Information AFRICA EGYPT Al Fanny Trading Office 9, EBN Hagar A1 Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: 20-2-417-1828 REUNION Maison FO - YAM Marcel 25 Rue Jules Hermann, Chaudron - BP79 97 491 Ste Clotilde Cedex, REUNION ISLAND TEL: (0262) 218-429 SOUTH AFRICA T.O.M.S. Sound & Music (Pty)Ltd. 2 ASTRON ROAD DENVER JOHANNESBURG ZA 2195, SOUTH AFRICA TEL: (011)417 3400 FAX: (011)417 3462 ASIA CHINA Roland Shanghai Electronics Co.,Ltd. 5F. No.
For EU Countries SE WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
Fantom-XR_r_e.book 3 ページ ２００６年４月４日 火曜日 午前１０時１４分 USING THE UNIT SAFELY The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger. Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
Fantom-XR_r_e.book 4 ページ ２００６年４月４日 火曜日 午前１０時１４分 022a • 104 Always turn the unit off and unplug the power cord before attempting installation of the circuit board (SRX series; p. 166, p. 168, DIMM; p. 170, p. 172). .......................................................................................................... 023 • DO NOT play a CD-ROM disc on a conventional audio CD player. The resulting sound may be of a level that could cause permanent hearing loss.
Fantom-XR_r_e.book 5 ページ ２００６年４月４日 火曜日 午前１０時１４分 IMPORTANT NOTES Maintenance 401a • For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth. 402 • Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.
Fantom-XR_r_e.book 6 ページ ２００６年４月４日 火曜日 午前１０時１４分 Contents Main Features........................................................................................13 Panel Descriptions................................................................................14 Front Panel................................................................................................................................................. 14 Rear Panel ............................................................................
Fantom-XR_r_e.book 7 ページ ２００６年４月４日 火曜日 午前１０時１４分 Contents Advanced Use .............................. 31 Overview of the Fantom-XR .................................................................32 Patch mode and Performance mode...................................................................................................... 32 How the Fantom-XR Is Organized ........................................................................................................
Fantom-XR_r_e.book 8 ページ ２００６年４月４日 火曜日 午前１０時１４分 Contents Creating a Rhythm Set .........................................................................71 How to Make Rhythm Set Settings ........................................................................................................ 71 Rhythm Edit Menu screen structure .......................................................................................... 71 How to Make Rhythm Set Settings......................................................
Fantom-XR_r_e.book 9 ページ ２００６年４月４日 火曜日 午前１０時１４分 Contents Playing Arpeggios ................................................................................97 About Arpeggio ........................................................................................................................................ 97 Playing Arpeggios .................................................................................................................................... 97 Turning Arpeggio On and Off .............
Fantom-XR_r_e.book 10 ページ ２００６年４月４日 火曜日 午前１０時１４分 Contents Sampling..............................................................................................115 Switching external input on/off........................................................................................................... 115 Making Input Source Settings (MIX IN) ............................................................................................. 115 Input Effect settings (Input Effect).............................
Fantom-XR_r_e.book 11 ページ ２００６年４月４日 火曜日 午前１０時１４分 Contents Connecting to Your Computer via USB (USB Mode).......................148 About USB Functions............................................................................................................................. 148 Switching the Storage Mode and the MIDI Mode............................................................................. 148 Transferring Files to or from Your Computer (Storage Mode) ...........................................
Fantom-XR_r_e.book 12 ページ ２００６年４月４日 火曜日 午前１０時１４分 Contents Ajouter de la mémoire ........................................................................172 Précautions à prendre lors de l’ajout de mémoire............................................................................. 172 Installation du module de mémoire .................................................................................................... 172 Retrait du module de mémoire ......................................................
Fantom-XR_r_e.book 13 ページ ２００６年４月４日 火曜日 午前１０時１４分 Main Features Cutting-edge sound engine that unifies audio and MIDI A full complement of interfaces USB connector for connection to your computer The Fantom-XR inherits the same sound engine that was acclaimed on the Fantom-X6/X7/X8, unifying synthesizer and sampler into a single sound generator. Sampled waveforms and waveforms imported from a PC or other external source can also be used as synthesizer waveforms.
Fantom-XR_r_e.book 14 ページ ２００６年４月４日 火曜日 午前１０時１４分 Panel Descriptions Front Panel fig.01-001 P O N F G H I J Q A B C D E M K A PHONES Jack I This is the jack for connecting headphones (sold separately). -> (p. 16) Moves the cursor location up/down/left/right. [ / / / L ] (CURSOR) button B [LIST] button OUTPUT knob To view a list of sounds or samples, hold down [SHIFT] and press this button. ->(p. 42, p.
Fantom-XR_r_e.book 15 ページ ２００６年４月４日 火曜日 午前１０時１４分 Panel Descriptions N O [MODE] [DEC], [INC] Switches between Patch mode and Performance mode. This is used to modify values. If you keep on holding down one button while pressing the other, the value change accelerates. [GROUP] Switches the patch group or other group. To switch the group, hold down this button and turn the VALUE dial, or use [INC][DEC]. [FX] Make effect-related settings. Here you can also make mastering settings. -> (p.
Fantom-XR_r_e.book 16 ページ ２００６年４月４日 火曜日 午前１０時１４分 Getting Ready Connecting an Amp and Speaker System Since the Fantom-XR contains no amplifier or speakers, you’ll need to connect it to audio equipment such as a keyboard amplifier, monitor speaker system or home stereo, or use headphones to hear its sound. 1. Before hooking anything up, make sure that the power on all of your gear is turned OFF. 2. Connect one end of the supplied power cable to the Fantom-XR, and the other end to a power outlet. 3.
Fantom-XR_r_e.book 17 ページ ２００６年４月４日 火曜日 午前１０時１４分 Getting Ready Turning On the Power 941 Once the connections have been completed (previous page), turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices. 1.
Fantom-XR_r_e.book 18 ページ ２００６年４月４日 火曜日 午前１０時１４分 Getting Ready Adjusting the Display Contrast (LCD Contrast) The characters in the display may be difficult to view immediately after turning on the FantomXR’s power or after extended use. Your viewing angle or the current lighting conditions can also affect the appearance of the display. In such situations, adjust the display contrast as follows. 1. In the Patch Play screen (p. 40) or the Performance Play screen (p. 84), press [MENU].
Fantom-XR_r_e.book 19 ページ ２００６年４月４日 火曜日 午前１０時１４分 Getting Ready Turning Off the Power 1. Before you turn off the power, consider these two questions: • Have the volume controls for the Fantom-XR and all connected audio devices been turned to their lowest settings? • Have you saved your Fantom-XR sounds or other data you’ve created? 2. Turn off the power for all connected audio devices. 3. Turn off the POWER switch of the Fantom-XR.
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Fantom-XR_r_e.book 22 ページ ２００６年４月４日 火曜日 午前１０時１４分 Listening to the Demo Songs The Fantom-XR contains a demonstration (“demo”) song that you can listen to using the Fantom-XR’s Demo Play feature. The demo will introduce you to the Fantom-XR’s exceptional sounds and effects. fig.03-001 1 4 2 3 1. 2 While holding down [SHIFT], press [MENU]. The Demo Menu screen will appear. fig.03-002a 2. Turn the VALUE dial or use [INC][DEC] to select the demo song.
Fantom-XR_r_e.book 23 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing Sounds The Fantom-XR comes with a rich palette of onboard sounds, called “Patches.” Let’s listen to some Patches in Patch mode. Playing Patches (Phrase Preview) Even when there’s no MIDI keyboard or sequencer connected, the Fantom-XR allows you to audition sounds using a number of prepared phrases that are perfectly matched to each Patch (category). fig.03-003 2, 3 1 1. Press [MODE] so the button lights in red.
Fantom-XR_r_e.book 24 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing Sounds Choosing a Patch Basic Procedure for Choosing a Patch fig.03-006 3 3 1 2 1. 2. Press [MODE] so the button lights in red. You will enter Patch mode, and the Patch Play screen will appear. Press or to move the cursor to the patch number. fig.03-006a.e Patch number 3. The value will change more rapidly if you turn the dial while holding down [VALUE]. Turn the VALUE dial or use [INC][DEC] to select the patch. Choosing a Group 1.
Fantom-XR_r_e.book 25 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing Sounds Choosing a Patch by Category The patches of the Fantom-XR are organized by category. Searching for a patch by category is a quick way to find the patch you’re looking for. fig.03-008 3, 5 3 1 2, 4 1. 2. Press [MODE] so the button lights in red. You will enter Patch mode, and the Patch Play screen will appear. Press [CURSOR] to move the cursor to the patch category. fig.03-008a.e Patch category 3.
Fantom-XR_r_e.book 26 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing Sounds 4. Press [CURSOR] to move the cursor to the Lock icon. fig.05-003.e Lock icon: unlocked 5. Turn the VALUE dial or use [INC] to lock the category. You can lock the category so that only the patches within that category will appear when selecting a patch. If you are successively selecting patches with the category unlocked, you may unknowingly begin selecting patches from the next category. Locking the category will prevent this. fig.
Fantom-XR_r_e.book 27 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing Sounds Choosing a Rhythm Set Basic Procedure for Choosing a Rhythm Set 1. 2. Press [MODE] so the button lights in red. You will enter Patch mode, and the Patch Play screen will appear. Press [CURSOR] to move the cursor to the patch type. fig.03-009.e Patch type 3. Turn the VALUE dial or use [INC][DEC] to set the patch type to “Rhythm.” fig.03-010 The value will change in larger steps if you turn the VALUE dial while holding down [VALUE].
Fantom-XR_r_e.book 28 ページ ２００６年４月４日 火曜日 午前１０時１４分 Various connection examples Connection example 1: Using the Fantom-XR as a sound module for live performance Here’s an example of using the Fantom-XR in your live performance setup. Use the MIDI connectors to connect the Fantom-XR to your keyboard and your other sound modules, and use the USB connector for connections to the Fantom-X Editor or librarian.
Fantom-XR_r_e.book 29 ページ ２００６年４月４日 火曜日 午前１０時１４分 Various connection examples Connection example 2: A compact production setup Here’s an example of using the Fantom-XR in a high-quality music production setup that doesn’t occupy much space. With the Fantom-XR functioning as a sound module and sampler, and your computer functioning as a hard disk recorder, you have a very compact setup that covers all the bases. fig.03-012.
Fantom-XR_r_e.book 30 ページ ２００６年４月４日 火曜日 午前１０時１４分 Various connection examples Connection example 3: Music production using more than one Fantom-XR By using three Fantom-XR units as shown in the diagram below, you can assemble a powerful 384-voice music production environment in just three rack spaces. Connect the first Fantom-XR via USB. This Fantom-XR will function as a MIDI interface, providing MIDI data to the second and third Fantom-XR.
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Fantom-XR_r_e.book 32 ページ ２００６年４月４日 火曜日 午前１０時１４分 Overview of the Fantom-XR Patch mode and Performance mode The Fantom-XR has two modes; Patch mode and Performance mode. Use the mode that’s most appropriate for the way you’re playing. Patch mode—playing or creating an individual sound In Patch mode you can use a connected keyboard or other device to play a single Patch (p. 33) on the Fantom-XR. Since Patch mode lets you use a variety of effects on a single patch, you can play very rich textures.
Fantom-XR_r_e.book 33 ページ ２００６年４月４日 火曜日 午前１０時１４分 Overview of the Fantom-XR LFO (Low Frequency Oscillator) WG (Wave Generator) Use the LFO to create cyclic changes (modulation) in a sound. The Fantom-XR has two LFOs. Either one or both can be applied to effect the WG (pitch), TVF (filter) and/or TVA (volume). When an LFO is applied to the WG pitch, a vibrato effect is produced. When an LFO is applied to the TVF cutoff frequency, a wah effect is produced.
Fantom-XR_r_e.book 34 ページ ２００６年４月４日 火曜日 午前１０時１４分 Overview of the Fantom-XR About Simultaneous Polyphony The Fantom-XR can play a maximum of 128 sounds simultaneously. The following paragraphs discuss what this means, and what will happen when more than 128 simultaneous voices are requested from the Fantom-XR. About Memory Patch and performance settings are stored in what is referred to as memory. There are three kind of memory: temporary, rewritable, and non-rewritable. fig.04-006.
Fantom-XR_r_e.book 35 ページ ２００６年４月４日 火曜日 午前１０時１４分 Overview of the Fantom-XR Temporary Memory Temporary Area This is the area that holds the data for the patch or performance that you’ve selected using the panel buttons. When you play the Fantom-XR, sound is produced based on data in the temporary area. When you edit a patch or performance, you do not directly modify the data in memory; rather, you call up the data into the temporary area, and edit it there.
Fantom-XR_r_e.book 36 ページ ２００６年４月４日 火曜日 午前１０時１４分 Overview of the Fantom-XR About the Sampling Section How Effects Units Work in Different Modes In Patch Mode The multi-effects, chorus and reverb effects can be set up individually for each patch/rhythm set. Adjusting the signal level to be sent to each effects unit (Send Level) provides control over the effect intensity that’s applied to each tone. fig.
Fantom-XR_r_e.book 37 ページ ２００６年４月４日 火曜日 午前１０時１４分 Overview of the Fantom-XR Where Samples are Stored Samples that you record or import are stored in sample memory. This sample memory is temporary, and its data will be lost when you turn off the power. If you want to keep these samples, you must save them to user memory or a memory card. * You cannot save data to the preset memory. fig.04-013.
