Information AFRICA EGYPT Al Fanny Trading Office 9, EBN Hagar A1 Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: 20-2-417-1828 REUNION Maison FO - YAM Marcel 25 Rue Jules Hermann, Chaudron - BP79 97 491 Ste Clotilde Cedex, REUNION ISLAND TEL: (0262) 218-429 SOUTH AFRICA That Other Music Shop(PTY)Ltd. 11 Melle St., Braamfontein, Johannesbourg, SOUTH AFRICA TEL: (011) 403 4105 FAX: (011) 403 1234 Paul Bothner(PTY)Ltd.
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
Fantom-X678_r_e.book 3 ページ 2005年5月12日 木曜日 午後4時40分 USING THE UNIT SAFELY The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger. Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
Fantom-X678_r_e.book 4 ページ 2005年5月12日 木曜日 午後4時40分 022a • 104 Always turn the unit off and unplug the power cord before attempting installation of the circuit board (SRX series; p. 240, p. 242, DIMM; p. 244, p. 246). .......................................................................................................... 023 • DO NOT play a CD-ROM disc on a conventional audio CD player. The resulting sound may be of a level that could cause permanent hearing loss.
Fantom-X678_r_e.book 5 ページ 2005年5月12日 木曜日 午後4時40分 IMPORTANT NOTES Maintenance 401a • For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth. 402 • Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.
Fantom-X678_r_e.book 6 ページ 2005年5月12日 木曜日 午後4時40分 Contents USING THE UNIT SAFELY ..............................................................................3 IMPORTANT NOTES ........................................................................................4 Main Features ................................................................................................15 Panel Descriptions ........................................................................................16 Front Panel........
Fantom-X678_r_e.book 7 ページ 2005年5月12日 木曜日 午後4時40分 Contents Playing in Patch Mode ..................................................................................38 About the Patch Play Screen ................................................................................................................... 38 Displaying Patch Play Screen ...................................................................................................... 38 Selecting a Patch ..........................................
Fantom-X678_r_e.book 8 ページ 2005年5月12日 木曜日 午後4時40分 Contents Output............................................................................................................................................. 73 Modulating Sounds (LFO) ........................................................................................................... 74 Apply Portamento or Legato to the Sound (Solo/Porta) ........................................................ 77 Miscellaneous Settings (Misc) ....................
Fantom-X678_r_e.book 9 ページ 2005年5月12日 木曜日 午後4時40分 Contents Creating a Performance ..............................................................................107 Viewing the Part Settings as a List (Performance Part View) .......................................................... 107 Adjusting the Parameters of Each Part ....................................................................................
Fantom-X678_r_e.book 10 ページ 2005年5月12日 木曜日 午後4時40分 Contents Playing Rhythms .........................................................................................135 About Rhythm Patterns......................................................................................................................... 135 Using Rhythm Groups........................................................................................................................... 135 Playing Rhythm ..............................
Fantom-X678_r_e.book 11 ページ 2005年5月12日 木曜日 午後4時40分 Contents Using the Pads.............................................................................................160 Using the Hold Function to Sustain a Sound ..................................................................................... 160 Using the Roll Function to Play Sounds.............................................................................................. 160 Making Settings for the Pads (Pad Setting) ........................
Fantom-X678_r_e.book 12 ページ 2005年5月12日 木曜日 午後4時40分 Contents Inserting a Blank Measure (Insert) ........................................................................................... 185 Transpose the Key (Transpose)................................................................................................. 185 Changing the Velocity (Volume) (Change Velocity) ............................................................. 186 Changing the MIDI Channel (Change Channel) ............................
Fantom-X678_r_e.book 13 ページ 2005年5月12日 木曜日 午後4時40分 Contents Making Reverb Settings (Reverb) ........................................................................................................ 216 Mastering Effect...................................................................................................................................... 217 Connecting to Your Computer via USB (USB Mode) ...............................218 About USB Functions..................................................
Fantom-X678_r_e.book 14 ページ 2005年5月12日 木曜日 午後4時40分 Contents Installing the Wave Expansion Board........................................................240 Cautions When Installing an Wave Expansion Board ...................................................................... 240 How to Install a Wave Expansion Board ............................................................................................ 240 Checking the Installed Wave Expansion Boards .................................................
Fantom-X678_r_e.book 15 ページ 2005年5月12日 木曜日 午後4時40分 Main Features Cutting-edge sound engine that unifies audio and MIDI The Fantom-X inherits the same sound engine that was acclaimed on the Fantom-S, unifying synthesizer and sampler into a single sound generator. Sampled waveforms and waveforms imported from a PC or other external source can also be used as synthesizer waveforms.
Fantom-X678_r_e.book 16 ページ 2005年5月12日 木曜日 午後4時40分 Panel Descriptions Front Panel fig.01-001 1 2 4 9 14 10 12 7 5 15 3 6 8 11 13 1 D BEAM D BEAM Switches D Beam function on/off. You can apply a variety of effects to sounds simply by moving your hand. -> (p. 121) [ASSIGNABLE] You can assign a variety of parameters and functions to D Beam to modify the sound in realtime. -> (p. 122) [ ], [ [RPS] Switches RPS on/off. -> (p.
Fantom-X678_r_e.book 17 ページ 2005年5月12日 木曜日 午後4時40分 Panel Descriptions [STOP] [CURSOR] Controls sequencer stop. Moves the cursor location up/down/left/right. While stopped, you can hold down [SHIFT] and Press [PLAY] to perform MIDI Update. -> (p. 165) [REC] The display changes to the Recording Standby window. -> (p. 170) If you press this during recording, the Rehearsal function will be activated. -> (p.
Fantom-X678_r_e.book 18 ページ 2005年5月12日 木曜日 午後4時40分 Panel Descriptions Rear Panel fig.01-002 fig.01-003 POWER ON Switch Press to turn the power on/off. -> (p. 21, p. 22) AC Inlet Connect the included power cord to this inlet. -> (p. 21) fig.01-004 fig.01-007, 008 OUTPUT A (MIX) Jacks (L (MONO), R) These jacks output the audio signal to the connected mixer/amplifier system in stereo. For mono output, use the L jack. -> (p.
Fantom-X678_r_e.book 19 ページ 2005年5月12日 木曜日 午後4時40分 Getting Ready Connecting an Amp and Speaker System Since the Fantom-X contains no amplifier or speakers, you’ll need to connect it to audio equipment such as a keyboard amplifier, monitor speaker system or home stereo, or use headphones to hear its sound. 1. Before hooking anything up, make sure that the power on all of your gear is turned OFF. 2. Connect one end of the supplied power cable to the Fantom-X, and the other end to a power outlet. 3.
Fantom-X678_r_e.book 20 ページ 2005年5月12日 木曜日 午後4時40分 Getting Ready Placing the Fantom-X8 on a Stand (For Fantom-X8 user) If you want to place the Fantom-X8 on a stand, use the Roland KS-17. Place the instrument on the stand as follows. fig.02-001.e Place it so the center of the stand comes between the "a" and "n" of the word "Fantom.
Fantom-X678_r_e.book 21 ページ 2005年5月12日 木曜日 午後4時40分 Getting Ready Turning On the Power Once the connections have been completed (p. 19), turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices. fig.bender.e 1.
Fantom-X678_r_e.book 22 ページ 2005年5月12日 木曜日 午後4時40分 Getting Ready Adjusting the Display Contrast (LCD Contrast) The characters in the display may be difficult to view immediately after turning on the FantomX’s power or after extended use. Your viewing angle or the current lighting conditions can also affect the appearance of the display. In such situations, you can turn the CONTRAST knob (located on the rear panel) to adjust the contrast of the display. fig.02-005 Turning Off the Power 1.
Fantom-X678_r_e.book 23 ページ 2005年5月12日 木曜日 午後4時40分 Listening to the Demo Songs The Fantom-X contains a demonstration (“demo”) song that you can listen to using the Fantom-X’s Demo Play feature. The demo will introduce you to the Fantom-X’s exceptional sounds and effects. Listening to the demo song loaded when you start up the Fantom-X With the factory settings, you can play a song simply by powering up the Fantom-X and pressing the [PLAY] button.
Fantom-X678_r_e.book 24 ページ 2005年5月12日 木曜日 午後4時40分 Various Performance Features Velocity/Aftertouch The force with which you play the keyboard, or the “velocity” with which you play, can affect the volume or timbre of a sound. Aftertouch—downward pressure you apply to a key after playing a note—can also affect the sound. For details on the setting, refer to p. 226. fig.
Fantom-X678_r_e.book 25 ページ 2005年5月12日 木曜日 午後4時40分 Various Performance Features Control Pedal If an optional expression pedal or pedal switch (EV-5, DP-2.) is connected to the rear panel PEDAL CONTROL jack, you can use the pedal to control the volume or various function. fig.02-011 The way in which the sound changes will depend on the settings. For details on settings for parameters controlled by the pedal, refer to “Making Control Pedal Settings” (“Making Control Pedal Settings” (p. 126)).
Fantom-X678_r_e.book 26 ページ 2005年5月12日 木曜日 午後4時40分 Overview of the Fantom-X How the Fantom-X Is Organized Basic Structure Broadly speaking, the Fantom-X consists of a controller section, a sound generator section, and a sequencer section. These sections are internally connected via MIDI. fig.04-001.
Fantom-X678_r_e.book 27 ページ 2005年5月12日 木曜日 午後4時40分 Overview of the Fantom-X LFO (Low Frequency Oscillator) Use the LFO to create cyclic changes (modulation) in a sound. The Fantom-X has two LFOs. You can use the LFO to apply an effect to either the WG (pitch), the TVF (filter), or the TVA (volume). When an LFO is applied to the WG pitch, a vibrato effect is produced. When an LFO is applied to the TVF cutoff frequency, a wah effect is produced.
Fantom-X678_r_e.book 28 ページ 2005年5月12日 木曜日 午後4時40分 Overview of the Fantom-X About Simultaneous Polyphony The Fantom-X can play a maximum of 128 sounds simultaneously. The following paragraphs discuss what this means, and what will happen when more than 128 simultaneous voices are requested from the Fantom-X. About Memory Patch and performance settings are stored in what is referred to as memory. There are three kind of memory: temporary, rewritable, and non-rewritable. fig.04-006.
Fantom-X678_r_e.book 29 ページ 2005年5月12日 木曜日 午後4時40分 Overview of the Fantom-X Temporary Memory Temporary Area This is the area that holds the data for the patch or performance that you’ve selected using the panel buttons. When you play the keyboard or play back a sequence, sound is produced based on data in the temporary area. When you edit a patch or performance, you do not directly modify the data in memory; rather, you call up the data into the temporary area, and edit it there.
Fantom-X678_r_e.book 30 ページ 2005年5月12日 木曜日 午後4時40分 Overview of the Fantom-X About the Sequencer How Effects Units Work in Different Modes In Patch Mode Multi-effects can be used individually by each patch and rhythm set. Chorus and reverb are each shared by patches and rhythm sets; the same effect applies to each tone. Adjusting the signal level to be sent to each effects unit (Send Level) provides control over the effect intensity that’s applied to each tone. fig.
Fantom-X678_r_e.book 31 ページ 2005年5月12日 木曜日 午後4時40分 Overview of the Fantom-X Tempo Track The Tempo track records tempo changes of a song over time. It can be used for tempo changes during a song. If a song has the same tempo from beginning to end, the Tempo track can be ignored. When a song is first recorded on the Fantom-X, a tempo setting at the time of recording will be stored at the beginning of the Tempo track.
Fantom-X678_r_e.book 32 ページ 2005年5月12日 木曜日 午後4時40分 Overview of the Fantom-X About the Sampling Section Where Samples are Stored The Sampling section samples (records) external sounds from an audio device or mic as digital data. Sampled sounds can be played as a patch or rhythm set. You can also import WAV/AIFF format files and use them in the same way. Samples that you record or import are stored in sample memory. This sample memory is temporary, and its data will be lost when you turn off the power.
Fantom-X678_r_e.book 33 ページ 2005年5月12日 木曜日 午後4時40分 Overview of the Fantom-X Basic Operation of the Fantom-X To select the Layer screen 1. Press [LAYER/SPLIT]. fig.04-015_50 Switching the Sound Generator Mode The Fantom-X has two sound generating modes: Patch mode, Performance mode. You can select the sound generating mode (state) that is most appropriate for how you are playing the Fantom-X. Use the following procedure to switch between these modes.
Fantom-X678_r_e.book 34 ページ 2005年5月12日 木曜日 午後4時40分 Overview of the Fantom-X About the Function Buttons The eight [F1]–[F8] buttons (function buttons) located below the display execute various functions, and their operation will differ depending on the screen. Functions will be listed in the bottom of the screen. fig.04-017 Moving the Cursor A single screen or window displays multiple parameters or items for selection. To edit the setting of a parameter, move the cursor to the value of that parameter.
Fantom-X678_r_e.book 35 ページ 2005年5月12日 木曜日 午後4時40分 Overview of the Fantom-X Modifying a Value To modify the value, use the VALUE dial or the [INC]/[DEC] buttons. fig.04-021 Using the pads In some cases when the cursor is located at an input location, you can press [ENTER] to see a list of parameter values. For some of these lists, the screen will show an icon like the following, which means you can use the pads to input or specify the value. When inputting a numerical value fig.
Fantom-X678_r_e.book 36 ページ 2005年5月12日 木曜日 午後4時40分 Overview of the Fantom-X Using the Pads to Specify Characters Assigning a Name On the Fantom-X, you can assign names to each patch, rhythm set, performance, Song, Sample, and Pattern. The procedure is the same for any type of data. 1. Press [CURSOR] to move the cursor to the location where you wish to input a character. fig.04-022a You can use the pads to specify characters.
Fantom-X678_r_e.book 37 ページ 2005年5月12日 木曜日 午後4時40分 Overview of the Fantom-X Registering and recalling frequently used screen pages (Bookmark) This function lets you register frequently used screen pages, and use the pads to access them. For example, if you find yourself frequently moving between the Patch Edit page and the Effect page, this function will help you switch between these two pages more efficiently. Registering a page 1. Access the page that you want to register. 2.
Fantom-X678_r_e.book 38 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Patch Mode In Patch mode, the keyboard and the pads are each used to play a single sound (patch/rhythm set). The keyboard controller section and the pad controller section each have their own sound generator part, and each are connected by their own MIDI channel. This means you can play separate sounds on the keyboard and the pads. 4. Press [F6] to switch the Patch Play screen.
Fantom-X678_r_e.book 39 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Patch Mode Functions in the Patch Play screen fig.05-005.e The Fantom-X has eight patch groups, including the User group and Preset groups A–H and GM, with each group storing 128 patches (256 in GM, USER). What’s more, you can further expand your options by installing up to four optional Wave Expansion Boards (SRX series; sold separately), enabling you to select from a huge assortment of available patches.
Fantom-X678_r_e.book 40 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Patch Mode 1. Press [PATCH/RHYTHM] to access the Patch Play screen. fig.05-001.e Patch type Patch group Patch number Patch Category Patch name Selecting Patches by Category (Patch Finder) The Fantom-X provides a “Patch Search function” (Patch Finder) which allows you to specify a type (category) of patch so that you can quickly find the desired patch. There are a total of 38 categories. 1.
Fantom-X678_r_e.book 41 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Patch Mode The following categories can be selected. Category --PNO EP KEY No Assign AC.Piano EL.Piano Keyboards BEL MLT ORG ACD HRM AGT EGT DGT BS SBS STR ORC HIT WND FLT BRS SBR SAX HLD SLD TEK PLS FX SYN BPD SPD VOX PLK ETH FRT PRC SFX BTS DRM CMB Bell Mallet Organ Accordion Harmonica AC.Guitar EL.Guitar DIST.Guitar Bass Synth Bass Strings Orchestra Hit&Stab Wind Flute AC.
Fantom-X678_r_e.book 42 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Patch Mode Auditioning Patches (Phrase Preview) The Fantom-X allows you to preview patches by hearing a phrase appropriate for each type of patch. 1. Press [PATCH/RHYTHM] to access the Patch Play screen. 2. Press [F1 (Patch List)] to access the Patch List screen. fig.05-009_50 Creating a list of frequently used Patches and Performances (Live Setting) You can create a list of frequently used sounds, and recall them instantly.
Fantom-X678_r_e.book 43 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Patch Mode Registering a sound 1. Access the screen of the patch, rhythm set, or performance that you want to register. 2. Press [MENU] to open the Menu window. 3. Either turn the VALUE dial or press or “Live Setting Edit,” and then press [ENTER]. The Live Setting Edit screen appears. Changing the step at which a sound is registered Here’s how to change the step at which a sound is registered. 1.
Fantom-X678_r_e.book 44 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Patch Mode 2. Selecting Favorite Patches (Favorite Patch) Press [F2 (Favorite)]. fig.05-007_50 In the patch mode, You can bring together your favorite and most frequently used patches in one place by registering them in the favorite patch. By using this function, you can rapidly select favorite patches from Preset/User/Card area or a Wave Expansion Board. 1. Press [PATCH/RHYTHM] to access the Patch Play screen. 2.
