To resize thickness, move all items on the front cover and center registration marks to left or right ® Owner’s Manual Thank you, and congratulations on your choice of the Roland Digital Piano FP-5. Main Features Stylish, Light, Compact Design The refined design fits in anywhere; and since it is so lightweight and compact, it’s easy to take the instrument with you wherever you go.
To resize thickness, move all items on the front cover and center registration marks to left or right. USING THE UNIT SAFELY The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger. Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
FP-5_e.
FP-5_e.book 4 ページ ２００５年１月２６日 水曜日 午前１０時２２分 IMPORTANT NOTES 291a In addition to the items listed under “USING THE UNIT SAFELY” on page 2 and 3, please read and observe the following: Power Supply Maintenance 301 401a • Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor.
FP-5_e.book 5 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Contents USING THE UNIT SAFELY ............................................... 2 IMPORTANT NOTES ......................................................... 4 Panel Descriptions ............................................................... 6 Before You Play ................................... 8 Making Connections............................................................ 8 Installing the Music Stand ..................................................
FP-5_e.book 6 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Panel Descriptions Front Panel 1 1 2 3 4 5 6 7 8 9 [Volume] Knob Adjusts the overall volume level (p. 10). 2 [Brilliance] Knob Adjusts the tone brightness (p. 10). 3 [Balance] Knob Adjusts the volume balance of the Upper and Lower Tones in Dual Play and Split Play (p. 21). 4 [Pedal Control] Button Use the damper pedal to change the sound’s pitch (p. 27). 5 [Setup] Button Stores the selected functions and states of the buttons (p. 37).
FP-5_e.book 7 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Panel Descriptions 12 13 14 16 17 18 19 21 20 23 22 24 15 19 [Bass] Button 22 [Play/Stop] Button Turns the Bass part of Session Partner on and off (p. 32). Starts and stops playback of internal songs and recorded performances (p. 12). 20 [Chord] Button Used for starting recording of performances (p. 38). Turns the Chord part of Session Partner on and off (p. 32).
FP-5_e.book 8 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Before You Play Making Connections 1. Before you begin making connections, confirm the following. Is the volume level of the FP-5 turned all the way down? Is the power to the FP-5 turned off? 2. Connect the supplied AC cable to the supplied AC adaptor. fig.00-01 AC adaptor 3. AC cable Power outlet Connect the supplied AC adaptor to the FP-5, and then plug its other end into a power outlet.
FP-5_e.book 9 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Before You Play Connecting Pedals Soft Pedal This pedal is used to make the sound softer. 1. Connect the pedal included with the FP-5 to one of the Pedal jacks. When connected to the Damper jack, the pedal can be used as a damper pedal. In addition, it can be set to function as an another works (p. 27, p. 44). When connected to Sostenuto(FC1) jack, the pedal can be used as a sostenuto pedal. In addition, it can be set to function as an another works (p. 43, p.
FP-5_e.book 10 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Before You Play ■ Turning Off the Power Connecting Headphones 1. Before switching the power off, turn the volume all the way down by rotating the [Volume] knob. fig.00-05 Connecting headphones allows you to enjoy playing anytime, even at night, without concern. * Headphones are not included. Consult your Roland dealer if you want to purchase. fig.00-09 2. Press the [Power] switch on the back of the unit. The power is switched off. fig.
FP-5_e.book 11 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 1 Playing the Keyboard Listening to Demo Songs Now, try listening to demo songs. The FP-5 comes with fifty four demo songs. The seven Tone buttons, the [Start/Stop] button, and the [Play/Stop] button are each assigned one demo song. Button Indication Composer/Copyright Piano Pno Masasi & Kazuko Hirashita / © 2002 Roland Corporation E.Piano E.
FP-5_e.book 12 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 1 Playing the Keyboard Listening to Internal Songs Now, try listening to Internal songs. The FP-5 comes with sixty five internal songs. fig.01-01 2 1. fig.01-02 4. For more on internal song names, refer to “Internal Song List” (p. 69). The song will begin playing back. The selected song is played to the end, and then playback stops. About the Display of the Internal Songs USr (User)—Stores recorded Performances (for more on recording →p. 38).
FP-5_e.book 13 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 1 Playing the Keyboard When the following appears in the display If there is any performance data stored in the FP-5’s memory, the following appears in the display. fig.01-03 flash in red Until you erase the performance data, you cannot play back an internal song. To erase the performance data and play back the internal song, press the [Rec] button. If you don’t want to erase the song, press the [Play/Stop] or [Song] button.