Fantom-XR_r_e.book 38 ページ ２００６年４月４日 火曜日 午前１０時１４分 Overview of the Fantom-XR Moving the Cursor Modifying a Value A single screen displays multiple parameters or items for selection. To edit the setting of a parameter, move the cursor to the value of that parameter. To select an item, move the cursor to that item. When selected with the cursor, a parameter value or other selection is highlighted. To modify the value, use the VALUE dial or the [INC][DEC] buttons. fig.04-021 fig.04-019.
Fantom-XR_r_e.book 39 ページ ２００６年４月４日 火曜日 午前１０時１４分 Overview of the Fantom-XR Assigning a Name On the Fantom-XR, you can assign names to each patch, rhythm set, performance, and Sample. The procedure is the same for any type of data. 1. Press or to move the cursor to the location where you wish to input a character. fig.04-022a 2. Turn the VALUE dial, or use [INC][DEC] to specify the character. • Press [SHIFT] so it lights, and then press [DEC].
Fantom-XR_r_e.book 40 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing in Patch Mode Patch mode is used to play a single sound (patch/rhythm set). About the Patch Play Screen Displaying Patch Play Screen To access the Patch Play screen, use the following procedure. 1. Press [MODE] so the button lights in red. You will enter Patch mode, and the Patch Play screen will appear. fig.05-001.
Fantom-XR_r_e.book 41 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing in Patch Mode * 1. Make sure that the Patch Type is set to “Patch.” If this is set to “Rhythm,” use [CURSOR] to move the cursor to “Rhythm,” and turn the VALUE dial or press [DEC] to select “Patch.” In the Patch Play screen, press [CURSOR] to move the cursor to the patch group. fig.05-001.e 2. * Category --PNO EP KEY No Assign AC.Piano EL.
Fantom-XR_r_e.book 42 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing in Patch Mode 1. In the Patch Play screen, press [CURSOR] to move the cursor to the patch category. fig.05-002.e Selecting Patches from the List You can display a list of patches and select a patch from that list. You can use any of the following methods to select a patch. • Selecting Patches by Category (p. 42) • Selecting Patches by Group (p. 43) • Selecting Favorite Patches (Favorite Patch) (p.
Fantom-XR_r_e.book 43 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing in Patch Mode Selecting Patches/Rhythm sets by Group 1. In the Patch Play screen, press [SHIFT] so it lights, and then press . The Patch List screen will appear. 2. Selecting Favorite Patches You can bring together your favorite and most frequently used patches in one place by registering them in the Favorite Patch. By using this function, you can rapidly select favorite patches from internal memory or a Wave Expansion Board. Press [MENU].
Fantom-XR_r_e.book 44 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing in Patch Mode Registering a Favorite Patch/ Rhythm Sets You can register a total of 64 sounds (8 sounds x 8 banks) as favorite patches. 1. Select the patch or rhythm set that you want to register (p. 40). 2. In step 3 of “Selecting Patches/Rhythm sets by Group” (p. 43), choose “Favorite Patch.” 3. Press [ENTER]. Selecting Patches by Keywords (Keyword Search) The Fantom-XR lets you search for patches by keywords within the patch name.
Fantom-XR_r_e.book 45 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing in Patch Mode Playing Percussion Instruments In Patch mode, you can play percussion instruments. Each rhythm set contains many different instrumental sounds, allowing you to play a wide range of percussion instruments. * 1. Make sure that the Patch Type is set to “Rhythm.” If this is set to “Patch,” use [CURSOR] to move the cursor to “Patch,” and turn the VALUE dial or press [INC] to select “Rhythm.
Fantom-XR_r_e.book 46 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Patch With the Fantom-XR, you have total control over a wide variety of settings. Each item that can be set is known as a parameter. This chapter explains the procedures used in creating patches, and the functions of the patch parameters. The included Fantom-X editor lets you edit the Fantom-XR’s settings from your computer in a convenient graphical environment (p. 163).
Fantom-XR_r_e.book 47 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Patch 9. How to Make Patch Settings 1. Select the patch in the Patch Play screen (p. 40). If you return to the Patch Play screen without saving, the indication “E” is displayed in the upper right of the Patch Play screen. This “E” indication disappears when you save the patch to the Fantom-XR’s internal user memory or to the memory card. You cannot edit the patches in the GM2 group.
Fantom-XR_r_e.book 48 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Patch If you don’t need a tone, save the patch with that tone switched off. This will conserve polyphony. Cautions When Selecting a Waveform The sounds of the Fantom-XR are based on complex PCM waveforms, and if you attempt to make settings that are contrary to the type of the original waveform, the results will not be as you expect. The internal waveforms of the Fantom-XR fall into the following two groups.
Fantom-XR_r_e.book 49 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Patch Functions of Patch Parameters This section explains the functions the different patch parameters have, as well as the composition of these parameters. Patch Coarse Tune ★ Adjusts the pitch of the patch’s sound up or down in semitone steps (+/-4 octaves). Value: -48– +48 Patch Fine Tune Parameters marked with a “★” can be controlled using specified MIDI messages (Matrix Control).
Fantom-XR_r_e.book 50 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Patch Resonance Offset Mono/Poly Resonance Offset alters the resonance of the overall patch, while preserving the relative differences between the resonance values set for each tone in the Resonance parameter (p. 58). Range: -63– +63 Specifies whether the patch will play polyphonically (POLY) or monophonically (MONO). The “MONO” setting is effective when playing a solo instrument patch such as sax or flute.
Fantom-XR_r_e.book 51 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Patch Portamento Mode Specifies the performance conditions for which portamento will be applied. Value NORMAL: Portamento will always be applied. LEGATO: Portamento will be applied only when you play legato (i.e., when you press the next key before releasing the previous key). Portamento Type Specifies the type of portamento effect. Value RATE: The time it takes will depend on the distance between the two pitches.
Fantom-XR_r_e.book 52 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Patch fig.06-017 fig.06-022 TYPE 4 TONE 1 (3) TYPE 9 WG TVA TONE 1 (3) TVF WG TVF TVA R B TONE 2 (4) WG TVF TVA This type applies a booster to distort the waveform, and then combines the two filters. The TVA for tone 1 (or 3) controls the volume balance between the two tones and adjusts booster level. fig.
Fantom-XR_r_e.book 53 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Patch Key Fade Lower (Keyboard Fade Width Lower) Booster The Booster is used to distort the incoming signal. fig.06-024.e Booster level This determines what will happen to the tone’s level when a note that’s lower than the tone’s specified keyboard range is played. Higher settings produce a more gradual change in volume. If you don’t want the tone to sound at all when a note below the keyboard range is played, set this parameter to “0.
Fantom-XR_r_e.book 54 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Patch Velo Fade Lower (Velocity Fade Width Lower) This determines what will happen to the tone’s level when the tone is played at a velocity lower than its specified velocity range. Higher settings produce a more gradual change in volume. If you want notes played outside the specified key velocity range to not be sounded at all, set this to “0.
Fantom-XR_r_e.book 55 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Patch Wave Tempo Sync FXM Depth ★ When you wish to synchronize a Phrase Loop to the clock (tempo), set this to “ON.” This is valid only when a separately sold wave expansion board is installed, and a waveform that indicates a tempo (BPM) is selected as the sample for a tone. Value: OFF, ON Specifies the depth of the modulation produced by FXM.
Fantom-XR_r_e.book 56 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Patch OFF-D: Rather than being played while the key is pressed, the tone begins to play once the period of time specified in the Delay Time parameter has elapsed after release of the key. Here, however, changes in the TVA Envelope begin while the key is pressed, which in many cases means that only the sound from the release portion of the envelope is heard. fig.06-054.
Fantom-XR_r_e.book 57 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Patch Bend Range Down (Pitch Bend Range Down) Specifies the degree of pitch change in semitones when the Pitch Bend lever is all the way left. For example if this is set to “-48” and you move the pitch bend lever all the way to the left, the pitch will fall 4 octaves.
Fantom-XR_r_e.book 58 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Patch For details on these settings, refer to “How to Make Patch Settings” (p. 46). Patch TVF Filter Type Selects the type of filter. A filter cuts or boosts a specific frequency region to change a sound’s brightness, thickness, or other qualities. Value OFF: No filter is used. LPF: Low Pass Filter. This reduces the volume of all frequencies above the cutoff frequency (Cutoff Freq) in order to round off, or un-brighten the sound.
Fantom-XR_r_e.book 59 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Patch Cutoff Keyfollow Use this parameter if you want the cutoff frequency to change according to the key that is pressed. Relative to the cutoff frequency at the C4 key (center C), positive (+) settings will cause the cutoff frequency to rise for notes higher than C4, and negative (-) settings will cause the cutoff frequency to fall for notes higher than C4. Larger settings will produce greater change.
Fantom-XR_r_e.book 60 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Patch F-Env Time KF (TVF Envelope Time Keyfollow) Use this setting if you want the TVA envelope times (Time 2–Time 4) to be affected by the keyboard location. Based on the TVF envelope times for the C4 key (center C), positive (+) settings will cause notes higher than C4 to have increasingly shorter times, and negative (-) settings will cause them to have increasingly longer times. Larger settings will produce greater change.
Fantom-XR_r_e.book 61 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Patch Pan Keyfollow Bias Bias causes the volume to be affected by the keyboard position. This is useful for changing volume through keyboard position (pitch) when playing acoustic instruments. fig.06-039.e LOWER + Level UPPER Level fig.06-040.e + – – Key Bias Position LO&UP + Level + 0 0 – – C-1 Pan 0 0 C-1 Use this parameter if you want key position to affect panning.
Fantom-XR_r_e.book 62 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Patch A-Env T4 V-Sens (TVA Envelope Time 4 Velocity Sensitivity) Output Settings The parameter to use when you want key release speed to control the Time 4 value of the TVA envelope. If you want Time 4 to be speeded up for quickly released notes, set this parameter to a positive (+) value. If you want it to be slowed down, set this to a negative (-) value.
Fantom-XR_r_e.book 63 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Patch * If you’ve made settings so that sounds are separately routed to the INDIVIDUAL 1 jack and INDIVIDUAL 2 jack, but no plug is actually inserted in the INDIVIDUAL 2 jack, the sounds routed to INDIVIDUAL 1 and INDIVIDUAL 2 will be mixed and output from the INDIVIDUAL 1 jack. * If the Mix/Parallel parameter is set to “MIX,” all sounds are output from the OUTPUT A (MIX) jacks in stereo (p. 158).
Fantom-XR_r_e.book 64 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Patch LFO Rate (LFO1/LFO2 Rate) ★ Adjusts the modulation rate, or speed, of the LFO. Value: 0–127, Note LFO Rate sets the beat length for the synchronized tempo is synchronized with the tempo set in an external MIDI sequencer. (Example) For a tempo of 120 (120 quarter notes occur in 1 minute (60 seconds)) Setting (half note) LFO Rate 1 second (60 / 60 = 1 (second)) (quarter note) 0.5 seconds (60 / 120 = 0.5 (seconds)) (eighth note) 0.
Fantom-XR_r_e.book 65 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Patch TVF Depth (LFO1/LFO2 TVF Depth) ★ How to Apply the LFO Specifies how deeply the LFO will affect the cutoff frequency. Value: -63– +63 ● Apply the LFO gradually after the key is pressed TVA Depth (LFO1/LFO2 TVA Depth) ★ fig.06-043.e Specifies how deeply the LFO will affect the volume. Value: -63– +63 Depth low (less) Specifies how deeply the LFO will affect the pan.
Fantom-XR_r_e.book 66 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Patch Controller-related settings (CTRL) For details on these settings, refer to “How to Make Patch Settings” (p. 46). Patch Ctrl Tone Env Mode (Tone Envelope Mode) When a loop waveform (p. 48) is selected, the sound will normally continue as long as the key is pressed. If you want the sound to decay naturally even if the key remains pressed, set this to “NO SUS.” Value: NO SUS, SUST If a one-shot type Wave (p.
Fantom-XR_r_e.book 67 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Patch Patch Mtrx Control 1–4 Source (Patch Matrix Control 1–4) Control 1–4 Source (Matrix Control Source 1–4) Sets the MIDI message used to change the tone parameter with the Matrix Control. Value OFF: Matrix control will not be used. CC01–31, 33–95: Controller numbers 1–31, 33–95 For more information about Control Change messages, please refer to “MIDI Implementation” (p. 245).
Fantom-XR_r_e.book 68 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Patch ● Changing the Pitch Envelope ● PIT ENV A-TIME: Changes the Env Time 1 parameter of the pitch envelope. PIT ENV D-TIME: Changes the Env Time 2 and Env Time 3 parameters of the pitch envelope. PIT ENV R-TIME: Changes the Env Time 4 parameter of the pitch envelope. ● TIME This will have no effect if Realtime Time Stretch (p. 55) is not selected.
Fantom-XR_r_e.book 69 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Patch Initializing Patch Settings (Init) 5. Press [CURSOR] to move the cursor, select the “Source (copy-source)” group and number, and patch tone. fig.06-062 “Initialize” means to return the settings of the currently selected sound to a standard set of values. The Initialize operation will affect only the currently selected sound; the sounds that are stored in user memory will not be affected.
