eective when the Osc 1 pitch is
higher than the Osc 2 pitch.
Filter Type
Species the type of lter.
OFF No lter is used.
LPF
(Low Pass Filter)
This reduces the volume of all
frequencies above the cuto
frequency (Cuto).
BPF
(Band Pass Filter)
This leaves only the frequencies in the
region of the cuto frequency, and
cuts the rest.
HPF
(High Pass Filter)
This cuts the frequencies in the region
below the cuto frequency.
PKG
(Peaking Filter)
This emphasizes the frequencies in the
region of the cuto frequency.
Cuto 0–127
Frequency at which the lter begins
to have an eect on the waveform’s
frequency components.
Resonance 0–127
Emphasizes the portion of the sound
in the region of the cuto frequency,
adding character to the sound.
LFO Rate 0–127
Adjusts the modulation speed of the
LFO.
LFO Osc 1 Pitch
Depth
-63–+63
Species the depth to which the LFO
will modulate the Osc 1 pitch.
LFO Osc 2 Pitch
Depth
-63–+63
Species the depth to which the LFO
will modulate the Osc 2 pitch.