Owner`s manual

ManualsBrandsRoland ManualsMusical InstrumentsFP-4F

06-10-1N04453567

*04453567 - 01*

DIC=90

Summary of content (140 pages)

PAGE 1
* 0 4 4 5 3 5 6 7 04453567 DIC = 90 - 0 1 * 06-10-1N
PAGE 2
Cover2/3
PAGE 3
FP-4-e.book 3 ページ２００６年１１月１７日金曜日午前１１時４０分 Introduction Thank you, and congratulations on your choice of the FP-4. To ensure that you obtain the maximum enjoyment and take full advantage of the FP-4’s functionality, please read this owner’s manual carefully. About the Manual You should first read the “Before You Play” (p. 15) section of the owner’s manual (this document). This explains how to connect the AC adaptor and turn on the power.
PAGE 4
FP-4-e.book 4 ページ２００６年１１月１７日金曜日午前１１時４０分 Main Features Main Features Serious piano performance The FP-4 provides the sounds of a high-quality concert grand piano coupled with the PHA alpha II keyboard, which delivers a more piano-like touch, where the low range is heavier and the high range is lighter.
PAGE 5
FP-4-e.book 5 ページ２００６年１１月１７日金曜日午前１１時４０分 Contents Introduction ................................................ 3 Transposing the Key of the Keyboard (Key Transpose) .. 39 About the Manual.......................................................3 Performing with the Metronome.................................. 40 Conventions in this Manual......................................3 Changing the Tempo ............................................ 41 Changing the Volume .....................................
PAGE 6
FP-4-e.book 6 ページ２００６年１１月１７日金曜日午前１１時４０分 Contents Settings .................................................... 78 Connecting to a Computer......................................... 98 Tuning Settings .........................................................79 Connecting to a Computer via the USB (MIDI) Connector ........................................................... 98 Matching the Pitch with Other Instruments (Master Tuning) ....................................................
PAGE 7
FP-4-e.book 7 ページ２００６年１１月１７日金曜日午前１１時４０分 USING THE UNIT SAFELY The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger. Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
PAGE 8
FP-4-e.book 8 ページ２００６年１１月１７日金曜日午前１１時４０分 USING THE UNIT SAFELY Avoid extended use at high volume Place in a well ventilated location 010 101b This device, either by itself or used in conjunction with headphones, amps, and/or speakers, is capable of producing volume levels that can cause permanent hearing damage. If you experience impaired hearing or ringing in your ears, immediately stop using the device and consult a medical specialist. ............................................................
PAGE 9
FP-4-e.book 9 ページ２００６年１１月１７日金曜日午前１１時４０分 USING THE UNIT SAFELY Unplug the AC adaptor from the AC outlet before cleaning 109b Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet (p. 15). ..........................................................................................................
PAGE 10
FP-4-e.book 10 ページ２００６年１１月１７日金曜日午前１１時４０分 Important Notes In addition to the “USING THE UNIT SAFELY” listed on page 7, please observe the following cautions. Power Supply 301 360 • Depending on the material and temperature of the surface on which you place the unit, its rubber feet may discolor or mar the surface. You can place a piece of felt or cloth under the rubber feet to prevent this from happening. If you do so, please make sure that the unit will not slip or move accidentally.
PAGE 11
FP-4-e.book 11 ページ２００６年１１月１７日金曜日午前１１時４０分 Important Notes 558a • Please enjoy your music in ways that do not inconvenience other people nearby, and pay particular attention to the volume at nighttime. Using headphones will allow you to enjoy music without having to be concerned about others. 559a • When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.
PAGE 12
FP-4-e.book 12 ページ２００６年１１月１７日金曜日午前１１時４０分 Names of Things and What They Do Front Panel 1 1 2 3 4 5 [Volume] Knob 6 6 Adjusts the overall volume of the FP-4 (p. 17). [Balance] Knob Adjusts the volume balance of the Upper and Lower Tones in Dual Play and Split Play (p. 34). 3 7 By holding down this button and pressing the [Transpose] button, you can listen to the demo song (p. 20). 8 5 [Session Partner] Button This button switches on/off the Session Partner function (p. 45).
PAGE 13
FP-4-e.book 13 ページ２００６年１１月１７日金曜日午前１１時４０分 Names of Things and What They Do 14 15 11 11 12 13 [Display] Button Press this button when you want to change the tone, the song to play back, the rhythm, or the tempo. Each time you press this button, the display will alternate between showing the tone number, song number, rhythm number, and tempo. 12 15 If you’re playing the song while the song select screen is displayed, you can hold down these buttons to rewind or fast-forward.
PAGE 14
FP-4-e.book 14 ページ２００６年１１月１７日金曜日午前１１時４０分 Names of Things and What They Do 29 20 21 22 23 24 25 26 27 28 Rear Panel These connectors are located at the rear panel. 20 USB (MIDI) Connector 25 You can connect this to your computer for transferring performance data (p. 98). This switch turns the internal speaker on/off (p. 94). 26 21 MIDI Connector You can connect these to external MIDI devices to transfer performance data (p. 99).
PAGE 15
FP-4-e.book 15 ページ２００６年１１月１７日金曜日午前１１時４０分 Before You Play Getting Ready to Play Ground Terminal Connecting the AC Adaptor 1. Cord Hook Make sure that the [Power] switch located at the rear of the keyboard is off (in the upper position). fig.PowerOn.eps Upper Position (AC Adaptor) Power Cord Off 2. 3. Turn the [Volume] knob all the way toward the left to minimize the volume. Connect the supplied Power Cord to the supplied AC adaptor.
PAGE 16
FP-4-e.book 16 ページ２００６年１１月１７日金曜日午前１１時４０分 Before You Play Turning the Power On/Off NOTE Once you’ve got everything connected properly, you can turn on the power using the following procedure. If you fail to perform these steps in the correct order, you risk causing a malfunction or damaging the speakers. Turning the Power Off 1. Turn the [Volume] knob all the way toward the left to minimize the volume. fig.VolumeMin.eps Turning the Power On 1.
PAGE 17
FP-4-e.book 17 ページ２００６年１１月１７日金曜日午前１１時４０分 Before You Play Adjusting the Volume Here’s how to adjust the volume when you’re playing the keyboard, or when you’re playing back internal preset songs or internal memory songs. Attaching the Music Rest Here’s how to attach the included music rest. 1. If headphones are connected, use the [Volume] knob to adjust the headphone volume. Install the included screws into the back of the instrument (two locations) as shown in the illustration. fig.MusicRest.
PAGE 18
FP-4-e.book 18 ページ２００６年１１月１７日金曜日午前１１時４０分 Before You Play Connecting the Pedals Connect the included pedal to one of the Pedal jacks. The operation of the pedal will differ depending on the jack to which it’s connected. fig.pedals-e.eps Damper Pedal Use this pedal to sustain the sound. While this pedal is held down, notes will be sustained for an extended time even if you release your fingers from the keyboard.
PAGE 19
FP-4-e.book 19 ページ２００６年１１月１７日金曜日午前１１時４０分 Before You Play Listening through Headphones You can use headphones to enjoy the FP-4 without disturbing those around you, such as at night. Since the FP-4 has two headphone jacks, two people can also use headphones simultaneously. If you’re using only one set of headphones, you may connect them to either of the two headphone jacks. fig.Headphones.eps Headphones 1. Plug the headphones into the Phones jack.