Fantom-X678_r_e.book 45 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Patch Mode Canceling a patch registration Registering Favorite Rhythm Sets You can bring together your favorite and most frequently used rhythm sets in one place by registering them in the favorite patch. By using this function you can rapidly select favorite rhythm sets from Preset/User/Card area or a Wave Expansion Board. You can register a total of 64 sounds (8 sounds x 8 banks) as favorite patchs.
Fantom-X678_r_e.book 46 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Patch Mode 3. Transposing the Keyboard in Semitone Steps (Transpose) Press [F5 (Tone Sw/Sel)]. fig.05-014_50 Transpose changes keyboard pitch in units of semitones. This function is useful when you play transposed instruments such as trumpet or clarinet following a printed score. * Transpose applies only to the keyboard part. 1. Press [PATCH/RHYTHM] to access the Patch Play screen. 2.
Fantom-X678_r_e.book 47 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Patch Mode Creating Smooth Pitch Changes (Portamento) Portamento is an effect which smoothly changes the pitch from the first-played key to the next-played key. By applying portamento when Mono mode is selected (see the preceding item), you can simulate performance effects such as slurring on a violin. 1. Press [PATCH/RHYTHM] to access the Patch Play screen. 2. Press [F7 (Part Kbd)] to move the cursor to the keyboard part. 3.
Fantom-X678_r_e.book 48 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Patch Mode Knob Part Select D Beam (Pad Trigger) Selects the part that will be controlled by the realtime control knobs. Instead of striking the pads themselves, you can also use the D Beam controller to control the sounding of the pads. Value: KBD, PAD Assigning a Parameter to a Controller Here’s how to specify the parameter that will be affected when you operate a controller. 1. Press [PATCH/RHYTHM] to access the Patch Play screen.
Fantom-X678_r_e.book 49 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Patch Mode D Beam (Solo Synth) OSC Sync Switch You can use the D Beam controller to perform in a way similar to on a mono synth. Turning this switch on produces a complex sound with many harmonics. This is effective when the OSC1 pitch is higher than the OSC2 pitch. fig.05-019_50 Value: OFF, ON Filter Type Selects the type of filter.
Fantom-X678_r_e.book 50 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Patch Mode LFO Osc 1 Pitch Depth D Beam (Assignable) Specifies the depth to which the LFO will modulate the OSC1 pitch. By assigning a variety of functions to the D Beam controller you can apply different effects to the sound in real time. Value: -63–+63 LFO Osc 2 Pitch Depth fig.05-020_50 Specifies the depth to which the LFO will modulate the OSC2 pitch.
Fantom-X678_r_e.book 51 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Patch Mode Knob Switch fig.05-021_50 fig.05-022_50 For details on these settings, refer to “Assigning a Parameter to a Controller” (p. 48). For details on these settings, refer to “Assigning a Parameter to a Controller” (p. 34). Knob parameters are valid only when the REALTIME CONTROL button is set to “ASSIGNABLE.” Assignable switches are valid only when the keyboard part is selected.
Fantom-X678_r_e.book 52 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Patch Mode Playing Percussion Instruments 1. Press [PATCH/RHYTHM] to access the Patch Play screen. 2. Press [F7 (Part Kbd)] or [F8 (Part Pad)] to select the pad part or the keyboard part. fig.05-023.e Patch Type Rhythm set group In Patch mode, you can play percussion instruments from the keyboard and pad by selecting a rhythm set.
Fantom-X678_r_e.book 53 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Patch Mode Playing a Rhythm Set 1. Press [PATCH/RHYTHM] to access the Patch Play screen, and then press [F6]. The Patch Play screen switches. 2. Press [F7 (Part Kbd)] or [F8 (Part Pad)] to select the part. Select the rhythm set that you wish to play. 3. Press a key or a pad on the keyboard to play a percussion instrument.
Fantom-X678_r_e.book 54 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Piano Mode The Fantom-X has a Piano mode that use the instrument as a dedicated piano. This chapter explains the procedures used in piano mode, and the functions of the parameters. Cautions for Piano mode • If you want to edit a patch, switch to Patch mode. Selecting from the Patch List Screen You can display a list of piano patches and select a patch from that list. 1. In the Piano Mode screen, press [F1 (List)]. fig.
Fantom-X678_r_e.book 55 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Piano Mode 2. Use the VALUE dial or [DEC][INC] to specify the desired touch. • Light: This sets the keyboard to a light touch. You can achieve fortissimo (ff) play with a less forceful touch than usual, so the keyboard feels lighter. This setting makes it easier for children, whose hands have less strength. • Medium: This sets the keyboard to the standard touch. You can play with the most natural touch.
Fantom-X678_r_e.book 56 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch With the Fantom-X, you have total control over a wide variety of settings. Each item that can be set is known as a parameter. When you change the values of parameters, you are doing what is referred to as Editing. This chapter explains the procedures used in creating patches, and the functions of the patch parameters. 2. Press [PATCH EDIT]. The Patch Edit screen appears. fig.
Fantom-X678_r_e.book 57 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch 8. Repeat steps 5-7 to set each parameter you want to edit. 9. If you wish to save the changes you’ve made, press [WRITE] to perform the Save operation (p. 59). If you do not wish to save changes, press [EXIT] to return to the Patch Play screen. If you return to the Patch Play screen without saving, an “*” will be displayed at the left of the patch number, indicating that the patch settings have been edited.
Fantom-X678_r_e.book 58 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch Copying Patch (Tone) Settings (Copy) Cautions When Selecting a Waveform This operation copies the settings of any desired patch to the currently selected patch. You can use this feature to make the editing process faster and easier. The sounds of the Fantom-X are based on complex PCM waveforms, and if you attempt to make settings that are contrary to the type of the original waveform, the results will not be as you expect. 1.
Fantom-X678_r_e.book 59 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch Cautions When Using a Loop Waveform With many acoustic instruments such as piano and sax, extreme timbral changes occur during the first few moments of each note. This initial attack is what defines much of the instrument’s character. For such waveforms, it is best to use the complex tonal changes of the attack portion of the waveform just as they are, and to use the envelope only to modify the decay portion.
Fantom-X678_r_e.book 60 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch 6. Turn the VALUE dial or use [INC][DEC] and [F2 (⇑)][F3 (⇓)] to select the write destination and patch number. The write destination can be either the Fantom-X’s internal user area (User), or a memory card (Card). By pressing [F6 (Compare)] you can check the save-destination patch (Compare function). 7. Press [F8 (Write)]. A message will ask you for confirmation. Never switch off the Fantom-X while data is being saved. 8.
Fantom-X678_r_e.book 61 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch Patch Category Stretch Tune Depth Specifies the type (category) of the patch. This setting allows you to apply “stretched tuning” to the patch. (Stretched tuning is a system by which acoustic pianos are normally tuned, causing the lower range to be lower and the higher range to be higher than the mathematical tuning ratios would otherwise dictate.) With a setting of “OFF,” the patch’s tuning will be equal temperament.
Fantom-X678_r_e.book 62 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch Resonance Offset Resonance Offset alters the resonance of the overall patch, while preserving the relative differences between the resonance values set for each tone in the Resonance parameter (p. 69). Modifying Waveforms (Wave) fig.06-012_50 Range: -63– +63 * Resonance: emphasizes the overtones in the region of the cutoff frequency, adding character to the sound.
Fantom-X678_r_e.book 63 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch Wave Gain 1 FXM Color 3 Sets the gain (amplification) of the waveform. The value changes in 6 dB (decibel) steps—an increase of 6 dB doubles the waveform’s gain. If you intend to use the Booster to distort the waveform’s sound, set this parameter to its maximum value (p. 65). Specifies how FXM will perform frequency modulation. Higher settings result in a grainier sound, while lower settings result in a more metallic sound.
Fantom-X678_r_e.book 64 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch fig.06-016 fig.06-021 TYPE 3 TONE 1 (3) TYPE 8 WG TVA TONE 1 (3) TVF WG TVF TVA B TONE 2 (4) WG R TVF TONE 2 (4) TVA This type mixes the sound of tone 1 (3) and tone 2 (4), applies a filter, and then applies a booster to distort the waveform. fig.
Fantom-X678_r_e.book 65 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch Booster 1&2, 3&4 (Booster Gain) When a Structure Type of TYPE 3 or TYPE 4 is selected, you can adjust the depth of the booster. The booster increases the input signal in order to distort the sound. This creates the distortion effect frequently used with electric guitars. Higher settings will produce more distortion. Value: 0, +6, +12, +18 Booster The Booster is used to distort the incoming signal. fig.06-024.
Fantom-X678_r_e.book 66 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch Key Fade Upper (Keyboard Fade Width Upper) Velo Range Upper (Velocity Range Upper) 4 This determines what will happen to the tone’s level when a note that’s higher than the tone’s specified keyboard range is played. Higher settings produce a more gradual change in volume. If you don’t want the tone to sound at all when a note below the keyboard range is played, set this parameter to “0.
Fantom-X678_r_e.book 67 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch Modifying Pitch (Pitch/Pitch Env) fig.06-029_50 Pitch Key follow 4 This specifies the amount of pitch change that will occur when you play a key one octave higher (i.e., 12 keys upward on the keyboard). If you want the pitch to rise one octave as on a conventional keyboard, set this to “+100.” If you want the pitch to rise two octaves, set this to “+200.” Conversely, set this to a negative value if you want the pitch to fall.
Fantom-X678_r_e.book 68 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch P-Env T4 V-Sens (Pitch Envelope Time 4 Velocity Sensitivity) Pitch Env Use this parameter when you want key release speed to affect the Time 4 value of the pitch envelope. If you want Time 4 to be speeded up for quickly released notes, set this parameter to a positive (+) value. If you want it to be slowed down, set this to a negative (-) value.
Fantom-X678_r_e.book 69 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch Modifying the Brightness of a Sound with a Filter (TVF/TVF Env) If you set “LPF2” or “LPF3,” the setting for the Resonance parameter will be ignored (p. 69). Cutoff Frequency ★ 1 fig.06-033_50 Selects the frequency at which the filter begins to have an effect on the waveform’s frequency components.
Fantom-X678_r_e.book 70 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch Resonance V-Sens (Resonance Velocity Sensitivity) Cutoff Key follow 4 Use this parameter if you want the cutoff frequency to change according to the key that is pressed. Relative to the cutoff frequency at the C4 key (center C), positive (+) settings will cause the cutoff frequency to rise for notes higher than C4, and negative (-) settings will cause the cutoff frequency to fall for notes higher than C4.
Fantom-X678_r_e.book 71 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch TVF ENV F-Env Depth (TVF Envelope Depth) Specifies the depth of the TVF envelope. Higher settings will cause the TVF envelope to produce greater change. Negative (-) settings will invert the shape of the envelope. Adjusting the Volume (TVA/TVA Env) fig.06-038_50 Value: -63– +63 F-Env Time KF (TVF Envelope Time Key Follow) Use this setting if you want the TVA envelope times (Time 2–Time 4) to be affected by the keyboard location.
Fantom-X678_r_e.book 72 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch Bias Pan Key Follow 3 Bias causes the volume to be affected by the keyboard position. This is useful for changing volume through keyboard position (pitch) when playing acoustic instruments. fig.06-039.e LOWER + Level UPPER Level + Value: -100– +100 0 0 Use this parameter if you want key position to affect panning.
Fantom-X678_r_e.book 73 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch A-Env T4 V-Sens (TVA Envelope Time 4 Velocity Sensitivity) Output The parameter to use when you want key release speed to control the Time 4 value of the TVA envelope. If you want Time 4 to be speeded up for quickly released notes, set this parameter to a positive (+) value. If you want it to be slowed down, set this to a negative (-) value. Patch Out Assign Specifies how the direct sound of each patch will be output.
Fantom-X678_r_e.book 74 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch Tone Out Level LFO 1/2 Set the level of the signal that is sent to the output destination specified by Tone Output Assign. Waveform (LFO1/LFO2 Waveform) Value: 0–127 Selects the waveform of the LFO. Value Tone Chorus Send (Send Level (Output=MFX)) SIN: Sine wave TRI: Triangle wave Specifies the level of the signal sent to the chorus for each tone if the tone is sent through MFX.
Fantom-X678_r_e.book 75 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch Rate Detune (LFO1/LFO2 Rate Detune) LFO Rate Detune makes subtle changes in the LFO cycle rate (Rate parameter) each time a key is pressed. Higher settings will cause greater change. This parameter is invalid when Rate is set to “note.” fig.06-031.e Time -100 -50 Value: 0–127 Offset (LFO1/LFO2 Offset) Raises or lowers the LFO waveform relative to the central value (pitch or cutoff frequency).
Fantom-X678_r_e.book 76 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch Pan Depth (LFO1/LFO2 Pan Depth) ★ ● Apply the LFO immediately when the key is pressed, and then gradually begin to decrease the effect Specifies how deeply the LFO will affect the pan. Value: -63– +63 fig.06-044.e high (more) Positive (+) and negative (-) settings for the Depth parameter result in differing kinds of change in pitch and volume.
Fantom-X678_r_e.book 77 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch Apply Portamento or Legato to the Sound (Solo/Porta) Solo/Portamento fig.06-047_50 Let’s say you have the Legato Switch set to “ON,” and the Legato Retrigger set to “OFF.” When you try to sound a legato (by pressing a higher key while a lower key is held down), the pitch may sometimes not be able to rise all the way to the intended pitch (stopping instead at an intermediate pitch).
Fantom-X678_r_e.book 78 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch Portamento Start When another key is pressed during a pitch change produced by portamento, a new pitch change will begin. This setting specifies the pitch at which the change will begin. Miscellaneous Settings (Misc) fig.06-050_50 Value Starts a new portamento when another key is pressed while the pitch is changing. PITCH: fig.06-048.e Pitch C5 D4 C4 Tone Delay Mode Time Selects the type of tone delay.
Fantom-X678_r_e.book 79 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch OFF-N: Rather than being played while the key is pressed, the tone begins to play once the period of time specified in the Delay Time parameter has elapsed after release of the key. This is effective in situations such as when simulating noises from guitars and other instruments. fig.06-053.
Fantom-X678_r_e.book 80 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch Tone Rx Pan Mode For each tone, specify how pan messages will be received. Matrix Control Settings (Ctrl1–4) Value CONT: Whenever Pan messages are received, the stereo position of the tone will be changed. K-ON: The pan of the tone will be changed only when the next note is played. If a pan message is received while a note is sounding, the panning will not change until the next key is pressed. fig.
Fantom-X678_r_e.book 81 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch Matrix Control 1–4 Source Sets the MIDI message used to change the tone parameter with the Matrix Control. Value OFF: Matrix control will not be used. CC01–31, 33–95: Controller numbers 1–31, 33–95 CTRL Destination 1–4 (Matrix Control Destination 1–4) Matrix Control Destination selects the tone parameter that is to be controlled when using the Matrix Control. The following parameters can be controlled.
Fantom-X678_r_e.book 82 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Patch ● Changing the TVF Envelope CTRL Sens 1–4 (Matrix Control Sens 1–4) TVA ENV A-TIME: Changes the Env Time 1 parameter of the TVA envelope. Sets the amount of the Matrix Control’s effect that is applied. If you wish to modify the selected parameter in a positive (+) direction – i.e., a higher value, toward the right, or faster etc. – from its current setting, select a positive (+) value.
Fantom-X678_r_e.book 83 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Rhythm Set With the Fantom-X, you have total control over a wide variety of settings. Each item that can be set is known as a parameter. When you change the values of parameters, you are doing what is referred to as Editing. This chapter explains the procedures used in creating rhythm sets, and the functions of the rhythm set parameters. 5. Press [F8 (Wave Sw/Sel)] to select the wave that you want to edit.
Fantom-X678_r_e.book 84 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Rhythm Set Editing in a Graphic Display (Zoom Edit) You can edit while viewing a graphic display of the most frequently used important parameters. Zoom Edit lets you edit the following parameters. Parameter Pitch Envelope TVF TVF Envelope TVA Envelope page p. 91 p. 92 p. 93 p. 94 1. Press [PATCH/RHYTHM] to access the Patch Play screen, and select the part (keyboard part or pad part) and rhythm set that you want to initialize (p. 52). 2.
Fantom-X678_r_e.book 85 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Rhythm Set 3. themselves, such as percussive instrument sounds. The Fantom-X also contains many other one-shot waveforms that are elements of other sounds. These include attack components such as piano-hammer sounds and guitar fret noises. Press [F5 (Tone Copy)]. The Rhythm Copy window appears. fig.07-003_50 Looped: 4. Using [CURSOR] to move the cursor, select the “Source (copy-source)” bank and number, and the rhythm tone. 5.
Fantom-X678_r_e.book 86 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Rhythm Set 6. Saving Rhythm Sets You’ve Created (Write) Turn the VALUE dial or use [INC][DEC] and [F2 (⇑)] [F3 (⇓)] to select the write destination and rhythm set number. The write destination can be either the Fantom-X’s internal user area (User), or a memory card (Card). fig.07-007_50 Changes you make to sound settings are temporary, and will be lost if you turn off the power or select another sound.