FP-5_e.book 14 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 1 Playing the Keyboard Performing with a Variety of Sounds The FP-5 features over 300 different internal sounds, allowing you to enjoy performing with sounds suitable for many different types of music. These onboard sounds are called “Tones.” The Tones are divided into seven different groups, each of which is assigned to a different Tone button. The Tone “Grand Piano 1” is selected when the instrument’s power is turned on. fig.01-07 1 1.
FP-5_e.book 15 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 1 Playing the Keyboard Simulating the Creation of Organ Tones (Tone Wheel Mode) When any of the “Tone Wheel” Tones is selected, you can perform in “Tone Wheel mode,” in which the creation of organ sounds is simulated. An organ features nine “harmonic bars” that can be drawn in and out, and by using the bars in different combinations of positions, a variety of different tones can be created.
FP-5_e.book 16 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 1 Playing the Keyboard 07 1,3,4 1. 2. 3. 2 Press the [Tone Wheel] button, getting its indicator to light in red. Press the [-] or [+] button to select a Tone. Press the [Tone Wheel] button, getting its indicator to light in green or orange. The FP-5 switches to “Tone Wheel mode,” the function is turned on, and the footage buttons flash. fig.05-10 lit in green or orange 4.
FP-5_e.book 17 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 1 Playing the Keyboard ■ Selecting the Footage 1. 2. Press the [Tone Wheel] button to select the upper (button’s indicator lights in green) or lower (button’s indicator lights in orange) footage group. Press the Tone buttons to turn on and off the different footages. ■ Changing volume of feet The volume on feet can be adjusted, with eight volume levels available. 1. 2.
FP-5_e.book 18 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 1 Playing the Keyboard Performing With Two Layered Tones (Dual Play) You can play two different sounds from a single key at the same time. This method of performance is called “Dual Play.” Example: Try Layering Piano and String Tones fig.01-09 1 1. Hold down the [Piano] button and press the [Strings/Pad] button. The indicators for both buttons light. Try fingering the keyboard. Both the piano and string sounds play.
FP-5_e.book 19 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 1 Playing the Keyboard Performing With Different Tones in the Left and Right Sides of the Keyboard (Split Play) Performing with the keyboard divided at a certain key into a left side and a right side is called “Split Play,” and the point at which the keyboard is divided is called the “split point.” In Split Play, you can have a different tone sound in the left and right sides. When the instrument is turned on, the split point is set to “F 3.
FP-5_e.book 20 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 1 Playing the Keyboard ■ Changing Tone Group and Tone variation. fig.01-13 1,2 2,4 3,4 Changing the Upper Tone 1. Press the Tone button to choose a Tone Group. 2. Press the [-] and [+] buttons to select the Tones. Changing the Lower Tone 1. 2. Hold down the [Split] button and press the Tone button to choose a Tone Group. Hold down the [Split] button and press the [-] and [+] buttons to select a Tones.
FP-5_e.book 21 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 1 Playing the Keyboard Changing the Volume Balance for Dual Play and Split Play You can change the volume balance of the Upper and Lower Tones in Dual Play (p. 18) and Split Play (p. 19). fig.01-15 1 1. Use the [Balance] knob to adjust the volume balance. You cannot change the volume balance even if you turn the [balance] knob, when Tone Wheel Organs are selected to both the Upper Tone and the Lower Tone.
FP-5_e.book 22 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 1 Playing the Keyboard Changing the Keyboard’s Touch You can change the touch sensitivity, or response of the keys. When the instrument is turned on, this is set to “N (Normal).” fig.01-17 1 1. 2 Hold down the [Transpose] button and press the [Reverb] button. The indicators for the [Transpose] and [Reverb] buttons flash in red. NOTE With certain sounds, the touch may not change. fig.01-18 2. Press the [-] or [+] buttons to select the touch.
FP-5_e.book 23 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 1 Playing the Keyboard Adding Reverberation to Sounds (The Reverb Effect) You can apply a reverb effect to the notes you play on the keyboard. With the reverb effect, you obtain a pleasant reverberation, making it sound as if you were performing in a concert hall or similar space. fig.01-21 1,2 1. Press the [Reverb] button, getting its indicator to light. Try fingering the keyboard. The reverb effect is applied to the entire tone. 2.