PAGE 20
FP-4-e.book 20 ページ２００６年１１月１７日金曜日午前１１時４０分 Listening to Songs Listening to Demo Songs Now, try listening to demo songs. The FP-4 comes with eight demo songs. The six Tone buttons, the [Session Partner] button, and the [Play] button are each assigned one demo song. Button 20 Composer/Copyright Piano Masasi & Kazuko Hirashita / © 2006 Roland Corporation E.
PAGE 21
FP-4-e.book 21 ページ２００６年１１月１７日金曜日午前１１時４０分 Listening to Songs 1. Hold down the [Function] button and press the [Transpose] button. The indicators for the six Tone and [Function], [Transpose], [Session Partner] and [Play] buttons flash. The following appears in the display. fig.d-dEM.eps NOTE 2. You can’t play back the demo songs if your recorded performance has not been saved. Either erase your performance (p. 26), or save your recorded performance (p. 76).
PAGE 22
FP-4-e.book 22 ページ２００６年１１月１７日金曜日午前１１時４０分 Listening to Songs Listening to Internal Songs The FP-4 contains 65 built-in songs. Here’s how to select and play back one of these songs. About the name of the internal song, refer to “Internal Song List” (p. 124). fig.Panel-Internal.eps Selecting a Song 1. Press the [Display] button several times so it’s lit in green. The following appears in the display. fig.d-USr.
PAGE 23
FP-4-e.book 23 ページ２００６年１１月１７日金曜日午前１１時４０分 Listening to Songs Playing the Song 3. Press the [Play] button. The selected song will play. The selected song is played to the end, and then playback stops. If a song is playing while the song select screen is displayed, you can rewind the song by holding down the [-] button, or fast-forward the song by holding down the [+] button. The display will indicate the measure number during fast-forward or rewind.
PAGE 24
FP-4-e.book 24 ページ２００６年１１月１７日金曜日午前１１時４０分 Listening to Songs Playing Back All Songs Continuously (All Song Play) The internal songs and the songs in internal memory can be played repeatedly in succession. This function is called “All Song Play.” fig.Panel-AllSong.eps Specifying the First Song 1. Press the [Display] button several times so it’s lit in green. 2. Press the [-] or [+] button to select the song. Playing Back the Songs Successively 3.
PAGE 25
FP-4-e.book 25 ページ２００６年１１月１７日金曜日午前１１時４０分 Listening to Songs Listening to Each Part Separately (Track Mute) With the internal songs, you can select the performance part that is to be played back. You can also practice each hand separately while playing along with the song. fig.Panel-TrackMute.eps The performance data is assigned to the Track buttons as shown below. fig.TrackButtons-e.
PAGE 26
FP-4-e.book 26 ページ２００６年１１月１７日金曜日午前１１時４０分 Listening to Songs NOTE Internal songs 6–65 do not contain a performance in the rhythm/accompaniment part (Track [R] button). If you press a track button that does not contain a performance, it will not light. When the following appears in the display If there is the performance you recorded but have not yet saved, the following display will appear if you attempt to select a song. fig.d-dEL.
PAGE 27
FP-4-e.book 27 ページ２００６年１１月１７日金曜日午前１１時４０分 Listening to Songs Listening to Songs Saved in Internal Memory Here’s how to play back songs that you’ve saved in internal memory. You can save the internal (built-in) songs and the songs (user songs) you’ve recorded to internal memory. For details, refer to “Saving the Songs You Record” (p. 76). fig.Panel-Internal.eps Selecting a Song 1. Press the [Display] button several times so it’s lit in green. 2. Press the [-] or [+] button to select the song.
PAGE 28
FP-4-e.book 28 ページ２００６年１１月１７日金曜日午前１１時４０分 Performing Performing with a Variety of Sounds The FP-4 features over 300 different internal sounds, allowing you to enjoy performing with sounds suitable for many different types of music. These onboard sounds are called “Tones.” The Tones are divided into six different groups, each of which is assigned to a different Tone button. The Tone “Grand Piano 1” is selected when the instrument’s power is turned on. fig.Panel-ToneSelect.
PAGE 29
FP-4-e.book 29 ページ２００６年１１月１７日金曜日午前１１時４０分 Performing Performing with Two Layered Tones (Dual Play) You can play two different tones from a single key at the same time. This method of performance is called “Dual Play.” As an example, let’s try layering piano and strings sounds. fig.Panel-ToneSelect.eps When the [Registration] button is lit, Tone buttons ([1]–[6]) can be pressed to select registrations. If you want to select a tone, press the [Registration] button to turn off its light. 1.
PAGE 30
FP-4-e.book 30 ページ２００６年１１月１７日金曜日午前１１時４０分 Performing You can change the part to which the function assigned to the pedal will apply. Refer to “Changing How the Pedal Effects Are Applied” (p. 81). If you’re using Split play, pressing two Tone buttons won’t switch you to Dual play. Changing the Tone Variations Changing the Upper Tone 1. Press the [-] or [+] button. Changing the Lower Tone 1. Hold down the Tone button for the Lower Tone, and press the [-] or [+] button.
PAGE 31
FP-4-e.book 31 ページ２００６年１１月１７日金曜日午前１１時４０分 Performing Performing with Different Tones in the Left and Right Sides of the Keyboard (Split Play) Performing with the keyboard divided at a certain key into a left side and a right side is called “Split Play,” and the point at which the keyboard is divided is called the “Split Point.” In Split Play, you can have a different tone sound in the left and right sides. When the instrument is turned on, the split point is set to “F 3.
PAGE 32
FP-4-e.book 32 ページ２００６年１１月１７日金曜日午前１１時４０分 Performing Turning Off Split Play 1. Press the [Split] button so its illumination is turned off. The [Split] button’s indicator light goes out and the upper tone becomes the tone for the entire keyboard. You can vary the volume-level balance of the two tones. Take a look at “Changing the Volume Balance for Dual Play and Split Play” (p. 34). When you switch from Dual Play (p.
PAGE 33
FP-4-e.book 33 ページ２００６年１１月１７日金曜日午前１１時４０分 Performing Changing the Keyboard’s Split Point You can change the split point (the key at which the keyboard is divided). The split point can be set to any value from B1 through B6. This is set to “F 3” when the instrument is turned on. This setting remains in effect until you turn off the power. fig.SplitPoint-3-e.eps_77 Split Point (Power-up default: F 3) A0 C1 B1 C2 C3 C4 C5 C6 B6 C7 C8 Range in which you can specify the split point (B1–B6) fig.
PAGE 34
FP-4-e.book 34 ページ２００６年１１月１７日金曜日午前１１時４０分 Performing Changing the Volume Balance for Dual Play and Split Play You can change the volume balance of the Upper and Lower Tones in Dual Play (p. 29) and Split Play (p. 31). fig.Panel-Balance.eps 1. Use the [Balance] knob to adjust the volume balance. Turning the knob toward the left (toward “Lower”) increases the volume of the Lower tone. Turning the knob toward the right (toward “Upper”) increases the volume of the Upper tone.
PAGE 35
FP-4-e.book 35 ページ２００６年１１月１７日金曜日午前１１時４０分 Performing Adjusting the Keyboard Sensitivity (Key Touch) You can change the touch sensitivity, or response of the keys. You can adjust the keyboard touch as appropriate for the playing strength of the person who is performing. fig.Panel-KeyTouch.eps 1. Hold down the [Reverb] button and press the [Sound Control] button. The currently selected keyboard touch appears in the display. fig.d-M-.eps 2. Press the [-] or [+] buttons to select the keyboard touch.