Fantom-XR_r_e.book 70 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Patch 4. When you have finished inputting the name, press [ENTER]. A screen will appear, allowing you to select the writedestination patch. fig.06-064 5. * 6. Press or to select the write destination. The write destination can be either the Fantom-XR’s internal user area (User), or a memory card (Card). You can also use [GROUP] to select the write destination. Turn the VALUE dial or use [INC][DEC] to select the patch number.
Fantom-XR_r_e.book 71 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Rhythm Set With the Fantom-XR, you have total control over a wide variety of settings. Each item that can be set is known as a parameter. This chapter explains the procedures used in creating rhythm sets, and the functions of the rhythm set parameters. 4. Press the VALUE dial or [ENTER]. The screen that you see will depend on the edit group of the selected parameter. fig.
Fantom-XR_r_e.book 72 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Rhythm Set Selecting the Wave/Key to edit When editing parameters that apply to a specific wave, here’s how to specify the wave or key you want to edit. 1. In the Rhythm Edit Menu screen, press [ENTER]. 2. Press [ENTER]. The Wave Select screen will appear. fig.
Fantom-XR_r_e.book 73 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Rhythm Set Cautions When Using a Loop Waveform With many acoustic instruments such as piano and sax, extreme timbral changes occur during the first few moments of each note. This initial attack is what defines much of the instrument’s character. For such waveforms, it is best to use the complex tonal changes of the attack portion of the waveform just as they are, and to use the envelope only to modify the decay portion.
Fantom-XR_r_e.book 74 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Rhythm Set Mute Group On an actual acoustic drum set, an open hi-hat and a closed hi-hat sound can never occur simultaneously. To reproduce the reality of this situation, you can set up a Mute Group. The Mute Group function allows you to designate two or more rhythm tones that are not allowed to sound simultaneously. Up to 31 Mute Groups can be used. rhythm tones that are not belong to any such group should be set to “OFF.
Fantom-XR_r_e.book 75 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Rhythm Set Rhythm Wave • If a sample is selected for a tone, you must first set the BPM (tempo) parameter of the sample. Wave Group • If a sample is selected for a tone, Wave Tempo Sync will require twice the normal number of voices. Select the groups containing the Waves comprising the rhythm tone. Value INT: Waveforms stored in internal memory EXP: Waveform stored in a Wave Expansion Board (SRX series) installed in EXP slots.
Fantom-XR_r_e.book 76 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Rhythm Set Wave Fine Tune Adjusts the pitch of the waveform’s sound up or down in 1-cent steps (+/-50 cents). Value: -50– +50 Changing How a Rhythm Tone is Sounded (WMT) The WMT (Wave Mix Table) uses key velocity to control the four waveforms assigned to the rhythm tone. One cent is 1/100th of a semitone. The Fine Tune of the entire rhythm tone is set by the Tone Fine Tune parameter (p. 77).
Fantom-XR_r_e.book 77 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Rhythm Set Velo Fade Upper (Velocity Fade Width Upper) This determines what will happen to the tone’s level when the tone is played at a velocity greater than its specified velocity range. Higher settings produce a more gradual change in volume. If you want notes played outside the specified key velocity range to not be sounded at all, set this to “0.
Fantom-XR_r_e.book 78 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Rhythm Set P-Env Level 0–4 (Pitch Envelope Level 0–4) LPF3: Specify the pitch envelope levels (Level 0–Level 4). It determines how much the pitch changes from the reference pitch (the value set with Coarse Tune or Fine Tune on the Pitch screen) at each point. Positive (+) settings will cause the pitch to be higher than the standard pitch, and negative (-) settings will cause it to be lower. Low Pass Filter 3.
Fantom-XR_r_e.book 79 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Rhythm Set Cutoff V-Curve (Cutoff Frequency Velocity Curve) F-Env T1 V-Sens (TVF Envelope Time 1 Velocity Sensitivity) Selects one of the following seven curves that determine how keyboard playing dynamics (velocity) influence the cutoff frequency. Set this to “FIXED” if you don’t want the Cutoff frequency to be affected by the keyboard velocity. This allows keyboard dynamics to affect the Time 1 of the TVF envelope.
Fantom-XR_r_e.book 80 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Rhythm Set Adjusting the Volume (TVA/TVA Env) For details on these settings, refer to “How to Make Rhythm Set Settings” (p. 71). Rhythm TVA Sets the volume of the rhythm tone. Use this parameter to adjust the volume balance between rhythm tones. 0–127 Level V-Curve (Level Velocity Curve) You can select from seven curves that determine how keyboard playing strength will affect the volume.
Fantom-XR_r_e.book 81 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Rhythm Set * The output destination of the signal after passing through the chorus is set with the Chorus Output Select (p. 136) and the Chorus Output Assign (p. 142). * The output destination of the signal after passing through the reverb is set with the Reverb Output Assign (p. 137). Output Settings For details on these settings, refer to “How to Make Rhythm Set Settings” (p. 71).
Fantom-XR_r_e.book 82 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Rhythm Set Initializing Rhythm Set Settings (Init) “Initialize” means to return the settings of the currently selected sound to a standard set of values or to the factory settings. The Initialize operation will affect only the currently selected sound; the sounds that are stored in user memory will not be affected. If you wish to restore all of the Fantom-XR’s settings to their factory values, perform a Factory Reset (p. 162). 1.
Fantom-XR_r_e.book 83 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Rhythm Set Saving Rhythm Sets You’ve Created (Write) Changes you make to sound settings are temporary, and will be lost if you turn off the power or select another sound. If you want to keep the modified sound, you must save it in the internal user memory or memory card. If you’ve edited a rhythm set, the indication “E” is displayed in the upper right of the Patch Play screen.
Fantom-XR_r_e.book 84 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing in Performance Mode Performance mode is ideal when you want to use the external MIDI sequencer to create a song, or when you want to play song data. When creating songs or playing song data, a different MIDI channel is assigned for each patch or rhythm set used in a part. Such a set of sounds selected for each part to play is called a performance.
Fantom-XR_r_e.book 85 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing in Performance Mode Selecting Performances from the List Registering a Favorite Performance You can display a list of performances and select a performance from that list. You can register a total of 64 Performances (8 sounds x 8 banks) as Favorite Performance. 1. In the Performance Play screen, make sure that the cursor is located at the performance group or performance number. 1. Select the performance that you want to register (p. 84).
Fantom-XR_r_e.book 86 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing in Performance Mode Selecting from a list display Selecting a Part 1. Select the part whose sound you want to switch. 2. Press [SHIFT] so it lights, and then press The Patch List screen will appear. The currently selected part is called the “current part.” 1. In the Performance Play screen, use the part. or to select . fig.08-008a fig.08-007_50 * Selecting the Sound for a Part 3.
Fantom-XR_r_e.book 87 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing in Performance Mode Editing the Part Settings The following Part parameters can be edited from the Performance Mixer screen: • Level (p. 88) • Pan (p. 88) • Chorus Send Level (p. 89) Viewing MIDI Messages for Each Part (Part Information) In Performance mode, the reception status of MIDI messages that control various things can be viewed for each part.
Fantom-XR_r_e.book 88 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Performance With the Fantom-XR, you have total control over a wide variety of settings. Each item that can be set is known as a parameter. This chapter explains the procedures used in creating Performances, and the functions of the Performance parameters. When the cursor is at a patch group or patch number, you can press [SHIFT] so it lights, and then press to open the Patch Edit screen and edit a patch (p. 95).
Fantom-XR_r_e.book 89 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Performance Solo Switch Output Assign Select one part whose sound you want to play. Turn it “SOLO” to the part that you want to solo. Parts other than the part you select here will not sound. Specifies for each part how the direct sound will be output. Value MFX: Output in stereo through multi-effects. You can also apply chorus or reverb to the sound that passes through multi-effects.
Fantom-XR_r_e.book 90 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Performance Cutoff Offset Decay Time Offset Adjusts the cutoff frequency for the patch or rhythm set assigned to a part. Adjusts the TVA/TVF Envelope Decay Time for the patch or rhythm set assigned to a part. Value: -64– +63 Value: -64– +63 Mono/Poly Patches also have a Cutoff Offset setting (p. 49). The final Cutoff frequency value is the sum of the tone Cutoff Frequency value and the patch and part Cutoff Offset values.
Fantom-XR_r_e.book 91 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Performance Vibrato Rate For each part, adjust the vibrato speed (the rate at which the pitch is modulated). The pitch will be modulated more rapidly for higher settings, and more slowly with lower settings. Value: -64– +63 Key Range Lower (Part Keyboard Range Lower) Specifies the lowest note that the tone will sound for each part.
Fantom-XR_r_e.book 92 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Performance Voice Reserve This setting specifies the number of voices that will be reserved for each part when more than 128 voices are played simultaneously. Value: 0–63, FUL It is not possible for the settings of all parts to total an amount greater than 64. The remaining number of available voices will be displayed at (rest=). Pay attention to this readout as you make Voice Reserve settings.
Fantom-XR_r_e.book 93 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Performance MIDI-related settings Parameter List Part Scale Tune C–B 1. In the Performance Play screen, make sure that the cursor is located at the performance group or performance number. 2. Press [SHIFT] so it lights, and then press The Performance Mixer screen will appear. 3. Press [MENU]. The Performance Edit Menu screen will appear. 4. Use Make scale tune settings for each part.
Fantom-XR_r_e.book 94 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Performance Rx Channel Pressure (Receive Channel Pressure Switch) For each MIDI channel, specify whether MIDI Channel Pressure messages will be received (ON), or not (OFF). Other settings (General) 1. In the Performance Play screen, make sure that the cursor is located at the performance group or performance number. For each MIDI channel, specify whether MIDI Modulation messages will be received (ON), or not (OFF). 2.
Fantom-XR_r_e.book 95 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Performance Changing the Settings of the Patch Assigned to a Part When using patches in Performance mode, some settings such as effects settings will be affected by Performance settings. If you wish to edit a patch while hearing how it will sound in the Performance, use this procedure: * 1. Initializing Performance Settings (Init) “Initialize” means to return the settings of the currently selected sound to a standard set of values.
Fantom-XR_r_e.book 96 ページ ２００６年４月４日 火曜日 午前１０時１４分 Creating a Performance Saving a Performance You’ve Created (Write) When Changing the Settings for the Patch or Rhythm Set Assigned to a Part in a Performance Changes you make to sound settings are temporary, and will be lost if you turn off the power or select another sound. If you want to keep the modified sound, you must save it in the internal user memory or a memory card.
Fantom-XR_r_e.book 97 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing Arpeggios About Arpeggio Using in Combination with the Chord Memory Function The Fantom-XR contains an arpeggio function that automatically generates arpeggios. By using the arpeggio, you can produce an arpeggio simply by holding down one or more keys. When performing with the Arpeggio, you can also use it along with the Chord Memory function (p. 104).
Fantom-XR_r_e.book 98 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing Arpeggios Arpeggio Settings 1. In the Arpeggio/Chord Switch screen (in Performance mode, the Arp/Chd/Rhy Switch screen), use select “Arp.” 2. Selecting Styles for Arpeggio Performances (Arpeggio Style) or to This selects the arpeggio’s basic performance Style. The arpeggio styles are kept in preset memory and user memory. Value: U001–128 (User), P001–128 (Preset) Press [SHIFT] so it lights, and then press Or, press [ENTER].
Fantom-XR_r_e.book 99 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing Arpeggios Changing the Accent Strength (Accent Rate) When you play arpeggios, the velocity of each arpeggiated note is determined by the velocity of the notes programmed within the arpeggio style. You can adjust the amount (“spread”) of this dynamic variation. With a setting of 100%, the arpeggiated notes will have the velocities that are programmed by the arpeggio style.
Fantom-XR_r_e.book 100 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing Arpeggios RANDOM (L): Notes will be sounded randomly for the keys you press, with only the lowest key sounded each time. RANDOM (_): Only the lowest of the keys pressed is sounded each time, the notes you press will be sounded randomly. No note will sound each time. Not only can you use the prepared internal Arpeggio Styles that determine how arpeggios are played, but you can also create them as well.
Fantom-XR_r_e.book 101 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing Arpeggios 2. Changing the Length of an Arpeggio Style Deleting all data at the cursor location step (Clear Step) 1. If you input unwanted data by mistake, here’s how to delete all data at that step. Move the cursor to the End Step (length of the arpeggio style). fig.11-008.e End Step Current Step 2. Turn the VALUE dial or use [INC][DEC] to change the length of the arpeggio style. Value 2. Use 3. Press [ENTER].
Fantom-XR_r_e.book 102 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing Arpeggios Editing an Arpeggio Style you created (Arpeggio Style Edit) You can edit the built-in styles or styles you created by steprecording. By editing an existing arpeggio style, you can create a new arpeggio style even if you don’t have an external MIDI keyboard. Changing the Length of an Arpeggio Style 1. Select the Arpeggio Style you wish to edit. 2. Press [SHIFT] so it lights, and then press Arpeggio Style Edit screen will appear.
Fantom-XR_r_e.book 103 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing Arpeggios Saving the Styles You Have Created (Write) The Styles you create are temporary; they are deleted as soon as you turn off the power or select some other Style. You can store 128 arpeggio styles in the User memory. 1. 2. 3. Confirm that the current arpeggio style is the one you want to save. Display the Arpeggio Style Edit screen (p. 102) or the Arpeggio Step Rec screen (p. 100).