Fantom-X678_r_e.book 87 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Rhythm Set 4. If you wish to change the save destination, re-specify the save-destination rhythm set by using or . 5. Press [F7 (Write)]. 6. Press [F8 (Exec)] once again to execute the Save operation. Rhythm Level (Rhythm Set Level) 1 Sets the volume of the rhythm set. Value: 0–127 The volume levels of the tones from which the rhythm set is composed is set with the Tone Level parameter (p. 94).
Fantom-X678_r_e.book 88 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Rhythm Set Tone Pitch Bend Range (Rhythm Tone Pitch Bend Range) Specifies the amount of pitch change in semitones (4 octaves) that will occur when the Pitch Bend Lever is moved. The amount of change when the lever is tilted is set to the same value for both left and right sides. Modifying Waveforms (Wave) fig.
Fantom-X678_r_e.book 89 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Rhythm Set Wave No. L (Mono) (Wave Number L (Mono)) Wave No. R (Wave Number R) This selects the Waves comprising the rhythm tone. Along with the Wave number, the Wave name appears at the lower part of the display. FXM Switch 2 This sets whether FXM will be used (ON) or not (OFF). Value: OFF, ON When in monaural mode, only the left side (L) is specified. When in stereo, the right side (R) is also specified.
Fantom-X678_r_e.book 90 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Rhythm Set Wave Fine Tune 2 Adjusts the pitch of the waveform’s sound up or down in 1-cent steps (+/-50 cents). Value: -50– +50 One cent is 1/100th of a semitone. The Fine Tune of the entire rhythm tone is set by the Tone Fine Tune parameter (p. 91). Wave Level 3 Velo Fade Lower (Velocity Fade Width Lower) This determines what will happen to the tone’s level when the tone is played at a velocity lower than its specified velocity range.
Fantom-X678_r_e.book 91 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Rhythm Set Pitch P-Env T4 V-Sens (Pitch Envelope Time 4 Velocity Sensitivity) Tone Coarse Tune (Rhythm Tone Coarse Tune) 1 Selects the pitch at which a rhythm tone sounds. Value: C-1– G9 Use this parameter when you want key release speed to affect the Time 4 value of the pitch envelope. If you want Time 4 to be speeded up for quickly released notes, set this parameter to a positive (+) value.
Fantom-X678_r_e.book 92 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Rhythm Set Modifying the Brightness of a Sound with a Filter (TVF/TVF Env) If you set “LPF2” or “LPF3,” the setting for the Resonance parameter will be ignored. Cutoff Frequency 1 fig.07-012_50 Selects the frequency at which the filter begins to have an effect on the waveform’s frequency components.
Fantom-X678_r_e.book 93 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Rhythm Set Cutoff V-Sens (Cutoff Velocity Sensitivity) Use this parameter when changing the cutoff frequency to be applied as a result of changes in playing velocity. If you want strongly played notes to raise the cutoff frequency, set this parameter to positive (+) settings. If you want strongly played notes to lower the cutoff frequency, use negative (-) settings.
Fantom-X678_r_e.book 94 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Rhythm Set Random Pan Depth 3 Adjusting the Volume (TVA/TVA Env) Use this parameter when you want the stereo location to change randomly each time you press a key. Higher settings will produce a greater amount of change. fig.07-013_50 Value: 0–63 This will affect only waves whose Wave Rnd Pan Sw parameter (p. 90) is ON. Alternate Pan Depth 4 For details on these settings, refer to “How to make Rhythm Set settings” (p. 83).
Fantom-X678_r_e.book 95 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Rhythm Set A-Env Level 1–3 (TVA Envelope Level 1–3) 3 Specify the TVA envelope levels (Level 1–Level 3). These settings specify how the volume will change at each point, relative to the standard volume (the Rhythm Tone Level value specified in the TVA screen). Tone Out Assign Specifies how the direct sound of each tone will be output. Value: MFX: Output in stereo through multi-effects.
Fantom-X678_r_e.book 96 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Rhythm Set Tone Chorus Send (Send Level (Output=non MFX)) 3 Sets the level of the signal sent to chorus for each tone if the tone is not sent through MFX. Setting Effects for a Rhythm Set (Effects/MFX/MFX Control/Chorus/ Reverb) Value: 0–127 Tone Reverb Send (Send Level (Output=non MFX)) 4 Sets the level of the signal sent to reverb for each tone if the tone is not sent through MFX.
Fantom-X678_r_e.book 97 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Performance Mode A performance contains settings that apply to each individual part, such as the patch (rhythm set) assigned to each part, and its volume and pan. Broadly speaking, Performance mode consists of two screens: Layer screen and Mixer screen. Use the Layer screen when you want to combine multiple sounds (patches or rhythm sets) to create complex sounds.
Fantom-X678_r_e.book 98 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Performance Mode Functions in the PERFORMANCE Layer/Mixer Screen fig.08-002.e LAYER screen MIXER1 screen 1 4 2 1 3 8 4 2 5 3 5 7 6 7 11 9 17 15 10 11 12 13 16 11 14 MIXER2 screen 18 9 11 13 10 Indicates the keyboard switch on/off. 1 Indicates the current sound generating mode. 11 Jumps to the setting screen of the displayed parameter.
Fantom-X678_r_e.book 99 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Performance Mode Selecting a Performance Selecting Performances from the List The Fantom-X has two performance groups, including the User group and Preset groups, with each group storing 64 performances, for a total of 128 performances. You can display a list of performances and select a performance from that list. USER 1. Press [LAYER/SPLIT] or [MIXER]. This is the group inside the Fantom-X which can be rewritten.
Fantom-X678_r_e.book 100 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Performance Mode 3. Selecting Favorite Performances Press [F3 (Favorite)]. The Favorite List screen appears. fig.08-006_50 You can bring together your favorite and most frequently used performances in one place by registering them in the Favorite Performance. By using this function you can quickly select your favorite performances.
Fantom-X678_r_e.book 101 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Performance Mode Selecting the Part that You want to Sound (Keyboard Switch) Here's how to select the parts whose patch or rhythm set will sound. For each part, use the check box to specify whether that part will be played from the keyboard; this is called the “keyboard switch.” 1. From the Layer screen, Use [CURSOR] to move the cursor to “KBD,” and press [INC] to add a check mark (✔) to “KBD.
Fantom-X678_r_e.book 102 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Performance Mode Combining and Playing Sounds Together (Layer) In Performance mode you can play the sounds of all parts whose Internal Switch is on, and all connected parts. Combining the parts will produce, thicker, fatter sounds. fig.08-009.e Part 1 (Rx ch.1) Part 2 (Rx ch.2) Part 15 (Rx ch.15) Part 16 (Rx ch.16) A split performance is one application of a layer. Changing the key range of each part in the layer results in a split. 1.
Fantom-X678_r_e.book 103 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Performance Mode Using the Mixer Screen Selecting the Sound for a Part You can switch the patch that is assigned to a part. Selecting Parts for a Layer or Split The currently selected part is called the “current part.” 1. In the Mixer 2 screen, use or to select the part. fig.08-012 Current Part Selecting from a list display 1. Select the part whose sound you want to switch. 2. Press [F1 (Patch List)].
Fantom-X678_r_e.book 104 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Performance Mode Selecting in the Mixer Screen 1. Press [MIXER] to access the MIXER screen. 2. Use 3. Use or to select a part. Editing the Part Settings In the Mixer screen you can set the following parameters for each part. to move the cursor to the patch number. Performance Mixer1 screen fig.08-014 Parameter Part Level (p. 108) Part Pan (p. 108) Part Reverb Send (p. 108) Part Chorus Send (p. 108) Solo Switch (p.
Fantom-X678_r_e.book 105 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Performance Mode Selecting a Part to Play Individually (Solo) When playing back a song, you can choose to hear just a specific part play by itself. 1. Press [MIXER] to access the Mixer screen. 2. Use 3. Turn the VALUE dial or press [INC] or [DEC] to turn the SOLO switch on/off. to move the cursor to the solo switch. Silencing the Playback of a Specific Part (Mute) When playing along with a song, you can turn off (i.e.
Fantom-X678_r_e.book 106 ページ 2005年5月12日 木曜日 午後4時40分 Playing in Performance Mode Viewing the Part Settings as a List (Performance Part View) Viewing MIDI messages for each Part (Part Information) In Performance mode you can view the part settings as a list. This is called the “Part View” screen. In this screen you can view a list that shows settings for all parts at once, such as the patch assigned to each part, and its volume and pan settings.
Fantom-X678_r_e.book 107 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Performance With the Fantom-X, you have total control over a wide variety of settings. Each item that can be set is known as a parameter. When you change the values of parameters, you are doing what is referred to as Editing. This chapter explains the procedures used in creating Performances, and the functions of the Performance parameters. Viewing the Part Settings as a List (Performance Part View) 3. 4.
Fantom-X678_r_e.book 108 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Performance Part Level • Chorus and reverb are output in mono at all times. Adjust the volume of each part. This setting’s main purpose is to adjust the volume balance between parts. • The output destination of the signal after passing through the chorus is set with the Chorus Output Select (p. 209) and the Chorus Output Assign (p. 209). Value: 0–127 Part Pan Adjust the pan of each part.
Fantom-X678_r_e.book 109 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Performance [F3 (Pitch)] fig.09-003_50 Part Mono/Poly Set this parameter to “MONO” when the patch assigned to the part is to be played monophonically, or to “POLY” when the patch is to be played polyphonically. If you want to use the Mono/Poly setting of the patch assigned to the part (p. 77), set this to “PAT.” Value: MONO, POLY, PAT This setting is ignored for parts to which a rhythm set is assigned.
Fantom-X678_r_e.book 110 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Performance [F4 (Offset)] fig.09-004_50 Part Release Time Offset Adjusts the TVA/TVF Envelope Release Time for the patch or rhythm set assigned to a part. Value: -64– +63 Patches also contain a Release Time Offset setting (p. 62). The final TVA Envelope release time value is therefore the sum of the tone’s TVA Envelope Time 4 setting, the patch’s Release Time Offset, and the part’s Release Time Offset.
Fantom-X678_r_e.book 111 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Performance Keyboard Range Upper (Part Keyboard Range Upper) Voice Reserve Specifies the highest note that the tone will sound for each part. This setting specifies the number of voices that will be reserved for each part when more than 128 voices are played simultaneously. Value: LOWER–G9 Value: 0–63, FUL When the Key Range (p.
Fantom-X678_r_e.book 112 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Performance Receive Switch Equal Temperament For each part, specify whether MIDI messages will be received (ON), or not (OFF). This tuning divides the octave into 12 equal parts, and is the most widely used method of temperament used in Western music. The Fantom-X employs equal temperament when the Scale Tune Switch is set to “OFF.” If this is “OFF,” the part will not respond.
Fantom-X678_r_e.book 113 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Performance Ext Pan (External Pan) If you want Pan messages to also be transmitted when you select a Performance, specify the desired value (L64–0–63R) for the part. If you do not want this message to be transmitted, set this to “OFF.” Value: L64–0–63R, OFF These messages will not be transmitted by parts whose Keyboard Switch is turned off. [F8 (MIDI Filter)] fig.
Fantom-X678_r_e.book 114 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Performance Selecting the Parameter Controlled by the Realtime Controllers or D Beam Controller (Control Setting) Make Settings for the Realtime Controllers and D Beam Controller (Ctrl) fig.09-013_50 The Fantom-X lets you assign the parameters that will be affected when you operate the realtime control knobs, assignable switches, D Beam, pitch bend, or modulation lever.
Fantom-X678_r_e.book 115 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Performance D Beam (Solo Synth) OSC1 Sync Switch You can use the D Beam controller to perform in a way similar to on a mono synth. Turning this switch on produces a complex sound with many harmonics. This is effective when the OSC1 pitch is higher than the OSC2 pitch. fig.09-014_50 Value: OFF, ON Filter Type Selects the type of filter.
Fantom-X678_r_e.book 116 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Performance LFO Osc 2 Pitch Depth Type (Assignable Type) Specifies the depth to which the LFO will modulate the OSC2 pitch. Specifies the function controlled by the D Beam controller. Value: -63–+63 Value LFO Osc 1 Pulse Width Depth Specifies the depth to which the LFO will modulate the pulse width of the OSC1 waveform. * The Pulse Width is activated when “SQR” is selected with OSC1/2 waveform.
Fantom-X678_r_e.book 117 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Performance Knob Switch fig.09-016_50 fig.09-017_50 For details on these settings, refer to “Selecting the Parameter Controlled by the Realtime Controllers or D Beam Controller (Control Setting)” (p. 114). For details on these settings, refer to “Selecting the Parameter Controlled by the Realtime Controllers or D Beam Controller (Control Setting)” (p. 114).
Fantom-X678_r_e.book 118 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Performance Tempo fig.09-018_50 Control Switch Settings (Ctrl Switch) You can change controller switch on/off settings for each patch in the performance. 1. In the Control Setting (Performance) screen, press [F7 (Ctrl Switch)]. fig.09-012_50 For details on these settings, refer to “Selecting the Parameter Controlled by the Realtime Controllers or D Beam Controller (Control Setting)” (p. 114).
Fantom-X678_r_e.book 119 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Performance Control D Beam (Control D Beam Switch) Specifies whether each part will be controlled by the D Beam. Value: OFF, ON Control Knob (Control Knob Switch) Specifies whether each part will be controlled by the control knob. Initializing Performance Settings (Init) “Initialize” means to return the settings of the currently selected sound to a standard set of values.
Fantom-X678_r_e.book 120 ページ 2005年5月12日 木曜日 午後4時40分 Creating a Performance 5. Saving a Performance You’ve Created (Write) When you have finished inputting the name, press [F8 (Write)]. A screen will appear, allowing you to select the writedestination performance. fig.09-023_50 Changes you make to sound settings are temporary, and will be lost if you turn off the power or select another sound. If you want to keep the modified sound, you must save it in the User area or a memory card.
Fantom-X678_r_e.book 121 ページ 2005年5月12日 木曜日 午後4時40分 Modifying the Sound in Real Time You can use the D Beam controller, realtime controllers, assignable switches or a pedal to modify the sound while you perform. Here we will explain the procedures and settings for using these functions in Patch mode. The operations are the same in Performance mode. Waving Your Hand Over the D Beam to Modify the Sound (D Beam Controller) The D Beam controller can be used simply by waving your hand over it.
Fantom-X678_r_e.book 122 ページ 2005年5月12日 木曜日 午後4時40分 Modifying the Sound in Real Time Range Min (D Beam Range Lower) Making Settings for the D Beam Controller Specify the lower limit of the range of the D Beam controller. Value: 0–127 Range Max (D Beam Range Upper) Assignable You can assign various functions to the D Beam controller and apply a wide range of effects to the sound in real time. Specify the upper limit of the range of the D Beam controller.
Fantom-X678_r_e.book 123 ページ 2005年5月12日 木曜日 午後4時40分 Modifying the Sound in Real Time Pad Control Mode OSC 1/2 Waveform This specifies how the D Beam will behave when it is obstructed. If this is set to MOMENTARY, the parameter will be on only while the D Beam is obstructed, and will turn off when you stop obstructing it. If this is set to LATCH, the parameter will alternately be switched on/off each time you obstruct the D Beam. Select the waveform. SAW is a sawtooth wave, and SQR is a square wave.
Fantom-X678_r_e.book 124 ページ 2005年5月12日 木曜日 午後4時40分 Modifying the Sound in Real Time Resonance Emphasizes the portion of the sound in the region of the cutoff frequency, adding character to the sound. Excessively high settings can produce oscillation, causing the sound to distort. Value: 0–127 Level Using Knobs or Buttons to Modify the Sound (Realtime Controller) Sets the volume. You can use the REALTIME CONTROL knobs and ASSIGNABLE SW buttons to modify the sound in real time. Value: 0–127 1.
Fantom-X678_r_e.book 125 ページ 2005年5月12日 木曜日 午後4時40分 Modifying the Sound in Real Time Assignable Switch Settings Changing Realtime Controller Settings Realtime Controller Knob Settings 1. 1. Hold down [SHIFT] and press one of the ASSIGNABLE SW button. The Switch screen appears. fig.10-009_50 Hold down [SHIFT] and rotate one of the REALTIME CONTROL knobs. The Knob screen appears. fig.10-008_50 2.
Fantom-X678_r_e.book 126 ページ 2005年5月12日 木曜日 午後4時40分 Modifying the Sound in Real Time Using a Pedal to Modify the Sound (Control Pedal) You can modify the sound by pressing a pedal that is connected to the rear panel PEDAL HOLD jack or PEDAL CONTROL jack. Pedal such as expression pedals (DP-8; available separately), pedal switches (DP series; available separately), or foot switches (BOSS FSU; available separately) can be connected to the Fantom-X.
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Fantom-X678_r_e.book 128 ページ 2005年5月12日 木曜日 午後4時40分 Playing Arpeggios About Arpeggio The Fantom-X’s Arpeggio function lets you produce arpeggios automatically; simply hold down some keys, and a corresponding arpeggio will be played automatically. Not only can you use the factory-set Arpeggio Styles, which determine the way the arpeggio is played, but you can also freely rewrite Styles and enjoy performing your own original arpeggios.