PAGE 36
FP-4-e.book 36 ページ２００６年１１月１７日金曜日午前１１時４０分 Performing Adding Reverberation to Sounds (Reverb Effect) You can apply a reverb effect to the notes you play on the keyboard. With the reverb effect, you obtain a pleasant reverberation, making it sound as if you were performing in a concert hall or similar space. fig.Panel-Reverb.eps 1. Press the [Reverb] button so it’s lit. Try fingering the keyboard. The reverb effect is applied to the entire tone. Turning Off the Reverb Effect 1.
PAGE 37
FP-4-e.book 37 ページ２００６年１１月１７日金曜日午前１１時４０分 Performing Adding a Variety Effects to the Sound (Effects) In addition to reverb, you can apply a variety of effects to the FP-4’s sounds. These are referred to as “effects.” With the FP-4, you can select from 62 different effect types. With the factory settings, an effect suitable for each tone is selected. fig.Panel-Effects.eps 1. Press the [Multi Effects] button so it’s lit. Try fingering the keyboard. The effect is applied to the currently selected tone.
PAGE 38
FP-4-e.book 38 ページ２００６年１１月１７日金曜日午前１１時４０分 Performing Adding a Spinning Sound to Organ Tones (Rotary Effect) The Rotary effect is applied to some Organ tones you can select with the [Organ] button. When one of these tones is selected, you can use the [Multi Effects] button to change the speed of the rotary effect. What’s the Rotary Effect? What the rotary effect does is to add a “spinning” effect similar to the sound of an organ using a rotating speaker.
PAGE 39
FP-4-e.book 39 ページ２００６年１１月１７日金曜日午前１１時４０分 Performing Transposing the Key of the Keyboard (Key Transpose) You can transpose the key of a performance without having to shift the position of your fingers on the keyboard. This feature is called “Key Transpose.” This lets you take a song in a difficult key with lots of sharps ( ) and flats ( ) and play it in a key with fingering that’s easier for you.
PAGE 40
FP-4-e.book 40 ページ２００６年１１月１７日金曜日午前１１時４０分 Performing Performing with the Metronome You can perform while the metronome sounds. The FP-4 provides a versatile Metronome function. You can also change the volume and time signature of the metronome. If a song is playing, the metronome will sound at the tempo and time signature of that song. If a rhythm is playing, the metronome will sound at the tempo and time signature of that rhythm. fig.Panel-Metronome.eps 1. Press the [Metronome] button so it’s lit.
PAGE 41
FP-4-e.book 41 ページ２００６年１１月１７日金曜日午前１１時４０分 Performing Changing the Tempo 1. Press the [Display] button several times so it’s lit in orange. The tempo is displayed. fig.d-Tempo.eps 2. Press the [-] or [+] button to adjust the tempo. The tempo is set in terms of the value of a quarter note, with possible values ranging from 10 up to 500.
PAGE 42
FP-4-e.book 42 ページ２００６年１１月１７日金曜日午前１１時４０分 Performing Adding Liveliness to the Sound (Sound Control) You can add liveliness to the sound to give it superb clarity and distinctness. fig.Panel-SoundControl.eps 1. Press the [Sound Control] button so it’s lit. The Sound Control function is switched on, enlivening the sound. 2. While holding down the [Sound Control] button, press the [-] or [+] button to change the type. fig.d-1.
PAGE 43
FP-4-e.book 43 ページ２００６年１１月１７日金曜日午前１１時４０分 Performing Changing the Tonal Quality (Equalizer) You can use the equalizer to adjust the tonal quality. This allows you to adjust the tonal character by boosting or decreasing the low-frequency or high-frequency portions. fig.Panel-Equalizer.eps 1. Press the [Equalizer] button so it’s lit. The equalizer will be turned on, and the tonal character will change. Turning Off the Equalizer 1. Press the [Equalizer] button so its light is turned off.
PAGE 44
FP-4-e.book 44 ページ２００６年１１月１７日金曜日午前１１時４０分 Playing Along with Rhythms What is Session Partner? “Session Partner” Lets You Enjoy Playing with a Session-Like Feel “Session Partner” is an easy-to-use function that plays accompaniment in a variety of musical styles. Playing along with this accompaniment, with its realistic sounds, gives you the feel that you are playing live with a band backing you.
PAGE 45
FP-4-e.book 45 ページ２００６年１１月１７日金曜日午前１１時４０分 Playing Along with Rhythms Performing Along with Session Partner Now, let’s try performing along with Session Partner. Since a wide variety of musical genres is provided, be sure to use a Rhythm that best suits the song you are performing. Please refer to “Selecting a Rhythm” (p. 48). fig.Panel-Session-1.eps 1. Press the [Session Partner] button. The [Session Partner] button will light, and the performance will begin from the intro.
PAGE 46
FP-4-e.book 46 ページ２００６年１１月１７日金曜日午前１１時４０分 Playing Along with Rhythms Stopping the Session Partner Performance 1. Press the [Session Partner] button. When you press the [Session Partner] button, an ending will be played and then Session Partner will stop. The Track [R] button will blink while the ending is playing. When Session Partner stops, the [Session Partner] button and Track button will go out.
PAGE 47
FP-4-e.book 47 ページ２００６年１１月１７日金曜日午前１１時４０分 Playing Along with Rhythms Changing the Volume of the Session Partner Performance Here’s how to adjust the volume when Session Partner is playing. 1. While holding down the [Session Partner] button, press the [-] or [+] button. fig.d-SPvolume.eps While you hold down the [Session Partner] button, the display will show the volume of Session Partner.
PAGE 48
FP-4-e.book 48 ページ２００６年１１月１７日金曜日午前１１時４０分 Playing Along with Rhythms Selecting a Rhythm Now, try changing the Rhythm being performed. Let’s try changing the rhythm to suit the song you want to play. fig.Panel-Session-2.eps 1. Press the [Display] button, getting its indicator to light in red. The Rhythm number is displayed. Rhythm numbers are indicated by an “r” before the number. fig.d-r01.eps 2. Press the [-] or [+] button to select the Rhythm.
PAGE 49
FP-4-e.book 49 ページ２００６年１１月１７日金曜日午前１１時４０分 Playing Along with Rhythms Changing a Rhythm’s Tempo The FP-4 has an optimal tempo for each Rhythm. You can change the tempo of the selected Rhythm. Furthermore, you can change the tempo as the Rhythm is being played. fig.Panel-Session-2.eps 1. Press the [Display] button, getting its indicator to light in orange. The tempo is displayed. fig.d-Tempo.eps 2. Press the [-] or [+] buttons to adjust the tempo.
PAGE 50
FP-4-e.book 50 ページ２００６年１１月１７日金曜日午前１１時４０分 Playing Along with Rhythms Selecting a Rhythm’s Chord Progression The FP-4 has an optimal chord progression pattern for each Rhythm. You can change the chord progression pattern if you want. For more information on chord progression patterns, refer to the “Chord Progression Pattern List” (p. 117). fig.Panel-Session-3.eps 1. Press the [Session Partner] button so Session Partner starts playing. 2.
PAGE 51
FP-4-e.book 51 ページ２００６年１１月１７日金曜日午前１１時４０分 Playing Along with Rhythms Performing with the Chord Progression Specified in the Left Hand (Chord Progression Off) Performing with the keyboard divided at a certain key into a left side and a right side is called “Split Play.” While in Split Play, you can use the left side to specify chords instead of using it to play the Lower Tone. NOTE When specifying the chords in the left part of the keyboard, Dual Play (p. 29) is disabled in the right part. fig.
