Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. AFRICA EGYPT 9, EBN Hagar A1 Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: 20-2-417-1828 REUNION Maison FO - YAM Marcel 25 Rue Jules Hermann, Chaudron - BP79 97 491 Ste Clotilde Cedex, REUNION ISLAND TEL: (0262) 218-429 ITALY ISRAEL SUPRO MUNDIAL, S.A. Roland Italy S. p. A.
For the U.K. IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. BLUE: NEUTRAL BROWN: LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
010 101b • This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist. ................................................................................................
IMPORTANT NOTES 291a In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the following: Power Supply Additional Precautions 301 551 • Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system). • Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit.
Contents IMPORTANT NOTES ...............................................................................4 Features ...................................................................................................8 How To Use This Manual........................................................................9 About the Symbols in This Manual .............................................................................................. 9 Panel Descriptions...................................................
Contents Adjusting the Sensitivity of the Pads ......................................................................................... 54 Specifying the Roll Speed ............................................................................................................ 55 Setting for MIDI Transmission ............................................................................................................... 55 Naming a Patch..........................................................................
Contents Chapter 6 Connecting MIDI Devices ...................................................76 Using the HPD-15 to Play External Instruments ................................................................................. 76 Setting for MIDI Transmission.................................................................................................... 76 Setting the MIDI Channels...........................................................................................................
Features • The HPD-15 is a compact and lightweight digital hand percussion unit with built-in sound generator, that you can play with your naked hands. • A pressure-sensitive pad divided into fifteen sections allows you to play full-fledged hand percussion without any other equipment. • 600 versatile sounds including percussion instruments from around the world with Latin, African, and Asian sounds, as well as drum sets, dance sounds, and sound effects.
How To Use This Manual This owner’s manual is organized as follows. Quick Start (Chapter 1) This section is intended for those using the HPD-15 for the first time, and explains how to use various functions in a simple way. Please read Quick Start and follow along by actually operating the HPD-15. This will help you understand most of what you need to know for basic operations. Advanced Use (Chapter 2 – Chapter 6) This section explains all functions of the HPD-15 and is divided into specific parts.
Panel Descriptions Front Panel fig.0-01.e Sequencer Section VOLUME Knob You can record and play back your performance (p. 59). Adjusts the volume of the entire HPD-15. When this knob is turned fully counterclockwise, no sound will be output. PATCH/VALUE Dial REALTIME MODIFY Section Turn these knobs to modify the sound (p. 19). Turn to select a patch or change the value. D BEAM Pass your hand to produce or control the sound (p. 16). Ribbon (L) Patch Select Section Changes the patch (p. 22).
Panel Descriptions Rear Panel fig.0-02.e TRIGGER INPUT Jack Connect the kick trigger units, external pads, foot switches (p. 73). FOOT SWITCH Jack Connect the optional foot switches (BOSS FS-5U). You can use foot switches to select a patch, to control the sequencer, and so on (p. 71). MIDI Connectors (IN, OUT/THRU) EXP PEDAL/HH CTRL Jack Connect an expression pedal (EV-5), a hi-hat control pedal (FD-7), or a foot switch (p. 72).
Attaching the HPD-15 to the Stand 1 Attach the stand holder (included with the optional PDS-15) to the HPD-15. Using the screws provided with the PDS-15, attach the holder so the unit is oriented as shown in the diagram. Use the screws provided with the PDS-15. Use of other screws may result in damage to the unit. fig.0-03.e Wide Narrow 2 Attach the HPD-15 to the pad stand (PDS-15). For details on assembling the pad stand and attaching the HPD-15, refer to the owner’s manual for the pad stand. fig.
Chapter 1 Quick Start This chapter explains basic operation of the HPD-15. Chapter 1 For details on modifying sounds and settings, refer to “Chapter 2 Modifying a Patch” (p. 35). Turning On/Off the Power * Once the connections have been completed (p. 11), turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.
Chapter 1 Quick Start Listening to the Demo Song 1 Simultaneously press [SEQUENCER] and [SYSTEM]. fig.1-01 fig.1-02 HPD-15 DEMO PLAY 1.TABLECTRIC 2 Turn [PATCH/VALUE] or use [PATCH NUMBER ] and [PATCH NUMBER ] to select the demo song that you wish to hear. fig.1-03 3 For details on the demo songs, refer to “Demo Song List” (p. 96). Press [PLAY/STOP]. fig.1-04 Playback will begin. To stop playback, press [PLAY/STOP] once again. 4 Press [EXIT]. You will return to the previous screen.
Chapter 1 Quick Start Performing Hit the pads Chapter 1 The pads of the HPD-15 will produce different volume or tones depending on where or how strongly they are struck, and you can also vary the tone and duration of the sounds by continuing to press the pad after striking it or by pressing another pad. The pads are divided into 15 sections, which are numbered as follows. fig.1-05 B4 B5 C1 C2 B3 B2 C3 A2 A4 B1 C4 C5 A3 A1 A5 Pad Set The pads are in sets of five.
Chapter 1 Quick Start Pass Your Hand over the D Beam By passing your hand over the D Beam located at the top of the panel, you can produce sounds or modify the tone. fig.1-07 Sustaining the Sound (ROLL/HOLD Button) 1 Press [ROLL/HOLD] (located at the upper left of the pads) to make it light. If D Beam [SOUND] is not lit, passing your hand over the D Beam will not produce sound. Press [SOUND] to make it light. If there is no sound even though [SOUND] is lit, adjust the sensitivity of the D Beam.
Chapter 1 Quick Start Playing Various Sounds Let’s use the patch (p. 21) of P0101 Conga to hear various sounds from the pads, ribbons, and D Beam. Chapter 1 * If the following screen is not shown, turn [PATCH/VALUE] until the following screen appears. fig.1-09 P01 LATIN 01 Conga If D Beam [SOUND] is not lit, passing your hand over the D Beam will not produce sound. Press [SOUND] to make it light. fig.
Chapter 1 Quick Start Playing a Scale You can use the pads to play the sounds of a pitched instrument such a steel drum or marimba. Let’s use the patch (p. 21) of P0501 Vibraphone to play a scale. * If the following screen is not shown, turn [PATCH/VALUE] until the following screen appears. fig.1-10b P05 ORCH 01 Vibraphone The pads are assigned to the notes of the keyboard as follows. fig.
