JUNO-Di Editor Owner’s Manual Copyright © 2009 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
Contents Using the JUNO-Di Editor ................... 3 1. Introduction......................................................3 2. Connections and Settings ..................................3 2-1. Connecting via USB cable.................................. 3 2-2. Connecting via MIDI cables................................ 3 3. About the Menus ..............................................4 3-1. FILE ................................................................. 4 3-2. EDIT .................................
Using the JUNO-Di Editor 204 206e 206j 207 209 213 220 * Microsoft and Windows are registered trademarks of Microsoft Corporation. * The screen shots in this document are used in compliance with the guidelines of the Microsoft Corporation. * Windows® is known officially as: “Microsoft® Windows® operating system.” * Apple and Macintosh are registered trademarks of Apple Inc. * Mac OS is a trademark of Apple Inc. * Pentium is a registered trademark of Intel Corporation.
Using the JUNO-Di Editor 3. About the Menus 3-1. FILE “Open” loads a file saved by JUNO-Di Editor containing the state of JUNO-Di Editor. * The “Open” command of the toolbar does the same thing in Windows. The “Save” and “Save As” commands will save a file that preserves the current state of JUNO-Di Editor. * The “Save” command of the toolbar does the same thing in Windows. “Export SMF” will save one of the following items in the form of SMF data.
Using the JUNO-Di Editor 4. Using the JUNO-Di Editor Navigation block Main block • By clicking the buttons in the Navigation block you can select the parameters that will be shown in the Main block. • The Main block is the editing area for the parameters you selected in the Navigation block. 4-1. Reading/writing/synchronize settings The [READ]/[WRITE]/[SYNC] buttons are located in the top line of the main window.
Using the JUNO-Di Editor 4-2. How to edit values You can edit values by clicking (and dragging) the buttons, sliders, or knobs. • If you feel that the sliders and knobs in the panel are too small, and find it difficult to make detailed settings, try clicking (and holding) a knob or slider and then dragging the mouse farther away. This lets you set the value at any position as long as you continue holding down the mouse button.
Using the JUNO-Di Editor 5. Notes Concerning Use of JUNO-Di Editor Together with JUNO-Di Librarian You may experience some of the problems below if JUNO-Di Librarian and JUNO-Di Editor are used at the same time. • When you click the Preview Start button in JUNO-Di Librarian, the correspondence between the values in JUNO-Di Editor and the data in the JUNO-Di’s Temporary Area may be lost.
Using the JUNO-Di Editor 7. If the Display Indicates “Unable to read/write data.” In cases such as the following, the display may indicate “Unable to read/write data.
Overview How the JUNO-Di is Organized Patch Mode and Performance Mode Basic Structure Broadly speaking, the JUNO-Di consists of a controller section, a sound generator section, and a song player section. fig.BasicStruct-e Song Player Section Song Player When using the JUNO-Di as a MIDI sound module, you can use it in either Performance mode or in Patch mode.
Overview The JUNO-Di will enter Performance mode if you turn on Split, Dual, or Super Layer. Of the sixteen parts of the performance, Split or Dual use parts 1 and 2, and Super Layer uses parts 1 through 5. When you turn on each of these functions, the settings of the JUNO-Di will be as follows. How a Patch is Structured Patches are the basic sound configurations that you play during a performance. Each patch can be configured by combining up to four tones.
Overview LFO (Low Frequency Oscillator) Use the LFO to create cyclic changes (modulation) in a sound. The JUNO-Di has two LFOs. Either one or both can be applied to effect the WG (pitch), TVF (filter) and/or TVA (volume). When an LFO is applied to the WG pitch, a vibrato effect is produced. When an LFO is applied to the TVF cutoff frequency, a wah effect is produced. When an LFO is applied to the TVA volume, a tremolo effect is produced.
Overview Effects in Patch Mode About the Effects The JUNO-Di has built-in effect units, and you can independently edit each unit’s settings. Multi-Effects The multi-effects are multi-purpose effects that completely change the sound type by changing the sound itself. The multi-effects, chorus and reverb effects can be set up individually for each patch/rhythm set.