PAGE 52
FP-4-e.book 52 ページ２００６年１１月１７日金曜日午前１１時４０分 Playing Along with Rhythms The point at which the keyboard is divided is called the “split point”; you can also change this split point. For more information, take a look at “Changing the Keyboard’s Split Point” (p. 33). n the left side of the keyboard, you can specify chords while playing the Lower tone. Press the [Split] button to turn off its light, then press the [Split] button once again so it’s lit.
PAGE 53
FP-4-e.book 53 ページ２００６年１１月１７日金曜日午前１１時４０分 Playing Along with Rhythms Changing the Rhythm Pattern (Original/Variation) Each rhythm has two varieties of accompaniment patterns; the original accompaniment pattern, and a slightly more colorful variation of that pattern. A fill-in (short phrase) will be inserted between changes of the accompaniment pattern, adding contrast to the song.
PAGE 54
FP-4-e.book 54 ページ２００６年１１月１７日金曜日午前１１時４０分 Playing Along with Rhythms Recording the Chord Progression You can save a chord progression you’ve specified using the left-hand section of the keyboard. ffig.Panel-Session-6.eps 1. Hold down the [Session Partner] button and press the [Rec] button. The [Session Partner] and the [Rec] buttons flash, and the FP-4 is put into recording standby. The “UCP (User Chord Progression)” appears in the display. fig.d-UserChordProg.
PAGE 55
FP-4-e.book 55 ページ２００６年１１月１７日金曜日午前１１時４０分 Playing Along with Rhythms The song may not play back correctly if the performance is played with a different beat than the one used in recording the original chord progression. The recorded chord progression will be discarded as soon as the power is turned off. If you want to keep it, you’ll need to save registration (p. 57).
PAGE 56
FP-4-e.book 56 ページ２００６年１１月１７日金曜日午前１１時４０分 Saving Your Favorite Performance Settings About the Performance Settings (Registration) You can save your favorite combinations of performance settings, including the tone selection, the dual/split play setting, and Session Partner settings as “Registrations.” You can use the [Registration] button to store twenty-four sets of your favorite performance settings. These twenty-four registrations are collectively called a “registration set.
PAGE 57
FP-4-e.book 57 ページ２００６年１１月１７日金曜日午前１１時４０分 Saving Your Favorite Performance Settings Storing Your Performance Settings (Registration) You can use the [Registration] button to store the currently selected buttons and Session Partner settings. You can also use the [Registration] button and [1]–[6] buttons to recall the settings you’ve stored. If you have certain combinations of Session Partner settings and tones that you use frequently, you will find it convenient to save them as registrations.
PAGE 58
FP-4-e.book 58 ページ２００６年１１月１７日金曜日午前１１時４０分 Saving Your Favorite Performance Settings Storing the Registration 4. Release the [Registration] button. Your performance settings will be saved. The [Registration] button will change from blinking to lit. NOTE Never turn off the power while settings are being saved. If you do so, the FP-4’s internal memory will be destroyed, rendering it unusable. You can return the content saved at a [Registration] button to the factory-set condition.
PAGE 59
FP-4-e.book 59 ページ２００６年１１月１７日金曜日午前１１時４０分 Saving Your Favorite Performance Settings Recalling a Registration Settings you’ve stored with the [Registration] button can be recalled instantly. The recommended settings were stored in the instrument when it shipped from the factory. Registration from 6-1 to 6-4 include the “Basic Registration.” Use this when creating registration from scratch. For details on the settings that are saved as a registration, refer to “Settings Stored in a Registration” (p.
PAGE 60
FP-4-e.book 60 ページ２００６年１１月１７日金曜日午前１１時４０分 Saving Your Favorite Performance Settings Saving a Registration Set Here’s how the twenty-four registrations stored with the [Registration] button can be saved in internal memory as a single set. fig.Panel-RegistLoad.eps 1. Press the [Function] button. 2. Press the Track [R] button. 3. While holding down the Track [R] button, use the [-] [+] buttons to get the following indication. fig.d-Registsave.
PAGE 61
FP-4-e.book 61 ページ２００６年１１月１７日金曜日午前１１時４０分 Saving Your Favorite Performance Settings Saving the Registration Set 5. Press the [Rec] button. The registration set will be saved. NOTE Never turn off the power while settings are being saved. If you do so, the FP-4’s internal memory will be destroyed, rendering it unusable. You can return the content saved at a [Registration] button to the factory-set condition. Refer to “Restoring the Factory-set Condition (Factory Reset)” (p. 91).
PAGE 62
FP-4-e.book 62 ページ２００６年１１月１７日金曜日午前１１時４０分 Saving Your Favorite Performance Settings Loading a Registration Set You Saved Here’s how an entire set of registrations you saved in internal memory can be loaded back to the [Registration] button. NOTE Note that when you load a registration set, all of the settings that were stored at the [Registration] button will be overwritten and lost. fig.Panel-RegistLoad.eps 1. Press the [Function] button. 2. Press the Track [R] button. 3.
PAGE 63
FP-4-e.book 63 ページ２００６年１１月１７日金曜日午前１１時４０分 Saving Your Favorite Performance Settings Deleting a Registration Set You Saved Here’s how to delete an entire registration set that’s been saved in internal memory. fig.Panel-RegistLoad.eps 1. Press the [Function] button. 2. Press the Track [R] button. 3. While holding down the Track [R] button, use the [-] [+] buttons to get the following indication. fig.d-Registdel.eps 4.
PAGE 64
FP-4-e.book 64 ページ２００６年１１月１７日金曜日午前１１時４０分 Saving Your Favorite Performance Settings Using a Pedal to Switch Registrations You can assign a pedal to successively switch registrations. Each time you press the pedal, you will switch to the next registration. Before a concert or other performance, you can save the appropriate registrations in the order in which you’ll use them, and then step smoothly through the registrations while you play. fig.Panel-RegistPedal.eps 1. Press the [Function] button. 2.
PAGE 65
FP-4-e.book 65 ページ２００６年１１月１７日金曜日午前１１時４０分 Recording You can easily record your performances. You can play back a performance you have recorded to check what and how you played, and play melodies on the keyboard along with prerecorded accompaniment using the Rhythm. Memo • The song you record will disappear when you turn off the power of the FP-4. If you want to preserve your performance, you must save it to internal memory. ➝ “Saving the Songs You Record” (p.
PAGE 66
FP-4-e.book 66 ページ２００６年１１月１７日金曜日午前１１時４０分 Recording Recording a New Song Here’s how to record just your own keyboard performance without using Session Partner or an internal song. fig.Panel-RecNew.eps Settings for Recording If there is already a recorded song, delete the recorded song before you proceed (p. 75). 1. Press the [Display] button several times so it’s lit in green. 2. Press the [-] button several times to get the following display. fig.d-USr.eps 3. Press the [Rec] button.
PAGE 67
FP-4-e.book 67 ページ２００６年１１月１７日金曜日午前１１時４０分 Recording Stopping Recording 5. Press the [Play] button. Recording will stop. The “USr” indication will change to “USr.” when you stop recording. The dot “.” in the lower right of the display indicates that a previously recorded performance exists. fig.disp.eps Listening to the Recorded Performance 6. Press the [Play] button. The recorded performance will play back. 7. Press the [Play] button once again to stop playback.