Chapter 1 Quick Start The sounds of the HPD-15 have various parameters that determine the loudness, pitch, and duration, and how the notes are sounded. By modifying the values of each parameters, you can vary the tone. Normally, you will adjust the parameter values to your liking before you perform. However, some of the parameters can be freely modified while you play. This is referred to as “realtime modify.” In Edit mode (p. 35), you can also use Realtime Modify to adjust the parameter values (p. 58).
Chapter 1 Quick Start Adding Effects Such as Reverb or Distortion (Multi-Effects) The HPD-15 contains a multi-effect unit that can apply various effects to the sound. Turning Multi-Effects On/Off 1 Press [MULTI-EFFECTS]. fig.1-13 When the effect is on, [MULTI-EFFECTS] will light. The sound will change according to the selected type of effect. 20 For more on multi-effects, refer to “Adjusting the Multi-Effect Settings” (p. 40).
Chapter 1 Quick Start Changing Sounds to Play (Patch Select) Chapter 1 A patch contains settings for the pads, controllers, and effects. The HPD-15 contains 80 User patches that you can rewrite if desired, and 160 Preset patches that cannot be rewritten. User patches and preset patches are organized into 10 patch groups. Names are assigned to preset patch groups.
Chapter 1 Quick Start Changing Patches with the Dial 1 Turn [PATCH/VALUE]. The patch will change as shown in the diagram. fig.1-16 U0101 U0102 U0108 U0201 P1001 P0901 Changing Patches with the Panel Switches fig.1-17 2 3 1 1 3 Press [USER] or [PRESET] to select either user patches or preset patches. The selected button will light. 2 Use [GROUP -] and [GROUP +] to select the patch group. The indicator of the selected patch group will light.
Chapter 1 Quick Start Changing Patches with the Pads (Pad Patch Select) fig.1-18 1, 2 B5 B4 C2 B3 C3 B2 A2 C4 A4 C5 B1 1 1 2 Chapter 1 C1 2 Hold down [PATCH SEL], and strike a pad B1–C5 to select a patch group. Use the panel switches to change between user patches and preset patches. Hold down [PATCH SEL], and strike pad A2 or A4 to select the patch number. Striking pad A4 will increase the patch number, and striking A2 will decrease it.
Chapter 1 Quick Start Changing the Settings of a Patch (EZ Edit) The process of modifying a patch is called “editing.” The HPD-15 provides Easy (EZ) Edit mode for making basic settings, and Edit mode for making settings in more detail. This section explains EZ Edit mode. fig.1-20 To learn how to make more detailed settings, refer to “Chapter 2 Modifying a Patch” (p. 35). 4 3 1 6 1 Press [EDIT]. [EDIT] will blink, and you will enter EZ Edit mode. 2 3 4 5 6 Strike a pad to select the pad set (p.
Chapter 1 Quick Start fig.1-20a.e Patch Number appears if the Value is edited Edit Target (Pad Set, Ribbon, D Beam, etc.) Chapter 1 "A", "B", or "C" appears when "Pad Set" is selected U0101A* PAD SET Pitch +200cent Parameter Value fig.1-21.e EZ Edit — Parameter List PAD SET, RIBBON L, RIBBON R, D BEAM, PEDAL, TRIG 1, TRIG 2 Inst Selects the instrument for Pad Set A, B, C (Ribbon, D Beam). Refer to Pad Set Instrument List (p. 94) Pads can be selected by five sets. Level Adjusts the volume.
Chapter 1 Quick Start Playing Back a Preset Pattern fig.1-22 2 3, 4 5 1 1, 5 Press [SEQUENCER]. [SEQUENCER] will light, and you will enter Sequencer mode. fig.1-22a.e Pattern Number U: User P: Preset Current Measure Current Beat Tempo P01 001-01 =100 4/4 Cha-Cha Time Signature 2 3 Pattern Name Turn [PATCH/VALUE] to select the pattern. Press [PLAY/STOP]. The selected pattern will play back. 4 To stop playback, press [PLAY/STOP] once again. The pattern will stop playing.
Chapter 1 Quick Start Changing the Tempo fig.1-23 Chapter 1 2 1, 3 1 Press [TEMPO]. [TEMPO] will light, current tempo is displayed in the screen. fig.1-23a Tempo 2 3 =100 Turn [PATCH/VALUE] to change the tempo. The tempo can be changed either when the pattern is playing or stopped. When you have finished making changes, press [TEMPO] once again. [TEMPO] will go dark, and you will return to the previous screen.
Chapter 1 Quick Start System Settings Settings that are shared by all patches are called “system settings.” Settings such as the display contrast and the D Beam sensitivity are system settings. Adjusting the Display for Best Visibility (LCD Contrast) fig.1-24 2 3 1 1, 3 Press [SYSTEM]. [SYSTEM] will light, and the following screen will appear. fig.1-25 UTILITY LCD Contrast 2 5 Turn [PATCH/VALUE] to adjust the contrast of the display screen. Increasing the value will darken the display.
Chapter 1 Quick Start Adjusting the D Beam Sensitivity fig.1-26 The HPD-15 adjusts the sensitivity of the D Beam automatically when turns the power on. 3 2 1 4 1, 4 Press [SYSTEM]. [SYSTEM] will light. 2 Press [PARAMETER ] to display the following screen. You can make your selection rapidly by using the Key Repeat Function (p. 31) or Skip Function (p. 32). fig.
Chapter 1 Quick Start If the Sound or Operation Is not as You Expect If, as you modify the settings, the sound or operation is no longer as you expect and you are unable to restore the correct settings, you can execute the Factory Reset operation to reset all settings to their factory condition. fig.1-29 When you execute factory reset, the edited contents will be lost. 4, 5 1 2 3 1 Press [SYSTEM]. [SYSTEM] will light. 2 Hold down [PARAMETER ] to access the following screen. fig.