Fantom-X678_r_e.book 129 ページ 2005年5月12日 木曜日 午後4時40分 Playing Arpeggios 1. Connect an optional pedal switch (DP series etc.) to the HOLD PEDAL jack. 2. Press [ARPEGGIO] to turn on the arpeggio. 3. Play a chord while pressing the hold pedal. 4. If you play a different chord or notes while the arpeggio is being held, the arpeggio will change accordingly.
Fantom-X678_r_e.book 130 ページ 2005年5月12日 木曜日 午後4時40分 Playing Arpeggios Applying Staccato and Tenuto (Arp/Rhythm Duration) RANDOM (L): Notes will be sounded randomly for the keys you press, with only the lowest key sounded each time. RANDOM (_): Only the lowest of the keys pressed is sounded each time, the notes you press will be sounded randomly. No note will sound each time. PHRASE: Pressing just one key will play a phrase based on the pitch of that key.
Fantom-X678_r_e.book 131 ページ 2005年5月12日 木曜日 午後4時40分 Playing Arpeggios Hanging the Range of the Arpeggio (Oct Range) This adds an effect that shifts arpeggios one cycle at a time in octave units (octave range). You can set the shift range upwards or downwards (up to three octaves up or down). Step-recording In this method, you use the keyboard and pads to step-record your arpeggio. Each time you input a note, you will advance to the next step.
Fantom-X678_r_e.book 132 ページ 2005年5月12日 木曜日 午後4時40分 Playing Arpeggios Using the Dial or [INC][DEC] to Input Values In this method, you’ll use the cursor to specify the step or pitch that you want to input, and use the dial or [INC][DEC] to input values. This method is convenient when you want to edit or modify previously input data. 1. Hold down [SHIFT] and press [ARPEGGIO]. 2. Press [F7 (Edit)].
Fantom-X678_r_e.book 133 ページ 2005年5月12日 木曜日 午後4時40分 Using the Chord Memory Function (Chord Memory) About the Chord Memory Function Chord Memory is a function that allows you to play chords based on pre-programmed Chord Forms, just by pressing a single key on the keyboard. The Fantom-X can store 64 preset chord forms and 64 user chord forms. If you wish, you can overwrite any of the 64 user (factory set) chord forms. The chord memory function operates on the arpeggio part in Performance mode.
Fantom-X678_r_e.book 134 ページ 2005年5月12日 木曜日 午後4時40分 Using the Chord Memory Function (Chord Memory) 4. Use the keyboard to input the chord that you want to play. When you press a key, the note will be added in the screen. Sounding a chord in the order of its notes (Rolled Chord) This causes the notes within a chord to be sounded consecutively, rather than simultaneously.
Fantom-X678_r_e.book 135 ページ 2005年5月12日 木曜日 午後4時40分 Playing Rhythms About Rhythm Patterns The Fantom-X contains 256 preset rhythm patterns. You can play a variety of rhythm patterns simply by pressing the pads. In addition to using these built-in rhythm patterns, you can also create your own. The 256 rhythm patterns are maintained as independent data; they are not part of a performance’s data. This means that any one rhythm pattern can be shared by various rhythm sets or performances.
Fantom-X678_r_e.book 136 ページ 2005年5月12日 木曜日 午後4時40分 Playing Rhythms 4. When you have made the setting, press [F8 (Close)]. Rhythm Pattern Settings Using a controller to adjust the playback tempo Since tempo control is assigned to one of the Fantom-X’s realtime control knobs, it’s easy to adjust the tempo at which the rhythm pattern will play back. 1. Hold down [SHIFT] and press [RHYTHM]. 2. Press [F2 (Rhythm)]. A screen like the one below appears. fig.
Fantom-X678_r_e.book 137 ページ 2005年5月12日 木曜日 午後4時40分 Playing Rhythms Changing the Beat and Shuffle (Grid) This sets the particular note division and resolution in a “single grid” used in creating the pattern in an Rhythm Pattern, and how much of a “shuffle” syncopation is to be to applied (none/weak/ strong) to it (grid type). * Grid settings are shared with the arpeggio.
Fantom-X678_r_e.book 138 ページ 2005年5月12日 木曜日 午後4時40分 Playing Rhythms * To input a tie, press [F2 (TIE)]. Creating an Rhythm Pattern (Rhythm Pattern Edit) * To input a rest, press [F3 (Rest (Clear))]. * You can use [F4 (Zoom In)]/[F5 (Zoom Out)] to zoom the display in or out. In addition to using the built-in Rhythm Patterns, you are free to create your own. After creating an original Rhythm Pattern, you can store it in the internal user memory.
Fantom-X678_r_e.book 139 ページ 2005年5月12日 木曜日 午後4時40分 Playing Rhythms Saving the Patterns You Have Created (Write) The rhythm patterns you create are temporary; they are deleted as soon as you turn off the power or select some other rhythm patterns. You can store 256 rhythm patterns in the User memory. 1. Hold down [SHIFT] and press [RHYTHM]. 2. Press [F1 (Rhythm Group)]. Turn the VALUE dial, or press [INC][DEC] to select a rhythm group you want to edit. 3. Press [F7 (Edit)].
Fantom-X678_r_e.book 140 ページ 2005年5月12日 木曜日 午後4時40分 Playing Rhythms Saving the Rhythm Group You Have Created (Write) The Rhythm Group you create are temporary; they are deleted as soon as you turn off the power or select some other Style. You can store 32 Rhythm Groups in the User memory. Rhythm group settings are saved as independent data, not as part of the data for each patch. The settings in Patch mode, it is not possible to save rhythm group settings.
Fantom-X678_r_e.book 141 ページ 2005年5月12日 木曜日 午後4時40分 Sampling The Fantom-X lets you sample audio sources, such as an audio device, mic, or CD. • Specifies the input source of the sound to be sampled. This section explains the sampling procedure and what the parameters do. Switching external input on/off 1.
Fantom-X678_r_e.book 142 ページ 2005年5月12日 木曜日 午後4時40分 Sampling 6. * If you use AUDIO INPUT, turn the EXT SOURCE LEVEL knob to adjust the volume. When you enter the Input Effect Setup screen, the indicator at the right of the Realtime Control knobs will go out, and the Realtime Control knobs can be used to edit the MFX parameters. If you once again press the button located at the right of the Realtime Control knobs so the indicator is lit, the knobs will control their original functions.
Fantom-X678_r_e.book 143 ページ 2005年5月12日 木曜日 午後4時40分 Sampling • Re-Sampling: [F2 (Re-Sampl)] • Resample the sound of the internal sound generator. The sound of the external input will not be heard. * The length of sound preceding the moment at which sampling was manually or automatically initiated that will be captured in the sample. This lets you prevent the attack portion of the sound from being omitted from the sample.
Fantom-X678_r_e.book 144 ページ 2005年5月12日 木曜日 午後4時40分 Sampling 5. * In the EXT SOURCE section of the panel, use LEVEL knob to adjust the input level of the external source. If you’re using DIGITAL IN, this adjustment is not necessary. fig.14-002 Dividing a Sample During Sampling 1. * If the volume of the external source is too high, the PEAK indicator will light. If this occurs, turn down the LEVEL knob until the PEAK indicator no longer lights.
Fantom-X678_r_e.book 145 ページ 2005年5月12日 木曜日 午後4時40分 Sampling 4. Sampling Earlier in Time (Skip Back Sampling) Sometimes you may want to preserve a nice phrase that you happened to play a bit earlier. In such cases, you can use the Skip Back Sampling function to sample sounds that were played earlier in time. When you execute skip-back sampling, several beats of your prior performance are saved as a sample. You can assign this sample to a pad and play it from the pad. fig.
Fantom-X678_r_e.book 146 ページ 2005年5月12日 木曜日 午後4時40分 Editing a Sample This section explains how you can edit a sample that you sampled/ imported Editing is performed in sample memory—a memory area dedicated to samples (p. 32). The sample list shows the current state of the samples. fig.15-001 Selecting a Sample (Sample List) Select a sample from the list. Selecting a Sample 1. Press [SAMPLE LIST]. The Sample List display appears. NEW: fig.14-008_50 This is a sample that you sampled.
Fantom-X678_r_e.book 147 ページ 2005年5月12日 木曜日 午後4時40分 Editing a Sample Loading a Sample Unloading a Sample Here’s how you can load a sample from the user area, a memory card, or a preset into sample memory. Here’s how you can unload a sample from sample memory. The saved sample file itself will not be deleted. 1. Press [SAMPLE LIST]. The Sample List display appears. 1.
Fantom-X678_r_e.book 148 ページ 2005年5月12日 木曜日 午後4時40分 Editing a Sample Importing an Audio File Here’s how an audio file (WAV/AIFF) can be loaded into memory as a sample. Place the audio files in the “TMP/AUDIO_IMPORT” folder on the user memory or memory card. For details on how you can use your computer to copy a file into the user area or memory card, refer to p. 218. 1. Displaying Sample Edit Screen 1. When you press [SAMPLE EDIT] in the sampling section. The Sample Edit screen will appear. fig.
Fantom-X678_r_e.book 149 ページ 2005年5月12日 木曜日 午後4時40分 Editing a Sample Setting the Start/End Points of the Sample After specifying the start point and end point, you can execute Truncate (p. 155) to delete unwanted portions at the beginning and end of the sample. You can specify the portion of the sample that will actually sound. You can also specify the region that is to be looped. 1. Press [SAMPLE LIST] and select the sample that you want to edit (p. 146). 2. Press [SAMPLE EDIT].
Fantom-X678_r_e.book 150 ページ 2005年5月12日 木曜日 午後4時40分 Editing a Sample fig.15-007 Making Settings for Sample (Sample Parameters) Loop Start P. Start P. End P. Here you can make various settings for the sample. 1. 2. REV-ONE (Reverse One-shot) Press [SAMPLE LIST] and select the sample that you want to edit (p. 146). Press [SAMPLE EDIT] to access the Sample Edit screen, and press [F2 (Sample Param)].
Fantom-X678_r_e.book 151 ページ 2005年5月12日 木曜日 午後4時40分 Editing a Sample Assigning Samples to a Pad (Assign To Pad) Here’s how to assign samples as the rhythm tones of a rhythm set. For example, you can create an original rhythm set by replacing certain tones of a preset rhythm set with different samples. * From the Sample List screen you can also press [F7 (Load Utility)]-> [F2 (Assign to Pad)] to execute Assign To Pad. * You cannot execute this with more than one sample selected. From Patch Mode 1.
Fantom-X678_r_e.book 152 ページ 2005年5月12日 木曜日 午後4時40分 Editing a Sample 3. Assigning a Sample as a Patch to a Part (Assign to Keyboard) Press [F6 (Assign to Kbd)]. Assign to Keyboard window appears. fig.15-012_50 Here’s how you can use the currently selected sample to create a patch, and assign it to a keyboard part. * From the Sample List screen you can also press [F7 (Load Utility)]-> [F2 (Assign to Pad)] to execute Assign To Pad. * You cannot execute this with more than one sample selected. 4.
Fantom-X678_r_e.book 153 ページ 2005年5月12日 木曜日 午後4時40分 Editing a Sample 3. Press [F7 (Load Utility)], and then press [F4 (Create Rhythm)]. The Create Rhythm window will appear. Patch Mode fig.15-013_50 Creating a Multisample (Create Multisample) Two or more samples assigned to different keys are collectively called a “multisample.” One multisample can assign up to 128 samples divided (“split”) across the notes of the keyboard. A memory card can store 128 multisamples.
Fantom-X678_r_e.book 154 ページ 2005年5月12日 木曜日 午後4時40分 Editing a Sample 1. Press [SAMPLE LIST] to access the Sample List screen, and select the sample(s) that you want to include in your new multisample. If you want to select two or more samples from the sample list, press [F5 (Mark Set)] to add a check mark (✔) to each sample. 8. When the data has been written, the Assign to Keyboard screen will appear. fig.15-015b Pressing [F4 (Mark Clear)] will clear the check mark.
Fantom-X678_r_e.book 155 ページ 2005年5月12日 木曜日 午後4時40分 Editing a Sample 6. When you’ve finished setting the Original Key of all samples, create the multisample as described in “Creating a Multisample (Create Multisample)” (p. 153). Unloading a Sample (Unload) In the Sample Edit screen you can press [F1 (Unload)] to unload the currently selected sample and return to the previous screen.
Fantom-X678_r_e.book 156 ページ 2005年5月12日 木曜日 午後4時40分 Editing a Sample 3. Maximizing the Volume of a Sample (Normalize) Press [F4 (Amp)]. fig.15-019_50 This operation raises the level of the entire sample as much as possible without exceeding the maximum level. In some cases, the volume of a phrase you resampled (p. 143) will be lower than the volume of the original phrase. In this case, it is a good idea to boost the volume by executing the Normalize operation.
Fantom-X678_r_e.book 157 ページ 2005年5月12日 木曜日 午後4時40分 Editing a Sample 3. Press [F5 (Time Strtch)]. 3. Press [F3 (Chop)]. fig.15-020_50 fig.15-021_50 4. Press or to select the parameter. • Edit Time Stretch Procedure for Dividing a Sample BPM: Change the BPM of the sample to the BPM you specify. Time: Specify the length of the sample as a time value. Rate: Specify the length relative to the current length of the sample. Value: 50.0–200.
Fantom-X678_r_e.book 158 ページ 2005年5月12日 木曜日 午後4時40分 Editing a Sample Automatically Dividing a Sample (Auto Chop) Here’s how you can automatically specify the points at which the sample is to be divided, and then divide the sample. 1. From step 3 of p. 157, press [F6 (Auto Chop)]. The Auto Chop sub-window will appear. 2. Either turn the VALUE dial or use [INC] [DEC] to select the method by which the sample is to be divided. • Chop Type Specify how the sample will be divided.
Fantom-X678_r_e.book 159 ページ 2005年5月12日 木曜日 午後4時40分 Editing a Sample 4. Either turn the VALUE dial or use [INC][DEC] to set the value. • 1–16: The sample or silence to be combined 4. • TYPE fig.15-023_50 Press [WRITE]. The Write Menu screen will appear. Make sure that “Sample” is highlighted.
Fantom-X678_r_e.book 160 ページ 2005年5月12日 木曜日 午後4時40分 Using the Pads The pads of the Fantom-X function in the same way as the keyboard, and can also be used to play RPS and rhythm patterns. You can add dynamics to the sound by varying the force with which you strike the pads. Using the Hold Function to Sustain a Sound You can use the Hold function to make the sound continue even after you take your finger off the pad.
Fantom-X678_r_e.book 161 ページ 2005年5月12日 木曜日 午後4時40分 Using the Pads Making Settings for the Pads (Pad Setting) Here you can make various settings for playing the pads; e.g., the note number that each pad will send to the sound generator section, the pad sensitivity, and the aftertouch sensitivity. 1. Press [PAD SETTING]. The Pad Setting screen will appear. Settings You Can Make for Each Pad First, select the pad for which you want to make settings. When you strike a pad, its parameters will appear.
Fantom-X678_r_e.book 162 ページ 2005年5月12日 木曜日 午後4時40分 Using the Pads Setting the Velocity for All Sixteen Pads at Once Use this when you want to specify a common velocity for all sixteen pads. However if the pad velocity setting (of each pad) is set to other than Common, those settings will be used. • Writing the Pad Settings You can save one set of settings as System settings for Patch mode. Press [F8 (System Write)] to save the settings.
Fantom-X678_r_e.book 163 ページ 2005年5月12日 木曜日 午後4時40分 Using the Pads Assigning a Pattern to a Pad (RPS Function) The Fantom-X lets you assign a previously recorded phrase to a pad as a pattern, and play it by pressing that pad. For details, refer to (“Playing a Phrase at the Touch of a Finger (RPS Function)” (p. 203). Using the Pads to Play Rhythms The Fantom-X lets you assign rhythm patterns and/or rhythm sounds to the pads and play them by pressing the pads. For details, refer to “Playing Rhythms” (p.
Fantom-X678_r_e.book 164 ページ 2005年5月12日 木曜日 午後4時40分 Playing Back a Song This chapter explains how you can use the Fantom-X’s sequencer to play back a song. 3. When you play back a song, we recommend that you use the sound generator in Performance mode. In Performance mode, up to sixteen different sounds can be played separately by the sixteen parts, making this mode ideal for playing songs that are multi-instrument ensembles of drums, bass, piano, etc.
Fantom-X678_r_e.book 165 ページ 2005年5月12日 木曜日 午後4時40分 Playing Back a Song 4. Press [PLAY] to start Chain Play. Starting from the song of step 1. If you want to stop playback before it is finished, press [STOP]. If you want to begin playback from midway through the chain, use or to move to the desired step, and then press [PLAY]. 5. When you are finished with Chain Play, press [STOP]. Chain Play cannot be started or stopped by a Start or Stop message from an external MIDI device.
Fantom-X678_r_e.book 166 ページ 2005年5月12日 木曜日 午後4時40分 Playing Back a Song Changing the Playback Tempo of a Song The tempo at which a song will play back is recorded on its tempo track, but the tempo of the entire song can be adjusted during playback. The tempo at which the song actually plays is called the playback tempo. The playback tempo is a temporary setting. It will be lost if you switch to another song or turn off the power.