PAGE 68
FP-4-e.book 68 ページ２００６年１１月１７日金曜日午前１１時４０分 Recording Recording Your Playing Along with a Song Here’s how you can play along with an internal song and record your performance. The song being played back will be recorded together with the performance you play on the keyboard. The FP-4 is able to record your playing along with an internal piano song. For example, you could listen to the left-hand part while you record the right-hand part.
PAGE 69
FP-4-e.book 69 ページ２００６年１１月１７日金曜日午前１１時４０分 Recording How the track buttons correspond to an internal song’s performance parts Performance part Track button Track [1] button Left-hand part Track [2] button Right-hand part Track [R] button For internal song numbers 1–5, this track contains performance data other than the right-hand part and left-hand part. For internal song numbers 6–65, this track does not contain performance data.
PAGE 70
FP-4-e.book 70 ページ２００６年１１月１７日金曜日午前１１時４０分 Recording Recording Your Performance with Session Partner You can easily record session performances to the session partner. fig.Panel-RecSession.eps The Session Partner performance can be recorded only to the Track [R] button. Performance Settings 1. Select the Tone to be played (p. 28). 2. Make the desired settings for Session Partner (p. 44). Settings for Recording If there is already a recorded song, delete the recorded song before you proceed (p.
PAGE 71
FP-4-e.book 71 ページ２００６年１１月１７日金曜日午前１１時４０分 Recording For more information on the different Rhythm and Chord progression pattern, refer to the “Rhythm List” (p. 116) and “Chord Progression Pattern List” (p. 117). If you’ll be specifying chord progressions while you record (p. 51), recording will begin when you specify a chord in the left-hand region of the keyboard. Stopping Recording 7. Press the [Play] button. Recording will stop. The “USr” indication will change to “USr.” when you stop recording.
PAGE 72
FP-4-e.book 72 ページ２００６年１１月１７日金曜日午前１１時４０分 Recording Recording Selected Track Buttons FP-4’s Recorder has three Track buttons. When you press the [Rec] button, all Track buttons are set to be recorded, but by selecting Track buttons that are not to be recorded, you can then record only on the specific Track buttons you want. You can play each hand of your performance separately, for example recording the lefthand part on the Track [1] button and the right-hand part on the Track [2] button.
PAGE 73
FP-4-e.book 73 ページ２００６年１１月１７日金曜日午前１１時４０分 Recording Starting Recording 3. Press the [Play] button. After two measures of count sound, recording begins. Recording starts when you start playing the keyboard (without pressing the [Play] button). In this case, a count is not sounded. When recording begins, the [Rec] button and [Play] button will light. During the count-in, the count measure is indicated in the display as “-2” then “-1.” Stopping Recording 4. Press the [Play] button.
PAGE 74
FP-4-e.book 74 ページ２００６年１１月１７日金曜日午前１１時４０分 Recording Correspondence Between Recorded Performance and Track Buttons A recorded performance will be assigned to the Track buttons as follows. ●Session Partner performances, and Upper and Lower tones during Split performance Track button Performance recorded Track [R] button Session Partner (p. 44) Track [1] button Lower Tone in Split play (p. 31) Track [2] button Upper Tone in Split play (p.
PAGE 75
FP-4-e.book 75 ページ２００６年１１月１７日金曜日午前１１時４０分 Recording Erasing Recorded Performances You can erase recorded performances. fig.Panel-DeleteSong.eps 1. Hold down the [Display] button and press the [Rec] button. A confirmation message appears in the display. fig.d-dEL.eps If you decide not to delete the song, press the [Play] button. 2. Press the [Rec] button. The recorded performance is erased.
PAGE 76
FP-4-e.book 76 ページ２００６年１１月１７日金曜日午前１１時４０分 Saving a Performance Saving the Songs You Record A song you’ve recorded can be saved in internal memory. If you record a song and then turn off the power of the FP-4 without saving the song, your recorded song will disappear. Songs that you’ve saved in internal memory will not disappear even if you turn off the power; if you want to keep a song, you should save it in internal memory. fig.Panel-RegistLoad.eps 1. Record your performance (p. 66, p. 68, p. 70, p.
PAGE 77
FP-4-e.book 77 ページ２００６年１１月１７日金曜日午前１１時４０分 Saving a Performance Deleting a Saved Song Here’s how to delete a song you’ve saved in internal memory. fig.Panel-RegistLoad.eps 1. Press the [Function] button. 2. Press the Track [1] button. 3. Hold down the Track [1] button and use the [-] [+] buttons to get the following display. fig.d-Songdel.eps 4. Use the [-] [+] buttons to select the song number that you want to delete. Deleting the Song 5. Press the [Rec] button.
PAGE 78
FP-4-e.book 78 ページ２００６年１１月１７日金曜日午前１１時４０分 Settings You can make a variety of performance- and recording-related settings in “Function Mode.” Function Display Button Master Tuning Storing the Master Tuning Setting Piano Temperament, Keynote Page p. 79 Low Freq p. 85 p. 80 Low Mid Gain p. 85 Low Mid Freq p. 85 FC1 Part Organ p. 81 Damper Pedal Part Strings/Pad p. 81 FC2 Function Guitar/Bass p. 82 FC1 Function Voice/GM2 p. 83 p. 64 Bank Select MSB p. 103 Bank Select LSB p.
PAGE 79
FP-4-e.book 79 ページ２００６年１１月１７日金曜日午前１１時４０分 Settings Tuning Settings Matching the Pitch with Other Instruments (Master Tuning) When playing ensemble with other instruments and in other such instances, you can match the standard pitch to another instrument. The standard pitch generally refers to the pitch of the note that’s played when you finger the middle A key.
PAGE 80
FP-4-e.book 80 ページ２００６年１１月１７日金曜日午前１１時４０分 Settings Adjusting the Tuning (Temperament) Display Temperament You can play classical music such as baroque pieces using their original tuning. Most modern songs are composed and played with the assumption that equal temperament (the most common tuning in use today) will be used, but when classical music was composed, there were a wide variety of other tuning systems in existence.
PAGE 81
FP-4-e.book 81 ページ２００６年１１月１７日金曜日午前１１時４０分 Settings Pedal Settings How the Sostenuto Pedal (FC1) Effects are Applied Changing How the Pedal Effects Are Applied 1. Press the [Function] button. 2. Press the [Organ] button. When the pedal is pressed in Dual Play (p. 29) or Split Play (p. 31), the pedal’s effect is applied to both the Upper Tone and the Lower Tone, but you can change the settings for the tone to which the effect is applied. fig.d-FC1.eps Description Setting All enabled 3.
PAGE 82
FP-4-e.book 82 ページ２００６年１１月１７日金曜日午前１１時４０分 Settings Changing How the Pedals Work A pedal connected to the Soft/(FC2) jack normally functions as a soft pedal (p. 18). A pedal connected to the Sostenuto/ (FC1) jack normally functions as a sostenuto pedal (p. 18). NOTE NOTE It can also be set to function as an another works. You can select from the following pedal functions. Setting NOTE Description Sets function to damper pedal. NOTE With certain sounds, the function may not work.
PAGE 83
FP-4-e.book 83 ページ２００６年１１月１７日金曜日午前１１時４０分 Settings Changing the Works of the Sostenuto Pedal (FC1) When the instrument is turned on, this is set to function as a sostenuto pedal. 1. Press the [Function] button. 2. Press the [Voice/GM2] button. fig.d-FC1.eps 3. Use the [-] [+] buttons to select the pedal function. Effect Settings Changing the Effect Type Here’s how to select the effect that will be applied when you press the [Multi Effects] button. 1. Press the [Function] button. 2.