Overview Rewritable Memory About Memory Patch and performance settings are stored in what is referred to as memory. There are three kind of memory: temporary, rewritable, and non-rewritable. USB Memory Song SMF Audio File System User Memory User memory is where you normally store the data you need. To store a performance, execute Performance Write (p. 57). To store a patch, execute Patch Write (p. 24). To store a Rhythm Set, execute Rhythm Set Write (p. 45).
SYSTEM Parameters COMMON ] Parameter MASTER LEVEL Value 0–127 MASTER TUNE 415.3–466.2 Hz PATCH REMAIN OFF, ON MASTER KEY SHIFT -24–+24 PERFORM CTRL CH (Performance Control Channel) 1–16, OFF PATCH RX/TX CH (Patch Rx/Tx Channel) RCV PC (Receive Program Channel) RCV BS (Receive Bank Select) SYSTEM CTRL SRC 1–4 (System Control Source 1–4) Explanation Volume of the entire JUNO-Di Overall tuning of the JUNO-Di The display shows the frequency of the A4 note (center A).
SYSTEM Parameters SCALE TUNE for Patch Mode Parameter Value Explanation PATCH SCALE TUNE The JUNO-Di allows you to play the keyboard using temperaments other than equal temperament. The pitch is specified in one-cent units relative to the equal tempered pitch. One-cent is 1/100th of a semitone. One set of Scale Tune settings can be created in Patch mode. In Performance mode, this can be set for each part of the performance (p. 63).
EFFECTS Parameters Applying Effects How Effects are Handled in Each Mode Patch mode (p. 23) In Patch mode, you can apply multi-effects (MFX), chorus, and reverb to each patch or rhythm set; the same effect will be applied to each tone. By adjusting the amount of signal that is sent from each tone to each effect, you can control the depth of the effect for each tone. The patch or rhythm set’s effect settings that you edit will be lost when you select a different patch or rhythm set.
EFFECTS Parameters PATCH EFFECTS In Patch mode you can use one multi-effect (MFX), one chorus, and one reverb. Signal Flow and Parameters (ROUTING) Here you can make overall settings for effects, such as the output destination and level of the various signals. Parameter Range Explanation TONE SELECT (KEY NAME) 1–4 (A0–C8) The tone (rhythm tone) to edit If you’ve selected a rhythm set, this will be KEY NAME.
EFFECTS Parameters Parameter Range Explanation REVERB (Type) OFF, REVERB, SRV ROOM, SRV HALL, SRV PLATE, GM2 REVERB Type of reverb OFF: Reverb will not be used REVERB: Basic reverb SRV ROOM: Reverb that simulates the reverberation of a room in greater detail SRV HALL: Reverb that simulates the reverberation of a hall in greater detail SRV PLATE: Simulation of a plate echo (a reverb device that uses a metal plate) GM2 REVERB: GM2 reverb REVERB LEVEL 0–127 Volume of the sound that has been processed
EFFECTS Parameters PERFORM EFFECTS In Performance mode you can use three multi-effects (MFX1, MFX2, MFX3), one chorus, and one reverb. The three multi-effects, chorus, and reverb can each use the effect settings of the performance, or the effect settings of the patch or rhythm set assigned to the specified part. In addition, the three multi-effects can not only be used individually but also as a combination of multi-effects.
EFFECTS Parameters Parameter Range Explanation MFX1–3 SOURCE PERFORM, 1–16 Multi-effect parameter settings used by the performance PERFORM: Use the multi-effect settings of the performance 1–16: Use the multi-effect settings of the patch or rhythm set assigned to the specified part CHORUS SOURCE PERFORM, 1–16 Chorus parameter settings used by the performance PERFORM: Use the chorus settings of the performance 1–16: Use the chorus settings of the patch or rhythm set assigned to the specified part R
EFFECTS Parameters Multi-Effect Settings (MFX, MFX 1–3) Parameter Range Explanation ON/OFF OFF, ON Turns the multi-effect on/off * The effect on/off settings cannot be saved. TYPE 00: THROUGH– 79: VOCODER Selects the type of multi-effect used by MFX. Choose “00: THROUGH” if you don’t want to apply a multi-effect.