Fantom-XR_r_e.book 104 ページ ２００６年４月４日 火曜日 午前１０時１４分 Using the Chord Memory Function (CHORD MEMORY) About the Chord Memory Function 3. Press the VALUE dial or use [INC][DEC] to turn chord memory function on/off. fig.12-003 Chord Memory is a function that allows you to play chords based on preprogrammed Chord Forms, just by pressing a single key on the keyboard. The Fantom-XR can store 64 preset chord forms and 64 user chord forms.
Fantom-XR_r_e.book 105 ページ ２００６年４月４日 火曜日 午前１０時１４分 Using the Chord Memory Function (CHORD MEMORY) 5. When you have made the setting, press [EXIT]. For more on the Chord Forms pre-programmed at the factory, refer to “Chord Form List” (p. 239).
Fantom-XR_r_e.book 106 ページ ２００６年４月４日 火曜日 午前１０時１４分 Using the Chord Memory Function (CHORD MEMORY) Saving the Chord Forms You Have Created (Write) The Chord Form you create are temporary; they are deleted as soon as you turn off the power or select some other Style. If you want to keep a Chord Form you have made, save it to the Fantom-XR’s user memory. 1. Confirm that the chord form is the one you want to save. 2. In the Chord Form Edit screen (p. 105), press [SHIFT] so it lights, and then press .
Fantom-XR_r_e.book 107 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing Rhythms About Rhythm Patterns This function lets you produce a variety of rhythm patterns simply by pressing a single key. You can use the built-in rhythm patterns and also create your own. When the Fantom-XR is shipped from the factory, it contains 256 “preset” rhythm patterns and 256 “user” patterns in which you can store your own original creations. Playing Rhythm Turning Rhythm On and Off 1.
Fantom-XR_r_e.book 108 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing Rhythms Select the Rhythm Group 1. * If an external MIDI keyboard is connected, you can play your keyboard to audition the rhythm pattern assigned to each note. fig.13-007.e Access the Rhythm Switch screen. In Performance mode, access the Arp/Chd/Rhy Switch screen and use or 2. 5. to select “Rhythm.” Press [SHIFT] so it lights, and then press Or, press [ENTER]. The Rhythm Group screen will appear. .
Fantom-XR_r_e.book 109 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing Rhythms Creating Your Own Styles (Rhythm Group Edit) Saving the Rhythm Group You Have Created (Write) Not only can you use the prepared internal Rhythm Groups that determine how rhythm are played, but you can also create them as well. This way, you can create your own original rhythm group. The Rhythm Group you create are temporary; they are deleted as soon as you turn off the power or select some other Style.
Fantom-XR_r_e.book 110 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing Rhythms Rhythm Pattern Settings 1. Select the basic playing style of the rhythm. Press [ARP]. If you’re in Patch mode * Selecting Rhythm Patterns Value: P001–256 (Preset), U001–256 (User) In Patch mode, select a patch before you proceed. You can press [GROUP] to switch between User and Preset memories. The Arpeggio/Chord Switch screen will appear. If you’re in Performance mode The Arp/Chd/Rhy Switch screen will appear. 2. Press [MENU].
Fantom-XR_r_e.book 111 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing Rhythms Applying Staccato and Tenuity (Duration) This setting (duration) determines whether the sounds are played staccato (short and clipped), or tenuity (fully drawn out). * Grid settings are shared with the arpeggio. (p.
Fantom-XR_r_e.book 112 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing Rhythms 1. Initialize the rhythm pattern 1. 2. 3. In the Rhythm Step Rec screen, press [MENU]. The Rhythm Pattern Utility screen will appear. Use or Play your external MIDI keyboard. A note will be input at the specified step, and the Fantom-XR will wait for you to input the next step. To input a rest, simply press to advance to the next step. to select “Initialize.” fig.
Fantom-XR_r_e.book 113 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing Rhythms Editing the velocity of a note Editing a Rhythm Pattern (Rhythm Pattern Edit) 1. You can edit the built-in rhythm patterns or rhythm patterns that you created using step recording. Use [CURSOR] to move the cursor to the grid where you wish to edit data. fig.13-023 By editing an existing rhythm pattern, you can create a new rhythm pattern even if an external MIDI keyboard isn’t connected. 2.
Fantom-XR_r_e.book 114 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing Rhythms Saving the Patterns You Have Created (Write) The rhythm patterns you create are temporary; they are deleted as soon as you turn off the power or select some other rhythm patterns. You can store 256 rhythm patterns in the User memory. 1. Confirm that the current rhythm pattern is the one you want to save. 2. In the Rhythm Pattern Edit screen (p. 113) or the Rhythm Step Rec screen (p. 111), press [SHIFT] so it lights, and then press .
Fantom-XR_r_e.book 115 ページ ２００６年４月４日 火曜日 午前１０時１４分 Sampling The Fantom-XR lets you sample audio sources, such as an audio device, mic, or CD. 4. Select MIX IN (Mix In). fig.14-002 This section explains the sampling procedure and what the parameters do. Switching external input on/off 1. 5. Press [ENTER]. The Mix In screen will appear. Press INPUT knob. Alternatively, you can access the Mix In screen by choosing “Mix In” from the MixIn/InputFX Switch screen menu, and pressing [ENTER]. fig.
Fantom-XR_r_e.book 116 ページ ２００６年４月４日 火曜日 午前１０時１４分 Sampling Input Effect settings (Input Effect) 4. • Type (Input Effect Type) Selects the input effect type. You can apply a dedicated effect (Input Effect) to the external audio input. Parameter 1: EQUALIZER Switching input effects on/off 1. 2. Turn the VALUE dial, or press [INC] /[DEC] to select the input effect type. 2: ENHANCER Press [SHIFT] so it lights, and then press the INPUT knob. The MixIn/InputFX Switch screen will appear.
Fantom-XR_r_e.book 117 ページ ２００６年４月４日 火曜日 午前１０時１４分 Sampling Output settings for the External Input (Mix In Output) Sampling Procedure 1. Press [SAMPLING] to access the Sampling Menu screen. fig.14-004 1. In the MixIn/InputFX Switch screen, press [MENU]. The Input Setting Menu screen will appear. 2. Use or to select Mix In Output. fig.14-012 The lower part of the screen will show the amount of free memory. If the free memory reaches 0%, no further sampling is possible. 3. Press [ENTER].
Fantom-XR_r_e.book 118 ページ ２００６年４月４日 火曜日 午前１０時１４分 Sampling 4. Use or to select parameters that specify the input source or triggering method for the sound you intend to sample, and turn the VALUE dial or use [INC][DEC] to set the value. • Auto Trigger Sw (Auto Trigger Switch) If this is “ON,” sampling will begin automatically when the input sound is detected. Value: ON–OFF fig.14-006 Before you turn Auto Trig on, perform steps 6 to set the input level.
Fantom-XR_r_e.book 119 ページ ２００６年４月４日 火曜日 午前１０時１４分 Sampling 8. * If Stop Trigger is set to MANUAL, press [SAMPLING] to stop sampling. The Sample Edit (p. 122) screen will appear. If you want to edit the sample, refer to p. 120. fig.14-007 When you finish sampling, the sample will automatically be added to the sample list. You can view the sample list by pressing [SHIFT] so it lights and then pressing . Samples you record will be lost when you turn off the power.
Fantom-XR_r_e.book 120 ページ ２００６年４月４日 火曜日 午前１０時１４分 Editing a Sample This section explains how you can edit a sample that you sampled/ imported The sample list shows the current state of the samples. Editing is performed in sample memory—a memory area dedicated to samples (p. 37). fig.15-004 Selecting a Sample (Sample List) Monaural channel Stereo L-channel Stereo R-channel This is a sample that you sampled. It has not been saved, and will be lost when you turn off the power.
Fantom-XR_r_e.book 121 ページ ２００６年４月４日 火曜日 午前１０時１４分 Editing a Sample Loading all Samples Here’s all samples in the user memory and memory card can be loaded. When you execute Load All Samples, all unsaved samples will be erased. Deleting a Sample Here’s how to completely delete a sample file. * 1. If the total size of the data in the user group and card group exceeds the size of memory, the samples of the user group will be loaded first.
Fantom-XR_r_e.book 122 ページ ２００６年４月４日 火曜日 午前１０時１４分 Editing a Sample 6. Press or , then select the file that you want to import. If you want to select two or more files, select the file and press [INC]. A check mark (✔) will be added to the selected file. To remove the check mark, press [DEC]. To add a check mark to all files of the selected folder, press [SHIFT] so it lights and then press [INC].
Fantom-XR_r_e.book 123 ページ ２００６年４月４日 火曜日 午前１０時１４分 Editing a Sample REV (Reverse) When the sample has been played back from the End point to the Start point, it will be repeatedly played back in the reverse direction, from the Loop Start point to the Start point. fig.15-007 Start P. Making Settings for Sample (Sample Parameters) Here you can make various settings for the sample. Loop Start P. End P. 1. In the Sample List screen, select the sample that you want to edit. 2. Press [MENU].
Fantom-XR_r_e.book 124 ページ ２００６年４月４日 火曜日 午前１０時１４分 Editing a Sample • Loop Start Fine Fine adjustment of the Loop Start point. Value: 0–255 • Loop End Fine Fine adjustment of the End point. Value: 6. Press [EXIT] when you are finished. Here’s how you can use the currently selected sample to create a patch. You cannot execute this with more than one sample selected. If you’re starting from Patch mode 1. In the Sample List screen, select the sample from which you want to create a patch.
Fantom-XR_r_e.book 125 ページ ２００６年４月４日 火曜日 午前１０時１４分 Editing a Sample Creating a Rhythm Set from samples (Create Rhythm Set) Here’s how you can use the sample(s) to create a rhythm set. This operation is called Create Rhythm Set. If you’re starting from Performance mode 1. When you execute Create Rhythm Set, the sample(s) will become a rhythm set and will be assigned to a part.
Fantom-XR_r_e.book 126 ページ ２００６年４月４日 火曜日 午前１０時１４分 Editing a Sample 1. Creating a Patch from Multiple Samples (Create Multisample) Two or more samples assigned to different keys are collectively called a “multisample.” One multisample can assign up to 128 samples divided (“split”) across the notes of the keyboard. A memory card can store 128 multisamples. In order to hear a multisample, you’ll need to assign it to a Part as a Patch.
Fantom-XR_r_e.book 127 ページ ２００６年４月４日 火曜日 午前１０時１４分 Editing a Sample 9. If you are sure you want to write the multisample, press [ENTER]. If you decide to cancel, press [EXIT]. Never switch off the Fantom-XR while data is being saved. 10. When the data has been written, the Create Patch screen will appear. If you want to use the multisample as a patch, create the patch as described in step 4 and following of “Creating a Patch from a Sample (Create Patch)” (p. 124).
Fantom-XR_r_e.book 128 ページ ２００６年４月４日 火曜日 午前１０時１４分 Editing a Sample Boosting or Limiting the High-frequency Range of the Sample (Emphasis) In some cases, the audio quality will be improved if you boost the high-frequency range of an imported sample. Also, the highfrequency range of the sample may be emphasized when you use a sampler made by another manufacturer. In this case, you can minimize the change in tonal character by attenuating the highfrequency range. * 1.
Fantom-XR_r_e.book 129 ページ ２００６年４月４日 火曜日 午前１０時１４分 Editing a Sample 8. • Amp This operation applies an envelope (time-variant change) to the volume of the sample.You can also adjust the volume of the entire sample. * 1. * You cannot execute this with more than one sample selected. In the Sample List screen, press [SHIFT] so it lights, and then press . The Sample Modify Menu screen will appear. Alternatively, you can press [ENTER] to access the screen. 2. Use 3. Press [ENTER]. or to select “Amp.
Fantom-XR_r_e.book 130 ページ ２００６年４月４日 火曜日 午前１０時１４分 Editing a Sample 6. Press [ENTER]. A message will ask you for confirmation. 7. Press [ENTER] to execute the operation. The length of the sample will be changed as specified. * 7. Press [ENTER]. The sample will be automatically divided according to your settings, and the points will be specified. A maximum of 15 division points will be set (16 regions). To cancel, press [EXIT]. To cancel, press [EXIT]. 8.
Fantom-XR_r_e.book 131 ページ ２００６年４月４日 火曜日 午前１０時１４分 Editing a Sample Moving a Dividing Point 5. After you’ve specified the dividing points for the sample, you can move them as follows. * 1. Press 2. Turn VALUE dial to select the point that you want to move. In order from the start point, the points are numbered 1, 2,...15. 3. Press 4. Turn VALUE dial to move the dividing point. or Press or to select the write destination.
Fantom-XR_r_e.book 132 ページ ２００６年４月４日 火曜日 午前１０時１４分 Adding Effects This section explains the procedures and settings for applying effects in each mode. For details of the Fantom-XR’s onboard effects, refer to “About the Onboard Effects” (p. 35). The included Fantom-X editor lets you edit the Fantom-XR’s settings from your computer in a convenient graphical environment (p. 163). Turning Effects On and Off The Fantom-XR’s onboard effects can be turned on/off as a whole.
Fantom-XR_r_e.book 133 ページ ２００６年４月４日 火曜日 午前１０時１４分 Adding Effects Applying Effects in Patch Mode In Patch mode you can use multi effects (MFX), chorus, and reverb. In the “Signal Flow Diagram (Routing)” below, numbers 1–17 correspond to the Fantom-XR’s Effect Edit Menu screens (p. 134). For details on parameters 1–17, refer to “Functions of Effect Parameters” (p. 134). For the editing procedure, refer to “Making Effect Settings” (p. 134). Signal Flow Diagram (Routing) fig.
