List_e 1 ページ ２００３年５月１５日 木曜日 午後１時３５分 Parameter List Thank you, and congratulations on your choice of the Roland / . Parameter List............................................................. 2 Patch Parameter ............................................................................................ 2 Rhythm Set Parameter ................................................................................. 7 Performance Parameter ...........................................................................
List_e 2 ページ ２００３年５月１５日 木曜日 午後１時３５分 Parameter List Patch Parameter General Group (Owner’s Manual; p. 43) Parameter Patch Name Patch Category Patch Level Patch Pan Patch Priority Octave Shift Patch Coarse Tune Patch Fine Tune Stretch Tune Depth Analog Feel Cutoff Offset Resonance Offset Attack Time Offset Release Time Offset Velocity Sens Offset Value * Specify when writing. Analog Feel Depth space, A–Z, a–z, 0–9, ! ” # $ % & ’ ( ) * + , - .
List_e 3 ページ ２００３年５月１５日 木曜日 午後１時３５分 Parameter List Pitch Group (Owner’s Manual; p.
List_e 4 ページ ２００３年５月１５日 木曜日 午後１時３５分 Parameter List TVA Group (Owner’s Manual; p.
List_e 5 ページ ２００３年５月１５日 木曜日 午後１時３５分 Parameter List Step LFO Group (Owner’s Manual; p. 57) Parameter Step Type Step 1–16 Value LFO Step Type LFO Step1–16 TYPE 1, TYPE 2 -36– +36 Solo/Porta Group (Owner’s Manual; p. 58) Parameter Value Mono/Poly Legato Switch Legato Retrigger Portamento Switch Portamento Mode Portamento Type Portamento Start Portamento Time MONO, POLY OFF, ON OFF, ON OFF, ON NORMAL, LEGATO RATE, TIME PITCH, NOTE 0–127 Legato Retrigger Switch Misc Group (Owner’s Manual; p.
List_e 6 ページ ２００３年５月１５日 木曜日 午後１時３５分 Parameter List Effect Group (Owner’s Manual; p.
List_e 7 ページ ２００３年５月１５日 木曜日 午後１時３５分 Parameter List Rhythm Set Parameter General Group (Owner’s Manual; p. 67) Parameter Rhythm Set Name Value * Specify when writing.
List_e 8 ページ ２００３年５月１５日 木曜日 午後１時３５分 Parameter List Pitch Env Group (Owner’s Manual; p. 71) Parameter P-Env Depth P-Env V-Sens P-Env T1 V-Sens P-Env T4 V-Sens P-Env Time1–4 P-Env Level 0–4 Value Pitch Envelope Depth Pitch Envelope Velocity Sensitivity Pitch Envelope Time 1 Velocity Sensitivity Pitch Envelope Time 4 Velocity Sensitivity Pitch Envelope Time 1–4 Pitch Envelope Level 0–4 -12– +12 -63– +63 -63– +63 -63– +63 0–127 -63– +63 TVF Group (Owner’s Manual; p.
List_e 9 ページ ２００３年５月１５日 木曜日 午後１時３５分 Parameter List Output Group (Owner’s Manual; p.
List_e 10 ページ ２００３年５月１５日 木曜日 午後１時３５分 Parameter List Performance Parameter General Group (Owner’s Manual; p. 96) Parameter Performance Name Value * Specify when writing. space, A–Z, a–z, 0–9, ! ” # $ % & ’ ( ) * + , - . / : ; < = > ? @[\]^_`{|} Part View Group (Owner’s Manual; p.
List_e 11 ページ ２００３年５月１５日 木曜日 午後１時３５分 Parameter List Parameter [8 (MIDI Filter)] Program Change Bank Select Pitch Bend Polyphonic Key Pressure Channel Pressure Modulation Volume Pan Expression Hold-1 Phase Lock Velocity Curve Value Receive Program Change Switch Receive Bank Select Switch Receive Pitch Bend Switch Receive Polyphonic Key Pressure Switch Receive Channel Pressure Switch Receive Modulation Switch Receive Volume Switch Receive Pan Switch Receive Expression Switch Receive Hold 1 Switch Phase L
List_e 12 ページ ２００３年５月１５日 木曜日 午後１時３５分 Parameter List Arpeggio Group (Owner’s Manual; p.
List_e 13 ページ ２００３年５月１５日 木曜日 午後１時３５分 Parameter List Effect Group (Owner’s Manual; p.