Chapter 1 Quick Start Rapidly Selecting Parameters or Values Key Repeat Function 1 Chapter 1 This can also be used when selecting either parameters or values, and when selecting patch groups or patch numbers. Press and hold either [ PARAMETER], [PARAMETER ], [PATCH NUMBER ], [PATCH NUMBER ], [GROUP -], or [GROUP +]. The parameter, value, patch number, or group will change consecutively. Turbo Repeat Function This function can also be used when selecting a value or patch number.
Chapter 1 Quick Start Skip Function You can rapidly select parameters or values. Skipping Parameters Parameters are grouped into several categories according to the content that is being edited. By using the skip function you can jump to the first parameter of the category. 1 Hold down [PARAMETER [ PARAMETER]. ], and press and release fig.1-34.e while holding down press and release UTILITY LCD Contrast 5 CONTROLLER DBEAM Sens 100 The first parameter of the next category will be shown.
Chapter 1 Quick Start Skipping Values When selecting an instrument or setting the pitch, you can make the value jump. Chapter 1 Instruments (sounds) are grouped into several categories. By using the skip function you can jump to the first sound in each group. The pitch value can be changed in steps of 100 cent (one semitone). 1 While pressing [PATCH NUMBER [PATCH NUMBER ]. ], press and release fig.1-36.e press and release while holding down Pad Inst (p.
Chapter 1 Quick Start Try to Play the Conga Let’s try to play the conga using the HPD-15. Use the patch P0101 Conga. • Open (O) Strike the pad A5 or A4, and remove the hand immediately. • Closed 1 (C1) Strike the pad A5 and do not remove the hand. • Closed 2 (C2) While pressing the pad A1 by the left hand, strike the pad A5. • Open Slap (OS) Strike the edge of the pad A5 powerfully and remove the hand immediately.
Chapter 2 Modifying a Patch This chapter explains Edit mode, where you can make detailed settings. Basic procedure in Edit Mode 5. To modify the value, either turn [PATCH/VALUE] or 1. Press [EDIT] to make it blink; you will enter EZ Edit mode. fig.2-01 use [PATCH NUMBER ] and [PATCH NUMBER ]. fig.2-05.e 2. Once again press [EDIT] to make it light; you will enter Edit mode. * The parameter category will be displayed in the upper right of the screen. U0101A3 PAD INST Pad Level 100 Value 6.
Chapter 2 Modifying a Patch Adjusting Sounds Sweep: -31–+31 Changes the pitch. Select the sound that you wish to play by using the pads, D Beam, or ribbons. You can also adjust the pitch or duration of the sound. * Some parameters have relation to the parameters in EZ Edit mode. If there are problems (e.g., no sound), check the parameters in EZ Edit mode. Parameter Category: PAD INST fig.2-07.
Chapter 2 Modifying a Patch VeloCurve: Linear, Exp1–2, Log1–2, Spline, Loud1–2, Fix1–16 Selects how striking force will affect the volume. This is the normal setting and most natural correspondence between velocity and volume change. Exp1, Exp2: Compared to Linear, a wider volume change will occur for stronger hits. Log1, Log2: Compared to Linear, a wider volume change will occur for softer hits. Variation in striking force will produce extreme change.
Chapter 2 Modifying a Patch Adding Cyclic Change to the Tone You can use the LFO (Low Frequency Oscillator) to cyclically change the pitch, volume, etc. Realtime2: PITCH, EFFECT Selects the LFO parameter which is modified by turning the middle realtime modify knob. You can modify the PitchDepth if you select the PITCH, or the EffectDepth if you select the EFFECT. * The LFO will apply to all pads / D Beam / ribbons.
Chapter 2 Modifying a Patch Effect Settings You can add reverberation to the sound to create the sensation of playing in a hall or on stage, apply distortion to the sound, or add depth, spaciousness, and modulation. HF Damp: 200Hz–8kHz, THRU Adjusts the currently at which the high range of the reverberation will be cut. As you lower the frequency, more of the high range will be cut, producing a softer sound. If you do not wish to cut the high range, set this to THRU.
Chapter 2 Modifying a Patch Adjusting the Multi-Effect Settings Multi-effect (M-FX) allows you to select different algorithms to obtain a variety of effects.
Chapter 2 Modifying a Patch Stereo Equalizer (Stereo EQ) Compressor/Limiter (CompLimiter) This is a four-band stereo equalizer (low, mid x 2, high). The Compressor/Limiter compresses signals that exceed a specified volume level, smoothing out unevenness in volume and preventing distortion from occurring. Low Freq: 100Hz, 200Hz, 400Hz Low EQ: -15–+15dB Threshold: 0–127 Adjusts the level of the low frequency. Adjusts the volume at which compression will begin. Mid1Freq: 100Hz–12.
Chapter 2 Modifying a Patch Enhancer Isolator The Enhancer controls the overtone structure of the high frequencies, adding sparkle and tightness to the sound. The Isolator is a stronger version of an equalizer, and is able to completely cut a specific frequency range. Sens: 0–127 LFO, Ctrl1 Low Level: 0–127 Ctrl3 Adjusts the sensitivity of the enhancer. Adjusts the level of the low frequency.
Chapter 2 Modifying a Patch Overdrive The Sustainer restrains loud levels and boosts low levels, making the sound more consistent and sustaining the sound. This effect creates a soft distortion similar to that produced by vacuum tube amplifiers. Attack: 0–127 LFO, Ctrl1 Drive: 0–127 RTM, LFO, Ctrl1 Adjusts the attack time of an input sound. Sustain: 0–127 Ctrl2 Adjusts the degree of distortion. The volume will change together with the degree of distortion. Adjusts the degree of boost.
Chapter 2 Modifying a Patch Lo-Fi Stereo Chorus (Stereo Cho) This effect intentionally degrades the audio quality to simulate a Lo-Fi sound. This is a stereo chorus. A filter is provided so that you can adjust the timbre of the chorus sound. Bit Down: 0–7 Ctrl3 PreDelay: 0.0–100ms Lowers the audio quality. The audio quality will worsen as this setting is increased. Adjusts the time delay from when the direct sound begins until the processed sound is heard. S-Rate Down: 32, 16, 8, 4 Ctrl2 Rate: 0.