EFFECTS Parameters A performance contains parameters that specify whether specific MIDI messages will be received for each MIDI channel (p. 62). If you want to use multi-effect control, make sure that reception is enabled for the corresponding MIDI message. If MIDI messages cannot be received, multieffect control will not work. Chorus Settings (CHORUS) Parameter Range Explanation ON/OFF OFF, ON Turns the chorus on/off * The chorus on/off setting cannot be saved.
Detailed Editing for a Patch (PATCH Parameters) “Editing” is the process of modifying the values of the JUNO-Di’s various settings (parameters). This chapter explains the procedure for patch editing, and how the patch parameters work. The JUNO-Di’s patches are organized into two groups: User and Preset. PRST (Preset) These are the sounds that are built into the JUNO-Di. This group contains 256 GM2-compatible patches.
Detailed Editing for a Patch (PATCH Parameters) Stereo Wave Settings Some of the waves that make up a tone key are stereo. With stereo waves, the name of a left-channel wave ends in “L”, while the name of a right-channel wave ends in “R.” The left and right waves are numbered consecutively; the right-channel wave number is one greater than the left-channel wave number. You can use the following procedure to first select either the left or right wave, and then select the other wave. 1. Select a patch. 2.
Detailed Editing for a Patch (PATCH Parameters) PATCH Parameters SUMMARY SYSTEM COMMON Parameter Value Explanation MASTER LEVEL 0–127 Volume of the entire JUNO-Di PATCH RX/TX CH (Patch Rx/Tx Channel) 1–16 Channel used to transmit and receive MIDI messages for the Keyboard part in Patch mode Parameter Value Explanation LEVEL 0–127 Volume of the patch MONO/POLY MONO, POLY MONO: Only the last-played note will sound.
Detailed Editing for a Patch (PATCH Parameters) WG Parameter marked with a “★” can be controlled using specified MIDI messages. (Matrix Control, p. 42) Parameter Value Explanation Off, 1– Basic waveform for a tone When in monaural mode, only the left side (L) is specified. When in stereo, the right side (R) is also specified. To select a left/right pair of waveforms, first select the left (L) wave number, then doubleclick the wave number of the right (R) wave to select it.
Detailed Editing for a Patch (PATCH Parameters) Parameter Value Explanation CUTOFF ★ (Cutoff Frequency) 0–127 Frequency at which the filter begins to have an effect on the waveform’s frequency components RES ★ (Resonance) 0–127 Emphasizes the portion of the sound in the region of the cutoff frequency, adding character to the sound * Excessively high settings can produce oscillation, causing the sound to distort.
Detailed Editing for a Patch (PATCH Parameters) COMMON Parameter marked with a “★” can be controlled using specified MIDI messages. (Matrix Control, p. 42) Parameter Value Explanation PATCH NAME — Patch name CATEGORY — Type (category) of the patch * If you select “NO ASSIGN” as the category, it won’t be possible to select the patch on the JUNODi itself.
Detailed Editing for a Patch (PATCH Parameters) Parameter Value Explanation PRIORITY LAST, LOUDEST How notes will be managed when the maximum polyphony is exceeded (128 voices) LAST: The last-played voices will be given priority (Notes will be turned off in order, beginning with the first-played note.) LOUDEST: The loudest voices will be given priority (Notes will be turned off, beginning with the lowest-volume voice.) MONO/POLY MONO, POLY MONO: Only the last-played note will sound.
Detailed Editing for a Patch (PATCH Parameters) STRUCTURE Structure changes how a tone is sounded. Parameter Value Explanation TONE 1 & 2, 3 & 4 TYPE 1–10 Determines how tone 1 and 2, or tone 3 and 4 are connected. The following 10 different Types of combination are available. Type 01 Type 02 TONE 1 (3) WG TVF TVA TONE 1 (3) WG TONE 2 (4) WG TVF TVA TONE 2 (4) WG With this type, tones 1 and 2 (or 3 and 4) are independent.