List_e 14 ページ ２００３年５月１５日 木曜日 午後１時３５分 Parameter List System Parameters Pedal/D Beam Group (Owner’s Manual; p. 189) Parameter D Beam Sens Control Pedal Assign Value D Beam Sensitivity Control Pedal Polarity Hold Pedal Polarity Continuous Hold Pedal 0–127 CC01–31, 33–95, BEND-UP, BEND-DOWN, AFT, OCTUP, OCT-DOWN, START/STOP, PUNCH-I/O, TAPTEMPO, PROG-UP, PROG-DOWN, FAV-UP, FAVDOWN, ARP-RHY-SW, RHY-START-STOP, CHD-SW STANDARD, REVERSE STANDARD, REVERSE OFF, ON Keyboard Group (Owner’s Manual; p.
List_e 15 ページ ２００３年５月１５日 木曜日 午後１時３５分 Parameter List Metronome Group (Owner’s Manual; p. 192) Parameter Value Metronome Mode OFF, PLAY-ONLY, REC-ONLY, PLAY&REC, ALWAYS 0–10 TYPE 1, TYPE 2, TYPE 3, TYPE 4 Metronome Level Metronome Sound MIDI Group (Owner’s Manual; p.
List_e 16 ページ ２００３年５月１５日 木曜日 午後１時３５分 Parameter List Sampling Group (Owner’s Manual; p. 195) Parameter Value Default File Type Pre Sample Time Trigger Level Gap Time External Source Select Trimming Switch Skip Back Time WAV, AIFF 0–1000 ms 0–7 500, 1000, 1500, 2000 ms LINE-L-R, LINE-L, MIC OFF, ON 5s–40s Startup Group (Owner’s Manual; p.
List_e 17 ページ ２００３年５月１５日 木曜日 午後１時３５分 Parameter List Mastering Effect Group (Owner’s Manual; p. 183) Parameter Value HIGH/MID/LOW ATTACK HIGH/MID/LOW RELEASE HIGH/MID/LOW THRESHOLD HIGH/MID/LOW RATIO HIGH/MID/LOW LEVEL Split Frequency High Split Frequency Low 0–100 ms 50–5000 ms -36–0 dB 1.00:1–INF:1 (INF: Infinity) 0–24 dB 2000–8000 Hz 200–800 Hz Input Setting Group (Owner’s Manual; p.
List_e 18 ページ ２００３年５月１５日 木曜日 午後１時３５分 Parameter List D Beam (Assignable) Group (Owner’s Manual; p. 98) * If Patch mode is selected, this is saved as part of the system settings. Parameter Type Value Assignable Type Range Min Range Max CC01–31, 33–95, Bend Up, Bend Down, Start/Stop, Tap Tempo, Arp Grid, Arp Duration, Arp Motif, Arp Octave Up, Arp Octave Down 0–127 0–127 Knob Group (Owner’s Manual; p. 101) * If Patch mode is selected, this is saved as part of the system settings.
List_e 19 ページ ２００３年５月１５日 木曜日 午後１時３５分 Effects List Multi-Effects Parameters The multi-effects feature 78 (Fantom-S; 77) different kinds of effects. Some of the effects consist of two or more different effects connected in series. Parameters marked with a sharp “#” can be controlled using a specified controller (Two setting items will change simultaneously for “#1” and “#2”). 51 52 53 54 55 SHUFFLE DELAY 3D DELAY TIME CTRL DELAY LONG TIME CTRL DELAY TAPE ECHO P.33 P.34 P.34 P.34 P.
List_e 20 ページ ２００３年５月１５日 木曜日 午後１時３５分 Effects List 01: EQUALIZER This is a four-band stereo equalizer (low, mid x 2, high). fig.MFX-01 L in 4-Band EQ L out R in 4-Band EQ R out Parameter Value Description Low Freq Low Gain # Mid1 Freq 200, 400 Hz -15– +15 dB 200–8000 Hz Mid1 Gain Mid1 Q -15– +15 dB 0.5, 1.0, 2.0, 4.0, 8.0 Mid2 Freq 200–8000 Hz Mid2 Gain Mid2 Q -15– +15 dB 0.5, 1.0, 2.0, 4.0, 8.
List_e 21 ページ ２００３年５月１５日 木曜日 午後１時３５分 Effects List Parameter Value Description Filter Slope -12, -24, -36 dB Amount of attenuation per octave -36 dB: extremely steep -24 dB: steep -12 dB: gentle Cutoff frequency of the filter Increasing this value will raise the cutoff frequency. Filter resonance level Increasing this value will emphasize the region near the cutoff frequency.