Chapter 2 Modifying a Patch Tetra Chorus (TetraChorus) Tremolo Chorus (Tremolo Cho) Tetra chorus uses a four-phase chorus (four layers of chorused sound) to give richness and spatial spread to the sound. Tremolo Chorus is a chorus effect with added Tremolo (cyclic modulation of volume). PreDelay: 0.0–100ms Adjusts the time delay from when the direct sound begins until the chorus sound is heard. Adjusts the time delay from when the direct sound begins until the chorus sound is heard. Cho Rate: 0.05–10.
Chapter 2 Modifying a Patch Space D Stereo Flanger (Stereo Fln) Space D is a multiple chorus that applies two-phase modulation in stereo. This is a chorus with a transparent character and minimal sense of modulation. PreDelay: 0.0–100ms This is a stereo flanger. (The LFO has the same phase for left and right.) It produces a metallic resonance that rises and falls like a jet airplane taking off or landing. A filter is provided so that you can adjust the timbre of the flanged sound.
Chapter 2 Modifying a Patch Step Flanger (StepFlanger) Phaser The Step Flanger effect is a flanger in which the flanger pitch changes in steps. The speed at which the pitch changes can also be specified in terms of a note-value of a specified tempo. A phaser adds a phase-shifted sound to the original sound, producing a twisting modulation that creates spaciousness and depth. Manual: 100–8kHz Adjusts the time delay from when the direct sound begins until the flanger sound is heard.
Chapter 2 Modifying a Patch Feedback Pitch Shifter (FbackPitch) Stereo Delay (StereoDelay) A Pitch Shifter shifts the pitch of the original sound. This pitch shifter allows the pitch shifted sound to be fed back into the effect. This is a stereo delay. Delay Left: 0.0–500ms DelayRight: 0.0–500ms Coarse: -24–+12semi LFO, Ctrl1 Adjusts the pitch of the pitch shifted sound in semitone steps (-2–+1 octaves).
Chapter 2 Modifying a Patch Modulation Delay (Mod Delay) Time Control Delay (TimeCtrlDly) This effect adds modulation to the delayed sound, producing an effect similar to a flanger. This effect allows you to use pads/D Beam/ribbons to control the delay time and pitch in realtime. Lengthening the delay will lower the pitch, and shortening it will raise the pitch. Delay Left: 0.0–500ms DelayRight: 0.
Chapter 2 Modifying a Patch 3-Tap Delay (3TapDlySht/3TapDlyLng) 4-Tap Delay (4TapDlySht/4TapDlyLng) The 3-Tap Delay produces three delay sounds; center, left and right. The delay time can be specified as a note value of the tempo of the sequencer. The 4-Tap Delay has four delays. Each of the delay time parameters can be specified as a note value of the tempo of the sequencer. * There is no difference between Sht and Lng but the length of the delay time.
Advanced Reverb (AdvanceRev) Gate Reverb (GateReverb) The Reverb effect adds reverberation to the sound, simulating an acoustic space. Gate Reverb is a special type of reverb in which the reverberant sound is cut off before its natural length. Type: ROOM1–2, STAGE, PLATE, HALL1–2 Type: NORMAL, REVERSE, SWEEP1, SWEEP2 Selects the type of Reverb effect. Selects the type of reverb.
Chapter 2 Modifying a Patch Controlling the Tone Ctrl Rx: OFF, ON By pressing on a pad or moving your hand over the D Beam or a ribbon, you can control the tone of other pads or controllers. Parameter Category: PAD CTRL Specifies whether control signals other than mute, pitch, and roll will be received. If you select ON, signals from other pads or controllers will affect the tone. * “MFX Ctrl” and LFO control signals are received even if this parameter is set to “OFF.” fig.
Chapter 2 Modifying a Patch Cutoff: Play/Stop: Modifies the cutoff frequency of the filter. The character of the high-frequency range will change. Controls sequencer play/stop. This is the same operation as pressing [PLAY/STOP] on the panel. Resonance: Modifies the resonance of the filter. The range near the filter cutoff frequency will be emphasized. * This cannot control sequencer start/stop in the Recording Stand-by Mode (p. 59).
Chapter 2 Modifying a Patch Using a Pad to Start a Pattern Set the Volume of the Entire Patch You can play a sequencer pattern by striking a pad (B1–B5, C1–C5). You can set the volume of the patch to adjust the volume balance between patches. Parameter Category: PATCH LEV fig.2-24 Pads A1–A5, the D Beam, and the ribbon controllers can not play patterns. U0101 PATCH LEV MasterVolume 100 Parameter Category: PAD PTN fig.2-23 U0101B1 PAD PTN PTN Number U01 PTN Number: Selects a pattern.
Chapter 2 Modifying a Patch Specifying the Roll Speed You can specify the speed at which notes will be repeated when you press [ROLL/HOLD]. fig.2-27 U0101 Roll Speed FUNC 20 Roll Speed: 1.0–50, 1/2, 1/3, 1/4, 1/6, 1/8, 1/12, 1/16, 1/24, 1/32, 1/48 Naming a Patch Each patch can be given a name (Patch Name) of up to 10 characters. Parameter Category: PATCH NAME fig.2-28.e U0101 PATCH NAME [Conga _ ] Cursor The selected number of notes will be repeated each second.
Chapter 2 Modifying a Patch Saving Your Settings (Write) Duplicating Settings (Copy) The settings you modify will be lost if you switch patches or turn off the power. If you wish to keep your changes, you must execute the write operation. Patch or pad settings can be copied to another patch, pad, or controller. You can also exchange settings between two patches. 1. Press [WRITE]. fig.2-30.e U0101*Conga U0101 Conga patch number is blinking 2. Turn [PATCH/VALUE] to select the write-destination patch.
Chapter 2 Modifying a Patch Copying a Pad Set (Pad Set Copy) You can copy the settings of a pad set to another pad set. You can also copy to a different pad set of the same patch. Copying Pad/D Beam/Ribbon Settings to All Pads (Pad Copy to All) fig.2-34.e U0101B Conga PadSetCpy U0201C copy-destination pad set (patch number is blinking) 1. In step 3 of “Basic Procedure for Copy” (p. 56), select PadSetCpy. 2. After selecting the patch in step 5, strike a pad to select a pad set. * “PAD MIDI Note No.