FP-5_e.book 24 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 1 Playing the Keyboard Adding a Variety Effects to the Sound In addition to reverb, you can apply a variety of changes to the FP-5’s sounds. These are referred to as “effects.” With the FP-5, you can select from ten different effect types. NOTE Effects may not be applied with some of sounds. With the factory default settings, effects have been preselected for each tone. fig.01-19 1,2 1. Press the [Effects] button, getting its indicator to light.
FP-5_e.book 25 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 1 Playing the Keyboard 3. Press the [-] or [+] button to select the effect. You can select from the following. Indication Effects Description SYMPATHETIC RESONANCE When you depress the damper pedal on an acoustic piano, the sound from the strings that were struck resonates with other strings, adding rich reverberations and broadness to the sound.
FP-5_e.book 26 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 1 Playing the Keyboard ■ Changing the Depth of Effect You can select from ten levels of depth for the effect. 1. Hold down the [Effects] button and press the [-] or [+] button. The depth for the effect being applied to the currently selected tone appears in the display. fig.01-20 NOTE You cannot change the levels of depth for the rotary effect. The next time you choose the same tone, the effect with the depth you’ve selected here is applied.
FP-5_e.book 27 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 1 Playing the Keyboard Changing the Sound’s Pitch in Real Time (Pedal Control) Connecting the included pedal to the Damper jack allows you to use the pedal to alter the sounds’ pitches. fig.01-23 1,2 1. Hold down the [Pedal Control] button, getting its indicator to light. Try fingering the keyboard. When you press the Damper pedal, the pitch gradually rises. With the pedal fully pressed, the pitch is raised two semitones(fixed).
FP-5_e.book 28 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 1 Playing the Keyboard Transposing the Key of the Keyboard (Key Transpose) You can transpose the key of a performance without having to shift the position of your fingers on the keyboard. This feature is called “Key Transpose.” This lets you take a song in a difficult key with lots of sharps ( ) and flats ( ) and play it in a key with fingering that’s easier for you.
FP-5_e.book 29 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 1 Playing the Keyboard Using the Metronome Here’s how you can make use of the metronome. fig.02-01 1,2 1. Press the [ sound. (Metronome)] button to have the metronome The [Tempo/Rhythm] button’s indicator flashes in red and green in time with the beat selected at that time. The indicator lights in red on the downbeats, and in green on weak beats. 2. To stop the metronome, press the [ again. (Metronome)] button ■ Changing the Tempo 1.
FP-5_e.book 30 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 1 Playing the Keyboard ■ Changing the Beat of Metronome 1. While holding down the [Tempo/Rhythm] button, press the [-] or [+] button to select the beat. The currently selected beat is displayed. fig.02-03 When you change the rhythm or the Internal song, the beat of metronome is changed. You can select from the following beats. Display Beat Display Beat 2.2 2/2 6.4 6/4 0.4 Weak beats only 7.4 7/4 2.4 2/4 3.8 3/8 3.4 3/4 6.8 6/8 4.
FP-5_e.book 31 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 2 Playing Along with Rhythms What is Session Partner? “Session Partner” Lets You Enjoy Playing with a Session-Like Feel “Session Partner” is an easy-to-use function that plays accompaniment in a variety of musical styles. Playing along with this accompaniment, with its realistic sounds, gives you the feel that you are playing live with a band backing you.
FP-5_e.book 32 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 2 Playing Along with Rhythms Performing Along With Session Partner fig.02-05 1,2 Now, let’s try performing along with Session Partner. Since a wide variety of musical genres is provided, be sure to use a Rhythm that best suits the song you are performing. Please refer to “Selecting a Rhythm” (p. 33). 1. Press the [Start/Stop] button. The [Start/Stop] button’s indicator lights in red, and the intro begins to play.
FP-5_e.book 33 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 2 Playing Along with Rhythms ■ Changing the Volume of a Part You can adjust the volume level of individual Parts. fig.02-05 1,2 1. 2 1 While holding down the button for the Part whose volume level you want to change (the [Drums], [Bass], or [Chord] button), press the [-] or [+] button. The volume level of the Part whose button you pressed is displayed. 2.
FP-5_e.book 34 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 2 Playing Along with Rhythms Changing a Rhythm’s Tempo The FP-5 has an optimal tempo for each Rhythm. You can change the tempo of the selected Rhythm. Furthermore, you can change the tempo as the Rhythm is being played. fig.02-08 1 1. 2 Press the [Tempo/Rhythm] button, getting its indicator to light in red. The tempo is displayed.