List_e 22 ページ ２００３年５月１５日 木曜日 午後１時３５分 Effects List 09: HUMANIZER Type Cabinet Speaker Adds a vowel character to the sound, making it similar to a human voice.
List_e 23 ページ ２００３年５月１５日 木曜日 午後１時３５分 Effects List Parameter Value Description Parameter Range Explanation Mode 4-STAGE, 8-STAGE, 12-STAGE 0–127 Number of stages in the phaser Adjusts the basic frequency from which the sound will be modulated. Frequency of modulation Depth of modulation Selects whether the left and right phase of the modulation will be the same or the opposite. INVERSE: The left and right phase will be opposite. When using a mono source, this spreads the sound.
List_e 24 ページ ２００３年５月１５日 木曜日 午後１時３５分 Effects List 17: TREMOLO 19: STEP PAN Cyclically modulates the volume to add tremolo effect to the sound. This uses a 16-step sequence to vary the panning of the sound. fig.MFX-17a fig.MFX-19 L in Tremolo 2-Band EQ L out R in Tremolo 2-Band EQ R out Parameter Value Description Mod Wave TRI, SQR, SIN, SAW1, SAW2 Modulation Wave TRI: triangle wave SQR: square wave SIN: sine wave SAW1/2: sawtooth wave SAW1 SAW2 Rate # Depth # 0.05–10.
List_e 25 ページ ２００３年５月１５日 木曜日 午後１時３５分 Effects List 21: ROTARY Parameter Value Description 0–127 The Rotary effect simulates the sound of the rotary speakers often used with the electric organs of the past. Since the movement of the high range and low range rotors can be set independently, the unique type of modulation characteristic of these speakers can be simulated quite closely. This effect is most suitable for electric organ Patches.
List_e 26 ページ ２００３年５月１５日 木曜日 午後１時３５分 Effects List 24: FLANGER This is a stereo flanger. (The LFO has the same phase for left and right.) It produces a metallic resonance that rises and falls like a jet airplane taking off or landing. A filter is provided so that you can adjust the timbre of the flanged sound. fig.
List_e 27 ページ ２００３年５月１５日 木曜日 午後１時３５分 Effects List Parameter Value Description Pre Delay 0.0–100.0 ms Chorus Rate # 0.05–10.00 Hz, note Chorus Depth 0–127 Tremolo Rate # 0.05–10.00 Hz, note Tremolo Separation Tremolo Phase Balance # 0–127 Adjusts the delay time from the direct sound until the chorus sound is heard.
List_e 28 ページ ２００３年５月１５日 木曜日 午後１時３５分 Effects List 31: 3D STEP FLANGER This applies a 3D effect to the step flanger sound. The flanger sound will be positioned 90 degrees left and 90 degrees right. Parameter Range Explanation Low Phase 0–180 deg High Pre Delay 0.0–100.0 ms High Rate # 0.05–10.
List_e 29 ページ ２００３年５月１５日 木曜日 午後１時３５分 Effects List 34: 2BAND STEP FLANGER 35: OVERDRIVE A step flanger that lets you apply an effect independently to the lowfrequency and high-frequency ranges. Creates a soft distortion similar to that produced by vacuum tube amplifiers. fig.MFX-34 fig.
List_e 30 ページ ２００３年５月１５日 木曜日 午後１時３５分 Effects List 38: VS DISTORTION Specifications for each Speaker Type This is a distortion effect that provides heavy distortion. The parameters are the same as for “37: VS OVERDRIVE.” The speaker column indicates the diameter of each speaker unit (in inches) and the number of units. fig.MFX-38 L in L out Distortion Amp Simulator 2-Band EQ R in Pan R R out 39: GUITAR AMP SIMULATOR This is an effect that simulates the sound of a guitar amplifier. fig.
List_e 31 ページ ２００３年５月１５日 木曜日 午後１時３５分 Effects List 42: GATE Cuts the reverb’s delay according to the volume of the sound sent into the effect. Use this when you want to create an artificialsounding decrease in the reverb’s decay. fig.MFX-42 L in L out Gate R in Parameter Value Description Threshold # 0–127 Mode GATE, DUCK Volume level at which the gate begins to close Type of gate GATE: The gate will close when the volume of the original sound decreases, cutting the original sound.