Chapter 2 Modifying a Patch Copying a Value to All Pads 1. Hold down [PATCH SEL], and press [WRITE] in Edit mode. The displayed value of the parameter is copied to every pad and controller. Using Realtime Modify to Adjust Values In Edit mode, you can use realtime modify (p. 19) to adjust values. fig.2-37 fig.2-36a Value Pad Level All 100 * Following parameters can be copied only among either pads or controllers.
Chapter 3 Recording Your Performance (Sequencer) You can record your performance in the sequencer. On the HPD-15, your performance will be recorde exactly as you play it (Realtime Recording). 5. Press [REC] and you will enter the Recording Stand-by Mode. [PLAY/STOP] will blink. fig.3-05.e The HPD-15’s sequencer consists of four parts (Percussion 1, Percussion 2, Melody 1, Melody 2). The collective performance of these four parts is called a pattern.
Chapter 3 Recording Your Performance (Sequencer) Settings for the Pattern fig.3-08.e Category Parameter SETUP Time Sig. Value Specifying the Time Signature Numerator: Number of beats per measure Denominator: Basic note value * It is not possible to change after the pattern is recorded. Length Tempo Numerator: 1 – 13 Denominator: 2, 4, 8, 16 1 – 999 Specifying the Length (Number of Measures) of the Pattern When "Replace" is selected for the RecMode (p.
Chapter 3 Recording Your Performance (Sequencer) Settings for the Click, and others fig.3-09.
Chapter 3 Recording Your Performance (Sequencer) Settings for the Recording (Set in the Recording Stand-by mode) fig.3-10.e Parameter RecStby Value Specifying the Part Perc1, Perc2, Melo1, Melo2, Import Perc1, Perc2: Percussion Part 1, Percussion Part 2 Melo1, Melo2: Melody Part 1, Melody Part 2 Import: Select this when you will record multiple Parts simultaneously by using an external sequencer. Each Part will receive the data from specified MIDI channel (p. 78).
Chapter 3 Recording Your Performance (Sequencer) 1. Press [SEQUENCER] to make it light; you will enter the Sequencer mode. fig.3-11.e Pattern Number U: User P: Preset U01 001-01 =120 4/4 #User-001 Pattern Name 2. Turn [PATCH/VALUE] to select the pattern that you wish to play back. fig.3-12 U07 001-01 =120 4/4 User-007 3. Press [PLAY/STOP] to start playing back. While the playing back, [PLAY/STOP] will light. 4. Press [PLAY/STOP] once again to stop playback.
Chapter 3 Recording Your Performance (Sequencer) Editing a Pattern Erasing Parts You can edit either copy/delete the patterns or erase the part. Basic Settings for Editing You can erase performance data from specified measures of a part or pattern. The erased position will become blank measures. fig.3-16 U01 PTN ERASE Meas:001-999 Pc1 1. Press [WRITE] in Sequencer mode. fig.3-14.
Chapter 4 Changing Patches in the Desired Sequence This allow you to step through the patches of your choice and in the order you want. The HPD-15 lets you create and store 10 different groups of up to 32 steps each. fig.4-01.e 32 Steps Chain Group 1 Patch Patch Patch U0107 U0504 P0802 6. Turn [PATCH/VALUE] or use Pad Patch Select (p. 23) to select the patch. 7. Repeat Steps 5–6 to continue editing. 8. Press [EDIT] or [EXIT]. [EDIT] will go dark, and you will return to Chain Play mode. Patch U0306 fig.
Chapter 4 Changing Patches in the Desired Sequence Inserting a Chain Step This operation inserts a patch into the specified location of a chain. Playing with a Patch Chain (Chain Play) 1. Press [CHAIN]. fig.4-11 [CHAIN] will light, and you will enter Chain Play mode. 1 2 3 4 fig.4-15 5 U01 CHAIN 01 Conga 1 2 3 2 4 5 6 A maximum of 32 steps can be set in a chain. If the chain already contains 32 steps, the patch at step 32 will be deleted. 1.
Chapter 5 Settings for the Entire HPD-15 Settings that affect the entire HPD-15 are called system settings. This chapter explains how to modify the system settings (System Edit). Settings for basic operation 1. Press [SYSTEM] to make it light; you will enter System Edit mode. * The upper line of the screen will show the parameter category, and the lower line will show the parameter and value. fig.5-01.e Parameter Category UTILITY LCD Contrast Parameter 5 Value 2.
Chapter 5 Settings for the Entire HPD-15 Settings for the Basic Operation fig.5-04.e Category Parameter UTILITY LCD Contrast Value Adjusting the Contrast of the Display 1 – 16 Increasing the value will darken the display. Beep Level Adjusting the Volume of the Operating Sound 0 – 15 When set to "0," no operating sound will be heard. MasterTune Tuning the Instruments 415.3 – 466.2 (Hz) This adjusts the pitch of instruments marked with "*T" in the Instrument List (p.
Chapter 5 Settings for the Entire HPD-15 Settings for the Controllers fig.5-05.e Category Parameter Value CONTROLLER DBEAM Sens Adjusting the Sensitivity of the D Beam 0 – 127 Place your hand at the height at which you want the D Beam to start to take effect (about 20 inches = 50cm), and adjust the setting so that the meter in the upper right of the screen is at the center line. When the power is turned on, this will be adjusted automatically according to the brightness of the surroundings.
Chapter 5 Settings for the Entire HPD-15 Setting the Pad Sensitivity If you wish to make more detailed settings, set the following parameters. fig.5-06.e Category Parameter PAD Sens Value Adjusting the Sensitivity 1 – 16 Increasing this value will raise the sensitivity and produce the larger sound even if the striking force is the same. Threshold Setting Minimum Levels 1 – 16 A trigger signal to be transmitted only when the pad is struck harder than a specified force.
Chapter 5 Settings for the Entire HPD-15 Using the Foot Switches to Control the Tone / Sequencer You can connect two foot switches (BOSS FS-5U, optional) to the FOOT SWITCH jack with the special cable (PCS-31, optional). See p. 11. Settings for the Foot Switches fig.5-07.e Category Parameter Value FOOT SW FUNCTION SW 1, SW 2 Specifying the Function of the Foot Switch OFF, PATCH DOWN, Specify the function of the foot switches connected to the PATCH UP, FOOT SWITCH jack.