Detailed Editing for a Patch (PATCH Parameters) Parameter Value Explanation TONE 1 & 2, 3 & 4 BOOSTER 0, +6, +12, +18 Specifies the amount of boost that is applied (when the Structure Type is 03 or 04) The booster distorts the sound by boosting the input signal, producing the distortion effect that is often used with an electric guitar. Increasing this value will produce stronger distortion. Booster The Booster is used to distort the incoming signal. fig.Boost1.
Detailed Editing for a Patch (PATCH Parameters) WG This modifies Waveforms/Pitch/Pitch Envelope. Parameter marked with a “★” can be controlled using specified MIDI messages. (Matrix Control, p. 42) Parameter Value Explanation Off, 1– Basic waveform for a tone When in monaural mode, only the left side (L) is specified. When in stereo, the right side (R) is also specified.
Detailed Editing for a Patch (PATCH Parameters) TONE DELAY This produces a time delay between the moment a key is pressed (or released), and the moment the tone actually begins to sound. You can also make settings that shift the timing at which each tone is sounded. This differs from the Delay in the internal effects, in that by changing the sound qualities of the delayed tones and changing the pitch for each tone, you can also perform arpeggio-like passages just by pressing one key.
Detailed Editing for a Patch (PATCH Parameters) PITCH ENV (WAVE PITCH ENVELOPE) Parameter marked with a “★” can be controlled using specified MIDI messages. (Matrix Control, p. 42) Parameter Value Explanation DEPTH -12–+12 Depth of the Pitch envelope Higher settings will cause the pitch envelope to produce greater change. Negative (-) settings will invert the shape of the envelope.
Detailed Editing for a Patch (PATCH Parameters) TVF A filter cuts or boosts a specific frequency region to change a sound’s brightness, thickness, or other qualities. Parameter marked with a “★” can be controlled using specified MIDI messages. (Matrix Control, p. 42) Parameter Value Explanation FILTER TYPE OFF, LPF, BPF, HPF, PKG, LPF2, LPF3 Type of filter OFF: No filter is used. LPF: Low Pass Filter.
Detailed Editing for a Patch (PATCH Parameters) Parameter Value VEL CURVE (Cutoff Velocity Curve) Explanation Curve that determines how keyboard playing dynamics (velocity) will affect the cutoff frequency Set this to “FIX” if you don’t want the Cutoff frequency to be affected by the keyboard velocity. FIX, 1–7 1 VEL SENS (Cutoff Velocity Sens) 2 3 4 5 6 7 Use this parameter when changing the cutoff frequency to be applied as a result of changes in playing velocity.
Detailed Editing for a Patch (PATCH Parameters) TVA TVA adjusts the volume. Parameter marked with a “★” can be controlled using specified MIDI messages. (Matrix Control, p. 42) Parameter Value Explanation LEVEL ★ 0–127 Volume of the tone This setting is useful primarily for adjusting the volume balance between tones. Curve that determines how keyboard playing dynamics (velocity) will affect the volume Set this to “FIX” if you don’t want the volume of the tone to be affected by the keyboard velocity.
Detailed Editing for a Patch (PATCH Parameters) AMP ENV (TVA ENVELOPE) Parameter marked with a “★” can be controlled using specified MIDI messages. (Matrix Control, p. 42) Parameter Value Explanation TIME KF (TIME Keyfollow) -100–+100 Use this setting if you want the TVA envelope times (T2–T4) to be affected by the keyboard location.
Detailed Editing for a Patch (PATCH Parameters) LFO An LFO (Low Frequency Oscillator) causes change over a cycle in a sound. Each tone has two LFOs (LFO1/LFO2), and these can be used to cyclically change the pitch, cutoff frequency and volume to create modulation-type effects such as vibrato, wah and tremolo. Both LFOs have the same parameters so only one explanation is needed. Parameter marked with a “★” can be controlled using specified MIDI messages. (Matrix Control, p.