FP-5_e.book 35 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 2 Playing Along with Rhythms Performing With the Chord Progression Specified in the Left Hand (Chord Progression off) NOTE When specifying the chords in the left part of the keyboard, Dual Play (p. 18) is disabled in the right part. Performing with the keyboard divided at a certain key into a left side and a right side is called “Split Play.” While in Split Play, you can use the left side to specify chords instead of using it to play the Lower Tone.
FP-5_e.book 36 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 2 Playing Along with Rhythms Recording the Chord Progression (Chord Progression) You can listen to a wide variety of styles with a favorite chord progression. Refer to “Fixing a Set Chord Progression” (p. 47). You can save a chord progression you’ve specified using the left-hand section of the keyboard. fig.02-15 3 1. Hold down the [Chord Progression] button and press the [Rec] button.
FP-5_e.book 37 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 2 Playing Along with Rhythms Storing Settings (Setup) You can save favorite combinations of Tone settings, settings for dual and split play, Session Partner settings, and the like as a “Setup.” Once saved in this way, you can instantaneously switch the instrument to the desired group of settings simply by calling up the Setup. You can store up to 7 different Programs. The Setup contains stored and unstored settings.
FP-5_e.book 38 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 3 Recording a Performance You can easily record your performances. You can play back a performance you have recorded to check what and how you played, and play melodies on the keyboard along with prerecorded accompaniment using the Rhythm. To Record Without Erasing the Previously Recorded Performance... Notes Regarding Recording • Only one song can be recorded.
FP-5_e.book 39 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 3 Recording a Performance Listening to the Recorded Performance 8. Press the [Play/Stop] button. Press the [Play/Stop] button again, and playback stops. The demo song cannot be played back while recorded performance data remains in the FP-5’s memory. Press [Rec] button to delete the performance data (p. 13). ■ Recording a Performance Using Session Partner You can also easily record session performances to the session partner. fig.03-02 4,5 2 3 1.
FP-5_e.book 40 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 3 Recording a Performance ■ Recording Selected Track buttons FP-5’s Recorder has three Track buttons. When you press the [Rec] button, all Track buttons are set to be recorded, but by selecting Track buttons that are not to be recorded, you can then record only on the specific Track buttons you want.
FP-5_e.book 41 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 3 Recording a Performance Erasing Recorded Performances You can erase recorded performances. fig.03-04 2 1 1. Hold down the [Song] button and press the [Rec] button. A confirmation message appears in the display. fig.03-05 flash in red 2. Press the [Rec] button. The recorded performance is erased. If you do not want to erase the performance, press the [Play/Stop] or [Song] button.
FP-5_e.book 42 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 4 Other Functions You can make a variety of performance- and recordingrelated settings in “Function Mode.” Button Function Page [Pedal Control] Works of the pedal control p. 44 [Setup] Bulk Dump, Pedal Shift, Transferring the program change p. 52 press the [Tempo/rhythm] button. [Split] Octave shift p. 44 “Fnc” appears in the display, and the FP-5 switches to [Transpose] Temperament p. 45 [Reverb] Velocity p.
FP-5_e.book 43 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 4 Other Functions Changing How the Pedal Effects Are Applied Changing How the Pedals Work When the pedal is pressed in Dual Play (p. 18) or Split Play and the Lower Tone, but you can change the settings for the A pedal connected to the Soft(FC2) jack normally functions as a soft pedal (p. 9). A pedal connected to the Sostenuto(FC1) jack normally functions as a sostenuto pedal (p. 9). tone to which the effect is applied.
FP-5_e.book 44 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 4 Other Functions ■ Works of the Soft Pedal(FC2) When the instrument is turned on, this is set to function as a soft pedal. 1. Switch to Function mode, and press the * The function may not work properly if a pedal other than the supplied pedal or expression pedal is used. * Be sure to switch off the power to the unit before attempting to disconnect or connect a pedal cord. [Strings/Pad] button. Setting the Part to Which Effects Are Added fig.
FP-5_e.book 45 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 4 Other Functions 1. Switch to Function mode, and press the [Piano] fig.04-04 button. fig.04-05 flashes in red 2. Press the [-] or [+] button to select the pitch. flashes in red The range of available pitch change spans from two octaves higher to two octaves lower.