Chapter 5 Settings for the Entire HPD-15 Using the Pedal to Control the Hi-Hat / Tone You can use a expression pedal / hi-hat control pedal connected to the EXP PEDAL/HH CTRL jack to control the tone or play the hi-hat with continuous control from open to closed positions. Settings for the Pedal fig.5-08.e Category Parameter PEDAL Select Value Specifying the Pedal Select the type of the pedal that connected to the EXP PEDAL/HH CTRL jack.
Chapter 5 Settings for the Entire HPD-15 Using the External Pads/Kick Trigger Unit to Trigger a Sound You can connect two external pads (PD-7, PD-9, PD-80, PD-80R, PD-100, or PD-120; optional) or kick trigger units (KD-7, KD-80, or KD-120; optional) to the TRIGGER INPUT jack with the special cable (PCS-31, optional). See p. 11. Settings for the External Pads / Kick Trigger Unit fig.5-09.
Chapter 5 Settings for the Entire HPD-15 More Detailed Settings for the External Pads / Kick Trigger Unit When you are using pads made by other manufacturers, try adjusting the following parameters. fig.5-10.e Category Parameter Value TRIGGER INPUT Trig Sens Adjusting the Sensitivity Increasing this value will raise the sensitivity and produce the larger sound even if the striking force is the same. 1 – 16 Curve Selecting How Striking Force Will Affect the Volume (see figure on p.
Chapter 5 Settings for the Entire HPD-15 The settings of the sound of the external pads or the kick trigger unit on each patch are same as the pads/D Beam/ ribbons. Refer to “Chapter 2 Modifying a Patch” (p. 35). Some parameters are not possible to be set the external pads or kick trigger units. MIDI Settings Parameter Catgory: MIDI fig.5-11 MIDI Pad CH 10 For details on MIDI Settings, refer to “Chapter 6 Connecting MIDI Devices” (p. 76).
Chapter 6 Connecting MIDI Devices There are many possibilities when using MIDI, such as: fig.6-02.e Note Number setting display Use the HPD-15 to play external instruments Use the HPD-15 as a sound module Use an external sequencer to record/play back the performance on the HPD-15. U0101A1 PAD MIDI Note No. 60:C 4 Gate Time setting display Use an external sequencer to save/load patch data, pattern data, etc. (Bulk dump) U0101A1 PAD MIDI Gate Time 0.1sec For more on MIDI, refer to “About MIDI” (p. 88).
Chapter 6 Connecting MIDI Devices Setting the Note Number When Connecting to the Drum Sound Module Select the patch of P0606 Studio, specify the Note No. as below. fig.6-03b.
Chapter 6 Connecting MIDI Devices Using the HPD-15 As a Sound Module Make settings for playing the HPD-15 as a sound module from a MIDI keyboard or other device. Use a MIDI cable to connect the HPD-15’s MIDI IN connector to the MIDI OUT connector of an external keyboard, sequencer, etc. fig.6-04.e Setting the MIDI Channel for a Part For each part, you can specify the channel on which the HPD-15 will receive and transmit MIDI messages. 1. Press [SYSTEM] and make it light. 2.
Chapter 6 Connecting MIDI Devices Using with the Roland SPD20 (SOFT THRU) This section explains how you can use the Roland SPD-20 (a MIDI controller) together with the HPD-15 to play internal sounds and an external sound module. Performance data of the HPD-15 and performance data of the SPD-20 will both be sent to the external sound module. fig.6-06.e To the MIDI IN of another sound module or sampler MIDI OUT HPD-15 performance data can be saved on an external sequencer or computer.
Chapter 6 Connecting MIDI Devices Cutting the Connection Between the Sound Generator and the Pad Controller (Local Control) This setting is required when you wish to record your pad performance on an external MIDI sequencer. The performance data from the pad, rather than being sent directly to the sound module section (Local Control Off), is first sent to the external sequencer, and then on to the HPD15’s sound module. fig.6-09.
Chapter 6 Connecting MIDI Devices Receiving (Bulk Load) Refer to the owner’s manual of the receiving device. The HPD-15 receives data that was stored in a sequencer. 5. Press [WRITE] to begin data transmitting. Use a MIDI cable to connect the HPD-15’s MIDI IN connector to the MIDI OUT connector of the external sequencer or the other HPD-15. Set the HPD-15 play mode. * If you wish to stop transmission, press [EXIT].
Chapter 6 Connecting MIDI Devices Setting the Device ID The setting described here is necessary only when you wish to transmit separate data to two or more HPD-15 units at the same time. Do not change this setting in any other case. At the factory settings, the Device ID is set to “17.” Program Change Number List (User Patches) Bank Select: 1 fig.6-16.e Patch Number 1. Press [SYSTEM] and make it light. 2. Press [ PARAMETER] or [PARAMETER display the following screen.
Troubleshooting This chapter outlines points to check if you experience problems, and what to do about them. Problems With the Overall Sound Intended Sound Not Produced Are the pad sensitivity settings correct? Make sure that the following parameters are set to correct value. System Settings: PAD Sens (p. 70), DBEAM Sens (p. 69) Patch Settings: PadSnsType (p. 54), TrigMode (p. 36) The HPD-15 adjusts the sensitivity of the D Beam autmatically for the brightness of its location when the power is turned on.
Troubleshooting Multi-Effects / Reverb / LFO Does not Applied Sequencer-related Problems Is not the [MULTI-EFFECTS] button light? (p. 20) Press [MULTI-EFFECTS] to make it light. No Sound When [PLAY/STOP] is Pressed Is “OFF” selected for the REVERB Type (p. 25) or MULTI-FX/LFO (p. 25, p. 36) ? Is it a blank pattern that is being played back? Select a setting other than “OFF.” Play back a pattern containing performance data. Is the Reverb Send in the PAD SET or PAD (p. 25, p.
Restoring the Factory Settings You can restore patch and pad settings as well as pattern data stored in the HPD-15 to the settings in effect when the unit was shipped from the factory. PTN ALL: Erases all user pattern (p. 59) data and restores sequencer settings (p. 60–p. 62) to their factory presets. ALL: All data and settings in the restored part are lost. Follow the procedures described in “Bulk Dump” (p. 80) to save any data and settings you need to keep to an external MIDI device.