PAGE 84
FP-4-e.book 84 ページ２００６年１１月１７日金曜日午前１１時４０分 Settings Setting the Part to Which Effects Are Added This specifies which part is to have priority when the effects assigned to the Upper Tone and Lower Tone differ in Dual Play (p. 29) or Split Play (p. 31). System Settings Specifying the Sound Control Setting at Power-on You can change the Sound Control type that is selected when you turn on the power of the FP-4. You can also specify that Sound Control be off when you turn on the power. 1.
PAGE 85
FP-4-e.book 85 ページ２００６年１１月１７日金曜日午前１１時４０分 Settings fig.d-SndCtrl.eps Equalizer Settings 4. Use the [-] [+] buttons to change the setting. Changing the Equalizer Settings You can make fine, detailed changes to the equalizer settings. Setting Description When you turn on the power, the [Equalizer] button will be on, and the Type 1 Equalizer setting will be selected. When you turn on the power, the [Equalizer] button will be on, and the Type 2 Equalizer setting will be selected.
PAGE 86
FP-4-e.book 86 ページ２００６年１１月１７日金曜日午前１１時４０分 Settings Indication (High Mid Gain) (High Mid Freq) (High Mid Q) Setting -12–12 (dB) NOTE Adjusts the level of the midto high-frequency range. 200, 250, 315, 400, 500, 630, 800 (Hz), 1.00, 1.25, 1.60, 2.00, 2.50, 3.15, 4.00, 5.00, 6.30, 8.00 (KHz) Frequency point in the midto high-frequency range to midrange. This changes the level of the specified bandwidth centered on this frequency. 0.5, 1.0, 2.0, 4.0, 8.
PAGE 87
FP-4-e.book 87 ページ２００６年１１月１７日金曜日午前１１時４０分 Settings Changing the Velocity When the Key Touch is Set to “OFF” Changing the Pitch of the Lower Tone in Octave Steps (Octave Shift) This sets the velocity the sound will have when the keyboard touch is set to “OFF.” You can change the pitch of the Lower Tone in Dual Play (p. 29) and Split Play (p. 31) an octave at a time.
PAGE 88
FP-4-e.book 88 ページ２００６年１１月１７日金曜日午前１１時４０分 Settings Session Partner Settings Setting the Intro and Ending On or Off This sets session partner Intro and Ending on or off. When set to “OFF,” pressing the [Session Partner] button causes the Intro and Ending not to be played. 1. Press the [Function] button. 2. Press the [Session Partner] button. 3. Hold down the [Session Partner] button and use the [-] [+] buttons to get “Itr” to appear in the display.
PAGE 89
FP-4-e.book 89 ページ２００６年１１月１７日金曜日午前１１時４０分 Settings Selecting the Root Note of the Chord Progression Fixing a Set Chord Progression Session Partner contains chord progression pattern data that is suitable for each rhythm. Here’s how to specify the root note of the first chord of currently Session Partner’s chord progression. Here you can specify whether a chord progression suitable for the rhythm will be automatically selected when you switch the rhythm of the Session Partner function. 1.
PAGE 90
FP-4-e.book 90 ページ２００６年１１月１７日金曜日午前１１時４０分 Settings Setting the Chord Display On or Off This setting determines whether or not the chords are indicated in the display during performances using Session Partner. Initializing (Formatting) Memory Initializing Internal Memory 1. Press the [Function] button. 2. Press the [Session Partner] button. The FP-4 contains a storage area in which you can save your recorded performances or your registration sets. This area is called “internal memory.” 3.
PAGE 91
FP-4-e.book 91 ページ２００６年１１月１７日金曜日午前１１時４０分 Settings Metronome Setting Other Settings Changing the Beat of Metronome Restoring the Factory-set Condition (Factory Reset) You can specify the time signature at which the metronome will sound. When you record your own performance, it will be recorded with the time signature you specify here. 1. Press the [Function] button. 2. Press the [Metronome] button. You can restore the settings you’ve changed on the FP-4 to their factory-set condition.
PAGE 92
FP-4-e.book 92 ページ２００６年１１月１７日金曜日午前１１時４０分 Settings Disabling the Buttons (Panel Lock) If you activate the Panel Lock function, buttons will not operate when they are pressed. You can use this to prevent children from inadvertently changing the settings by pressing buttons. Using the V-LINK Function Connecting the FP-4 to a V-LINK compatible image device allows you to control the images with the FP-4. NOTE 1. Hold down the [Function] button and press the [Equalizer] button.
PAGE 93
FP-4-e.book 93 ページ２００６年１１月１７日金曜日午前１１時４０分 Connecting Other Equipment Connecting Audio Equipment................................................................ 94 Sending the Sound to External Speakers................................................................ 94 Listening to a CD from the FP-4’s Speakers............................................................. 95 Recording an FP-4 Performance to an External Device ...........................
PAGE 94
FP-4-e.book 94 ページ２００６年１１月１７日金曜日午前１１時４０分 Connecting Audio Equipment By connecting audio equipment to the FP-4, you can listen to its sound from the speakers of your audio system, or listen to sound from your audio system via the FP-4’s speakers. To make connections, use an audio cable with 1/4” phone plugs. NOTE NOTE Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.
PAGE 95
FP-4-e.book 95 ページ２００６年１１月１７日金曜日午前１１時４０分 Connecting Audio Equipment Listening to a CD from the FP-4’s Speakers If you connect your CD player or cassette tape player to the FP-4 so that the sound is heard from the FP-4’s speakers, you can perform on the FP-4 while you listen to the accompaniment provided by the song of the tape cassette or CD. Make connections as shown below. fig.cnct-speaker2.eps Input jacks CD Player, etc.
PAGE 96
FP-4-e.book 96 ページ２００６年１１月１７日金曜日午前１１時４０分 Recording an FP-4 Performance to an External Device NOTE Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices. Recording an FP-4 Performance to a CD or Cassette Tape, etc. Using the Roland CD-2 or Other Dedicated Unit to Create a CD By using a Roland CD-2, you can record your FP-4 performance directly to a CD without using a computer. fig.cnct-rec2.
PAGE 97
FP-4-e.book 97 ページ２００６年１１月１７日金曜日午前１１時４０分 Recording an FP-4 Performance to an External Device Using Your Computer to Create a CD In order to use your computer to record a performance from the FP-4, you’ll need a drive that can write CDs, and software such as “Windows Media Player” (in Windows) or “iTunes” (in Mac OS). NOTE These requirements are met by most computers today, but some versions are unable to create a CD. For details, refer to the owner’s manual or online help for your software. fig.
PAGE 98
FP-4-e.book 98 ページ２００６年１１月１７日金曜日午前１１時４０分 Connecting to a Computer Connecting to a Computer via the USB (MIDI) Connector If you use a USB cable (commercially available) to connect the USB (MIDI) connector located on the FP-4’s rear panel to the USB connector of your computer, you’ll be able to do the following things.
PAGE 99
FP-4-e.book 99 ページ２００６年１１月１７日金曜日午前１１時４０分 Connecting to MIDI Devices The FP-4 provides MIDI connectors so that performance data can be transferred between it and other devices. By using these connectors to connect other devices with the FP-4, you can take advantage of a wide range of possibilities. What’s MIDI? “MIDI” stands for “Musical Instrument Digital Interface.” It is a universal standard that allows performance data to be exchanged among electronic musical instruments and computers.