FP-5_e.book 46 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 4 Other Functions You can choose from among the seven tunings described below. Temperament Qualities Equal 1 In this tuning, each octave is divided * When performing in ensemble with other instruments, be aware that depending on the key, there may be some shifting of the pitch. Tune the FP-5 to the fundamental pitch of the other instruments. into twelve equal steps. Every interval produces about the same amount of slight dissonance.
FP-5_e.book 47 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 4 Other Functions Setting the Intro and Ending on or off Setting the Root Note of the Chord Progression This sets session partner Intro and Ending on or off. When This sets the root note of the chord progression. set to “Off,” pressing [Start/Stop] causes the Intro and Ending not to be played. 1. Switch to Function mode, and press the [Bass] button. 1. Switch to Function mode, and press the fig.04-04 [Start/Stop] button. fig.
FP-5_e.book 48 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 4 Other Functions Connecting to Audio Equipment ❍ Use the following procedure when turning on the power. You can connect audio devices to play the sound of the FP-5 through the speakers of your audio system, or to record your performance on a tape recorder or other recording device. 1. Set the volume of the FP-5 and of the connected When connecting, please use an audio cable with a standard phone plug (sold separately).
FP-5_e.book 49 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 4 Other Functions Connecting to the USB Connector You can use a USB connector to connect the FP-5 to your computer. For more details, refer to the separate “USB Installation Guide.” * Connecting your computer to the FP-5 for the first time requires installation of the “USB Driver” (on the included CD-ROM) to the computer. For more details, refer to the separate “USB Installation Manual.
FP-5_e.book 50 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 4 Other Functions ■ How to Enjoy MIDI What is a MIDI Sound Module? Recording Data of Performances Played on the FP-5 to a Inside a synthesizer or electronic piano is the section that Sequencer* and Automatically Playing Recorded actually produces sound, known as the sound module. A Performance Data on the FP-5 MIDI sound module produces sounds as the result of MIDI messages sent to it by other devices.
FP-5_e.book 51 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 4 Other Functions Setting the MIDI Out Mode fig.04-12.e (1) Local On Sequencer MIDI IN Sound Generator suitable (to the external MIDI device) selection of MIDI data MIDI OUT be output from the MIDI Out connector when you make tone Memory MIDI OUT Each note played is sounded twice By setting the MIDI Out Mode, you can select to have a more MIDI IN changes on the FP-5. Four settings for the MIDI Out Mode are available.
FP-5_e.book 52 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 4 Other Functions Transferring the Program Change message Indication When a setup is switched, a Program Change message is OFF transmitted. description You can use a function assigned to the sostenuto(FC1) pedal and the soft(FC2) 1. Switch to Function mode, and press the [Setup] pedal. button. FC1 2. Hold down the [Setup] button, and press the [-] or The sostenuto(FC1) pedal is dedicated to switching Setup.
FP-5_e.book 53 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chapter 4 Other Functions Making the Settings for the USB Driver Disabling Everything Except Piano Play (Panel Lock) If you intend to connect to a computer using the USB connector, you need to make the following setting before you make the connection. The “Panel Lock” function locks the FP-5 in a state where only piano performance can be used, and all buttons will be disabled.
FP-5_e.book 54 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Troubleshooting Case No Power Cause/What to do Case Is the power cord properly connected? Have you set Transpose? (p. 28) (p. 8) Are the settings for the Temperament Is the volume level of the FP-5 (p. 10) or (p. 45) correct? connected device turned all the way Is the setting for Master Tuning correct? down? The Keyboard or Are headphones plugged in? Has a plug remained connected to the Song Register or Pitch is Off Phones jack? (p.
FP-5_e.book 55 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Troubleshooting Case Cause/What to do Case Is the pedal connected correctly? When listening through headphones: Connect the pedal securely to the Pedal Certain piano tones that feature vibrant, jack (p. 9). sparking sounds contain a large highfrequency component, which may make it Are you using a pedal made by another appear that a metallic reverberation has manufacturer? Use the pedal included been applied.
FP-5_e.book 56 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Error Messages/Other Messages Display USr Usr. Meaning User. Stores recorded Performances (p. 12, p. 38). The “.” in the display indicates that there is Performance material already recorded (p. 12, p. 38). P. Piano song number (p. 12). r. Rhythm number (p. 33). This appears when you attempt to delete a recorded song (p. 41). dEL Additionally, this appears after recording a song when you try to select another song (p. 13). SUP dnP Fct E.