Fantom-X678_r_e.book 167 ページ 2005年5月12日 木曜日 午後4時40分 Playing Back a Song Using the D Beam Controller to Start/Stop Song Playback You can start/stop song playback by passing your hand over the D Beam controller. 1. Select the song that you want to play back (p. 164). 2. Hold down [SHIFT] and press D BEAM [ASSIGNABLE]. The D Beam Assignable screen appears. fig.17-006_50 3. Use [CURSOR] to move the cursor to “Type.” 4. Turn the VALUE dial or press [INC]/[DEC] to set this to “START/STOP.” 5.
Fantom-X678_r_e.book 168 ページ 2005年5月12日 木曜日 午後4時40分 Recording Songs This chapter explains the procedure for using the Fantom-X’s sequencer to record a song. Before you begin this procedure, put the sound generator in Performance mode. Normally, when recording or playing back a song, you will put the sound generator in Performance mode.
Fantom-X678_r_e.book 169 ページ 2005年5月12日 木曜日 午後4時40分 Recording Songs Specify the Time Signature Before you record a new song, you must specify the time signature. However, a time signature of 4/4 is automatically specified when you perform the Song Initialize operation or when the power is turned on, so you will need to make this setting only if you want to record a new song in a different time signature.
Fantom-X678_r_e.book 170 ページ 2005年5月12日 木曜日 午後4時40分 Recording Songs Value Recording Your Performance as You Play It (Realtime Recording) Mix-recording will be carried out. Normally, you will record using this method. If a performance has already been recorded on the recording-destination track, your newly recorded performance will be added to the existing performance without erasing it.
Fantom-X678_r_e.book 171 ページ 2005年5月12日 木曜日 午後4時40分 Recording Songs press a pedal or button, playback will switch to record mode, and will switch back to play mode when you press the pedal or button once again. By pressing the pedal or button, you can toggle between record and play modes. Recording Tempo Changes in a Song (Tempo Recording) If you want the tempo to change during the song, you can record those tempo changes in the Tempo track.
Fantom-X678_r_e.book 172 ページ 2005年5月12日 木曜日 午後4時40分 Recording Songs Correct the Timing of Your Playing as You Record (Recording Quantize) The Quantize function automatically corrects inaccuracies in the timing of your keyboard or pad performance, aligning the notes to accurate timing intervals. During realtime recording, you can quantize while you record. Set the following recording parameters in addition to the basic settings described in step 3 of “Basic Operation for Realtime Recording” (p. 170).
Fantom-X678_r_e.book 173 ページ 2005年5月12日 木曜日 午後4時40分 Recording Songs 4. Turn the VALUE dial or press [INC]/[DEC] to add a check mark. The message will be recorded if you assign a check mark (✔), and will not be recorded if you remove the check mark. If you press [F6 (All Off)], no sequencer data will be recorded. If you press [F7 (All On)], all of the sequencer data will be recorded. 5.
Fantom-X678_r_e.book 174 ページ 2005年5月12日 木曜日 午後4時40分 Recording Songs 4. Inputting Data One Step at a Time (Step Recording) Press [F8 (Note)] or [PLAY]. The [REC] indicator will light, and the Step Rec (Note) screen appears. fig.18-010_50 Step Recording is the method of inputting notes and rests individually, as if you were writing them onto a musical staff. In addition to inputting notes, this method can also be used to create a song by joining patterns. Inputting Notes and Rests 1.
Fantom-X678_r_e.book 175 ページ 2005年5月12日 木曜日 午後4時40分 Recording Songs • Step Back Cancel the previously input note. • Tie Moving the display region Pressing or will move the displayed region of notes upward or downward. Extend the length of the previously input note by the current setting. • Rest Inputs a rest. First set the Note Type parameter to a length that is the same as the rest you want to input, and then press [F3 (Rest)]. • Zoom In Narrow the range of keys shown in the display.
Fantom-X678_r_e.book 176 ページ 2005年5月12日 木曜日 午後4時40分 Recording Songs Assigning a Pattern to a Phrase Track You can create a song by combining previously recorded patterns. This is done using step recording to assign patterns to a phrase track. However, please be aware that the patterns themselves are not placed in the phrase track. Rather, Pattern Call messages are placed in the phrase track to specify which pattern should be played back.
Fantom-X678_r_e.book 177 ページ 2005年5月12日 木曜日 午後4時40分 Editing Songs This chapter explains the procedure for editing songs. Loading the Song You Want to Edit When you edit a song, you’re modifying a song that’s already recorded into Temporary Song. When you’re going to edit a song saved to user memory or memory card, you have to first load it into the Temporary Area. The Temporary Song will be lost if you turn power off or load another song into Temporary Area.
Fantom-X678_r_e.book 178 ページ 2005年5月12日 木曜日 午後4時40分 Editing Songs 3. Viewing the data within a track The Fantom-X can record data for multiple MIDI channels in a single track. From the Song Edit screen, press [F6 (Track View)] to see which channel(s) of data are found in each track. This screen graphically shows the note data of each channel. The height of the bar indicates the note pitch, and the length of the bar indicates the duration.
Fantom-X678_r_e.book 179 ページ 2005年5月12日 木曜日 午後4時40分 Editing Songs 3. Turn the VALUE dial or press [DEC] to select “MUTE.” Note that if you save a song with a Phrase track muted in the Standard MIDI File format, that Phrase track’s data will not be saved. If you save a song that has a muted Phrase track in the MRC Pro song format, the mute status of the track will also be saved. Moving to a Locate Position Use the following procedure to change the song location to a Locate Position. 1.
Fantom-X678_r_e.book 180 ページ 2005年5月12日 木曜日 午後4時40分 Editing Songs 3. Editing Sequencer Data Over the Specified Range (Track Edit) * Use the cursor buttons to select the desired function. You can also select a function by pressing a pad. Quantize->p. 181 Erase->p. 183 Delete->p. 184 Copy->p. 184 Track Edit lets you edit areas of sequencer data that you specify. Insert Measure->p. 185 Transpose->p. 185 Basic Operation for Track Editing Change Velocity->p. 186 Change Channel->p. 186 1.
Fantom-X678_r_e.book 181 ページ 2005年5月12日 木曜日 午後4時40分 Editing Songs Quantize Type Aligning a Song’s Timing (Quantize) Specifies the Quantize range. Value GRID: In the chapter “Recording Songs” (p. 168), we explained Recording Quantize, which lets you quantize during realtime recording. Alternatively, it is also possible to quantize a song that has already been recorded. Grid Quantize will be applied to recording.
Fantom-X678_r_e.book 182 ページ 2005年5月12日 木曜日 午後4時40分 Editing Songs Rate (Shuffle Quantize Rate) 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047 048 049 050 051 052 053 054 055 056 057 058 059 060 061 062 063 064 065 066 067 068 069 070 071 This parameter is used when Shuffle Quantize is selected. Specifies how far apart you want a down-beat specified by the Shuffle Resolution parameter to be from the up-beat that immediately follows.
Fantom-X678_r_e.book 183 ページ 2005年5月12日 木曜日 午後4時40分 Editing Songs Range Min, Range Max Ch / Part Specifies the range of note numbers to be quantized. Selects the MIDI channel of the data to be erased. For example, if you want to quantize the range between C3 and C4, set “Note Min” to “C3,” and set “Note Max” to “C4.” When you want to erase all sequencer data, set this parameter to “ALL.” To erase sequencer data of one specific MIDI channel only, select that MIDI channel.
Fantom-X678_r_e.book 184 ページ 2005年5月12日 木曜日 午後4時40分 Editing Songs Ch / Part Deleting Unwanted Measures (Delete) This function deletes a specified area of sequencer data, and moves the subsequent data to fill the gap. As a result, the measure length will be shortened by the number of deleted measures. Selects the MIDI channel of the data to be copied. When you want to copy all the sequencer data, set this parameter to “ALL.
Fantom-X678_r_e.book 185 ページ 2005年5月12日 木曜日 午後4時40分 Editing Songs Status Value Selects the type of data to be copied.
Fantom-X678_r_e.book 186 ページ 2005年5月12日 木曜日 午後4時40分 Editing Songs Range Min, Range Max Ch / Part Specifies the range of note numbers to be transposed. For example, if you want to transpose notes in the range of C3 through C4, set “Range Min” to “C3” and “Range Max” to “C4.” You can also specify the key range by pressing keys on the keyboard. Specifies the MIDI channel(s) of notes for which velocity will be modified. Bias Specifies the transpose amount in semitone steps.
Fantom-X678_r_e.book 187 ページ 2005年5月12日 木曜日 午後4時40分 Editing Songs Measure, For (Edit Range) fig.19-018_50 Specifies the range of measures in which the MIDI channel will be changed. If you set “For” to “ALL,” all measures will be specified. Status Selects the type of data for which you wish to change the MIDI channel. Value ALL NOTE For details on the settings, refer to “Basic Operation for Track Editing” (p.
Fantom-X678_r_e.book 188 ページ 2005年5月12日 木曜日 午後4時40分 Editing Songs Combining Two Phrase Tracks or Patterns into One (Merge) The sequencer data of two phrase tracks or patterns will be combined into one. fig.19-019_50 Extracting and Moving a Part of Sequencer Data (Extract) This function extracts a specified sequencer data area from a phrase track or pattern and moves it to the same Song position of another phrase track or pattern.
Fantom-X678_r_e.book 189 ページ 2005年5月12日 木曜日 午後4時40分 Editing Songs Extract Mode Specifies whether you want to keep the sequencer data at the destination. Shifting Performance Data Forward and Back (Shift Clock) Value MIX: The data at the destination will combine with the extracted data. REPLACE: The data at the destination will be erased and replaced by the extracted data.
Fantom-X678_r_e.book 190 ページ 2005年5月12日 木曜日 午後4時40分 Editing Songs Bias Specify the amount (number of ticks) by which the sequencer data will be moved. Thinning Out the Sequencer Data (Data Thin) Value: -4800– +4800 Status Selects the type of data to be shifted in time. Value ALL Continuously variable controllers such as aftertouch, pitch bend, and expression tend to create unexpectedly large amounts of data when operated.
Fantom-X678_r_e.book 191 ページ 2005年5月12日 木曜日 午後4時40分 Editing Songs Status Measure, For (Edit Range) Selects the type of data to be thinned. Measure the playback time, or check/modify the range of measures that are to be adjusted. If you set “For” to “ALL,” all measures will be specified. Value ALL Polyphonic Aftertouch Control Change Channel Aftertouch Pitch Bend Range Min, Range Max If you set the Status parameter to “P.AFT” or “C.C,” specify the range of data.
Fantom-X678_r_e.book 192 ページ 2005年5月12日 木曜日 午後4時40分 Editing Songs Editing Individual Items of Sequencer Data (Micro Edit) 5. Move to the cursor to “Ch/Part,” and select the MIDI channel of the sequencer data that you want to view. 6. Press [F8 (Close)] to close the screen. 7. Press or want to edit. 8. Press edit. 9. Turn the VALUE dial or press [INC]/[DEC] to set the value. Micro Edit lets you edit individual items of sequencer data recorded in a song, such as MIDI messages and tempo data.
Fantom-X678_r_e.book 193 ページ 2005年5月12日 木曜日 午後4時40分 Editing Songs 5. When you are finished editing, press [F8 (Exec)] to finalize the values of the system exclusive message. To cancel, press [F7 (Cancel)]. If you decide to discard the changes you made to the system exclusive message and return to the Microscope screen, press [EXIT]. • In the case of a Roland type IV system exclusive message, the checksum can be calculated automatically when you finalize the values.
Fantom-X678_r_e.book 194 ページ 2005年5月12日 木曜日 午後4時40分 Editing Songs Data Handled by the Beat Track 4. The Beat track records time signature data. Beat Change If you press [F6 (ALL OFF)], none of the sequencer data will be displayed. This specifies the time signature (Beat). If you press [F7 (ALL ON)], all of the sequencer data will be displayed.
Fantom-X678_r_e.book 195 ページ 2005年5月12日 木曜日 午後4時40分 Editing Songs 4. Press or to move the cursor to the “measure,” “beat,” and “tick” fields. 5. Turn the VALUE dial or Press [INC]/[DEC] to specify the location to which the data will be moved. 6. Press [F8 (Exec)] to move the sequencer data. Erasing Sequencer Data (Erase) If desired, you can erase just an individual event of sequencer data. You can also use the same operation to erase individual items of data from the tempo track or beat track.
Fantom-X678_r_e.book 196 ページ 2005年5月12日 木曜日 午後4時40分 Editing Songs Changing the Tempo Midway Through the Song Changing the Time Signature Midway Through the Song If you want to change the tempo midway through the song, insert a new Tempo Change into the tempo track. The song will play back at that tempo following the location at which the tempo change was inserted. However, if you want to create gradual tempo changes such as ritardando or accelerando, it is more convenient to use Tempo Recording (p.
Fantom-X678_r_e.book 197 ページ 2005年5月12日 木曜日 午後4時40分 Editing Songs Assigning a Name to a Song (Song Name) You can assign a song name to a song, or edit the song name. This song name is independent of the file name assigned when saving a song to user memory or memory card. Although you are not required to assign a song name, you can assign one using up to 15 characters, and you may find it a convenient way to store a title or memo that will help you organize your songs.
Fantom-X678_r_e.book 198 ページ 2005年5月12日 木曜日 午後4時40分 Saving/Loading a song (Save/Load) Songs you record are initially held in Temporary Area. A song in Temporary Area will be lost when you turn off the power or when you load a different song. If you want to keep the song, you must save it to user memory or a memory card. Conversely in order to edit a song (p. 177), you must first load it into Temporary Area.
Fantom-X678_r_e.book 199 ページ 2005年5月12日 木曜日 午後4時40分 Saving/Loading a song (Save/Load) Saving a Song with Samples (Save Song+Samples) File Name and Song Name MRC Pro songs and Standard MIDI Files have a song name in addition to a file name. The file name is used to distinguish between files, and must be assigned when you save a file. It will help you manage songs if you use the file name to distinguish between types of song, and use the song name to assign a title.
Fantom-X678_r_e.book 200 ページ 2005年5月12日 木曜日 午後4時40分 Saving/Loading a song (Save/Load) 4. Press [F1 (User)] (User memory) or [F2 (Card)] (Memory card) to select the location where you want to save the song. If you decide to cancel, press [F7 (Cancel)]. 5. 6. Saving a Song as an SMF File (Save as SMF) Press [F8 (Save)]. A screen will ask you for confirmation. Here’s how to convert and save an Temporary Song as an SMF file. If you decide to cancel, press [F7 (Cancel)]. 1.
Fantom-X678_r_e.book 201 ページ 2005年5月12日 木曜日 午後4時40分 Saving/Loading a song (Save/Load) If you assign a file name that is identical to one already existing in the user area or the memory card, a message of “File “****” Already Exists! Over Write OK?” will ask you for confirmation when you attempt to save the file. If it is OK to overwrite the existing file, press [F8 (OK)]. If you decide not to save the file, press [F7 (Cancel)].
Fantom-X678_r_e.book 202 ページ 2005年5月12日 木曜日 午後4時40分 Saving/Loading a song (Save/Load) Loading a song (Load Song) Here’s how you can load a song into Temporary Area. 1. From the Save/Load Menu screen, press [F6 (Load Song)]. fig.20-007_50 Importing a WAV/AIFF File (Import Audio) Here’s how you can load an audio file (WAV/AIFF) into sample memory as a sample. In order for audio data to be imported, the data (WAV/AIFF) must be in the following location of user memory or a memory card.
Fantom-X678_r_e.book 203 ページ 2005年5月12日 木曜日 午後4時40分 Playing a Phrase at the Touch of a Finger (RPS Function) The RPS (Realtime Phrase Sequence) function lets you assign patterns to the keyboard or Pad, and play a pattern by pressing a single note. For example, a complex phrase that would be difficult to play live can be assigned to a note of the keyboard, and played with one finger at the appropriate moment.
Fantom-X678_r_e.book 204 ページ 2005年5月12日 木曜日 午後4時40分 Playing a Phrase at the Touch of a Finger (RPS Function) • Velocity Sens (Velocity Sensitivity) Turn this “OFF” if you want the pattern to play back at the volume at which it was recorded. If you want to vary the pattern playback volume according to the strength with which you pressed the key, select either “LOW,” “MID,” or “HIGH.” Value: OFF, LOW, MID, HIGH • PAD Number Specify the pad number to which the pattern is to be assigned.
Fantom-X678_r_e.book 205 ページ 2005年5月12日 木曜日 午後4時40分 Playing a Phrase at the Touch of a Finger (RPS Function) Recording a Performance Using the RPS Function A performance that uses the RPS function can be recorded in real time in the same way as a conventional performance. This provides an easy way to remix patterns and create a song. If you use the RPS function during realtime recording, the pattern performance will be recorded just as it occurs. 1.