List_e 32 ページ ２００３年５月１５日 木曜日 午後１時３５分 Effects List Parameter Range Explanation Delay1 Time 0–1300 ms, note Delay1 Feedback # -98– +98% Delay1 HF Damp 200–8000 Hz, BYPASS Delay2 Time 0–1300 ms, note Delay time from when sound is input to delay 1 until the delay sound is heard Proportion of the delay sound that is to be returned to the input of delay 1 (negative values invert the phase) Frequency at which the highfrequency content of the delayed sound of delay 1 will be cut (BYPASS: no cut) Dela
List_e 33 ページ ２００３年５月１５日 木曜日 午後１時３５分 Effects List Parameter Value Description Parameter Range Explanation Delay 1–4 Time Delay 1 Feedback # 0–2600 ms, note -98– +98 % Threshold 0–127 Rev Delay Time 0–1300 ms, note HF Damp 200–8000 Hz, BYPASS Rev Delay Feedback # -98– +98% Delay 1–4 Level Low Gain High Gain Balance # 0–127 Adjusts the time until the delay sound is heard. Adjusts the amount of the delay sound that’s fed back into the effect. Negative (-) settings invert the phase.
List_e 34 ページ ２００３年５月１５日 木曜日 午後１時３５分 Effects List Parameter Value Description Parameter Value Description Level A/B Low Gain High Gain Balance # 0–127 -15– +15 dB -15– +15 dB D100:0W– D0:100W 0–127 Volume of delay A/B Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the effect sound (W) Output level Acceleration 0–15 Feedback #2 -98– +98 % HF Damp 200–8000 Hz, BYPASS Low Gain High Gain Balance # -15– +15 dB -15– +15 dB D100:
List_e 35 ページ ２００３年５月１５日 木曜日 午後１時３５分 Effects List Parameter Value Description Mode Repeat Rate # S, M, L, S+M, S+L, M+L, S+M+L 0–127 Intensity # Bass 0–127 -15– +15 dB Treble -15– +15 dB Head S Pan Head M Pan Head L Pan Tape Distortion L64–63R Combination of playback heads to use Select from three different heads with different delay times. S: short M: middle L: long Tape speed Increasing this value will shorten the spacing of the delayed sounds.
List_e 36 ページ ２００３年５月１５日 木曜日 午後１時３５分 Effects List Parameter Value Description Radio Detune # 0–127 Radio Noise Level # Balance # 0–127 Simulates the tuning noise of a radio. As this value is raised, the tuning drifts further. Volume of the radio noise Level 61: PITCH SHIFTER (Feedback Pitch Shifter) A stereo pitch shifter. fig.
List_e 37 ページ ２００３年５月１５日 木曜日 午後１時３５分 Effects List Parameter Value Description Pitch 2: Coarse #2 Pitch 2:Fine #2 Pitch 2:Delay Pitch 2:Feedback # Pitch 2:Pan # Pitch 2:Level Low Gain High Gain Level Balance -24-+12 semi Settings of the Pitch Shift 2 sound. The parameters are the same as for the Pitch Shift 1 sound.
List_e 38 ページ ２００３年５月１５日 木曜日 午後１時３５分 Effects List 66: OVERDRIVE → CHORUS fig.MFX-66 L out L in Balance D Balance W Overdrive Chorus Parameter Value Description Overdrive Drive # Overdrive Pan # 0–127 Delay Time 0–2600 ms, note Delay Feedback # -98– +98 % Delay HF Damp 200–8000 Hz, BYPASS Delay Balance # D100:0W–D0:100W Level 0–127 Degree of distortion Also changes the volume.
List_e 39 ページ ２００３年５月１５日 木曜日 午後１時３５分 Effects List 72: ENHANCER → CHORUS 74: ENHANCER → DELAY fig.MFX-72 fig.
List_e 40 ページ ２００３年５月１５日 木曜日 午後１時３５分 Effects List 76: FLANGER → DELAY fig.MFX-76 Balance D L in Parameter Value Description Flanger Feedback # -98– +98 % Flanger Balance # D100:0W–D0:100W Level 0–127 Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the volume balance between the sound that is sent through the flanger (W) and the sound that is not sent through the flanger (D).
List_e 41 ページ ２００３年５月１５日 木曜日 午後１時３５分 Effects List When Using 3D Effects About the STEP RESET function The following 3D effects utilize RSS (Roland Sound Space) technology to create a spaciousness that cannot be produced by delay, reverb, chorus, etc. 06: STEP FILTER 52: 3D DELAY 16: STEP RING MODULATOR 19: STEP PAN 20: SLICER 29: 3D CHORUS 63: STEP PITCH SHIFTER 30: 3D FLANGER 31: 3D STEP FLANGER The above five types contain a sixteen-step sequencer.