PAGE 100
FP-4-e.book 100 ページ２００６年１１月１７日金曜日午前１１時４０分 Connecting to MIDI Devices Using the FP-4 to Play Another MIDI Sound Module You can use the FP-4 to play sounds on another connected MIDI sound generating device (a sound module or instrument that supports the MIDI specification). This lets you layer sounds to create a richer performance, or play sounds on an external sound module that does not have a keyboard.
PAGE 101
FP-4-e.book 101 ページ２００６年１１月１７日金曜日午前１１時４０分 Connecting to MIDI Devices When a Roland MT series instrument is connected, it is not necessary to make the Local Off setting. The MT transmits a Local Off message when the power is turned on. If you turn on the power in the order of the FP-4 → MT series, Local Off will be set automatically. Preventing Doubled Notes When Connected to a Sequencer (Local Control) When you have a MIDI sequencer connected, set this parameter to Local Off.
PAGE 102
FP-4-e.book 102 ページ２００６年１１月１７日金曜日午前１１時４０分 Connecting to MIDI Devices Transmitting Tone Change Data (Program Change Transmit Switch) Transmitting a Recorded Performance (Recorder MIDI Out) You can specify whether a tone selection message will be transmitted to the MIDI device connected to the FP-4 when you switch tones on the FP-4. A performance you’ve recorded on FP-4 can be transmitted to an external MIDI device or computer, allowing you to save the performances you record. 1.
PAGE 103
FP-4-e.book 103 ページ２００６年１１月１７日金曜日午前１１時４０分 Connecting to MIDI Devices If you want your recorded performance to be saved on a MIDI sequencer such as an MT-series unit (except for the MT-90s), proceed as follows. In this case, turn off the MIDI Thru setting of your external MIDI sequencer. For details, refer to the owner’s manual of your MIDI sequencer. 1. Make the appropriate connections for your MT-series or other MIDI sequencer. 2. Record your performance on the FP-4 (p. 65). 3.
PAGE 104
FP-4-e.book 104 ページ２００６年１１月１７日金曜日午前１１時４０分 Connecting to MIDI Devices 4. Press the [-] or [+] button to change the settings. Item Setting 0 (00)–127 (7Fh) (Bank Select MSB) Transmitting Registration Set to an External Device (Bulk Dump) The contents of the registration set can be transmitted to an external MIDI device. This type of procedure is referred to as a “bulk dump.” 1. Connect the FP-4 to your external device.
PAGE 105
FP-4-e.book 105 ページ２００６年１１月１７日金曜日午前１１時４０分 Connecting to MIDI Devices 6. Press the [Rec] button to begin transmitting the data. Loading Externally Stored Registrations Back into the FP-4 During transmission, the following will be shown in the display. 1. Connect your external device to the FP-4. If you’re connecting the FP-4 to an external MIDI sequencer, use a MIDI cable (sold separately) to connect the FP-4’s MIDI In connector to the MIDI Out connector of your external MIDI sequencer.
PAGE 106
FP-4-e.book 106 ページ２００６年１１月１７日金曜日午前１１時４０分 Troubleshooting If you think there’s a problem, read this first. Symptom Cause/Action Page Power does not turn on Is the power cord connected correctly? p. 15 The button doesn’t work Is Panel Lock activated? Hold down the [Function] button and press the [Equalizer] button to turn off the Panel Lock function. p. 92 Is the pedal connected correctly? Plug the cord firmly into the pedal jack. p.
PAGE 107
FP-4-e.book 107 ページ２００６年１１月１７日金曜日午前１１時４０分 Troubleshooting Cause/Action Symptom Can’t hear the recorder song No sound from the leftmost notes of the keyboard No sound (when a MIDI device is connected) Could the local control setting be turned “OFF”? If the local control setting is “OFF” when you play back a song, you won’t hear sound from the speakers of the FP-4. p. 101 Could the song volume be set to “0”? p.
PAGE 108
FP-4-e.book 108 ページ２００６年１１月１７日金曜日午前１１時４０分 Troubleshooting Symptom High-pitched ringing is heard Cause/Action If you hear this in headphones: Piano sounds that have a brilliant and crisp character contain substantial high-frequency components that may sound as though a metallic ringing has been added. This is because the character of an actual piano is being faithfully reproduced, and is not a malfunction.
PAGE 109
FP-4-e.book 109 ページ２００６年１１月１７日金曜日午前１１時４０分 Troubleshooting Symptom The recorded performance disappeared Tempo of recorded song or metronome is off Cause/Action Page Your recorded performance will disappear if you switch off the FP-4’s power or select a song. There is no way to recover the lost performance. Before you turn off the power, save your recorded performance in internal memory. p.
PAGE 110
FP-4-e.book 110 ページ２００６年１１月１７日金曜日午前１１時４０分 Error Messages Indication Meaning There is not sufficient free memory in the save destination. Delete unneeded files (Songs or Registration Sets) you’ve saved in internal memory and try again. An error occurred during writing. The internal memory may be corrupted. Initialize the internal memory. The file is unreadable. The data format is not compatible with the FP-4. Data was not called up in time for playback of the song.
PAGE 111
FP-4-e.book 111 ページ２００６年１１月１７日金曜日午前１１時４０分 Tone List Piano Strings/Pad Voice/GM2 43 Harpsi.w 44 Harpsi.o 1 Grand Piano1 1 Rich Strings 1 Aerial Choir 45 Clav. 2 Piano + Str. 2 OrchestraStr 2 Jazz Scat 46 Pulse Clav.
PAGE 112
FP-4-e.book 112 ページ２００６年１１月１７日金曜日午前１１時４０分 Tone List 93 Overdrive Gt 143 Trumpet 193 Delayed Lead 243 Seashore 94 Guitar Pinch 144 Dark Trumpet 194 Fantasia 244 Rain 95 DistortionGt 145 Trombone 1 195 Warm Pad 245 Thunder 96 Gt Feedback1 146 Trombone 2 196 Sine Pad 246 Wind 97 Dist.
PAGE 113
FP-4-e.book 113 ページ２００６年１１月１７日金曜日午前１１時４０分 Tone List 27 28 29 30 31 32 33 34 35 C2 36 37 38 39 40 41 42 43 44 45 46 47 C3 48 49 50 51 52 53 54 55 56 57 58 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 75 76 77 78 79 80 81 82 83 C6 84 85 86 87 88 STANDARD Set ROOM Set POWER Set ELEC.
PAGE 114
FP-4-e.
PAGE 115
FP-4-e.
PAGE 116
FP-4-e.book 116 ページ２００６年１１月１７日金曜日午前１１時４０分 Rhythm List No. Style Name Chord Tempo No. Style Name Chord Tempo 1 8-Beat Funk 16 108 41 S.8-Bt Rock3 29 140 2 Guitar Funk 19 104 42 16-BeatRock1 53 142 3 8-Beat Pop 1 26 108 43 16-BeatRock2 54 86 4 Street Pop 51 94 44 Bounce Rock 11 105 5 8-Beat Rock1 52 128 45 S.BounceRock 11 105 6 Loose Rock 13 174 46 Gt Ballad 12 80 7 Ballad 39 82 47 S.Gt Ballad 12 80 8 R&B Ballad 41 60 48 E.
PAGE 117
FP-4-e.book 117 ページ２００６年１１月１７日金曜日午前１１時４０分 Chord Progression Pattern List It is the Chord Progression Pattern List by each measure. These are basic chord progression pattern from No. 1 to No. 10, and these are suitable chord progression for the internal rhythm from No. 11 to No. 56. Chord Progression Rhythm No.