Fantom-X678_r_e.book 206 ページ 2005年5月12日 木曜日 午後4時40分 Adding Effects This section explains the procedures and settings for applying effects in each mode. 4. Press [F8 (Close)] to return to the previous screen. When you return to the Play screen, the settings will be displayed in the following area. fig.22-003 For details of the Fantom-X’s onboard effects, refer to “About the Onboard Effects” (p. 29). Turning Effects On and Off The Fantom-X’s onboard effects can be turned on/off as a whole.
Fantom-X678_r_e.book 207 ページ 2005年5月12日 木曜日 午後4時40分 Adding Effects Applying Effects in Patch Mode Signal Flow Diagram and Parameters fig.22-005 In Patch mode you can use two multi-effects (MFX1, MFX2), one chorus, and one reverb. Multi-effect 1 (MFX1) will operate according to the effect settings of the patch or rhythm set assigned to the Keyboard part. Multi-effect 2 (MFX2) will operate according to the effect settings of the patch or rhythm set assigned to the Pad part.
Fantom-X678_r_e.book 208 ページ 2005年5月12日 木曜日 午後4時40分 Adding Effects 3 Tone Output Assign 7 MFX Type (Multi-Effects Type) Specifies how the direct sound of each tone will be output. Value: MFX: Output in stereo through multi-effects. You can also apply chorus or reverb to the sound that passes through multi-effects. A, B: Output to the OUTPUT A (MIX) jack or OUTPUT B jack in stereo without passing through multi-effects.
Fantom-X678_r_e.book 209 ページ 2005年5月12日 木曜日 午後4時40分 Adding Effects 13 Chorus Output Select 18 Reverb Output Assign Specifies how the sound routed through chorus will be output. Specifies how the sound routed through reverb will be output. Value Value MAIN: Output to the OUTPUT jacks in stereo. A: Output to the OUTPUT A (MIX) jacks in stereo. REV: Output to reverb in mono. B: Output to the OUTPUT B jacks in stereo. M+R: Output to the OUTPUT jacks in stereo, and to reverb in mono.
Fantom-X678_r_e.book 210 ページ 2005年5月12日 木曜日 午後4時40分 Adding Effects 2 Part Output Assign Applying Effects in Performance Mode Specifies for each part how the direct sound will be output. Value In Performance mode you can use three multi-effects (MFX1, MFX2, MFX3), one chorus, and one reverb.
Fantom-X678_r_e.book 211 ページ 2005年5月12日 木曜日 午後4時40分 Adding Effects 6 Part Reverb Send Level 12 Chorus Type Sets the level of the signal sent to reverb for each part. Selects either chorus or delay. Value: 0–127 Value For the following parameters 7 – 11 , settings can be made individually for three systems multi-effects (MFX1–MFX3). 7 MFX Type (Multi-Effects Type) Use this parameter to select from among the 78 available multieffects.
Fantom-X678_r_e.book 212 ページ 2005年5月12日 木曜日 午後4時40分 Adding Effects 16 Reverb Type 20 Chorus Source Selects the type of reverb. Value 0 (Off): Reverb is not used. 1 (Reverb): Normal reverb 2 (SRV Room): This reverb simulates typical room acoustic reflections. 3 (SRV Hall): This reverb simulates typical concert hall acoustic reflections. 4 (SRV Plate): This reverb simulates a reverb plate, a popular type of artificial reverb unit that derives its sound from the vibration of a metallic plate.
Fantom-X678_r_e.book 213 ページ 2005年5月12日 木曜日 午後4時40分 Adding Effects Making Multi-Effects Settings (MFX1–3) Here we will explain how to make multi-effects settings in Performance mode. Making Multi-Effects Settings (MFX Control) fig.22-009_50 fig.22-008_50 Each time you press the [F3 (MFX1/2/3)] button, it will alternate between 1, 2, and 3. For details on these settings, refer to “Making Effect Settings” (p.
Fantom-X678_r_e.book 214 ページ 2005年5月12日 木曜日 午後4時40分 Adding Effects Destination 1–4 (Multi-Effects Control Destination 1–4) Sets the multi-effects parameters to be controlled with the multieffects control. The multi-effects parameters available for control will depend on the multi-effects type. For details, refer to “Multi-Effects Parameter” (p. 270). Sens 1–4 (Multi-Effects Control Sensitivity 1–4) Sets the amount of the multi-effects control’s effect that is applied.
Fantom-X678_r_e.book 215 ページ 2005年5月12日 木曜日 午後4時40分 Adding Effects Specifying the multi-effect structure (MFX Structure) Here’s how to specify how MFX 1–3 will be connected. * This parameter is not found in Patch mode. fig.22-010_50 Making Chorus Settings (Chorus) Here we will explain how to make chorus settings in Performance mode. The procedure is the same when making settings in Patch mode. fig.22-011_50 For details on these settings, refer to “Making Effect Settings” (p.
Fantom-X678_r_e.book 216 ページ 2005年5月12日 木曜日 午後4時40分 Adding Effects Making Reverb Settings (Reverb) Here we will explain how to make reverb settings in Performance mode. The procedure is the same when making settings in Patch mode. fig.22-012_50 For details on these settings, refer to “Making Effect Settings” (p. 206) Type (Reverb Type) Selects the type of Reverb. Value Reverb is not used. 0 OFF: 1 REVERB: Normal Reverb 2 SRV ROOM: This reverb simulates typical room acoustic reflections.
Fantom-X678_r_e.book 217 ページ 2005年5月12日 木曜日 午後4時40分 Adding Effects ATTACK Mastering Effect This is a stereo compressor (limiter) that is applied to the final output of the Fantom-X. It has independent high, mid, and low ranges. Independently for the high-frequency, mid-frequency, and low-frequency regions, this compresses any sounds that exceed the specified level, making the volume more consistent.
Fantom-X678_r_e.book 218 ページ 2005年5月12日 木曜日 午後4時40分 Connecting to Your Computer via USB (USB Mode) Selecting MIDI Mode About USB Functions You must switch the Fantom-X to MIDI mode before you connect the Fantom-X and your computer with a USB cable. The Fantom-X has two modes of USB functionality: storage mode for transferring files, and MIDI mode for sending and receiving MIDI messages. You must switch between these two modes on the Fantom-X; they cannot be used simultaneously.
Fantom-X678_r_e.book 219 ページ 2005年5月12日 木曜日 午後4時40分 Connecting to Your Computer via USB (USB Mode) Transferring Files to or from Your Computer (Storage Mode) By connecting the Fantom-X with your computer via a USB cable, you can transfer files from Internal user area or a memory card to and from the hard disk or other media of your computer, in order to back up your data. You can use software on your computer to edit wave data you’ve created on the Fantom-X.
Fantom-X678_r_e.book 220 ページ 2005年5月12日 木曜日 午後4時40分 Connecting to Your Computer via USB (USB Mode) Cautions Regarding Folders and Files You must observe the following points when the Fantom-X is connected to your computer via USB. • Don’t use your computer to move or delete folders within the Fantom-X. • Don’t use your computer to format or optimize the Fantom-X’s user memory or memory card, or execute operations such as Scan Disk.
Fantom-X678_r_e.book 221 ページ 2005年5月12日 木曜日 午後4時40分 Connecting to Your Computer via USB (USB Mode) Using a Bitmap File as a Background in the Display Displaying text memos in the Live Setting screen (Import Text) For example, you can import a favorite bitmap file into the FantomX, and use it as a background in the display screen. You can create a text file on your computer and display it in the Live Setting screen (p. 42).
Fantom-X678_r_e.book 222 ページ 2005年5月12日 木曜日 午後4時40分 Connecting to Your Computer via USB (USB Mode) Exchanging MIDI Messages with Your Computer (MIDI Mode) Driver Installation and Settings In order to use the Fantom-X as a USB MIDI device from your computer, you must first install the USB MIDI driver. The USB MIDI driver is on the included “Fantom-X Driver CD-ROM.
Fantom-X678_r_e.book 223 ページ 2005年5月12日 木曜日 午後4時40分 File-Related Functions (File Utility) Here you can perform a variety of operations related to the files stored in the Fantom-X’s user memory, and on memory cards. You can copy, delete, or move files, as well as format memory cards. The folder structure of the user area and memory card is as follows. fig.24-000 (User, Card) Basic Procedure 1. Press [MENU]. 2. Press or to select “File Utility,” and then press [ENTER].
Fantom-X678_r_e.book 224 ページ 2005年5月12日 木曜日 午後4時40分 File-Related Functions (File Utility) Copying a File (Copy) Moving a File (Move) Here’s how you can copy a file to a different folder. Here’s how you can move a file to a different folder. 1. 1. As described in the basic procedure, select the file that you want to copy. [F1 (User)] [F2 (Card)]: Select the memory , , : : As described in the basic procedure, select the file that you want to move.
Fantom-X678_r_e.book 225 ページ 2005年5月12日 木曜日 午後4時40分 Settings Common to All Modes (System Function) Settings that affect the entire operating environment of the FantomX, such as tuning and MIDI message reception, are referred to as system functions. This section explains how to make settings for the System functions and describes the functions of the different System parameters. How to Make System Function Settings 1. Press [MENU] to open the Menu window. 2.
Fantom-X678_r_e.book 226 ページ 2005年5月12日 木曜日 午後4時40分 Settings Common to All Modes (System Function) Functions of System Parameters This section explains what the different System parameters do, and also how these parameters are organized. For details on these settings, refer to “How to Make System Function Settings” (p. 225). LIVE SET DOWN: Switches to the previous step within a Live Setting list. LOOP: Loop play On/Off Control Pedal Polarity Selects the polarity of the pedal.
Fantom-X678_r_e.book 227 ページ 2005年5月12日 木曜日 午後4時40分 Settings Common to All Modes (System Function) Arpeggio/Rhythm Sync Switch Sync/Temp Sync Mode Specifies whether the arpeggio or rhythm pattern will start/stop in synchronization with the sequencer. This parameter does nothing if the sequencer is stopped. Specify the synchronization message that the Fantom-X’s sequencer will use for operation. Value OFF: Start/stop will not synchronize to the synthesizer.
Fantom-X678_r_e.book 228 ページ 2005年5月12日 木曜日 午後4時40分 Settings Common to All Modes (System Function) MTC Error Level Types of MTC The types of MTC that can be selected by the Fantom-X are shown below. Select the same frame rate as that set for the external device. When not using a video device, then any frame rate may be selected as long as the rates are the same on both devices being synchronized. 30: This is 30 frames per second, non-drop format.
Fantom-X678_r_e.book 229 ページ 2005年5月12日 木曜日 午後4時40分 Settings Common to All Modes (System Function) Sound How Do I Adjust the Volume? Local Switch The Local Switch determines whether the internal sound generator is disconnected (OFF) from the controller section (keyboard, Pad, pitch bend/modulation lever, knobs, buttons, D Beam controller, pedal, and so on); or not disconnected (ON).
Fantom-X678_r_e.book 230 ページ 2005年5月12日 木曜日 午後4時40分 Settings Common to All Modes (System Function) Output Gain This adjusts the output gain from the Fantom-X’s Analog Out and Digital Out. When, for example, there are relatively few voices being sounded, boosting the output gain can let you attain the most suitable output level for recording and other purposes. Value: -12–+12 Mix/Parallel Specifies how the sound of the entire Fantom-X will be output.
Fantom-X678_r_e.book 231 ページ 2005年5月12日 木曜日 午後4時40分 Settings Common to All Modes (System Function) Soft Through (Soft Through Switch) USB Thru function re-transmits all messages received at the MIDI IN connector to the MIDI OUT connector without modifying them in any way. USB Mode Value: OFF, ON Selects the mode in which the USB connector will be used.
Fantom-X678_r_e.book 232 ページ 2005年5月12日 木曜日 午後4時40分 Settings Common to All Modes (System Function) Patch Scale Tune for C–B Scale Tune Make scale tune settings for Patch mode. Value: -64– +63 Scale Tune Switch Turn this on when you wish to use a tuning scale other than equal temperament. Preview Preview Mode Value: OFF, ON One set of Scale Tune settings can be created in Patch mode. In Performance mode, this can be set for each part of the performance (p. 111).
Fantom-X678_r_e.book 233 ページ 2005年5月12日 木曜日 午後4時40分 Settings Common to All Modes (System Function) System Ctrl Sampling Sys Ctrl 1–4 Source Default File Type System Control Assign selects the MIDI message used as the System Control. Specifies the file format used when saving a sample.
Fantom-X678_r_e.book 234 ページ 2005年5月12日 木曜日 午後4時40分 Settings Common to All Modes (System Function) System Information Start up Load Preset Samples at Startup Specifies whether the preset samples will be loaded into memory at power-on (ON) or not (OFF). Value: OFF, ON For details on the indicating, refer to “How to Make System Function Settings” (p. 225). Features Load User Samples at Startup Displays the main features of the Fantom-X.
Fantom-X678_r_e.book 235 ページ 2005年5月12日 木曜日 午後4時40分 Data Management Functions Reset to Default Factory Settings (Factory Reset) Basic Procedure 1. Press [MENU]. 2. Press 3. Press [ENTER]. The Utility menu screen will appear. or Fantom-X backup data must not be used to perform a Restore into other models in the Fantom-X series (i.e., models other than the Fantom-X6/X7/X8). to select “Utility.” Restoring User Data that You Backed Up (User Restore) fig.
Fantom-X678_r_e.book 236 ページ 2005年5月12日 木曜日 午後4時40分 Using Fantom-X Editor To help you take even greater advantage of its functionality, the Fantom-X comes with Fantom-X Editor software. Fantom-X Editor assigns parameters to sliders and knobs in the computer screen, allowing you to work efficiently in a graphical editing environment. Installing Fantom-X Editor into Your Computer Detailed instructions on installing the software can be found in the online manual contained on the Fantom-X Editor CD-ROM.
Fantom-X678_r_e.book 237 ページ 2005年5月12日 木曜日 午後4時40分 Using Fantom-X Editor Fantom-X Editor System Requirements System Requirements (Mac OS) • Operating System Mac OS (Classic) 8.6 and 9.x System Requirements (Windows) Mac OS (X) 10.
Fantom-X678_r_e.book 238 ページ 2005年5月12日 木曜日 午後4時40分 About V-LINK What is V-LINK? Turning the V-LINK ON/OFF V-LINK ( ) is a function that allows music and images to be performed together. By using MIDI to connect two or more V-LINK compatible devices, you can easily enjoy performing a wide range of visual effects that are linked to the expressive elements of a music performance. 1. In the left of the panel, press [V-LINK] so the indicator is lighted. The V-LINK setting will be on.
Fantom-X678_r_e.book 239 ページ 2005年5月12日 木曜日 午後4時40分 About V-LINK PAD MODE V-LINK Parameters Selects whether the pads will switch clips or palettes. Value: Note Tx Ch Value: 1-16 CLIP, PALETT Press [F1 (Clip)]: switch clips Press [F2 (Palett)]: switch palettes MIDI channel that will switch Edirol DV-7PR clips/palettes and will control dissolve time. Local Sw Clip 1 Note No. Specifies whether the internal sound generator is disconnected (OFF) from the pads, or not (OFF).
Fantom-X678_r_e.book 240 ページ 2005年5月12日 木曜日 午後4時40分 Installing the Wave Expansion Board Up to four optional Wave Expansion Boards (SRX series; sold separately) can be installed in the Fantom-X. Wave Expansion Boards store Wave data, patches, and rhythm sets, and by equipping the Fantom-X with these boards, you can greatly expand your sound palette. Cautions When Installing an Wave Expansion Board 901 How to Install a Wave Expansion Board Install the Wave Expansion Boards after removing the panel cover.
Fantom-X678_r_e.book 241 ページ 2005年5月12日 木曜日 午後4時40分 Installing the Wave Expansion Board fig.30-004 Checking the Installed Wave Expansion Boards After installation of the Wave Expansion Boards has been completed, check to confirm that the installed boards are being recognized correctly. 3. There are four slots inside.
Fantom-X678_r_e.book 242 ページ 2005年5月12日 木曜日 午後4時40分 Installation de la carte d’expansion Wave (French Language for Canadian Safety Standard) Un maximum de trois cartes d’expansion Wave (quatre cartes SRX) peuvent être installées dans le Fantom-X. Les cartes d’expansion Wave emmagasinent des données Wave, correctifs et rythmes, et en ajoutant ces cartes au Fantom-X, il est possible d’élargir considérablement la palette de sons.
Fantom-X678_r_e.book 243 ページ 2005年5月12日 木曜日 午後4時40分 Installation de la carte d’expansion Wave fig.30-004 Vérification des cartes d’extension audio aprés installation 3. Il y a quatre emplacements à l’intérieur. Comme le montre l’illustration ci-dessous, branchez le connecteur de la carte d’expansion Wave dans la fente appropriée et, en même temps, insérez le support de carte de circuits imprimés dans l’ouverture de la carte d’expansion Wave. fig.30-005.
Fantom-X678_r_e.book 244 ページ 2005年5月12日 木曜日 午後4時40分 Expanding the Memory The Fantom-X comes with 32 MB of memory into which audio samples can be loaded. However, in some cases, 32 MB of memory will be insufficient for loading large amounts of data. In such a case, you will have to add separately sold memory (DIMM). Memory can be expanded up to 64/128/256/512 MB. How to Expand the Memory Install the memory module after removing the bottom panel cover. 1.