List_e 42 ページ ２００３年５月１５日 木曜日 午後１時３５分 Effects List Chorus Parameters Reverb Parameters The Fantom-S’s Chorus effect unit can also be used as a stereo delay unit. These settings allow you to select chorus or delay, and the characteristics of the selected effect type. These settings allow you to select the desired type of reverb, and its characteristics. Parameter Chorus Type Value 0 (OFF), 1 (CHORUS), 2 (DELAY), 3 (GM2 CHORUS) Description Selects either Chorus or Delay.
List_e 43 ページ ２００３年５月１５日 木曜日 午後１時３５分 Effects List Input Effect Parameter Selects the type of effect that will be applied to the external input source. 01: EQUALIZER 06: CENTER CANCELER Removes the sounds that are localized at the center of the stereo input. This is a convenient way to eliminate a vocal.
List_e 44 ページ ２００３年５月１５日 木曜日 午後１時３５分 Error Messages If an incorrect operation is performed, or if processing could not be performed as you specified, an error message will appear. Refer to the explanation for the error message that appears, and take the appropriate action. Message Meaning Action Cannot Edit Preset Sample! Card Not Ready! Card Protected! Data not found Empty Pattern — Insert a memory card into the slot.
List_e 45 ページ ２００３年５月１５日 木曜日 午後１時３５分 About MIDI MIDI (Musical Instruments Digital Interface) is a standard specification that allows musical data to be exchanged between electronic musical instruments and computers.
List_e 46 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation 1. Receive Data (Sound Source Section) ■Channel Voice Messages * Not received in Performance mode when the Receive Switch parameter (PERFORM/ MIDI) is OFF. ●Note off 2nd byte 3rd byte Status 8nH kkH vvH 9nH kkH 00H n = MIDI channel number: 0H - FH (ch.1 - 16) kk = note number: 00H - 7FH (0 - 127) vv = note off velocity: 00H - 7FH (0 - 127) * Not received when the Envelope Mode parameter (PATCH/GENERAL and RHYTHM/ GENERAL) is NO-SUS.
List_e 47 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation ❍Hold 1 (Controller number 64) ❍Cutoff (Controller number 74) 2nd byte 3rd byte Status BnH 40H vvH n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Control value: 00H - 7FH (0 - 127) 0-63 = OFF, 64-127 = ON 2nd byte Status BnH 4AH n = MIDI channel number: vv = Cutoff value (relative change): * * * Not received when Tone Receive Hold-1 parameter (PATCH/GENERAL or RHYTHM/ GENERAL) is OFF.
List_e 48 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation ❍Portamento control (Controller number 84) ●Program Change 2nd byte 3rd byte Status BnH 54H kkH n = MIDI channel number: 0H - FH (ch.1 - 16) kk = source note number: 00H - 7FH (0 - 127) Status * * * * A Note-on received immediately after a Portamento Control message will change continuously in pitch, starting from the pitch of the Source Note Number.
List_e 49 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation ●All Notes Off (Controller number 123) ■System Exclusive Message Status Status F0H Data byte iiH, ddH, ......,eeH F0H: ii = ID number: System Exclusive Message status an ID number (manufacturer ID) to indicate the manufacturer whose Exclusive message this is. Roland’s manufacturer ID is 41H. ID numbers 7EH and 7FH are extensions of the MIDI standard; Universal Non-realtime Messages (7EH) and Universal Realtime Messages (7FH).
List_e 50 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation ●Universal Realtime System Exclusive Messages ❍Master Volume Status F0H Data byte 7FH, 7FH, 04H, 01H, llH, mmH Byte F0H 7FH 7FH 04H 01H llH mmH F7H Explanation Exclusive status ID number (universal realtime message) Device ID (Broadcast) Sub ID#1 (Device Control) Sub ID#2 (Master Volume) Master Volume lower byte Master Volume upper byte EOX (End Of Exclusive) * * Status F7H F7H ❍Chorus Parameters The lower byte (llH) of Master Volume will
List_e 51 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation ●Data Transmission ❍Controller Status F0H Data byte Status 7FH, 7FH, 09H, 03H, 0nH, ccH, ppH, rrH F7H Byte F0H 7FH 7FH 09H 03H 0nH ccH ppH rrH Explanation Exclusive status ID number (universal realtime message) Device ID (Broadcast) Sub ID#1 (Controller Destination Setting) Sub ID#2 (Control Change) MIDI Channel (00 - 0F) Controller number (01 - 1F, 40 - 5F) Controlled parameter Controlled range pp=0 Pitch Control rr = 28H - 58H -24 - +24 [sem
List_e 52 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation Status F0H Byte F0H 41H dev 42H 12H aaH bbH ccH ddH : eeH sum F7H * * * * Data byte 41H, dev, 42H, 12H, aaH, bbH, ccH, ddH, ...