Detailed Editing for a Patch (PATCH Parameters) Parameter marked with a “★” can be controlled using specified MIDI messages. (Matrix Control, p. 42) Parameter Value ON-IN, ON-OUT, OFF-IN, OFF-OUT FADE MODE FADE TIME 0–127 KEY TRIGGER DEPTH PITCH ★ DEPTH TVF ★ DEPTH TVA ★ DEPTH PAN ★ OFF, ON -63–+63 -63–+63 -63–+63 -63–+63 Explanation How the LFO will be applied * Set this according to your purpose as described in “How to Apply the LFO” (below).
Detailed Editing for a Patch (PATCH Parameters) STEP LFO Parameter Value Explanation STEP TYPE TYPE1, TYPE2 When generating an LFO waveform from the data specified in LFO Step 1–16, specify whether the level will change abruptly at each step or will be connected linearly. TYPE1: stair-step change TYPE2: linear change STEP 1–16 -36–+36 Specifies the data for the Step LFO. If the LFO PITHC DEPTH is +63, each +1 unit of the step data corresponds to a pitch of +50 cents.
Detailed Editing for a Patch (PATCH Parameters) KEY RANGE You can use the note number to control the way each Tone is played. fig.TMT-K.e Level The tone sounded in the lower range The tone sounded in the upper range Pitch Key Fade Upper Key Range Upper Key Fade Lower Key Range Lower Parameter Value Explanation FADE LOWER 0–127 Determines what will happen to the tone’s level when a note that’s lower than Key Range Lower is played.
Detailed Editing for a Patch (PATCH Parameters) Parameter Value Explanation DESTINATION 1–4 OFF, PITCH, CUTOFF, RESONANCE, LEVEL, PAN, OUTPUT LEVEL, CHORUS SEND, REVERB SEND, LFO1/2 PCH DEPTH, LFO1/2 TVF DEPTH, LFO1/2 TVA DEPTH, LFO1/2 PAN DEPTH, LFO1/2 RATE, PCH ENV A-TIME, PCH ENV D-TIME, PCH ENV R-TIME, TVF ENV A-TIME, TVF ENV D-TIME, TVF ENV R-TIME, TVA ENV A-TIME, TVA ENV D-TIME, TVA ENV R-TIME, TMT, FXM DEPTH, MFX-CTRL1–4 Tone parameters that are to be controlled when using the Matrix Control Up
Detailed Editing for a Rhythm Set (RHYTHM Parameters) “Editing” is the process of modifying the values of the JUNO-Di’s various settings (parameters). This chapter explains the procedure for editing a rhythm set, and describes the function of the rhythm set parameters. Rhythm sets are selected from the patch group. This means that just as for patches, there will be two groups: user and preset. For more about patch groups, refer to “Detailed Editing for a Patch (PATCH Parameters)” (p. 23).
Detailed Editing for a Rhythm Set (RHYTHM Parameters) Stereo Wave Settings Some of the waves that make up a rhythm set key are stereo. With stereo waves, the name of a left-channel wave ends in “L”, while the name of a right-channel wave ends in “R.” The left and right waves are numbered consecutively; the right-channel wave number is one greater than the left-channel wave number. You can use the following procedure to first select either the left or right wave, and then select the other wave. 1.
Detailed Editing for a Rhythm Set (RHYTHM Parameters) RHYTHM Parameters SUMMARY SYSTEM COMMON Parameter Value Explanation MASTER LEVEL 0–127 Volume of the entire JUNO-Di PATCH RX/TX CH (Patch Rx/Tx Channel) 1–16 Channel used to transmit and receive MIDI messages for the Keyboard part in Patch mode RHYTHM COMMON Parameter Value Explanation LEVEL 0–127 Volume of the rhythm set MFX, L+R, L, R, TONE Specifies how the unprocessed sound of the patch (rhythm set) will be output MFX: Output in ster
Detailed Editing for a Rhythm Set (RHYTHM Parameters) WMT Parameter Value Explanation WAVE NUMBER L/R Off, 1– Waves comprising the rhythm tone When in monaural mode, only the left side (L) is specified. When in stereo, the right side (R) is also specified. To select a left/right pair of waveforms, first select the left (L) wave number, then double-click the wave number of the right (R) wave to select it.