Fantom-X678_r_e.book 245 ページ 2005年5月12日 木曜日 午後4時40分 Expanding the Memory 4. Paying attention to the location of the notch on the memory module and the orientation, insert it vertically within the guides at either side of the socket. fig.31-004 If you have difficulty inserting the memory module, try tilting it a bit and inserting one end at a time. 5. Checking that memory is installed correctly 1. Turn on the power, as described in “Turning On the Power” (p. 21). 2.
Fantom-X678_r_e.book 246 ページ 2005年5月12日 木曜日 午後4時40分 Ajouter de la mémoire (French Language for Canadian Safety Standard) Le Fantom-X est livré avec une mémoire de 32 Mo dans laquelle les échantillons audio peuvent être chargés. Toutefois, dans certains cas, une mémoire de 32 Mo sera insuffisante pour charger de grandes quantités de données. Il faudra alors ajouter des modules de mémoire vendus séparément (DIMM). La mémoire est extensible jusqu’à 64/128/256/512 Mo.
Fantom-X678_r_e.book 247 ページ 2005年5月12日 木曜日 午後4時40分 Ajouter de la mémoire 4. Prenez bien note de l’emplacement et de l’orientation de l’encoche du module de mémoire et insérez-le verticalement à l’intérieur des guides qui se trouvent de chaque côté de la prise. fig.31-004 * 5. Vérifier que la mémoire est installée correctement 1. Mettre sous tension de la façon décrite sous “Turning On the Power” (p. 21). 2. Appuyez sur la touche [MENU] pour ouvrir la fenêtre Menu. 3.
Fantom-X678_r_e.book 248 ページ 2005年5月12日 木曜日 午後4時40分 Using a Memory Card The Fantom-X features a PC card slot, allowing you to use not only PC card type memory cards, but also other types of media, such as CompactFlash and Smart Media, via the appropriate PC card adaptor. Before Using the Memory Card Make sure that the correct side of the card is facing upward, and insert it into the Fantom-X's PC card slot. When you need to remove the card, press the eject button located beside the card.
Fantom-X678_r_e.book 249 ページ 2005年5月12日 木曜日 午後4時40分 Troubleshooting If the Fantom-X does not function in the way you expect, first check the following points. If this does not resolve the problem, consult your dealer or a nearby Roland Service Station. * If any sort of message is being displayed on the screen during an operation, refer to Error Messages (p. 296).
Fantom-X678_r_e.book 250 ページ 2005年5月12日 木曜日 午後4時40分 Troubleshooting The sound is interrupted. Sounds will be interrupted if more than 128 voices are used simultaneously. • Reduce the number of Tones that you are using. • Increase the Voice Reserve setting for parts that must not drop out. (p. 111) When I play the keyboard, notes do not stop. Is the pedal polarity of the Hold Pedal reversed? Check the Hold Pedal Polarity parameter setting (p. 226). When I press a pad, the sound does not stop sounding.
Fantom-X678_r_e.book 251 ページ 2005年5月12日 木曜日 午後4時40分 Troubleshooting Issues Related to Effects Effects not applied. Check the following points. • The “MFX,” “CHO,” “REV” or “MASTER” effect switches located in the upper part of the PLAY screen may have been turned off. Press [EFFECTS]/[F8 (Effect Sw)] to turn them on.
Fantom-X678_r_e.book 252 ページ 2005年5月12日 木曜日 午後4時40分 Troubleshooting After using a MIDI sequencer to play a song, sounds stopped Issues Related to Sequencer Song data does not play back correctly Check the following points. • Has the Receive General MIDI/General MIDI 2 System On Switch been turned ON? Set the Rx GM System ON/Rx GM2 System ON parameter (SYSTEM/MIDI) to “ON” (p. 231).
Fantom-X678_r_e.book 253 ページ 2005年5月12日 木曜日 午後4時40分 Troubleshooting • Is the data concentrated at the beginning of the beats in the sequence data? Avoid overlapping data with the same timing by setting an offset of 1–2 clocks instead. Data may easily become concentrated at the beginning of the beats in the song data when, for example, the song data is input using Step Recording, or if the data is quantized after being input with a keyboard in real time.
Fantom-X678_r_e.book 254 ページ 2005年5月12日 木曜日 午後4時40分 Troubleshooting Sampled sound contains excessive noise or distortion Issues Related to Sampling External input sound cannot be heard/volume is too low Check the following points. • Could [MIX IN] be unlit? Press [MIX IN] so it is lit. • The level of the external input may be lowered. When you sample, use the EXT SOURCE “VOLUME” knob to adjust the level appropriately.
Fantom-X678_r_e.book 255 ページ 2005年5月12日 木曜日 午後4時40分 Parameter List Patch Parameter General Group (P.60) Parameter Patch Name Patch Category Patch Level Patch Pan Patch Priority Octave Shift Patch Coarse Tune Patch Fine Tune Stretch Tune Depth Analog Feel Cutoff Offset Resonance Offset Attack Time Offset Release Time Offset Velocity Sens Offset Value * Specify when writing. Analog Feel Depth space, A–Z, a–z, 0–9, ! ” # $ % & ’ ( ) * + , - .
Fantom-X678_r_e.book 256 ページ 2005年5月12日 木曜日 午後4時40分 Parameter List Pitch Group (P.
Fantom-X678_r_e.book 257 ページ 2005年5月12日 木曜日 午後4時40分 Parameter List TVA Env Group (P.72) Parameter Value A-Env T1 V-Sens A-Env T4 V-Sens A-Env Time KF TVA Envelope Time 1 Velocity Sensitivity TVA Envelope Time 4 Velocity Sensitivity TVA Envelope Time Key Follow A-Env Time1–4 A-Env Level1–3 TVA Envelope Time 1–4 TVA Envelope Level 1–3 -63– +63 -63– +63 -100, -90, -80, -70, -60, -50, -40, -30, -20, -10, 0, +10, +20, +30, +40, +50, +60, +70, +80, +90, +100 0–127 0–127 Output Group (P.
Fantom-X678_r_e.book 258 ページ 2005年5月12日 木曜日 午後4時40分 Parameter List Misc Group (P.78) Parameter Value Tone Delay Mode Tone Delay Time Tone Env Mode Tone Rx Bender Tone Rx Expression Tone Rx Hold-1 Tone Rx Pan Mode Tone Redamper Sw NORM, HOLD, OFF-N, OFF-D 0–127, Note NO SUS, SUST OFF, ON OFF, ON OFF, ON CONT, K-ON OFF, ON Tone Receive Pitch Bend Switch Tone Receive Expression Switch Tone Receive Hold Switch Tone Receive Pan Mode Tone Redamper Switch CTRL 1–4 Group (P.
Fantom-X678_r_e.book 259 ページ 2005年5月12日 木曜日 午後4時40分 Parameter List Rhythm Set Parameter General Group (P.87) Parameter Rhythm Set Name Value * Specify when writing.
Fantom-X678_r_e.book 260 ページ 2005年5月12日 木曜日 午後4時40分 Parameter List Pitch Env Group (P.91) Parameter P-Env Depth P-Env V-Sens P-Env T1 V-Sens P-Env T4 V-Sens P-Env Time1–4 P-Env Level 0–4 Value Pitch Envelope Depth Pitch Envelope Velocity Sensitivity Pitch Envelope Time 1 Velocity Sensitivity Pitch Envelope Time 4 Velocity Sensitivity Pitch Envelope Time 1–4 Pitch Envelope Level 0–4 -12– +12 -63– +63 -63– +63 -63– +63 0–127 -63– +63 TVF Group (P.
Fantom-X678_r_e.book 261 ページ 2005年5月12日 木曜日 午後4時40分 Parameter List Effect Group (P.
Fantom-X678_r_e.book 262 ページ 2005年5月12日 木曜日 午後4時40分 Parameter List Performance Parameter General Group (P.120) Parameter Performance Name Value * Specify when writing. space, A–Z, a–z, 0–9, ! ” # $ % & ’ ( ) * + , - . / : ; < = > ? @[\]^_`{|} Part View Group (P.
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Fantom-X678_r_e.book 264 ページ 2005年5月12日 木曜日 午後4時40分 Parameter List Arpeggio Group (P.
Fantom-X678_r_e.book 265 ページ 2005年5月12日 木曜日 午後4時40分 Parameter List Rhythm Group Parameter Rhythm Group Group (P.139) Parameter Recommended Rhy Pad Mode Rhy Ptn Number Rhy Ptn Velocity Pad Note Pad Velocity Value Recommended Rhythm Set Rhythm Pattern Number Rhythm Pattern Velocity USER, PRST, GM, CARD, XP-A–D OFF, NOTE, PATTERN U001–U256, P001–P256 REAL, 1–127 C-1–G9 REAL, 1–127 Sample Parameters Sample Group (P.150) Parameter Value Sample Name space, A–Z, a–z, 0–9, ! ” # $ % & ’ ( ) * + , - .
Fantom-X678_r_e.book 266 ページ 2005年5月12日 木曜日 午後4時40分 Parameter List System Parameters Pedal/D Beam Group (P.
Fantom-X678_r_e.book 267 ページ 2005年5月12日 木曜日 午後4時40分 Parameter List MIDI Group (P.
Fantom-X678_r_e.book 268 ページ 2005年5月12日 木曜日 午後4時40分 Parameter List Startup Group (P.234) Parameter Value Load Preset Samples at Startup Load User Samples at Startup Load Demo Song at Startup Rec Track Sellect Power Up Mode OFF, ON OFF, ON OFF, ON Manual, Auto PATCH, PERFORMANCE System Information Group (P.234) Parameter Features Memory Info SRX Info Version Info Displays the main features of the Fantom-X. Memory Information SRX Information Version Information D Beam (Solo Synth) Group (P.
Fantom-X678_r_e.book 269 ページ 2005年5月12日 木曜日 午後4時40分 Parameter List V-LINK Group (P.239) Parameter Note Tx Ch Clip 1 Note No. Play Speed Ctrl Value Note Transmit Channel Clip 1 Note Number Play Speed Control Dissolve Time Ctrl Tx Ch Color Cb Ctrl Control Transmit Channel Color Cb Control Color Cr Ctrl Color Cr Control Brightness Ctrl Brightness Control VFX Ctrl VFX Control PAD MODE Local Sw CLIP FILTER 1–32 Local Switch 1–16 0 (C-1)–127 (G9) 0.0-1.0-2.0, 0.5-1.0-2.0, 0.0-1.0-4.0, 0.5-1.0-4.
Fantom-X678_r_e.book 270 ページ 2005年5月12日 木曜日 午後4時40分 Effects List Multi-Effects Parameter The multi-effects feature 78 different kinds of effects. Some of the effects consist of two or more different effects connected in series. Parameters marked with a sharp “#” can be controlled using a specified controller (Two setting items will change simultaneously for “#1” and “#2”). 52 53 54 55 3D DELAY TIME CTRL DELAY LONG TIME CTRL DELAY TAPE ECHO P.285 P.285 P.286 P.
Fantom-X678_r_e.book 271 ページ 2005年5月12日 木曜日 午後4時40分 Effects List 01: EQUALIZER 03: ISOLATOR This is a four-band stereo equalizer (low, mid x 2, high). This is an equalizer which cuts the volume greatly, allowing you to add a special effect to the sound by cutting the volume in varying ranges. fig.MFX-01 L in 4-Band EQ L out fig.MFX-03 R in 4-Band EQ Parameter Value Description Low Freq Low Gain # Mid1 Freq 200, 400 Hz -15– +15 dB 200–8000 Hz Mid1 Gain Mid1 Q -15– +15 dB 0.5, 1.0, 2.
Fantom-X678_r_e.book 272 ページ 2005年5月12日 木曜日 午後4時40分 Effects List 05: SUPER FILTER 06: STEP FILTER This is a filter with an extremely sharp slope. The cutoff frequency can be varied cyclically. This is a filter whose cutoff frequency can be modulated in steps. You can specify the pattern by which the cutoff frequency will change. fig.
Fantom-X678_r_e.book 273 ページ 2005年5月12日 木曜日 午後4時40分 Effects List 08: AUTO WAH 10: SPEAKER SIMULATOR Cyclically controls a filter to create cyclic change in timbre. Simulates the speaker type and mic settings used to record the speaker sound. fig.MFX-08 L in R in Auto Wah L out 2-Band EQ Auto Wah fig.MFX-10 Value Description Filter Type LPF, BPF Type of filter LPF: The wah effect will be applied over a wide frequency range.
Fantom-X678_r_e.book 274 ページ 2005年5月12日 木曜日 午後4時40分 Effects List 11: PHASER A phase-shifted sound is added to the original sound and modulated. Parameter Value Description Cross Feedback -98– +98 % Step Rate # 0.10–20.00 Hz, note Mix # Low Gain High Gain Level 0–127 -15– +15 dB -15– +15 dB 0–127 Adjusts the proportion of the phaser sound that is fed back into the effect. Negative (-) settings will invert the phase.
Fantom-X678_r_e.book 275 ページ 2005年5月12日 木曜日 午後4時40分 Effects List 15: RING MODULATOR This is an effect that applies amplitude modulation (AM) to the input signal, producing bell-like sounds. You can also change the modulation frequency in response to changes in the volume of the sound sent into the effect. Parameter Value Description Mod Wave TRI, SQR, SIN, SAW1, SAW2 Modulation Wave TRI: triangle wave SQR: square wave SIN: sine wave SAW1/2: sawtooth wave fig.
Fantom-X678_r_e.book 276 ページ 2005年5月12日 木曜日 午後4時40分 Effects List 20: SLICER By applying successive cuts to the sound, this effect turns a conventional sound into a sound that appears to be played as a backing phrase. This is especially effective when applied to sustaintype sounds. fig.MFX-20 L in R in L out Slicer R out Slicer Parameter Value Description Step 01–16 Rate # L64–63R 0.05–10.
Fantom-X678_r_e.book 277 ページ 2005年5月12日 木曜日 午後4時40分 Effects List 23: CHORUS This is a stereo chorus. A filter is provided so that you can adjust the timbre of the chorus sound. fig.
Fantom-X678_r_e.book 278 ページ 2005年5月12日 木曜日 午後4時40分 Effects List 26: HEXA-CHORUS 28: SPACE-D Uses a six-phase chorus (six layers of chorused sound) to give richness and spatial spread to the sound. This is a multiple chorus that applies two-phase modulation in stereo. It gives no impression of modulation, but produces a transparent chorus effect. fig.MFX-26 L in L out fig.
Fantom-X678_r_e.book 279 ページ 2005年5月12日 木曜日 午後4時40分 Effects List 30: 3D FLANGER Parameter Value Description Feedback # -98– +98 % Step Rate # Output Mode 0.10–20.00 Hz, note SPEAKER, PHONES Low Gain High Gain Balance # -15– +15 dB -15– +15 dB D100:0W–D0:100W Level 0–127 Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase.
Fantom-X678_r_e.book 280 ページ 2005年5月12日 木曜日 午後4時40分 Effects List 33: 2BAND FLANGER 34: 2BAND STEP FLANGER A flanger that lets you apply an effect independently to the lowfrequency and high-frequency ranges. A step flanger that lets you apply an effect independently to the lowfrequency and high-frequency ranges. fig.MFX-33 fig.
Fantom-X678_r_e.book 281 ページ 2005年5月12日 木曜日 午後4時40分 Effects List 35: OVERDRIVE 39: GUITAR AMP SIMULATOR Creates a soft distortion similar to that produced by vacuum tube amplifiers. This is an effect that simulates the sound of a guitar amplifier. fig.MFX-39 L in L out fig.
Fantom-X678_r_e.book 282 ページ 2005年5月12日 木曜日 午後4時40分 Effects List 40: COMPRESSOR Flattens out high levels and boosts low levels, smoothing out fluctuations in volume. fig.MFX-40 L in Compressor 2-Band EQ L out Parameter Value Description Hold 0–127 Release 0–127 Balance # D100:0W– D0:100W 0–127 Adjusts the time it takes for the gate to start closing after the source sound falls beneath the Threshold. Adjusts the time it takes the gate to fully close after the hold time.
Fantom-X678_r_e.book 283 ページ 2005年5月12日 木曜日 午後4時40分 Effects List 44: LONG DELAY A delay that provides a long delay time.
Fantom-X678_r_e.book 284 ページ 2005年5月12日 木曜日 午後4時40分 Effects List 47: 3TAP PAN DELAY 49: MULTI TAP DELAY Produces three delay sounds; center, left and right. This effect provides four delays. Each of the Delay Time parameters can be set to a note length based on the selected tempo. You can also set the panning and level of each delay sound. fig.MFX-47 Balance D L in 2-Band EQ L out fig.
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Fantom-X678_r_e.book 286 ページ 2005年5月12日 木曜日 午後4時40分 Effects List 54: LONG TIME CTRL DELAY A delay in which the delay time can be varied smoothly, and allowing an extended delay to be produced. fig.