List_e 53 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation ❍Volume (Controller number 7) 2nd byte 3rd byte Status BnH 07H vvH n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Volume: 00H - 7FH (0 - 127) * In Performance mode, these messages are not transmitted when External Level parameter (PERFORMANCE/PART) is OFF. ❍Panpot (Controller number 10) BnH 52H vvH n = MIDI channel number:0H - FH (ch.
List_e 54 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation ❍Identity Reply Message (Fantom-S) Receiving Identity Request Message, the Fantom-S send this message.
List_e 55 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation ■Channel Mode messages 3.2 Messages not recorded during recording ●All Sound Off (Controller number 120) ■Channel mode messages 2nd byte Status BnH 78H n=MIDI channel number: ●Local On/Off (Controller number 122) 3rd byte 00H 0H - FH (ch.1 - ch.16) ●Reset All Controller (Controller number 121) 2nd byte Status BnH 79H n=MIDI channel number: 3rd byte 00H 0H - FH (ch.1 - ch.
List_e 56 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation ●Song Position Pointer Status F2H mm, ll=value: 2nd byte 3rd byte mmH llH 00 00H - 7F 7FH (0 - 16383) ■System Realtime Messages ●Timing Clock Status F8H * Received when Sync Mode parameter (System/Sync/Tempo) is set to SLAVE-MIDI. ●Start Status FAH * Received when Sync Mode parameter (System/Sync/Tempo) is set to SLAVE-MIDI or REMOTE.
List_e 57 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation 4. Data transmission (Sequencer Section) ■System Exclusive Message 4.1 Messages transmitted during playing ●MIDI Time code Recorded messages are transmitted during playback. 4.2 Soft Thru setting Messages (except System Common and System Realtime Messages) that are received are then sent out when Soft Thru parameter (System/Sync/Tempo) is switched to ON. 4.3 Messages that are generated and transmitted 4.3.
List_e 58 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation 5. Parameter Address Map * * Transmission of “#” marked address is diviedd to some packets. For example, ABH in hexadecimal notation will be divied to 0AH and 0BH, and is sent/received in this order. “<*>” marked adddress or parameters are ignored when the Fantom-S/Fantom-S88 received them. 1.
List_e 59 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation ❍System Common +——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| |# 00 00 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Master Tune (24 — 2024) | | | | —100.0 — 100.
List_e 60 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation ❍System Controller +——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0000 000a | Transmit Program Change (0 — 1) | | | | OFF, ON | | 00 01 | 0000 000a | Transmit Bank Select (0 — 1) | | | | OFF, ON | | 00 02 | 0aaa aaaa | Keyboard Velocity (0 — 127) | | | | REAL, 1 — 127 | | 00 03 | 0000 0
List_e 61 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation | | | | | 00 28 | 0aaa aaaa | (reserve) <*> (0 — 64) | | | | | | 00 29 | 0aaa aaaa | (reserve) <*> (0 — 64) | | | | | | 00 2A | 0aaa aaaa | (reserve) <*> (0 — 64) | | | | | | 00 2B | 0aaa aaaa | (reserve) <*> (0 — 64) | | | | | | 00 2C | 0aaa aaaa | (reserve) <*> (0 — 64) | | | | | | 00 2D | 0aaa aaaa | (reserve) <*> (0 — 64) | | | | | | 00 2E | 0aaa aaaa | (reserve) <*> (0 — 64) | | | | | | 00 2F | 0aaa aaaa | (reserve) <*> (0 — 64) | | | | | |——
List_e 62 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation ❍Performance Common Chorus +——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0000 aaaa | Chorus Type (0 — 3) | | 00 01 | 0aaa aaaa | Chorus Level (0 — 127) | | 00 02 | 0000 00aa | Chorus Output Assign (0 — 3) | | | | A, B, ———, ——— | | 00 03 | 0000 00aa | Chorus Output Select (0 — 2) | | |