Messages and Error Messages This section lists the messages (error messages) that the HPD-15 produces and explains the meaning of each message, giving you to appropriate action to take. Error Messages fig.7-09 Max 999 Measures Aborted! [EXIT] The maximum number of measures that can be recorded to one pattern has been exceeded; no further recording or editing that adds measures can be carried out. Press exit. fig.7-04 System Error! A problem has occured with the internal system.
Messages and Error Messages fig.7-14 MIDI Buffer Full Messages fig.7-17 A large amount of MIDI messages were received in a short time, and could not be processed completely. Confirm that the external MIDI device is properly connected (p. 78). If the problem persists, reduce the amount of MIDI messages sent to the HPD-15. Now Writing..... KEEP POWER ON!! The HPD-15 is writing data into memory. Do not turn the power off. fig.7-18 Now Copying..... KEEP POWER ON!! fig.
About MIDI MIDI (Musical Instruments Digital Interface) is a standard specification that allows musical data to be exchanged between electronic musical instruments and computers. MIDI With a MIDI cable connecting MIDI devices that are equipped with MIDI connectors, you can play multiple instruments with a single keyboard, have multiple MIDI instruments perform in ensemble, program the settings to change automatically to match the performance as the song progresses, and more.
About MIDI How the Internal Sequencer Operates A sequencer is an electronic instrument used for recording and playback of performances. The HPD-15 features such a sequencer function. The HPD-15 comes with built-in performance patterns (Preset patterns) which can be used for drum practice and other purposes. You can also create your own patterns. fig.7-27.
Preset Patch List INDIAN #: Patch Change via MIDI (Bank No.) - (Program No.
PlayType: Loop P53 MATSURISM P54 OHAYASHI 1 P55 OHAYASHI 2 P56 SamulNori1 P57 SamulNori2 P58 China-Mood P59 Polynesian P60 Javanese P61 Balinese P62 ForestSong P63 FILTERTIV P64 Sevenate P65 A.O.R.
Instrument List *M: Mute switching sound *P: Responds to positional sensing when assigned to pad A1 or A5. *D: The ribbons/D Beam will produce different tones depending on the direction of the movement of your hand when TirgMode is set to “Move” or “MovGate.” The pads can switch the sound when TrigMode is set to “Gate” or “Trig.” *F: These are hi-hat sounds that can be controlled by the hi-hat control pedal (FD-7, optional).
Instrument List JawsHarp Wow JawsHrp OpWo Bonang Gender Saron Angklung Gamelan 1 Gamelan 2 *M, *D *T *T *T *T *T ORCH O01 O02 O03 O04 O05 O06 O07 O08 O09 O10 O11 O12 O13 O14 O15 O16 O17 O18 O19 O20 O21 O22 O23 O24 O25 Sleigh Bell Tree Chimes Triangle Triangle Mut Castanets Wood Block WdBlock HiLo Slapstick Concert BsDr Conc BsDrMut Timpani Perc Hit Orch Hit 1 Orch Hit 2 DrmMaj Whstl Glockenspiel Vibraphone Xylophone Marimba 1 Marimba 2 Bass Marimba Celesta Tubular Bell Glass Iron Hammer *M *M, *D *M *
Instrument List Pad Set Instrument List No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 Name No.
Effect Type List * REVERB/DELAY Type and MULTI-FX Type are common to EZ Edit mode and Edit mode.
Demo Song List 1. TABLECTRIC Music by Ikuo Kakehashi Copyright © 2000 Roland Corporation 2. Forest Trip Music by Ikuo Kakehashi Copyright © 2000 Roland Corporation 3. NewSalsa2000 Music by Efrain Toro Copyright © 2000 Roland Corporation 4. Escola! Music by Ikuo Kakehashi Copyright © 2000 Roland Corporation 5. Asian Delight Music by Efrain Toro Copyright © 2000 Roland Corporation 6. Nightmare Music by Ikuo Kakehashi Copyright © 2000 Roland Corporation * All rights reserved.
MIDI Implementation Model HPD-15 Version 1.00 March.23 2000 ❍Modulation (Controller number 1) 1. Receive data n = MIDI channel number: vv = Control value: Status BnH ■Channel Voice Messages * The following channel voice messages are received on the channel specified as the [SYSTEM]-(MIDI). * * * 2nd byte 01H 3rd byte vvH 0H - FH (ch.1 - ch.16) 00H - 7FH (0 - 127) Only the pad part and the percussion parts can be received. This is used as the data of the [LFO PITCH] knob.
MIDI Implementation ❍Expression (Controller number 11) ❍Sound Controller 1 (Controller number 70) Status BnH Status BnH 2nd byte 0BH n = MIDI channel number: vv = Control value: * * * 3rd byte vvH 0H - FH (ch.1 - ch.16) 00H - 7FH (0 - 127) 2nd byte 46H n = MIDI channel number: vv = Control value: Only the pad part and the percussion parts can be received. This is used as the data of the [LEVEL] knob. When recording, this is recorded in the sequencer data itself. * * * 3rd byte vvH 0H - FH (ch.
MIDI Implementation ❍Effect 2(Tremolo Depth) (Controller number 92) ●Program Change Status BnH Status CnH n = MIDI channel number: vv = Control value: * * * 3rd byte vvH 0H - FH (ch.1 - ch.16) 00H - 7FH (0 - 127) 2nd byte ppH n = MIDI channel number: pp = Program number: Only the pad part and the percussion parts can be received. This is used as the data of the [LFO FLT/AMP] knob. When recording, this is recorded in the sequencer data itself. * * 0H - FH (ch.1 - ch.16) 00H - 7FH (prog.1 - prog.
MIDI Implementation ●OMNI OFF (Controller number 124) ■System Exclusive Message Status BnH * 2nd byte 7CH n = MIDI channel number:0 * 3rd byte 00H H - FH (ch.1 - ch.16) Status BnH 2nd byte 7DH n = MIDI channel number: 2nd byte 7EH n = MIDI channel number: mm = mono number: 3rd byte mmH 0H - FH (ch.1 - ch.16) 00H - 10H (0 - 16) The same processing will be carried out as when All Sound Off or All Notes Off is received.