Fantom-XR_r_e.book 134 ページ ２００６年４月４日 火曜日 午前１０時１４分 Adding Effects Effect Edit Menu screen structure Effect editing is done in the Effect Edit Menu screen. fig.22-005 Functions of Effect Parameters Patch Output (Patch/Rhythm Output) Here you can make output settings for the Patch and Rhythm Set. * These parameters are the same as the corresponding Patch settings. For details, refer to p. 62. fig.
Fantom-XR_r_e.book 135 ページ ２００６年４月４日 火曜日 午前１０時１４分 Adding Effects 5 Tone Output Assign Specifies how the direct sound of each tone will be output. MFX fig.22-021 Value: MFX: Output in stereo through multi-effects. You can also apply chorus or reverb to the sound that passes through multi-effects. A, B: Output to the OUTPUT A (MIX) jack or OUTPUT B jack in stereo without passing through multi-effects. 1–4: Output to the INDIVIDUAL 1–4 jacks in mono without passing through multi-effects.
Fantom-XR_r_e.book 136 ページ ２００６年４月４日 火曜日 午前１０時１４分 Adding Effects Chorus 14 Chorus Output Assign Selects the pair of OUTPUT jacks to which the chorus sound is fig.22-022 routed when Chorus Output Select ( 13 ) is set to “MAIN” or “M+R.” Value A: Output to the OUTPUT A (MIX) jacks in stereo. 11 Chorus Type B: Output to the OUTPUT B jacks in stereo. Selects either chorus or delay. Value 0 (Off): Neither chorus or delay is used.
Fantom-XR_r_e.book 137 ページ ２００６年４月４日 火曜日 午前１０時１４分 Adding Effects Reverb Output Mastering Effect fig.22-023a fig.22-030 16 Reverb Output Level Adjusts the volume of the sound that has passed through reverb. Value: 0–127 17 Reverb Output Assign Specifies how the sound routed through reverb will be output. Value A: Output to the OUTPUT A (MIX) jacks in stereo. B: Output to the OUTPUT B jacks in stereo.
Fantom-XR_r_e.book 138 ページ ２００６年４月４日 火曜日 午前１０時１４分 Adding Effects If you want to use common controllers for the entire FantomXR, select “SYS CTRL 1”–”SYS CTRL 4.” MIDI messages used as System Control 1–4 are set with the Sys Ctrl 1–4 Source parameters (p. 159). In patch/rhythm set mode, there are parameters that determine, for each tone/rhythm tone, whether or not Pitch Bend, Controller Number 11 (Expression) and Controller Number 64 (Hold 1) are received (p. 66).
Fantom-XR_r_e.book 139 ページ ２００６年４月４日 火曜日 午前１０時１４分 Adding Effects Applying Effects in Performance Mode In Performance mode you can use three multi-effects (MFX1, MFX2, MFX3), one chorus, and one reverb. For each of the three multi-effects, the chorus, and the reverb, you can specify whether it will operate according to the effect settings of the performance, or according to the effect settings of the patch or rhythm set assigned to the part you specify.
Fantom-XR_r_e.book 140 ページ ２００６年４月４日 火曜日 午前１０時１４分 Adding Effects Effect Edit Menu screen structure Effect editing is done in the Effect Edit Menu screen. fig.22-008 Functions of Effect Parameters Part Output fig.22-025 Here you can make output settings for the Performance. * These parameters are the same as the corresponding Performance settings. For details, refer to “Output Level (Part Output Level)” (p. 89).
Fantom-XR_r_e.book 141 ページ ２００６年４月４日 火曜日 午前１０時１４分 Adding Effects If the Mix/Parallel parameter is set to “MIX,” all sounds are output from the OUTPUT A (MIX) jacks in stereo (p. 158). MFX1–3 Output (Multi-Effects 1–3 Output) fig.22-026a If you’ve set Tone Out Assign to “MFX,” set the MFX Output Assign parameter ( 10 ) to specify the output destination of the sound that has passed through the multi-effects. • Chorus and reverb are output in mono at all times.
Fantom-XR_r_e.book 142 ページ ２００６年４月４日 火曜日 午前１０時１４分 Adding Effects Chorus 14 Chorus Output Assign Selects the pair of OUTPUT jacks to which the chorus sound is fig.22-027 routed when Chorus Output Select ( 13 ) is set to “MAIN” or “M+R.” Value A: Output to the OUTPUT A (MIX) jacks in stereo. B: Output to the OUTPUT B jacks in stereo. 11 Chorus Type Selects either chorus or delay. Value 0 (Off): Neither chorus or delay is used. 1 (Chorus): Chorus is used. 2 (Delay): Delay is used.
Fantom-XR_r_e.book 143 ページ ２００６年４月４日 火曜日 午前１０時１４分 Adding Effects Reverb Output Mastering Effect fig.22-028a Mastering effect settings apply to the entire Fantom-XR. These settings are not for individual patches or performances. For details on the Mastering Effect, refer to “Mastering Effects” (p. 146). fig.22-029 16 Reverb Output Level Adjusts the volume of the sound that has passed through reverb. Value: 0–127 17 Reverb Output Assign Specifies how the sound routed through reverb will be output.
Fantom-XR_r_e.book 144 ページ ２００６年４月４日 火曜日 午前１０時１４分 Adding Effects If you want to use common controllers for the entire FantomXR, select “SYS CTRL 1”–”SYS CTRL 4.” MIDI messages used as System Control 1–4 are set with the Sys Ctrl 1–4 Source parameters (p. 159). In patch/rhythm set mode, there are parameters that determine, for each tone/rhythm tone, whether or not Pitch Bend, Controller Number 11 (Expression) and Controller Number 64 (Hold 1) are received (p. 66).
Fantom-XR_r_e.book 145 ページ ２００６年４月４日 火曜日 午前１０時１４分 Adding Effects Specifying the Effect Source For each of the three multi-effects, the chorus, and the reverb, you can specify whether it will operate according to the effect settings of the performance, or according to the effect settings of the patch or rhythm set assigned to the part you specify. 1. From the Effect Edit Menu screen, turn the VALUE dial or use [INC][DEC] to select “SOURCE.” fig.22-015 2. Press the VALUE dial or [ENTER].
Fantom-XR_r_e.book 146 ページ ２００６年４月４日 火曜日 午前１０時１４分 Adding Effects Specifying the multi-effect structure (MFX Structure) Here’s how to specify how MFX 1–3 will be connected. This parameter is not found in Patch mode. 1. From the Effect Edit Menu screen, turn the VALUE dial or use [INC][DEC] to select “STRUCT.” fig.22-017 2. Press the VALUE dial or [ENTER]. The MFX Structure screen will appear. fig.
Fantom-XR_r_e.book 147 ページ ２００６年４月４日 火曜日 午前１０時１４分 Adding Effects Low/Mid/High Attack Saving the Mastering settings Time from when the volume goes up the threshold level until the compressor effect applies Save the current settings as user settings. Only one set of user settings can be saved. Value: 0–100 ms 1. Low/Mid/High Release In the Mastering screen, press [SHIFT] so it lights, and then press .
Fantom-XR_r_e.book 148 ページ ２００６年４月４日 火曜日 午前１０時１４分 Connecting to Your Computer via USB (USB Mode) 7. About USB Functions Press [ENTER] to execute. USB Storage mode will be selected. fig.23-001.j The Fantom-XR has two modes of USB functionality: storage mode for transferring files, and MIDI mode for sending and receiving MIDI messages. You must switch between these two modes on the Fantom-XR; they cannot be used simultaneously.
Fantom-XR_r_e.book 149 ページ ２００６年４月４日 火曜日 午前１０時１４分 Connecting to Your Computer via USB (USB Mode) 7. Press [ENTER] to execute. MIDI mode will be selected. fig.23-002j * To cancel, press [EXIT]. Transferring Files to or from Your Computer (Storage Mode) By connecting the Fantom-XR with your computer via a USB cable, you can transfer files from internal memory or a memory card to and from the hard disk or other media of your computer, in order to back up your data.
Fantom-XR_r_e.book 150 ページ ２００６年４月４日 火曜日 午前１０時１４分 Connecting to Your Computer via USB (USB Mode) 5. Press [ENTER] to connect the computer and the Fantom-XR. fig.23-004 Exiting Storage mode Windows Me/2000/XP Users 1. 6. • The display will differ as follows, depending on the computer you’re using. Windows Me/2000 users A drive named “Removable disk” will be displayed within My Computer. Below that drive there will be folders named “ROLAND” and “TMP.
Fantom-XR_r_e.book 151 ページ ２００６年４月４日 火曜日 午前１０時１４分 Connecting to Your Computer via USB (USB Mode) 3. or to select “Import Audio.” fig.23-005 4. 5. Press [ENTER]. The Import Audio screen will appear. Press [GROUP] to select the import-destination area. User: Import from user memory. CARD: Import from a memory card.
Fantom-XR_r_e.book 152 ページ ２００６年４月４日 火曜日 午前１０時１４分 Connecting to Your Computer via USB (USB Mode) What is the USB MIDI Driver? The USB MIDI Driver is a software which passes data between the Fantom-XR and the application (sequencer software, etc.) that is running on the USB-connected computer. The USB MIDI Driver sends data from the application to the Fantom-XR, and passes data from the Fantom-XR to the application. fig.
Fantom-XR_r_e.book 153 ページ ２００６年４月４日 火曜日 午前１０時１４分 File-Related Functions (File Utility) Here you can perform a variety of operations related to the files stored in the Fantom-XR’s user memory, and on memory cards. You can copy, delete, or move files, as well as format memory cards. The folder structure of the user area and memory card is as follows. Selecting a file 1. In the Patch Play screen (p. 40) or the Performance Play screen (p. 84), press [MENU]. The Top Menu screen will appear. 2. Press 3.
Fantom-XR_r_e.book 154 ページ ２００６年４月４日 火曜日 午前１０時１４分 File-Related Functions (File Utility) Copying a File (File Copy) Here’s how you can copy a file or files with check marks to a different folder. Initializing a Memory Card (Card Format) Here’s how to initialize a memory card. When you execute the Format operation, the contents of the memory card will be completely erased. 1. In the File Utility screen, select the file that you want to copy. 2. Press [MENU]. The File Utility Menu screen will appear.
Fantom-XR_r_e.book 155 ページ ２００６年４月４日 火曜日 午前１０時１４分 Settings Common to All Modes (System Function) Settings that affect the entire operating environment of the FantomXR, such as tuning and MIDI message reception, are referred to as system functions. This section explains how to make settings for the System functions and describes the functions of the different System parameters. How to Make System Function Settings 1.
Fantom-XR_r_e.book 156 ページ ２００６年４月４日 火曜日 午前１０時１４分 Settings Common to All Modes (System Function) Functions of System Parameters This section explains what the different System parameters do, and also how these parameters are organized. For details on these settings, refer to “How to Make System Function Settings” (p. 155).
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Fantom-XR_r_e.book 158 ページ ２００６年４月４日 火曜日 午前１０時１４分 Settings Common to All Modes (System Function) System Sound Parameter Master Tune Value 415.3–466.2 Hz Master Level 0–127 Description Adjusts the overall tuning of the Fantom-XR. The display shows the frequency of the A4 note (center A). Adjusts the volume of the entire Fantom-XR. The screen for adjusting the Master Level can also be accessed directly from the Top Menu screen. For details, refer to “Adjusting the Master Level” (p. 159).
Fantom-XR_r_e.book 159 ページ ２００６年４月４日 火曜日 午前１０時１４分 Settings Common to All Modes (System Function) How do I Adjust the Volume? Adjusting the Master Level Master Level adjusts the volume of both the OUTPUT A jacks and the DIGITAL OUT jack. The front panel OUTPUT knob adjusts only the volume of the OUTPUT A jacks. Here’s an explanation of what you need to adjust depending on the output jacks you’re using. 1. fig.25-003 In the Patch Play screen (p. 40) or the Performance Play screen (p.
Fantom-XR_r_e.book 160 ページ ２００６年４月４日 火曜日 午前１０時１４分 Settings Common to All Modes (System Function) System Preview Parameter Preview Mode Value SINGLE, CHORD, PHRASE Description SINGLE: CHORD: The notes specified by Note Number 1–4 parameter will sound successively one by one. The notes specified by Note Number 1–4 parameter will sound simultaneously. The Phrase associated with the patch’s type/category is played.
Fantom-XR_r_e.book 161 ページ ２００６年４月４日 火曜日 午前１０時１４分 Settings Common to All Modes (System Function) System Sampling Parameter Default File Type Pre Sample Time Value WAV, AIFF 0–1000 ms Trigger Level 0–7 Gap Time 500, 1000, 1500, 2000 ms Input Select Trimming Switch DIGITAL IN, LINE-L/R, LINE-L, MICROPHONE OFF, ON Description Specifies the file format used when saving a sample.
Fantom-XR_r_e.book 162 ページ ２００６年４月４日 火曜日 午前１０時１４分 Data Management Functions Reset to Default Factory Settings (Factory Reset) Basic Procedure 1. In the Patch Play screen (p. 40) or the Performance Play screen (p. 84), press [MENU]. The Top Menu screen will appear. 2. Use 3. Press [ENTER]. The Utility Menu screen will appear. or to select “Utility.