FP-5_e.book 57 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Tone List → “Performing with a Variety of Sounds” (p. 14) Piano 1 2 3 4 5 6 7 8 Grand Piano 1 Piano+Strings Grand Piano 2 Piano+Pad Rock Piano Mellow Piano Honky-tonk Harpsichord E.Piano 1 2 3 4 5 6 7 8 9 10 Pop E.Piano Stage E.Piano 60’s E.Piano 70’s E.Piano E.Grand FM E.Piano 1 FM E.Piano 2 Clav.
FP-5_e.book 58 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Tone List 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 58 Harmonica Bandoneon Nylon-str.Gt Ukulele Nylon Gt (key Off) Nylon Gt.2 Steel-str.Gt 12-str.Gt Mandolin Steel + Body Jazz Gt. Pedal Steel Clean Gt. Chorus Gt. Mid Tone GTR Muted Gt.
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FP-5_e.book 60 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Tone List GM2 Standard Set 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 C2 36 37 38 39 40 41 42 43 44 45 46 47 C3 48 49 50 51 52 53 54 55 56 57 58 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 75 76 77 78 79 80 81 82 83 C6 84 85 86 87 88 89 90 91 92 93 94 95 C7 96 97 98 99 100 101 102 103 104 105 106 107 C8 108 ------------------------High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm.
FP-5_e.book 61 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Tone List GM2 Jazz Set 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 C2 36 37 38 39 40 41 42 43 44 45 46 47 C3 48 49 50 51 52 53 54 55 56 57 58 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 75 76 77 78 79 80 81 82 83 C6 84 85 86 87 88 89 90 91 92 93 94 95 C7 96 97 98 99 100 101 102 103 104 105 106 107 C8 108 ------------------------High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm.
FP-5_e.book 62 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Rhythm List → “Selecting a Rhythm’s Chord Progression” (p. 34) No. Genre r.1 Pop r.2 r.3 Hip Pop r.4 r.5 Guitar Funk r.6 r.7 Ballad r.8 r.9 Fast Jazz r.10 r.11 Jazz r.12 r.13 Cutting Guitar r.14 r.15 Fusion r.16 r.17 70’s Soul r.18 r.19 Contemporary r.20 r.21 Medium Pop r.22 r.23 Street Pop r.24 r.25 808 Pop r.26 r.27 Piano Pop r.28 r.29 Guitar Pop r.30 r.31 Country Pop r.32 r.33 Shuffle r.34 r.35 Smooth Pop r.36 r.37 8 beat Rock r.38 r.39 16 beat Rock r.
FP-5_e.book 63 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chord Progression Pattern List * It is the Chord Progression Pattern List by each measure. These are basic chord progression pattern from No. 1 to No. 10, and these are suitable chord progression for the internal rhythm from No. 11 to No. 90. Chord Progression Rhyt No. hm 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 No.
FP-5_e.book 64 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chord Progression Pattern List Chord Progression Rhyt No. hm 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 No. 46 r.36 Cm CmM7 Cm7 47 r.37 C 48 r.38 F Am G7 49 r.39 D C/D 50 r.40 F m7 Bm 51 r.41 C F7 G G7 C Cm F7 G Dm7 F Am7 G7 G/D B /D D C/D G/D B /D D C 7 F m7 Bm G A7 C C dim Dm7 G7 Fm7 52 r.42 F 53 r.43 C 54 r.44 C 55 r.45 C 56 r.46 F 57 r.47 A7 D7 A7 58 r.48 C F C 59 r.
FP-5_e.book 65 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Chord Fingering List ● symbol: indicates the constituent notes of chords. ★ symbol: Chords shown with an “★” can be played by pressing just the key marked with the “★”. → “Performing With the Chord Progression Specified in the Left Hand (Chord Progression off)” (p.
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FP-5_e.book 69 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Internal Song List → “Listening to Demo Songs” (p. 11) Song No. Song Name Composer Copyright d. 1 Late Night Chopin F. Chopin/ Arranged by John Maul © 2002 Roland Corporation d. 2 L'éveil del l'amour Masashi & Kazuko Hirashita © 2000 Roland Corporation d. 3 Fly Free J. Maul © 1998 Roland Corporation d. 4 Paganini Boogie Variation: Jazz Variation Based on “Caprice No. 24 in A Minor” N.