MIDI Implementation DT1 (12H) This is the message that actually performs data transmission, and is used when you wish to transmit the data. * Status F0H Data byte 41H, dev, 00H, 2EH, 12H, aaH, bbH, ccH, ddH, eeH,...
MIDI Implementation * This is transmitted only on the channel which is assigned to the pad part and the percussion parts. ❍Modulation (Controller number 1) Status BnH 2nd byte 01H n = MIDI channel number: vv = Control value: * * * 3rd byte vvH 0H - FH (ch.1 - ch.16) 00H - 7FH (0 - 127) When the [LFO PITCH] knob is turned, the corresponding value will be transmitted. This is transmitted only on the channel which is assigned to the pad part and the percussion parts.
MIDI Implementation * * * When the [SWEEP] knob is turned, the corresponding value will be transmitted. This is transmitted only on the channel which is assigned to the pad part and the percussion parts. Transmitted when the HPD-15 is in play for pattern in which this message is recorded. * * * When the [LFO FLT/AMP] knob is turned, the corresponding value will be transmitted. This is transmitted only on the channel which is assigned to the pad part and the percussion parts.
MIDI Implementation 3. Parameter address map (Model ID = 00H 2EH) FBH ●Stop This map indicates address, size, range of data (value) and description of parameters which can be transferred using "Data set 1 (DT1)". All the numbers of address and size are indicated in 7-bit Hexadecimal-form. All the numbers of data are indicated in Decimal-form. Status FCH ●Active Sensing Addresses marked at "#" cannot be used as starting addresses.
MIDI Implementation 1-1-7 PATCH CHAIN GROUP +—————————————————————————————————————————————————————————————————+ |Offset | | | | address | Size | Description Data (Value) | |—————————————+———————————+———————————————————————————————————————| | 00 | 0000 aaaa | Patch Number (step1) 0 - 251 (*5) | |# 01 | 0000 bbbb | | |—————————————+———————————+———————————————————————————————————————| | 02 | 0000 aaaa | Patch Number (step2) 0 - 251 | |# 03 | 0000 bbbb | | | : | : | | | 40 | 0000 aaaa | Patch Number (step33) 2
MIDI Implementation |—————————————+———————————+———————————————————————————————————————| | 0E | 0aaa aaaa | ReverbSend 0 - 127 | |—————————————+———————————+———————————————————————————————————————| | 0F | 0000 000a | M-FX SW 0 - 1 | | | | (OFF,ON) | |—————————————+———————————+———————————————————————————————————————| | 10 | 0000 00aa | Trigger Mode 0 - 2 | | | | (Shot,Gate,Trig) | |—————————————+———————————+———————————————————————————————————————| | 11 | 000a aaaa | Velocity Curve 0 - 23 (*9) | |—————————————
MIDI Implementation 1-2-4 LFO +—————————————————————————————————————————————————————————————————+ |Offset | | | | address | Size | Description Data (Value) | |—————————————+———————————+———————————————————————————————————————| | 00 | 0000 aaaa | LFO Waveform 0 - 9 (*23) | |—————————————+———————————+———————————————————————————————————————| | 01 | 0aaa aaaa | LFO Rate 0 - 127 | |—————————————+———————————+———————————————————————————————————————| | 02 | 0aaa aaaa | LFO Pitch Depth 0 - 127 | |—————————————+—————
MIDI Implementation 4. Bulk Dump Bulk Dump allows you to transmit a large amount of data at once, and is convenient for storing settings for the entire unit on a computer or sequencer. For Bulk Dump Request, you must use the Address and Size listed in the following Bulk Dump Request.
MIDI Implementation ■Examples of actual MIDI message ● Example of an Exclusive message and calculating a Checksum 95 3E 5F 9n is the Note-on status, and n is the MIDI channel number. Since 2H = 2, 3EH = 62, and 5FH = 95, this is a Note-on message with MIDI CH = 6, note number 62 (note name is D4), and velocity 95. Roland Exclusive messages (RQ1, DT1) are transmitted with a checksum at the end (before F7) to make sure that the message was correctly received.
MIDI Implementation PERCUSSION SOUND MODULE (Except Sequencer Section) MIDI Implementation Chart Model HPD-15 Transmitted Function...
MIDI Implementation PERCUSSION SOUND MODULE (Sequencer Section) MIDI Implementation Chart Transmitted Function...
Specifications HPD-15: HandSonic Connectors Maximum Polyphony Output Jacks (L (MONO), R) 64 Voices Phones Jack (stereo) Mix In Jack (stereo) Instruments Expression Pedal / Hi-Hat Control Jack Pad Instruments: 600 Trigger Input Jack (dual) Backing Instruments: 54 Foot Switch Jack (dual) User Patches MIDI Connectors (IN, OUT/THRU) 80 Output Impedance Preset Patches 1 k ohms 160 Power Supply Patch Chains AC Adaptor (DC 9V) 10 chains (32 steps per chain) Current Draw Effect Type 1000 mA
Index Numerics F 3-Tap Delay (3TapDlySht/3TapDlyLng) ............................. 50 4-Tap Delay (4TapDlySht/4TapDlyLng) ............................. 50 Factory Reset ............................................................................ 85 Feedback Pitch Shifter (FbackPitch) ..................................... 48 Filter Depth ............................................................................... 38 Fix ...................................................................................
Index N Note No. .................................................................................... 76 O ROLL/HOLD ........................................................................... 16 Room ................................................................................... 39, 51 RTM ........................................................................................... 40 Rx Self ........................................................................................ 52 Overdrive .......
For the U.K. IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. BLUE: NEUTRAL BROWN: LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. AFRICA EGYPT 9, EBN Hagar A1 Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: 20-2-417-1828 REUNION Maison FO - YAM Marcel 25 Rue Jules Hermann, Chaudron - BP79 97 491 Ste Clotilde Cedex, REUNION ISLAND TEL: (0262) 218-429 ITALY ISRAEL SUPRO MUNDIAL, S.A. Roland Italy S. p. A.