Fantom-XR_r_e.book 163 ページ ２００６年４月４日 火曜日 午前１０時１４分 Using Fantom-X Editor To help you take even greater advantage of its functionality, the Fantom-XR comes with Fantom-X Editor software. Fantom-X Editor assigns parameters to sliders and knobs in the computer screen, allowing you to work efficiently in a graphical editing environment.
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Fantom-XR_r_e.book 165 ページ ２００６年４月４日 火曜日 午前１０時１４分 Playing SMF data (Song Play) The Fantom-XR can consecutively play back Standard MIDI File (SMF) data (filename extension .MID) stored in user memory or a memory card. When you play back a standard MIDI file, we recommend that you use the sound generator in Performance mode.
Fantom-XR_r_e.book 166 ページ ２００６年４月４日 火曜日 午前１０時１４分 Installing the Wave Expansion Board Up to six optional Wave Expansion Boards (SRX series) can be installed in the Fantom-XR. Wave Expansion Boards store Wave data, patches, and rhythm sets, and by equipping the Fantom-XR with these boards, you can greatly expand your sound palette. Cautions When Installing an Wave Expansion Board How to Install a Wave Expansion Board To install a wave expansion board, you’ll need to remove the top panel cover.
Fantom-XR_r_e.book 167 ページ ２００６年４月４日 火曜日 午前１０時１４分 Installing the Wave Expansion Board 4. Use the Installation Tool supplied with the Wave Expansion Board to turn the holders in the LOCK direction, so the board will be fastened in place. fig.30-006.e LOCK Installation tool 5. Use the screws that you removed in step 2 to fasten the cover back in place.
Fantom-XR_r_e.book 168 ページ ２００６年４月４日 火曜日 午前１０時１４分 Installation de la carte d’expansion Wave (French Language for Canadian Safety Standard) Un maximum de trois cartes d’expansion Wave (six cartes SRX) peuvent être installées dans le Fantom-XR. Les cartes d’expansion Wave emmagasinent des données Wave, correctifs et rythmes, et en ajoutant ces cartes au Fantom-XR, il est possible d’élargir considérablement la palette de sons.
Fantom-XR_r_e.book 169 ページ ２００６年４月４日 火曜日 午前１０時１４分 Installation de la carte d’expansion Wave 4. Utilisez l’outil d’installation fourni avec la carte d’expansion Wave pour tourner les supports en position LOCK (verrouillé) afin de retenir la carte en place. fig.30-006.f LOCK Outil d’installation 5. Remettez le couvercle en place à l’aide des vis retirées à l’étape 2.
Fantom-XR_r_e.book 170 ページ ２００６年４月４日 火曜日 午前１０時１４分 Expanding the Memory The Fantom-XR comes with 16 MB of memory into which audio samples can be loaded. However, in some cases, 16 MB of memory will be insufficient for loading large amounts of data. In such a case, you will have to add separately sold memory (DIMM). Memory can be expanded up to 64/128/256/512 MB. Before expanding the memory, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor.
Fantom-XR_r_e.book 171 ページ ２００６年４月４日 火曜日 午前１０時１４分 Expanding the Memory Removing the Memory To remove the memory module, reverse the installation procedure. 1. Simultaneously press outward the white clips located at either end of the socket. Checking that memory is installed correctly 1. Turn on the power, as described in “Turning On the Power” (p. 17). 2. Press [MENU]. The Top Menu screen will appear. 3. Press 4. Press [ENTER]. 5. Press or to display System Memory Info screen.
Fantom-XR_r_e.book 172 ページ ２００６年４月４日 火曜日 午前１０時１４分 Ajouter de la mémoire (French Language for Canadian Safety Standard) Le Fantom-XR est livré avec une mémoire de 16 Mo dans laquelle les échantillons audio peuvent être chargés. Toutefois, dans certains cas, une mémoire de 16 Mo sera insuffisante pour charger de grandes quantités de données. Il faudra alors ajouter des modules de mémoire vendus séparément (DIMM). La mémoire est extensible jusqu’à 64/128/256/512 Mo.
Fantom-XR_r_e.book 173 ページ ２００６年４月４日 火曜日 午前１０時１４分 Ajouter de la mémoire Retrait du module de mémoire Pour retirer le module de mémoire, procédez à l’inverse de la procédure d’installation. 1. Appuyez simultanément, vers l’extérieur, sur les clips blancs situés aux extrémités de la prise. fig.31-006 2. Retirez le module de mémoire de la prise. Vérifier que la mémoire est installée correctement 1. Mettre sous tension de la façon décrite sous “Turning On the Power” (p. 17). 2. Appuyer sur [MENU].
Fantom-XR_r_e.book 174 ページ ２００６年４月４日 火曜日 午前１０時１４分 Using a Memory Card The Fantom-XR features a PC card slot, allowing you to use not only PC card type memory cards, but also other types of media, such as CompactFlash and SmartMedia, via the appropriate PC card adaptor. Before Using the Memory Card Make sure that the correct side of the card is facing upward, and insert it into the Fantom-XR’s PC card slot. When you need to remove the card, press the eject button located beside the card. fig.
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Fantom-XR_r_e.book 176 ページ ２００６年４月４日 火曜日 午前１０時１４分 Troubleshooting If the Fantom-XR does not function in the way you expect, first check the following points. If this does not resolve the problem, consult your dealer or a nearby Roland Service Station. * If any sort of message is being displayed on the screen during an operation, refer to Error Messages (p. 218).
Fantom-XR_r_e.book 177 ページ ２００６年４月４日 火曜日 午前１０時１４分 Troubleshooting The sound is interrupted. Sounds will be interrupted if more than 128 voices are used simultaneously. Even when I set the Pan for a Patch completely to one side, sound still comes from the other channel... The Fantom-XR’s internal effects are in stereo, so if you have • Increase the Voice Reserve setting for parts that must not drop out. (p.
Fantom-XR_r_e.book 178 ページ ２００６年４月４日 火曜日 午前１０時１４分 Troubleshooting Issues Related to Effects Using the Matrix Control or other such means to control the LFO results in noise when the Pan is changed suddenly. Lower the change in speed (LFO Rate). Effects not applied. Check the following points. • The “MFX,” “CHO,” “REV” or “MST” effect switches may have been turned off. Turn them on in the Effect Switch screen. (p. 132) • Are the various effect settings correct? (p.
Fantom-XR_r_e.book 179 ページ ２００６年４月４日 火曜日 午前１０時１４分 Troubleshooting Issues Related to MIDI and External Devices Performances of the external sequencer are sluggish, or have interruptions. Problems of sluggish and interrupted performances can crop up very easily when the sequencer or sound generator used for the performance has to handle heavy data loads. Main causes and possible corrective measures are considered below. • Are more than 128 voices playing simultaneously? Reduce the number of voices.
Fantom-XR_r_e.book 180 ページ ２００６年４月４日 火曜日 午前１０時１４分 Troubleshooting Sampled sound contains excessive noise or distortion Issues Related to Sampling External input sound cannot be heard/volume is too low Check the following points. • Could the MIX IN setting be off? Press [INPUT] to turn it on. • The level of the external input may be lowered. When you sample, use the INPUT knob to adjust the level appropriately. • Check the Level setting in the Sampling screen (p. 118).
Fantom-XR_r_e.book 181 ページ ２００６年４月４日 火曜日 午前１０時１４分 Parameter List Patch Parameters Patch General (p.
Fantom-XR_r_e.book 182 ページ ２００６年４月４日 火曜日 午前１０時１４分 Parameter List Patch WG (p. 54) Parameter Wave Group Wave Bank Wave No.L (Mono) Wave Number L (Mono) Wave No.
Fantom-XR_r_e.book 183 ページ ２００６年４月４日 火曜日 午前１０時１４分 Parameter List Patch TVF Env (p.
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Fantom-XR_r_e.book 185 ページ ２００６年４月４日 火曜日 午前１０時１４分 Parameter List Parameter Control 1–4 Sens Chorus Type Chorus Output Output Level Output Assign Output Select Reverb Type Multi-Effects Control Sens 1–4 Value -63– +63 0 (Off), 1 (Chorus), 2 (Delay), 3 (GM2 Chorus) 0–127 A, B MAIN, REV, M+R 0 (Off), 1 (Reverb), 2 (SRV Room), 3 (SRV Hall), 4 (SRV Plate), 5 (GM2 Reverb) Reverb Output Output Level Output Assign 0–127 A, B Rhythm Set Parameters Rhythm General (p.
Fantom-XR_r_e.book 186 ページ ２００６年４月４日 火曜日 午前１０時１４分 Parameter List Rhythm WMT (p. 76) Parameter WMT Velocity Control Velo Fade Lower Velo Range Lower Velo Range Upper Velo Fade Upper Velocity Control Switch Velocity Fade Width Lower Velocity Range Lower Velocity Range Upper Velocity Fade Width Upper Value OFF, ON, RANDOM 0–127 1–UPPER LOWER–127 0–127 Rhythm Pitch (p.
Fantom-XR_r_e.book 187 ページ ２００６年４月４日 火曜日 午前１０時１４分 Parameter List Rhythm TVA (p. 80) Parameter Tone Level Level V-Curve Level V-Sens Tone Pan Random Pan Depth Alternate Pan Depth Rhythm Tone level Level Velocity Curve Level Velocity Sensitivity Rhythm Tone Pan Value 0–127 FIXED, 1–7 -63– +63 L64–0–63R 0–63 L63–0–63R Rhythm TVA Env (p.
Fantom-XR_r_e.book 188 ページ ２００６年４月４日 火曜日 午前１０時１４分 Parameter List Performance Parameters General (p. 94) Parameter Performance Name * Specify when writing. Recommended Tempo Value space, A–Z, a–z, 0–9, ! ” # $ % & ’ ( ) * + , - . / : ; < = > ? @ [ \]^_`{|} 20-250 Part (p.
Fantom-XR_r_e.book 189 ページ ２００６年４月４日 火曜日 午前１０時１４分 Parameter List MIDI (p. 93) Parameter Rx Program Change Rx Bank Select Rx Pitch Bend Rx Poly Key Pressure Rx Channel Pressure Rx Modulation Rx Volume Rx Pan Rx Expression Rx Hold-1 Phase Lock Velocity Curve Type Value OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, 1-4 Arpeggio (p.
Fantom-XR_r_e.book 190 ページ ２００６年４月４日 火曜日 午前１０時１４分 Parameter List Effect (p.
Fantom-XR_r_e.book 191 ページ ２００６年４月４日 火曜日 午前１０時１４分 Parameter List System Parameters System Startup (p. 156) Parameter LCD Contrast Startup w/Preset Samp Startup w/User Samp Power Up Mode Load Preset Samples at Startup Load User Samples at Startup Value 1-20 OFF, ON OFF, ON PATCH, PERFORM System Sync/Tempo (p. 156) Parameter Sync Mode Tempo Tempo Override Value MASTER, SLAVE 5-300 OFF, ON System MIDI (p.
Fantom-XR_r_e.book 192 ページ ２００６年４月４日 火曜日 午前１０時１４分 Parameter List System Preview (p. 160) Parameter Preview Mode Preview 1 - 4 Note Preview 1 - 4 Velo Value SINGLE, CHORD, PHRASE C- –G9 OFF, 1–127 System Scale Tune (p. 160) Parameter Scale Tune Switch Patch Scale Tune C - B Value OFF, ON -64– +63 System Sampling (p.
Fantom-XR_r_e.book 193 ページ ２００６年４月４日 火曜日 午前１０時１４分 Effects List Multi-Effects Parameter The multi-effects feature 78 different kinds of effects. Some of the effects consist of two or more different effects connected in series. Parameters marked with a sharp “#” can be controlled using a specified controller (Two setting items will change simultaneously for “#1” and “#2”).
Fantom-XR_r_e.book 194 ページ ２００６年４月４日 火曜日 午前１０時１４分 Effects List 01: EQUALIZER 03: ISOLATOR This is a four-band stereo equalizer (low, mid x 2, high). This is an equalizer which cuts the volume greatly, allowing you to add a special effect to the sound by cutting the volume in varying ranges. fig.MFX-01 L in 4-Band EQ L out fig.
Fantom-XR_r_e.book 195 ページ ２００６年４月４日 火曜日 午前１０時１４分 Effects List 05: SUPER FILTER This is a filter with an extremely sharp slope. The cutoff frequency can be varied cyclically. fig.MFX-05 Parameter Value Description Filter Slope -12, -24, -36 dB Amount of attenuation per octave -12 dB: gentle -24 dB: steep -36 dB: extremely steep Filter resonance level Increasing this value will emphasize the region near the cutoff frequency.
Fantom-XR_r_e.book 196 ページ ２００６年４月４日 火曜日 午前１０時１４分 Effects List Parameter Value Description Specifications of each Speaker Type Low Gain High Gain Level -15– +15 dB -15– +15 dB 0–127 Gain of the low range Gain of the high range Output Level The speaker column indicates the diameter of each speaker unit (in inches) and the number of units. 09: HUMANIZER Type Cabinet Speaker Microphone Adds a vowel character to the sound, making it similar to a human voice.
Fantom-XR_r_e.book 197 ページ ２００６年４月４日 火曜日 午前１０時１４分 Effects List 12: STEP PHASER 14: INFINITE PHASER The phaser effect will be varied gradually. A phaser that continues raising/lowering the frequency at which the sound is modulated. fig.MFX-12 fig.