Fantom-X678_r_e.book 287 ページ 2005年5月12日 木曜日 午後4時40分 Effects List 57: LOFI COMPRESS 59: TELEPHONE This is an effect that intentionally degrades the sound quality for creative purposes. fig.MFX-59 L in Telephone L out R in Telephone R out fig.
Fantom-X678_r_e.book 288 ページ 2005年5月12日 木曜日 午後4時40分 Effects List 61: PITCH SHIFTER (Feedback Pitch Shifter) Parameter Value Description High Gain Level Balance -15– +15 dB A100:0B-A0:100B Balance D100:0W-D0:100W Level 0-127 Gain of the high range Volume balance between the Pitch Shift 1 and Pitch Shift 2 sounds Volume balance between the direct sound (D) and the pitch shifted sound (W) Output Level A stereo pitch shifter. fig.
Fantom-X678_r_e.book 289 ページ 2005年5月12日 木曜日 午後4時40分 Effects List 66: OVERDRIVE → CHORUS Parameter Value Description Type ROOM1, ROOM2, STAGE1, STAGE2, HALL1, HALL2 Type of reverb ROOM1: dense reverb with short decay ROOM2: sparse reverb with short decay STAGE1: reverb with greater late reverberation STAGE2: reverb with strong early reflections HALL1: reverb with clear reverberance HALL2: reverb with rich reverberance Adjusts the delay time from the direct sound until the reverb sound is heard.
Fantom-X678_r_e.book 290 ページ 2005年5月12日 木曜日 午後4時40分 Effects List 68: OVERDRIVE → DELAY DELAY,” with the exception of the following two. Overdrive Drive → Distortion Drive, Overdrive Pan → Distortion Pan fig.MFX-68 L out L in Balance D fig.
Fantom-X678_r_e.book 291 ページ 2005年5月12日 木曜日 午後4時40分 Effects List 74: ENHANCER → DELAY 76: FLANGER → DELAY fig.MFX-76 fig.
Fantom-X678_r_e.book 292 ページ 2005年5月12日 木曜日 午後4時40分 Effects List 77: CHORUS → FLANGER fig.MFX-77 Balance D Range Explanation Peaking Q 0.5, 1.0, 2.0, 4.0, 8.0 HF Damp 16–15000 Hz, BYPASS LF Damp BYPASS, 16–15000 Hz Lid 1–6 EQ Low Freq EQ Low Gain EQ Mid Freq EQ Mid Gain EQ Mid Q 200, 400 Hz -15– +15 dB 200–8000 Hz -15– +15 dB 0.5, 1.0, 2.0, 4.0, 8.
Fantom-X678_r_e.book 293 ページ 2005年5月12日 木曜日 午後4時40分 Effects List Chorus Parameters About the STEP RESET function 06: STEP FILTER The Fantom-X’s Chorus effect unit can also be used as a stereo delay unit. 16: STEP RING MODULATOR 19: STEP PAN These settings allow you to select chorus or delay, and the characteristics of the selected effect type. 20: SLICER 63: STEP PITCH SHIFTER The above five types contain a sixteen-step sequencer.
Fantom-X678_r_e.book 294 ページ 2005年5月12日 木曜日 午後4時40分 Effects List Reverb Parameters These settings allow you to select the desired type of reverb, and its characteristics. Parameter Value Description Reverb 0 (OFF), Type of reverb Type 1 (REVERB), 0 (OFF): Reverb is not used. 2 (SRV ROOM), 1 (REVERB): Normal reverb 3 (SRV HALL), 2 (SRV ROOM): This simulates typical 4 (SRV PLATE), room acoustic reflections. 5 (GM2 REVERB) 3 (SRV HALL): This simulates typical concert hall acoustic reflections.
Fantom-X678_r_e.book 295 ページ 2005年5月12日 木曜日 午後4時40分 Effects List 05: NOISE SUPPRESSOR Suppresses noise during periods of silence. Parameter Range Explanation Threshold 0–127 Release 0–127 Volume at which noise suppression will begin Time from when noise suppression begins until the volume reaches zero. 06: CENTER CANCELER Removes the sounds that are localized at the center of the stereo input. This is a convenient way to eliminate a vocal.
Fantom-X678_r_e.book 296 ページ 2005年5月12日 木曜日 午後4時40分 Error Messages If an incorrect operation is performed, or if processing could not be performed as you specified, an error message will appear. Refer to the explanation for the error message that appears, and take the appropriate action. Message Meaning Action Cannot Edit Preset Sample! Card Not Ready! Data not found Empty Pattern — Insert a memory card into the slot. — — File Name Duplicate This is a preset sample, and therefore cannot be edited.
Fantom-X678_r_e.book 297 ページ 2005年5月12日 木曜日 午後4時40分 About MIDI MIDI (Musical Instruments Digital Interface) is a standard specification that allows musical data to be exchanged between electronic musical instruments and computers.
Fantom-X678_r_e.book 298 ページ 2005年5月12日 木曜日 午後4時40分 MIDI Implementation 1. Receive Data (Sound Source Section) ■Channel Voice Messages * Not received in Performance mode when the Receive Switch parameter (PERFORM/ MIDI) is OFF. ●Note off Status 2nd byte 3rd byte 8nH kkH vvH 9nH kkH 00H n = MIDI channel number: 0H - FH (ch.1 - 16) kk = note number: 00H - 7FH (0 - 127) vv = note off velocity: 00H - 7FH (0 - 127) * Not received when the Envelope Mode parameter (PATCH/MISC and RHYTHM/ GENERAL) is NO-SUS.
Fantom-X678_r_e.book 299 ページ 2005年5月12日 木曜日 午後4時40分 MIDI Implementation ❍Hold 1 (Controller number 64) ❍Cutoff (Controller number 74) Status 2nd byte 3rd byte BnH 40H vvH n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Control value: 00H - 7FH (0 - 127) 0-63 = OFF, 64-127 = ON Status 2nd byte BnH 4AH n = MIDI channel number: vv = Cutoff value (relative change): * * * * Not received when Tone Receive Hold-1 parameter (PATCH/MISC or RHYTHM/ GENERAL) is OFF.
Fantom-X678_r_e.book 300 ページ 2005年5月12日 木曜日 午後4時40分 MIDI Implementation ❍Portamento control (Controller number 84) ●Program Change Status 2nd byte 3rd byte BnH 54H kkH n = MIDI channel number: 0H - FH (ch.1 - 16) kk = source note number: 00H - 7FH (0 - 127) Status 2nd byte CnH ppH n = MIDI channel number: 0H - FH (ch.1 - 16) pp = Program number: 00H - 7FH (prog.1 - prog.
Fantom-X678_r_e.book 301 ページ 2005年5月12日 木曜日 午後4時40分 MIDI Implementation ■Channel Mode Messages * Not received in Performance mode when the Receive Switch parameter (PERFORM/ MIDI) is OFF. ■System Realtime Message ●Active Sensing ●All Sounds Off (Controller number 120) Status FEH Status 2nd byte 3rd byte BnH 78H 00H n = MIDI channel number: 0H - FH (ch.1 - 16) * * When this message is received, all notes currently sounding on the corresponding channel will be turned off.
Fantom-X678_r_e.book 302 ページ 2005年5月12日 木曜日 午後4時40分 MIDI Implementation ●Global Parameter Control ❍GM System Off Status F0H Data byte 7EH, 7F, 09H, 02H Byte F0H 7EH 7FH 09H 02H F7H Explanation Exclusive status ID number (Universal Non-realtime Message) Device ID (Broadcast) Sub ID#1 (General MIDI Message) Sub ID#2 (General MIDI Off) EOX (End Of Exclusive) * Status F7H * When this messages is received, this instrument will return to the Performance mode.
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Fantom-X678_r_e.book 304 ページ 2005年5月12日 木曜日 午後4時40分 MIDI Implementation ❍Data set 1 DT1 Status F0H Data byte 41H, dev, 00H, 6BH, 12H, aaH, bbH, ccH, ddH, eeH, ...
Fantom-X678_r_e.book 305 ページ 2005年5月12日 木曜日 午後4時40分 MIDI Implementation ❍Volume (Controller number 7) ❍General Purpose Controller 7 (Controller number 82) Status 2nd byte 3rd byte BnH 07H vvH n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Volume: 00H - 7FH (0 - 127) Status 2nd byte 3rd byte BnH 52H vvH n = MIDI channel number: 0H - FH (ch.
Fantom-X678_r_e.book 306 ページ 2005年5月12日 木曜日 午後4時40分 MIDI Implementation ■System Exclusive Messages ●Data Transmission Universal Non-realtime System Exclusive Message” and Data Set 1 (DT1) are the only System Exclusive messages transmitted by the Fantom-X. ❍Data set 1 ●Universal Non-realtime System Exclusive Message ❍Identity Reply Message (Fantom-X6) Receiving Identity Request Message, the Fantom-X6 send this message.
Fantom-X678_r_e.book 307 ページ 2005年5月12日 木曜日 午後4時40分 MIDI Implementation 3. Data reception (Sequencer Section) 3.1 Messages recorded during recording ■Channel Voice Messages ●Note Off Status 2nd byte 8nH kkH 9nH kkH n=MIDI channel number: kk=note number: vv=note off velocity: * 3rd byte vvH 00H 0H - FH (ch.1 - ch.16) 00H - 7FH (0 - 127) 00H - 7FH (0 - 127) Not received when the Note parameter (Recording Select window) is OFF.
Fantom-X678_r_e.book 308 ページ 2005年5月12日 木曜日 午後4時40分 MIDI Implementation ■System Exclusive Messages 3.2 Messages not recorded during recording Status F0H F0H: ii=ID number: ■Channel mode messages dd,..., ee = data: F7H: * * Data byte Status iiH, ddH, ......, eeH F7H System Exclusive message status This is the ID number (manufacturer ID) that specifies the manufacturer whose exclusive message this is. Roland’s manufacturer ID is 41H.
Fantom-X678_r_e.book 309 ページ 2005年5月12日 木曜日 午後4時40分 MIDI Implementation ■System Realtime Messages ■System Exclusive Message ●Timing Clock ●MIDI Machine Control (MMC) Status F8H * * ❍STOP (MCS) Received when Sync Mode parameter (System/Sync/Tempo) is set to SLAVE-MIDI. ●Start Status FAH * Received when Sync Mode parameter (System/Sync/Tempo) is set to SLAVE-MIDI or REMOTE. ●Continue Status FBH * Received when Sync Mode parameter (System/Sync/Tempo) is set to SLAVE-MIDI or REMOTE.
Fantom-X678_r_e.book 310 ページ 2005年5月12日 木曜日 午後4時40分 MIDI Implementation 4. Data transmission (Sequencer Section) ■System Exclusive Message 4.1 Messages transmitted during playing ●MIDI Time code Recorded messages are transmitted during playback. 4.2 Soft Thru setting Messages (except System Common and System Realtime Messages) that are received are then sent out when Soft Thru parameter (System/Sync/Tempo) is switched to ON. 4.3 Messages that are generated and transmitted 4.3.
Fantom-X678_r_e.book 311 ページ 2005年5月12日 木曜日 午後4時40分 MIDI Implementation 5. Parameter Address Map * * Transmission of “#” marked address is divided to some packets. For example, ABH in hexadecimal notation will be divided to 0AH and 0BH, and is sent/received in this order. “<*>” marked address or parameters are ignored when the Fantom-X6/X7/X8 received them. 1.
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Fantom-X678_r_e.book 328 ページ 2005年5月12日 木曜日 午後4時40分 MIDI Implementation 6. Supplementary Material ■Decimal and Hexadecimal Table ■Examples of Actual MIDI Messages 92 3E 5F (An “H” is appended to the end of numbers in hexadecimal notation.) In MIDI documentation, data values and addresses/sizes of Exclusive messages, etc. are expressed as hexadecimal values for each 7 bits. The following table shows how these correspond to decimal numbers.
Fantom-X678_r_e.book 329 ページ 2005年5月12日 木曜日 午後4時40分 MIDI Implementation ■Example of an Exclusive Message and Calculating a Checksum ■The Scale Tune Feature (address: 40 1x 40) Roland Exclusive messages (RQ1, DT1) are transmitted with a checksum at the end (before F7) to make sure that the message was correctly received. The value of the checksum is determined by the address and data (or size) of the transmitted Exclusive message.
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Fantom-X678_r_e.book 331 ページ 2005年5月12日 (Sound Generator Section) Model Fantom-X6/X7/X8 木曜日 午後4時40分 MIDI Implementation Chart Transmitted Function... Date : Feb. 2, 2004 Version : 1.
Fantom-X678_r_e.book 332 ページ 2005年5月12日 木曜日 午後4時40分 (Sequencer Section) Date : Feb. 2, 2004 Model Fantom-X6/X7/X8 MIDI Implementation Chart Transmitted Function... Recognized Basic Channel Default Changed All channel X All channel 1–16 Mode Default Messages Altered X X X X Version : 1.00 Remarks There is no specific basic channel.
Fantom-X678_r_e.book 333 ページ 2005年5月12日 木曜日 午後4時40分 Specifications Fantom-X6/X7/X8: Synthesizer Keyboard (Conforms to General MIDI 2 System) Sampling Section Data Format Keyboard [X6] 61 keys (with velocity and channel aftertouch) [X7] 76 keys (with velocity and channel aftertouch) [X8] 88 keys (Progressive Hammer action Mechanism and channel aftertouch) 16-bit linear (File Type: .WAV/.AIFF) Sampling Frequency 44.
Fantom-X678_r_e.book 334 ページ 2005年5月12日 木曜日 午後4時40分 Specifications Chord Memory Weight Preset: 64 [X6] 12.5 kg / 27 lbs 9 oz User: 64 [X7] 14.5 kg / 32 lbs [X8] 29.
Fantom-X678_r_e.book 335 ページ 2005年5月12日 木曜日 午後4時40分 Index Symbols +OCT/-OCT ................................................................... 24 .BMP .............................................................................. 220 .MID ................................................................................ 31 .SVQ ........................................................................ 31, 223 .TXT ....................................................................... 220, 223 .WAV ........
Fantom-X678_r_e.book 336 ページ 2005年5月12日 木曜日 午後4時40分 Index C Card File ........................................................................... 223 Format ..................................................................... 223 Patch .......................................................................... 39 Performance ............................................................. 99 Sample ..................................................................... 146 Song ..............................
Fantom-X678_r_e.book 337 ページ 2005年5月12日 木曜日 午後4時40分 Index Deleting Dividing Point ........................................................ 158 File ........................................................................... 224 Measure ................................................................... 184 Sample ..................................................................... 147 Demo Song ..................................................................... 23 Destination 1–4 ....................
Fantom-X678_r_e.book 338 ページ 2005年5月12日 木曜日 午後4時40分 Index H Hold ............................................................................... 160 Hold Pedal ...................................................................... 24 Hold Pedal Polarity Control Pedal ......................................................... 126 System Parameter .................................................. 226 Arpeggio ................................................................. 131 Assign ...................
Fantom-X678_r_e.book 339 ページ 2005年5月12日 木曜日 午後4時40分 Index M Magnify ................................................................. 186–187 Manual Punch-In ......................................................... 171 Master Key Shift .......................................................... 230 Master Level ................................................................. 229 Master Tune ................................................................. 229 Mastering .................................
Fantom-X678_r_e.book 340 ページ 2005年5月12日 木曜日 午後4時40分 Index N Name ............................................................................... 36 File Name ................................................................ 199 Song Name ............................................................. 197 Non-Drop Format ....................................................... 228 Normalize ..................................................................... 156 Note ........................................
Fantom-X678_r_e.book 341 ページ 2005年5月12日 木曜日 午後4時40分 Index P-Env Depth Patch .......................................................................... 68 Rhythm Set ............................................................... 91 P-Env Level 0–4 Patch .......................................................................... 68 Rhythm Set ............................................................... 91 P-Env T1 V-Sens Patch ..........................................................................
Fantom-X678_r_e.book 342 ページ 2005年5月12日 木曜日 午後4時40分 Index Receive Hold 1 ............................................................. 113 Receive Modulation .................................................... 113 Receive Pan .................................................................. 113 Receive Pitch Bend ...................................................... 113 Receive Polyphonic Key Pressure ............................. 113 Receive Program Change ...................................
Fantom-X678_r_e.book 343 ページ 2005年5月12日 木曜日 午後4時40分 Index Solo/Portamento ........................................................... 77 Song ................................................................................. 30 Playing .................................................................... 164 Song Clear .................................................................... 168 Song File ......................................................................... 31 Song Name ...................
Fantom-X678_r_e.book 344 ページ 2005年5月12日 木曜日 午後4時40分 Index Tone Name ..................................................................... 87 Tone Out Assign Patch .......................................................................... 73 Rhythm Set ............................................................... 95 Tone Out Level Patch .......................................................................... 74 Rhythm Set ...............................................................
Fantom-X678_r_e.book 345 ページ 2005年5月12日 木曜日 午後4時40分 Index Voice Reserve ......................................................... 28, 111 Volume .......................................................................... 186 W WAV ...................................................... 148, 202, 220, 223 Wave ............................................................................... 88 Patch .......................................................................... 62 Wave Alter Pan Sw .............
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WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
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