List_e 63 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation ❍Performance Part ❍Performance Zone +——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0000 aaaa | Receive Channel (0 — 15) | | | | 1 — 16 | | 00 01 | 0000 000a | Receive Switch (0 — 1) | | | | OFF, ON | | 00 02 | 0000 0000 | (reserve) <*> (1 — 0) | | | | | | 00 03 | 0000 0000 | (reserve)
List_e 64 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation | | | REAL, 1 — 127 | | 00 18 | 0000 aaaa | Arpeggio Zone Number (0 — 15) | | | | ZONE1 — ZONE16 | | 00 19 | 0000 000a | Rhythm Pattern Switch (0 — 1) | | | | OFF, ON | | 00 1A | 0aaa aaaa | Rhythm Pattern Group Bank (0 — 1) | | | | USER, PRESET | | 00 1B | 0aaa aaaa | Rhythm Pattern Group Number (0 — 31) | | | | 1 — 32 | | 00 1C | 0aaa aaaa | Rhythm Pattern Accent Rate (0 — 100) | | 00 1D | 0aaa aaaa | Rhythm Pattern Velocity (0 — 127) | | | | RE
List_e 65 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation ❍Chord Pattern +——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0000 000a | Chord Note1 (0 — 1) | | | | OFF, ON | | 00 01 | 0000 000a | Chord Note2 (0 — 1) | | | | OFF, ON | | 00 02 | 0000 000a | Chord Note3 (0 — 1) | | | | OFF, ON | | 00 03 | 0000 000a | Chord Note4 (0 — 1) | | | | OFF,
List_e 66 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation | | | | | 01 07 | 0aaa aaaa | Chord Pattern Name 8 (32 — 127) | | | | | | 01 08 | 0aaa aaaa | Chord Pattern Name 9 (32 — 127) | | | | | | 01 09 | 0aaa aaaa | Chord Pattern Name 10 (32 — 127) | | | | | | 01 0A | 0aaa aaaa | Chord Pattern Name 11 (32 — 127) | | | | | | 01 0B | 0aaa aaaa | Chord Pattern Name 12 (32 — 127) | | | | | | 01 0C | 0aaa aaaa | Chord Pattern Name 13 (32 — 127) | | | | | | 01 0D | 0aaa aaaa | Chord Pattern Name 14 (32 — 127)
List_e 67 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation | 00 15 | 0aaa aaaa | Analog Feel (0 - 127) | | 00 16 | 0000 000a | Mono/Poly (0 - 1) | | | | MONO, POLY | | 00 17 | 0000 000a | Legato Switch (0 - 1) | | | | OFF, ON | | 00 18 | 0000 000a | Legato Retrigger (0 - 1) | | | | OFF, ON | | 00 19 | 0000 000a | Portamento Switch (0 - 1) | | | | OFF, ON | | 00 1A | 0000 000a | Portamento Mode (0 - 1) | | | | NORMAL, LEGATO | | 00 1B | 0000 000a | Portamento Type (0 - 1) | | | | RATE, TIME | | 00 1C | 000
List_e 68 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation ❍Patch Common MFX +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | 00 00 | 0aaa aaaa | MFX Type (0 - 127) | | 00 01 | 0aaa aaaa | MFX Dry Send Level (0 - 127) | | 00 02 | 0aaa aaaa | MFX Chorus Send Level (0 - 127) | | 00 03 | 0aaa aaaa | MFX Reverb Send Level (0 - 127) | | 00 04 | 0000 00aa | MF
List_e 69 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation | | 0000 cccc | | | | 0000 dddd | Chorus Parameter 12 (12768 - 52768) | | | | -20000 - +20000 | |# 00 34 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Chorus Parameter 13 (12768 - 52768) | | | | -20000 - +20000 | |# 00 38 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Chorus Parameter 14 (12768 - 52768) | | | | -20000 - +20000 | |# 00 3C | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd |
List_e 70 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation | 00 0C | 0aaa aaaa | Tone Dry Send Level (0 - 127) | | 00 0D | 0aaa aaaa | Tone Chorus Send Level (MFX) (0 - 127) | | 00 0E | 0aaa aaaa | Tone Reverb Send Level (MFX) (0 - 127) | | 00 0F | 0aaa aaaa | Tone Chorus Send Level (non MFX) (0 - 127) | | 00 10 | 0aaa aaaa | Tone Reverb Send Level (non MFX) (0 - 127) | | 00 11 | 0000 aaaa | Tone Output Assign (0 - 12) | | | | MFX, A, B, ---, ---, | | | | 1, 2, 3, 4, ---, ---, ---, --- | |-------------+--