Fantom-XR_r_e.book 198 ページ ２００６年４月４日 火曜日 午前１０時１４分 Effects List 16: STEP RING MOD (STEP RING MODULATOR) 18: AUTO PAN Cyclically modulates the stereo location of the sound. fig.MFX-18a This is a ring modulator that uses a 16-step sequence to vary the frequency at which modulation is applied. L in Auto Pan 2-Band EQ L out R in Auto Pan 2-Band EQ R out fig.
Fantom-XR_r_e.book 199 ページ ２００６年４月４日 火曜日 午前１０時１４分 Effects List 20: SLICER By applying successive cuts to the sound, this effect turns a conventional sound into a sound that appears to be played as a backing phrase. This is especially effective when applied to sustaintype sounds. Parameter Value Description Wf Fast Speed 0.05–10.00 Hz Wf Acceleration 0–15 Wf Level Tw Slow Speed Tw Fast Speed Tw Acceleration Tw Level Separation Level # 0–127 0.05–10.00 Hz 0.05–10.
Fantom-XR_r_e.book 200 ページ ２００６年４月４日 火曜日 午前１０時１４分 Effects List 23: CHORUS 25: STEP FLANGER This is a stereo chorus. A filter is provided so that you can adjust the timbre of the chorus sound. This is a flanger in which the flanger pitch changes in steps. The speed at which the pitch changes can also be specified in terms of a note-value of a specified tempo. fig.
Fantom-XR_r_e.book 201 ページ ２００６年４月４日 火曜日 午前１０時１４分 Effects List Parameter Value Description Pan Deviation 0–20 Adjusts the difference in stereo location between each chorus sound. 0: All chorus sounds will be in the center. 20: Each chorus sound will be spaced at 60 degree intervals relative to the center.
Fantom-XR_r_e.book 202 ページ ２００６年４月４日 火曜日 午前１０時１４分 Effects List Parameter Value Description Output Mode SPEAKER, PHONES Adjusts the method that will be used to hear the sound that is output to the OUTPUT jacks. The optimal 3D effect will be achieved if you select SPEAKER when using speakers, or PHONES when using headphones.
Fantom-XR_r_e.book 203 ページ ２００６年４月４日 火曜日 午前１０時１４分 Effects List Parameter Range Explanation Parameter Range Explanation Low Depth 0–127 High Depth 0–127 Low Phase 0–180 deg High Phase 0–180 deg Low Feedback # -98– +98% High Feedback # -98– +98% High Pre Delay 0.0–100.0 ms High Step Rate # 0.10–20.00 Hz, note Balance # D100:0W–D0:100W High Rate # 0.05–10.
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Fantom-XR_r_e.book 205 ページ ２００６年４月４日 火曜日 午前１０時１４分 Effects List 42: GATE Cuts the reverb’s delay according to the volume of the sound sent into the effect. Use this when you want to create an artificialsounding decrease in the reverb’s decay. fig.MFX-42 L in L out Gate Parameter Value Description HF Damp 200–8000 Hz, BYPASS Low Gain High Gain Balance # -15– +15 dB -15– +15 dB D100:0W– D0:100W 0–127 Adjusts the frequency above which sound fed back to the effect is filtered out.
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Fantom-XR_r_e.book 207 ページ ２００６年４月４日 火曜日 午前１０時１４分 Effects List 49: MULTI TAP DELAY Parameter Range Explanation -98– +98% This effect provides four delays. Each of the Delay Time parameters can be set to a note length based on the selected tempo. You can also set the panning and level of each delay sound.
Fantom-XR_r_e.book 208 ページ ２００６年４月４日 火曜日 午前１０時１４分 Effects List 52: 3D DELAY Parameter Value Description This applies a 3D effect to the delay sound. The delay sound will be positioned 90 degrees left and 90 degrees right. Balance # D100:0W–D0:100W Level 0–127 Volume balance between the direct sound (D) and the delay sound (W) Output level fig.MFX-52 L 2-Band EQ Level L out 3D Delay L A delay in which the delay time can be varied smoothly, and allowing an extended delay to be produced.
Fantom-XR_r_e.book 209 ページ ２００６年４月４日 火曜日 午前１０時１４分 Effects List Parameter Value Description Wow/Flutter Rate 0–127 Wow/Flutter Depth Echo Level # Direct Level # Level 0–127 Speed of wow/flutter (complex variation in pitch caused by tape wear and rotational irregularity) Depth of wow/flutter 0–127 0–127 0–127 Volume of the echo sound Volume of the original sound Output level 56: LOFI NOISE In addition to a lo-fi effect, this adds various types of noise such as white noise and disc noise. fig.
Fantom-XR_r_e.book 210 ページ ２００６年４月４日 火曜日 午前１０時１４分 Effects List 59: TELEPHONE fig.MFX-59 L in Telephone L out R in Telephone R out Parameter Value Description Voice Quality # Treble Balance # 0–15 Audio quality of the telephone voice -15– +15 dB D100:0– D0:100W 0–127 Bandwidth of the telephone voice Volume balance between the direct sound (D) and the effect sound (W) Output level Level 60: PHONOGRAPH Simulates a sound recorded on an analog record and played back on a record player.
Fantom-XR_r_e.book 211 ページ ２００６年４月４日 火曜日 午前１０時１４分 Effects List 63: STEP PCH SHIFTER (STEP PITCH SHIFTER) Parameter Value Description HF Damp 200–8000 Hz, BYPASS Low Gain High Gain Balance # -15– +15 dB -15– +15 dB D100:0W–D0:100W Level 0–127 Adjusts the frequency above which the reverberant sound will be cut. As the frequency is set lower, more of the high frequencies will be cut, resulting in a softer and more muted reverberance.
Fantom-XR_r_e.book 212 ページ ２００６年４月４日 火曜日 午前１０時１４分 Effects List Parameter Value Description Parameter Value Description Cho Balance # D100:0W–D0:100W Delay Balance # D100:0W–D0:100W Level 0–127 Adjusts the volume balance between the sound that is sent through the chorus (W) and the sound that is not sent through the chorus (D). Output Level Level 0–127 Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D).
Fantom-XR_r_e.book 213 ページ ２００６年４月４日 火曜日 午前１０時１４分 Effects List 72: ENH → CHORUS (ENHANCER → CHORUS) 74: ENH → DELAY (ENHANCER → DELAY) fig.MFX-72 L in fig.MFX-74 L out Enhancer Mix Balance D L in L out Enhancer Balance D Mix Balance W Balance W Chorus Delay Balance W R in R out Enhancer Mix Balance D Parameter Value Description 0–127 0–127 Cho Pre Delay 0.0–100.
Fantom-XR_r_e.book 214 ページ ２００６年４月４日 火曜日 午前１０時１４分 Effects List 76: FLANGER → DELAY 78: SYMPATHETIC RESO (SYMPATHETIC RESONANCE) fig.MFX-76 Balance D L in L out Balance D Feedback Flanger Balance W Balance W Balance W Delay Balance W Feedback R in On an acoustic piano, holding down the damper pedal allows other strings to resonate in sympathy with the notes you play, creating rich and spacious resonances. This effect simulates these sympathetic resonances. fig.
Fantom-XR_r_e.book 215 ページ ２００６年４月４日 火曜日 午前１０時１４分 Effects List When Using 3D Effects About the STEP RESET function The following 3D effects utilize RSS (Roland Sound Space) technology to create a spaciousness that cannot be produced by delay, reverb, chorus, etc. 06: STEP FILTER 52: 3D DELAY 16: STEP RING MOD 19: STEP PAN 20: SLICER 29: 3D CHORUS 63: STEP PCH SHIFTER 30: 3D FLANGER 31: 3D STEP FLANGER The above five types contain a sixteen-step sequencer.
Fantom-XR_r_e.book 216 ページ ２００６年４月４日 火曜日 午前１０時１４分 Effects List Chorus Parameters note: fig.MFX-note2.e (Sixty-fourth-note triplet), The Fantom-XR’s Chorus effect unit can also be used as a stereo delay unit. These settings allow you to select chorus or delay, and the characteristics of the selected effect type. Parameter Chorus Type Value 0 (OFF), 1 (CHORUS), 2 (DELAY), 3 (GM2 CHORUS) Type: 1 (CHORUS) Rate 0.05–10.00 Hz, note Depth 0–127 Pre Delay 0.0–100.
Fantom-XR_r_e.book 217 ページ ２００６年４月４日 火曜日 午前１０時１４分 Effects List Reverb Parameters These settings allow you to select the desired type of reverb, and its characteristics. Parameter Value Description Reverb 0 (OFF), Type of reverb Type 1 (REVERB), 0 (OFF): Reverb is not used. 2 (SRV ROOM), 1 (REVERB): Normal reverb 3 (SRV HALL), 2 (SRV ROOM): This simulates typical 4 (SRV PLATE), room acoustic reflections. 5 (GM2 REVERB) 3 (SRV HALL): This simulates typical concert hall acoustic reflections.
Fantom-XR_r_e.book 218 ページ ２００６年４月４日 火曜日 午前１０時１４分 Error Messages If an incorrect operation is performed, or if processing could not be performed as you specified, an error message will appear. Refer to the explanation for the error message that appears, and take the appropriate action. Message Meaning Action Cannot Edit Preset Sample! Cannot Edit GM Patch Cannot Write GM Patch Card Not Ready! Empty Sample! File Name Duplicate This is a preset sample, and therefore cannot be edited.
Fantom-XR_r_e.book 219 ページ ２００６年４月４日 火曜日 午前１０時１４分 Performance List USER Group PRESET Group No. Name No. Name No. Name No.
Fantom-XR_r_e.book 220 ページ ２００６年４月４日 火曜日 午前１０時１４分 Patch List USER (User Group) No. Name Voice Category No. Name Voice Category No. Name Voice Category No. Name Voice Category 001 002 003 004 005 006 007 008 009 010 UltimatGrand Strobot Full Strings The VorteX Purple Organ X Brs Sect 1 FlamencoGt X * EuroPhrSeq SquareSphere HimalayaThaw 2 2 4 2 5 6 3 6 2 4 AC.PIANO PULSATING STRINGS SYNTH FX ORGAN AC.BRASS AC.
Fantom-XR_r_e.book 221 ページ ２００６年４月４日 火曜日 午前１０時１４分 Patch List PR-A (Preset A Group) No. Name No. Name PR-B (Preset B Group) Voices Category Voices Category 001 002 003 004 005 006 007 008 009 010 So true... ConcertPiano Warm Piano Warm Pad Pno Warm Str Pno BealeSt Walk Rapsody JD-800 Piano SA Dance Pno FS E-Grand 2 3 2 4 6 4 7 1 2 4 AC.PIANO AC.PIANO AC.PIANO AC.PIANO AC.PIANO AC.PIANO AC.PIANO AC.PIANO AC.PIANO AC.
Fantom-XR_r_e.book 222 ページ ２００６年４月４日 火曜日 午前１０時１４分 Patch List PR-C (Preset C Group) No. Name Voices Category No. Name PR-D (Preset D Group) Voices Category No. Name Voices Category No. Name Voices Category 001 002 003 004 005 006 007 008 009 010 FS Flute Atk Flute Piccolo Andes Mood Pan Pipes Solo Tp Horn Chops Flugel Horn Spit Flugel Mute Tp /Mod 2 2 2 1 2 2 2 1 3 3 FLUTE FLUTE FLUTE FLUTE FLUTE AC.BRASS AC.BRASS AC.BRASS AC.BRASS AC.
Fantom-XR_r_e.book 223 ページ ２００６年４月４日 火曜日 午前１０時１４分 Patch List PR-E (Preset E Group) No. Name Voices Category PR-F (Preset F Group) Voices Category 001 002 003 004 005 006 007 008 009 010 Digital Aahs FreezinNight FS MovinPad Seq-Pad 1 Digi-Swell Stringship SaturnHolida India Garden OB Rezo Pad Sonic Surfer 3 5 8 8 3 4 2 6 3 2 SOFT PAD SOFT PAD SOFT PAD SOFT PAD BRIGHT PAD BRIGHT PAD BRIGHT PAD BRIGHT PAD BRIGHT PAD BRIGHT PAD No.
Fantom-XR_r_e.book 224 ページ ２００６年４月４日 火曜日 午前１０時１４分 Patch List PR-G (Preset G Group) No. Name Voices Category No. Name PR-H (Preset H Group) Voices Category No. Name Voices Category No.
Fantom-XR_r_e.book 225 ページ ２００６年４月４日 火曜日 午前１０時１４分 Patch List GM (GM2 Group) No. Name Voice LSB 001 Piano 1 4 0 PC 1 No. Name 065 Chorus Gt. Voice LSB PC No. Name 2 1 28 129 French Horns 002 Piano 1w 4 1 1 066 Mid Tone GTR 1 003 European Pf 4 2 1 067 Muted Gt. 1 004 Piano 2 4 0 2 068 Funk Pop 1 005 Piano 2w 4 1 2 069 Funk Gt.2 2 006 Piano 3 2 0 3 070 Jazz Man 007 Piano 3w 2 1 3 071 Overdrive Gt 008 Honky-tonk 2 0 4 009 Honky-tonk 2 2 1 4 010 E.
Fantom-XR_r_e.book 226 ページ ２００６年４月４日 火曜日 午前１０時１４分 Rhythm Set List USER (User Group) No.