FP-5_e.book 70 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Internal Song List Song No. Song Name Composer Copyright d. 33 Türkischer Marsch (Beethoven) L. v. Beethoven © 1996 Roland Corporation d. 34 Nocturne No.2 F. Chopin © 1996 Roland Corporation d. 35 Frühlingslied F. Mendelsshon © 1996 Roland Corporation d. 36 Präludium J. S. Bach © 1996 Roland Corporation d. 37 Jägerlied F. Mendelsshon © 1996 Roland Corporation d. 38 Menuet Antique M. Ravel © 1996 Roland Corporation d.
FP-5_e.book 71 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Settings Stored in the Setup ■ Stored Settings settings The Tone which is selected in the Upper Tone or the Lower Tone page p. 14 to p. 19 The Tone number which is assigned to each Tone button Settings for dual and split play p. 14 p. 18 to p. 20 The volume balance for dual and split play p. 21 Keyboard’s touch p. 22 The velocity when the keyboard touch is set to “Fixed” p. 45 Reverb switch’s on or off, and the depth of reverb p.
FP-5_e.book 72 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Easy Operation List Power ON Press the Key 10 11 8 Press the Key 9 1 2 No. You want to 4 5 6 Buttons 7 Page Switch to Function mode [Variation/Effects] + [Tempo/Rhythm] p. 42 Key Touch [Transpose] + [Reverb] p. 22 Demo [Setup] + [Split] p. 11 All Song Play [Song] + [Play/Stop] p. 12 Storing settings to Setup [Setup] + Tone p. 37 Recording Chord Progression [Chord Progression] + [Rec] p.
FP-5_e.book 73 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Easy Operation List 1 2 3 4 5 6 14 15 7 8 9 10 11 12 13 16 17 18 19 20 21 Function mode No. 1 You want to Work of the Pedal Control Buttons Page [Pedal Control] p. 44 [Setup] p. 52 Bulk dump, 2 Pedal Shift, Transferring the Program Change 3 Octave shift [Split] p. 44 4 Temperament [Transpose] p. 45 [Reverb] p.
FP-5_e.book 74 ページ ２００５年１月２６日 水曜日 午前１０時２２分 DIGITAL PIANO Date : Oct. 1, 2002 MIDI Implementation Chart Model FP-5 Transmitted Function...
FP-5_e.book 75 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Main Specifications Internal Songs 88 keys (progressive hammer action keyboard) Demo songs: 9 Piano songs: 65 Touch Sensitivity Light/Normal/Heavy/Fixed (adjustable velocity) Speakers Keyboard Mode 10 cm x 2 Whole Dual Split (adjustable split point) Rated Power Output 7-segment, 3-digit LED Conforms to General MIDI 2 System Connectors Max.
FP-5_e.book 76 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Index A AC adaptor ....................................................................... 8 AC cable ............................................................................ 8 All Song Play .................................................................. 12 B Balance knob .................................................................. 21 Bass button ................................................... 32–33, 40, 47 Beat Metronome ......................
FP-5_e.book 77 ページ ２００５年１月２６日 水曜日 午前１０時２２分 Index O Octave Shift .................................................................... 44 Organ button .................................................................. 43 P Panel Lock ...................................................................... 53 Pedal .................................................................................. 9 Effects ........................................................................ 43 Works ....................
FP-5_e.book 78 ページ ２００５年１月２６日 Information AFRICA EGYPT Al Fanny Trading Office 9, EBN Hagar A1 Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: 20-2-417-1828 REUNION Maison FO - YAM Marcel 25 Rue Jules Hermann, Chaudron - BP79 97 491 Ste Clotilde Cedex, REUNION ISLAND TEL: (0262) 218-429 SOUTH AFRICA That Other Music Shop(PTY)Ltd. 11 Melle St., Braamfontein, Johannesbourg, SOUTH AFRICA TEL: (011) 403 4105 FAX: (011) 403 1234 Paul Bothner(PTY)Ltd.
To resize thickness, move all items on the front cover and center registration marks to left or right. USING THE UNIT SAFELY The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger. Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
To resize thickness, move all items on the front cover and center registration marks to left or right ® Owner’s Manual Thank you, and congratulations on your choice of the Roland Digital Piano FP-5. Main Features Stylish, Light, Compact Design The refined design fits in anywhere; and since it is so lightweight and compact, it’s easy to take the instrument with you wherever you go.