List_e 71 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation | 00 07 | 0aaa aaaa | Rhythm Name 8 (32 - 127) | | | | 32 - 127 [ASCII] | | 00 08 | 0aaa aaaa | Rhythm Name 9 (32 - 127) | | | | 32 - 127 [ASCII] | | 00 09 | 0aaa aaaa | Rhythm Name 10 (32 - 127) | | | | 32 - 127 [ASCII] | | 00 0A | 0aaa aaaa | Rhythm Name 11 (32 - 127) | | | | 32 - 127 [ASCII] | | 00 0B | 0aaa aaaa | Rhythm Name 12 (32 - 127) | | | | 32 - 127 [ASCII] | |-------------+-----------+---------------------------------------------------
List_e 72 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation | | 0000 cccc | | | | 0000 dddd | Chorus Parameter 7 (12768 - 52768) | | | | -20000 - +20000 | |# 00 20 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Chorus Parameter 8 (12768 - 52768) | | | | -20000 - +20000 | |# 00 24 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Chorus Parameter 9 (12768 - 52768) | | | | -20000 - +20000 | |# 00 28 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Cho
List_e 73 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation |# | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |# | | | | |# | | | | |# | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |# | | | | |# | | | | |# | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |# | | | | |# | | | | |# | | 00 2B | | | | | 00 2F | | 00 30 | | 00 31 | | 00 32 | 00 33 | | 00 34 | | 00 35 | | 00 36 | | 00 37 | | 00 38 | | 00 39 | 00 3A | | 00 3B | | 00 3C | 00 3D | 00 3E
List_e 74 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation 2. GS (Model ID = 42H) ❍System Parameter +------------------------------------------------------------------------------+ | Start | | | Address | Description | |-------------+----------------------------------------------------------------| |# 40 00 00 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Master Tune (24 - 2024) | | | | -100.0 - 100.
List_e 75 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation | 40 2x 41 | 0aaa aaaa | CC1 TVF Cutoff Control (0 - 127) | | | | -9600 - +9600 [cent] | | 40 2x 42 | 0aaa aaaa | CC1 Amplitude Control (0 - 127) | | | | -100.0 - +100.0 [%] | | 40 2x 43 | 0aaa aaaa | CC1 LFO1 Rate Control (0 - 127) | | | | -10.0 - +10.
List_e 76 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation ■Examples of Actual MIDI Messages ■Example of an Exclusive Message and Calculating a Checksum 92 3E 5F 9n is the Note-on status, and n is the MIDI channel number. Since 2H = 2, 3EH = 62, and 5FH = 95, this is a Note-on message with MIDI CH = 3, note number 62 (note name is D4), and velocity 95. CE 49 CnH is the Program Change status, and n is the MIDI channel number.
List_e 77 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation ■The Scale Tune Feature (address: 40 1x 40) The scale Tune feature allows you to finely adjust the individual pitch of the notes from C through B. Though the settings are made while working with one octave, the fine adjustments will affect all octaves. By making the appropriate Scale Tune settings, you can obtain a complete variety of tuning methods other than equal temperament.
List_e 78 ページ ２００３年５月１５日 木曜日 午後１時３５分 MIDI Implementation Patch Group Number USER CARD PR-A PR-B PR-C PR-D PR-E PR-F (* S88 only) GM(2) XP-A (SRX-01) (SRX-02) : XP-B (SRX-01) (SRX-02) : XP-C (SRX-01) (SRX-02) : XP-D (SRX-01) (SRX-02) : 001–128 129–256 001–128 129–256 001–128 001–128 001–128 001–128 001–128 001–008 001–256 001– 001– : 001– 001– : 001– 001– : 001– 001– : Bank Select MSB LSB 87 87 87 87 87 87 87 87 87 87 121 93 93 : 93 93 : 93 93 : 9
List_e 79 ページ ２００３年５月１５日 木曜日 午後１時３５分 (Sound Generator Section) Model Fantom-S/S88 MIDI Implementation Chart Transmitted Function... Date : Feb. 6, 2003 Version : 1.
List_e 80 ページ ２００３年５月１５日 木曜日 午後１時３５分 (Sequencer Section) Date : Feb. 6, 2003 MIDI Implementation Chart Model Fantom-S/S88 Transmitted Function... Recognized Basic Channel Default Changed All channel X All channel 1–16 Mode Default Messages Altered X X X X Version : 1.00 Remarks There is no specific basic channel.