PAGE 118
FP-4-e.book 118 ページ２００６年１１月１７日金曜日午前１１時４０分 Chord Progression Pattern List Chord Progression Rhythm No.
PAGE 119
FP-4-e.book 119 ページ２００６年１１月１７日金曜日午前１１時４０分 Chord Progression Pattern List Chord Progression Rhythm No.
PAGE 120
FP-4-e.book 120 ページ２００６年１１月１７日金曜日午前１１時４０分 Chord Fingering List ● symbol: indicates the constituent notes of chords. ★ symbol: Chords shown with an “★” can be played by pressing just the key marked with the “★”. → “Performing with the Chord Progression Specified in the Left Hand (Chord Progression Off)” (p.
PAGE 121
FP-4-e.book 121 ページ２００６年１１月１７日金曜日午前１１時４０分 Chord Fingering List ● symbol: indicates the constituent notes of chords. ★ symbol: Chords shown with an “★” can be played by pressing just the key marked with the “★”. → “Performing with the Chord Progression Specified in the Left Hand (Chord Progression Off)” (p.
PAGE 122
FP-4-e.book 122 ページ２００６年１１月１７日金曜日午前１１時４０分 Chord Fingering List ● symbol: indicates the constituent notes of chords. ★ symbol: Chords shown with an “★” can be played by pressing just the key marked with the “★”. → “Performing with the Chord Progression Specified in the Left Hand (Chord Progression Off)” (p.
PAGE 123
FP-4-e.book 123 ページ２００６年１１月１７日金曜日午前１１時４０分 Chord Fingering List ● symbol: indicates the constituent notes of chords. ★ symbol: Chords shown with an “★” can be played by pressing just the key marked with the “★”. → “Performing with the Chord Progression Specified in the Left Hand (Chord Progression Off)” (p.
PAGE 124
FP-4-e.book 124 ページ２００６年１１月１７日金曜日午前１１時４０分 Internal Song List 1 Trio Grande 39 Für Elise 2 Wedding Song 40 Türkischer Marsch (Mozart) 3 Late Night Chopin 41 Ständchen 4 Preludelight 42 Humoreske 5 Blue Sky Rag 43 Blumenlied 6 Sonate No.15 44 Alpenglöckchen 7 Liebesträume 3 45 Menuett G dur (Beethoven) 8 Étude, op.10-3 46 Venezianisches Gondellied 9 Je te veux 47 Alpenabendröte 10 Valse, op.
PAGE 125
FP-4-e.book 125 ページ２００６年１１月１７日金曜日午前１１時４０分 Registration List The recommended settings were stored in the instrument when it shipped from the factory. No. No. Registration Name Registration Name 1-1 Piano + Str. 6-1 FP REGIST. 1-2 Piano+EPiano 6-2 FP REGIST. 1-3 Winds + Str. 6-3 FP REGIST. 1-4 JazzComboSes 6-4 FP REGIST. Registration Name No. 2-1 E.Piano / Bs 2-2 Vib. / BsCym 2-3 Piano / Pad 2-4 MamboSession No. Registration from 6-1 to 6-4 include the “Basic Registration.
PAGE 126
FP-4-e.book 126 ページ２００６年１１月１７日金曜日午前１１時４０分 Effects List No Effect Name Value Description 1 Equalizer 0–30 Gain of the low range (-15– +15 dB) 2 Spectrum 0–30 Gain of 500 Hz band (-15– +15 dB) 3 Enhancer 0–127 Sensitivity of the enhancer (0–127) 4 Isolator 0–64 At -60 dB, the sound of the middle range becomes inaudible.
PAGE 127
FP-4-e.
PAGE 128
FP-4-e.book 128 ページ２００６年１１月１７日金曜日午前１１時４０分 Stored Settings Settings Stored in a Registration Stored Items Page Tone and variation selected for the Upper part and Lower part p. 28, p. 29, p. 31 Settings for dual and split play p. 29, p. 31 The volume balance for dual and split play Keyboard Touch, The velocity when the keyboard touch is set to “OFF” Reverb switch’s on or off, and the depth of reverb The effect type and the settings of effects (*1) p. 34 p. 35, p. 86, p. 87 p. 36 p. 37, p. 83, p.
PAGE 129
FP-4-e.book 129 ページ２００６年１１月１７日金曜日午前１１時４０分 MIDI Implementation Chart DIGITAL PIANO Date : Oct. 1, 2006 MIDI Implementation Chart Model FP-4 Transmitted Function... Version : 1.
PAGE 130
FP-4-e.book 130 ページ２００６年１１月１７日金曜日午前１１時４０分 Specifications FP-4: Digital Piano Keyboard 88 keys PHA alpha II keyboard Touch Sensitivity Light, Medium, Heavy, Off (velocity adjustable) Sound Generator GM2 system/GS/XG lite compatible Max.
PAGE 131
FP-4-e.book 131 ページ２００６年１１月１７日金曜日午前１１時４０分 Specifications Accessories Owner’s Manual AC Adaptor Power Cord Music Rest 2 screws for the Music Rest Pedal (available Half-damper) Options Dedicated stand: KSC-44 Damper Pedal Pedal Switch Foot Switch Expression Pedal (EV-5) * In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.
PAGE 132
FP-4-e.book 132 ページ２００６年１１月１７日金曜日午前１１時４０分 Index A AC Adaptor ........................................................ 15 All Song Play ....................................................... 24 Audio Equipment .................................................. 94 B [Balance] Knob .............................................. 12, 34 Beat of Metronome ............................................... 91 Bend Down ......................................................... 82 Bend Up ......................
PAGE 133
FP-4-e.book 133 ページ２００６年１１月１７日金曜日午前１１時４０分 Index M Master Gain ........................................................ 85 Master Tuning ...................................................... 79 Message .......................................................... 110 Metronome ......................................................... 40 Beat ............................................................. 91 Tempo ........................................................... 41 Volume .......................
PAGE 134
FP-4-e.book 134 ページ２００６年１１月１７日金曜日午前１１時４０分 Index Transpose ........................................................... 39 [Transpose] Button .......................................... 12, 39 Troubleshooting .................................................. 106 Tuning ......................................................... 79–80 U USB (MIDI) Connector ...................................... 14, 98 USB Driver .......................................................... 98 V Velocity ...................
PAGE 135
FP-4-e.
PAGE 136
FP-4-e.
PAGE 137
FP-4-e.book 137 ページ２００６年１１月１７日 Information AFRICA EGYPT Al Fanny Trading Office 9, EBN Hagar A1 Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: 20-2-417-1828 REUNION Maison FO - YAM Marcel 25 Rue Jules Hermann, Chaudron - BP79 97 491 Ste Clotilde Cedex, REUNION ISLAND TEL: (0262) 218-429 SOUTH AFRICA T.O.M.S. Sound & Music (Pty)Ltd. 2 ASTRON ROAD DENVER JOHANNESBURG ZA 2195, SOUTH AFRICA TEL: (011)417 3400 FAX: (011)417 3462 Paul Bothner(PTY)Ltd.
PAGE 138
FP-4-e.book 138 ページ２００６年１１月１７日金曜日午前１１時４０分 For the U.K. IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. BLUE: NEUTRAL BROWN: LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
PAGE 139
Cover1,4
PAGE 140
* 0 4 4 5 3 5 6 7 04453567 DIC = 90 - 0 2 * 06-11-2N