Detailed Editing for a Rhythm Set (RHYTHM Parameters) TVF Parameter Value Explanation TYPE OFF, LPF, BPF, HPF, PKG, LPF2, LPF3 Type of filter OFF: No filter is used. LPF: Low Pass Filter. This reduces the volume of all frequencies above the cutoff frequency in order to round off, or un-brighten the sound. BPF: Band Pass Filter. This leaves only the frequencies in the region of the cutoff frequency, and cuts the rest. This can be useful when creating distinctive sounds. HPF: High Pass Filter.
Detailed Editing for a Rhythm Set (RHYTHM Parameters) TVA Parameter Value Explanation LEVEL 0–127 Volume of the rhythm tone This setting is useful primarily for adjusting the volume balance between rhythm ones. PAN L64–0–63R Left/right position of the rhythm tone AMP ENV A (Amp Envelope Attack) 0–127 TVA envelope times Higher settings will lengthen the time until the next volume level is reached. This will modify ENV T1 (p. 55).
Detailed Editing for a Rhythm Set (RHYTHM Parameters) COMMON (RHYTHM COMMON) Parameter Value Explanation RHYTHM NAME — Rhythm set name LEVEL 0–127 Volume of the rhythm set OUTPUT ASSIGN MFX, L+R, L, R, TONE Specifies how the unprocessed sound of the patch (rhythm set) will be output MFX: Output in stereo via the multi-effect. Chorus and reverb can also be applied after the multieffect.
Detailed Editing for a Rhythm Set (RHYTHM Parameters) WMT (RHYTHM KEY WMT) WMT modifies waveforms/pitch/pitch envelope. Parameter Value Explanation WAVE NUMBER L/R Off, 1– Waves comprising the rhythm tone When in monaural mode, only the left side (L) is specified. When in stereo, the right side (R) is also specified. To select a left/right pair of waveforms, first select the left (L) wave number, then double-click the wave number of the right (R) wave to select it.
Detailed Editing for a Rhythm Set (RHYTHM Parameters) PITCH (RHYTHM KEY PITCH) Parameter Value Explanation TUNE COARSE C-1–G9 Pitch at which a rhythm tone sounds Set the coarse tuning for Waves comprising the rhythm tones with the WAVE COARSE TUNE parameter (p. 51). TUNE FINE -50–+50 Pitch of the rhythm tone’s sound (in 1-cent steps; one cent is 1/100th of a semitone) Set the fine tuning for Waves comprising the rhythm tones with the WAVE FINE TUNE parameter (p. 51).
Detailed Editing for a Rhythm Set (RHYTHM Parameters) TVF (RHYTHM KEY TVF) A filter cuts or boosts a specific frequency region to change a sound’s brightness, thickness, or other qualities. Parameter Value Explanation FILTER TYPE OFF, LPF, BPF, HPF, PKG, LPF2, LPF3 Type of filter OFF: No filter is used. LPF: Low Pass Filter. This reduces the volume of all frequencies above the cutoff frequency in order to round off, or un-brighten the sound. BPF: Band Pass Filter.
Detailed Editing for a Rhythm Set (RHYTHM Parameters) FILTER ENV (TVF ENVELOPE) Parameter Value Explanation DEPTH -63–+63 Depth of the TVF envelope Higher settings will cause the TVF envelope to produce greater change. Negative (-) settings will invert the shape of the envelope. Curve that determines how keyboard playing dynamics (velocity) will affect the TVF envelope Set this to “FIX” if you don’t want the TVF Envelope to be affected by the keyboard velocity.