Fantom-XR_r_e.book 227 ページ ２００６年４月４日 火曜日 午前１０時１４分 Rhythm Set List Prst: User: Note No. 28 29 30 31 32 33 34 35 C2 36 37 38 39 40 41 42 43 44 45 46 47 C3 48 49 50 51 52 53 54 55 56 57 58 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 75 76 77 78 79 80 81 82 83 C6 84 85 86 87 88 89 90 91 92 93 94 95 C7 96 97 98 99 100 101 102 103 001 009 StandardKit1 MaxLow Kick3 Rk CmpKick Gospel Clap Boys Kick Snr Roll HipHop Kick2 Reg.PHH mf Reg.Kick Reg.Kick Reg.Stick Reg.Snr 2 Reg.SnrGst Reg.
Fantom-XR_r_e.book 228 ページ ２００６年４月４日 火曜日 午前１０時１４分 Rhythm Set List Prst: User: Note No.
Fantom-XR_r_e.book 229 ページ ２００６年４月４日 火曜日 午前１０時１４分 Rhythm Set List Prst: User: Note No.
Fantom-XR_r_e.book 230 ページ ２００６年４月４日 火曜日 午前１０時１４分 Rhythm Set List Prst: User: Note No.
Fantom-XR_r_e.book 231 ページ ２００６年４月４日 火曜日 午前１０時１４分 Rhythm Set List Prst: User: Note No.
Fantom-XR_r_e.book 232 ページ ２００６年４月４日 火曜日 午前１０時１４分 Rhythm Set List Prst: User: Note No.
Fantom-XR_r_e.book 233 ページ ２００６年４月４日 火曜日 午前１０時１４分 Rhythm Set List GM (GM2 Group) Note No. 27 28 29 30 31 32 33 34 35 C2 36 37 38 39 40 41 42 43 44 45 46 47 C3 48 49 50 51 52 53 54 55 56 57 58 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 75 76 77 78 79 80 81 82 83 C6 84 85 86 87 88 001 (PC: 1) GM2 STANDARD High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm.
Fantom-XR_r_e.book 234 ページ ２００６年４月４日 火曜日 午前１０時１４分 Rhythm Set List GM (GM2 Group) Note No. 27 28 29 30 31 32 33 34 35 C2 36 37 38 39 40 41 42 43 44 45 46 47 C3 48 49 50 51 52 53 54 55 56 57 58 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 75 76 77 78 79 80 81 82 83 C6 84 85 86 87 88 234 007 (PC: 41) GM2 BRUSH High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm.
Fantom-XR_r_e.book 235 ページ ２００６年４月４日 火曜日 午前１０時１４分 Waveform List 1. Wave Bank A No. Wave Name No. Wave Name No. Wave Name No. Wave Name No. Wave Name 0001 0002 0003 0004 0005 0006 0007 0008 0009 0010 Ac.Pno p A L Ac.Pno p A R Ac.Pno p B L Ac.Pno p B R Ac.Pno p C L Ac.Pno p C R Ac.Pno f A L Ac.Pno f A R Ac.Pno f B L Ac.
Fantom-XR_r_e.book 236 ページ ２００６年４月４日 火曜日 午前１０時１４分 Waveform List No. Wave Name No. Wave Name No. Wave Name No. Wave Name No.
Fantom-XR_r_e.book 237 ページ ２００６年４月４日 火曜日 午前１０時１４分 Waveform List No. Wave Name No. Wave Name No. Wave Name No. Wave Name 0901 0902 0903 0904 0905 0906 0907 0908 0909 0910 BmbCmp Snr MrchCmp Snr Frenzy Snr 1 Frenzy Snr 2 Slap Snr 1 Keen Snr 1 Reggae Snr DR660 Snr Pop Snr p Pop Snr f 0991 0992 0993 0994 0995 0996 0997 0998 0999 1000 Reg.H.Tom f Reg.L.TomFlm Reg.M.TomFlm Reg.H.
Fantom-XR_r_e.book 238 ページ ２００６年４月４日 火曜日 午前１０時１４分 Waveform List 2. Wave Bank B In waveform numbers 0001-0040, note numbers 91-108 are set to Damper Free in order to accurately reproduce the characteristics of an acoustic piano. No. Wave Name No. Wave Name No.
Fantom-XR_r_e.book 239 ページ ２００６年４月４日 火曜日 午前１０時１４分 Arpeggio Style List/Chord Form List Arpeggio Style List Chord Form List USER (User Group) PRST (Preset Group) USER (User Group) PRST (Preset Group) No. Arpeggio Name No.
Fantom-XR_r_e.book 240 ページ ２００６年４月４日 火曜日 午前１０時１４分 Rhythm Pattern List PRST (Preset Group) No.
Fantom-XR_r_e.book 241 ページ ２００６年４月４日 火曜日 午前１０時１４分 Rhythm Pattern List No. Pattern Name 129 130 Recommended Rhythm Set Recommended Tempo (BPM) No.
Fantom-XR_r_e.book 242 ページ ２００６年４月４日 火曜日 午前１０時１４分 Rhythm Pattern List USER (User Group) Rhythm Pattern No.001-240 are common to Preset Group and UserGroup. Rhythm Pattern No.241-256 differ on Preset Group and User Group. No.
Fantom-XR_r_e.book 243 ページ ２００６年４月４日 火曜日 午前１０時１４分 Rhythm Group List USER (User Group) PRST (Preset Group) No.
Fantom-XR_r_e.book 244 ページ ２００６年４月４日 火曜日 午前１０時１４分 About MIDI MIDI (Musical Instruments Digital Interface) is a standard specification that allows musical data to be exchanged between electronic musical instruments and computers.
Fantom-XR_r_e.book 245 ページ ２００６年４月４日 火曜日 午前１０時１４分 MIDI Implementation 1. Receive Data ■Channel Voice Messages * Not received in Performance mode when the Receive Switch parameter (PERFORM/ PART) is OFF. ●Note off Status 2nd byte 3rd byte 8nH kkH vvH 9nH kkH 00H n = MIDI channel number: 0H - FH (ch.1 - 16) kk = note number: 00H - 7FH (0 - 127) vv = note off velocity: 00H - 7FH (0 - 127) * Not received when the Tone Envelope Mode parameter (PATCH/CTRL and RHYTHM/ CTRL) is NO-SUS.
Fantom-XR_r_e.book 246 ページ ２００６年４月４日 火曜日 午前１０時１４分 MIDI Implementation ❍Hold 1 (Controller number 64) ❍Cutoff (Controller number 74) Status 2nd byte 3rd byte BnH 40H vvH n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Control value: 00H - 7FH (0 - 127) 0-63 = OFF, 64-127 = ON Status 2nd byte BnH 4AH n = MIDI channel number: vv = Cutoff value (relative change): * * * Not received when Tone Receive Hold-1 parameter (PATCH/CTRL or RHYTHM/ CTRL) is OFF.
Fantom-XR_r_e.book 247 ページ ２００６年４月４日 火曜日 午前１０時１４分 MIDI Implementation ❍Portamento control (Controller number 84) 7FH, 7FH ---, --- Status 2nd byte 3rd byte BnH 54H kkH n = MIDI channel number: 0H - FH (ch.1 - 16) kk = source note number: 00H - 7FH (0 - 127) * * * A Note-on received immediately after a Portamento Control message will change continuously in pitch, starting from the pitch of the Source Note Number.
Fantom-XR_r_e.book 248 ページ ２００６年４月４日 火曜日 午前１０時１４分 MIDI Implementation ■Channel Mode Messages ■System Realtime Message * ●Timing Clock Not received in Performance mode when the Receive Switch parameter (PERFORM/ MIDI) is OFF. ●All Sounds Off (Controller number 120) Status F8H 2nd byte 3rd byte Status BnH 78H 00H n = MIDI channel number: 0H - FH (ch.1 - 16) * * Status FEH When this message is received, all notes currently sounding on the corresponding channel will be turned off.
Fantom-XR_r_e.book 249 ページ ２００６年４月４日 火曜日 午前１０時１４分 MIDI Implementation ❍GM2 System On ❍Master Coarse Tuning Status F0H Data byte 7EH 7FH 09H 03H Byte F0H 7EH 7FH 09H 03H F7H Explanation Exclusive status ID number (Universal Non-realtime Message) Device ID (Broadcast) Sub ID#1 (General MIDI Message) Sub ID#2 (General MIDI 2 On) EOX (End Of Exclusive) * * Status F7H When this messages is received, this instrument will turn to the Performance mode.
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Fantom-XR_r_e.book 251 ページ ２００６年４月４日 火曜日 午前１０時１４分 MIDI Implementation ❍Data set 1 DT1 (12H) Status F0H Data byte 41H, dev, 00H, 6BH, 12H, aaH, bbH, ccH, ddH, eeH, ...
Fantom-XR_r_e.book 252 ページ ２００６年４月４日 火曜日 午前１０時１４分 MIDI Implementation ●Data Transmission ❍Data set 1 3. Parameter Address Map * DT1 (12H) Status F0H Data byte 41H, dev, 00H, 6BH, 12H, aaH, bbH, ccH, ddH, eeH, ...
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Fantom-XR_r_e.book 268 ページ ２００６年４月４日 火曜日 午前１０時１４分 MIDI Implementation 4. Supplementary Material ■Examples of Actual MIDI Messages ■Decimal and Hexadecimal Table 92 3E 5F 9n is the Note-on status, and n is the MIDI channel number. Since 2H = 2, 3EH = 62, and 5FH = 95, this is a Note-on message with MIDI CH = 3, note number 62 (note name is D4), and velocity 95. (An “H” is appended to the end of numbers in hexadecimal notation.
Fantom-XR_r_e.book 269 ページ ２００６年４月４日 火曜日 午前１０時１４分 MIDI Implementation ■Example of an Exclusive Message and Calculating a Checksum ■The Scale Tune Feature Roland Exclusive messages (RQ1, DT1) are transmitted with a checksum at the end (before F7) to make sure that the message was correctly received. The value of the checksum is determined by the address and data (or size) of the transmitted Exclusive message.
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Fantom-XR_r_e.book 271 ページ ２００６年４月４日 Model Fantom-XR 火曜日 午前１０時１４分 MIDI Implementation Chart Transmitted Function...
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Fantom-XR_r_e.book 273 ページ ２００６年４月４日 火曜日 午前１０時１４分 Specifications Weight 3.75 kg / 8 lbs 5 oz Accessories Owner’s Manual Sample Data (Audio) CD CD-ROM (Editor, USB MIDI driver) PC Card Protector (and 2 screws) Power Cord Options Wave Expansion Board: SRX Series 962a * In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.
Fantom-XR_r_e.book 274 ページ ２００６年４月４日 火曜日 午前１０時１４分 Index Symbols C .WAV ............................................................. 121, 150, 153 Card File ............................................................................ 153 Format ..................................................................... 154 Patch .......................................................................... 40 Performance .............................................................. 84 Sample ..................
Fantom-XR_r_e.book 275 ページ ２００６年４月４日 火曜日 午前１０時１４分 Index D DEC ................................................................................. 38 Decay Time Offset ......................................................... 90 Default File Type ......................................................... 161 Delay Time ..................................................................... 64 Delay Time KF ............................................................... 64 Deleting File .......................
Fantom-XR_r_e.book 276 ページ ２００６年４月４日 火曜日 午前１０時１４分 Index Input Effect ............................................................. 35, 116 Input Select ................................................... 115, 118, 161 Input Source ................................................................. 115 J Just Temperament ......................................................... 93 System Function .................................................... 160 K Key Fade Lower Patch .............................
Fantom-XR_r_e.book 277 ページ ２００６年４月４日 火曜日 午前１０時１４分 Index Output Assign Mix In ...................................................................... 117 Performance ............................................................. 89 Output Gain ................................................................. 158 Output Level Mix In ...................................................................... 117 Performance ............................................................. 89 Output MFX Select .......
Fantom-XR_r_e.book 278 ページ ２００６年４月４日 火曜日 午前１０時１４分 Index Preset ............................................................................... 45 Patch .......................................................................... 40 Performance ............................................................. 84 Preset Memory ............................................................... 35 Preview ................................................................... 40, 160 Preview 1–4 Note Number ............
Fantom-XR_r_e.book 279 ページ ２００６年４月４日 火曜日 午前１０時１４分 Index Selecting Patch .................................................................... 40–43 Performance ............................................................. 84 Rhythm Group ....................................................... 108 Rhythm Pattern ...................................................... 110 Rhythm Set ............................................................... 45 Sample ....................................................
Fantom-XR_r_e.book 280 ページ ２００６年４月４日 火曜日 午前１０時１４分 Index TVF Depth ...................................................................... 65 TVF Env Patch .......................................................................... 59 Rhythm Set ............................................................... 79 Tx Edit Data ................................................................. 157 Tx Note ......................................................................... 157 Type Input Effect Type ......
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Fantom-XR_r_e.book 282 ページ ２００６年４月４日 火曜日 午前１０時１４分 List of newly added patches Patches added by the FANTOM-XR Sample Tools Expansion PR-I (Preset I Group) No. Name Voices Category No. Name Voices Category 001 002 003 004 005 006 007 008 009 010 Grand X Punch Piano AbandonedPno Ballad 88 Cosmo Grand Crossed EP Dry Suitcase Chuk EP FXM EP Bumpy EP 2 2 2 4 5 4 2 3 2 2 AC.PIANO AC.PIANO AC.PIANO AC.PIANO AC.PIANO EL.PIANO EL.PIANO EL.PIANO EL.PIANO EL.
For EU Countries SE WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
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