Detailed Editing for a Rhythm Set (RHYTHM Parameters) TVA (RHYTHM KEY TVA) This adjusts the volume. Parameter Value Explanation LEVEL 0–127 Volume of the rhythm tone This setting is useful primarily for adjusting the volume balance between rhythm ones. Curve that determines how keyboard playing dynamics (velocity) will affect the volume Set this to “FIX” if you don’t want the volume of the tone to be affected by the keyboard velocity.
Detailed Editing for a Rhythm Set (RHYTHM Parameters) OUTPUT Parameter Value Explanation SEND LEVEL OUT (Output Level) 0–127 Level of the signal that is sent to the output destination specified by OUTPUT ASSIGN SEND LEVEL (OUTPUT ASSIGN = MFX) CHO (Chorus Send) 0–127 Level of the signal sent to chorus for each rhythm tone if the tone is sent through MFX REV (Reverb Send) 0–127 Level of the signal sent to reverb for each rhythm tone if the tone is sent through MFX SEND LEVEL (OUTPUT ASSIGN = non
Detailed Editing for a Performance (PERFORM Parameters) The JUNO-Di’s performances are organized into two groups: User and Preset. PRST (Preset) Editing a Performance Select from the “EDIT” menu. These are the performances that are built into the JUNO-Di. You can modify the currently selected performance and WRITE (save) it at number 501 and following. USER These are performances numbers 501 and following in the JUNO-Di.
Detailed Editing for a Performance (PERFORM Parameters) PERFORM Parameters Parameter Value Explanation PERFORM NAME — Performance name PART 1–16 Part number PATCH NAME — Patch name assigned to the part CATEGORY — Type (category) of the patch * “NO ASSIGN” can’t be selected on the JUNO-Di itself. MIXER MFX/CHORUS/REVERB Switch The internal effects of the JUNO-Di are switched on/off as a whole.
Detailed Editing for a Performance (PERFORM Parameters) MIXER Parameter Value Explanation OFF, ON Switch this to ON if you want to hear the part by itself. MUTE OFF, ON Mutes or un-mutes (OFF) each part. Use this setting when, for example, you want to use the instrument for karaoke by muting the part playing the melody, or when you want to play something using a separate sound module. * The MUTE parameter does not turn the part off, but sets the volume to minimum so that no sound is heard.
Detailed Editing for a Performance (PERFORM Parameters) ALL PARAMETERS (ALL PARAMS) Parameter Value Explanation SOLO OFF, ON Switch this to ON if you want to hear the part by itself. MUTE OFF, ON Mutes or un-mutes (OFF) each part. Use this setting when, for example, you want to use the instrument for karaoke by muting the part playing the melody, or when you want to play something using a separate sound module.
Detailed Editing for a Performance (PERFORM Parameters) Parameter Value Explanation OFFSET COF (Cutoff) -64–+63 Adjusts the cutoff frequency for the patch or rhythm set assigned to a part. OFFSET RES (Resonance) -64–+63 Adjusts the Resonance for the patch or rhythm set assigned to a part. OFFSET ATK (Attack) -64–+63 Adjusts the TVA/TVF Envelope Attack Time for the patch or rhythm set assigned to a part.
Detailed Editing for a Performance (PERFORM Parameters) MIDI (PERFORM MIDI SETTING) Parts 1–16 of a performance correspond to MIDI channels 1–16 of MIDI messages received from an external MIDI device. For each channel you can specify whether MIDI message reception will be enabled (on) or disabled (off). You can also enable reception for only specific types of messages.
Detailed Editing for a Performance (PERFORM Parameters) KEYBOARD RANGE Parameter Value Explanation SWITCH OFF, ON Specifies, for each part, whether or not the keyboard controller section will be connected to the internal sound generator. LOWER C-1 –(UPPER) Lowest note that the tone will sound for each part Highest note that the tone will sound for each part When the KEY RANGE (p.
Effects List Multi-Effects Parameters (MFX1–3, MFX) The multi-effects feature 79 different kinds of effects. Some of the effects consist of two or more different effects connected in series. Parameters marked with a sharp “#” can be controlled using a Multi-Effects Control (p. 21) or Matrix Control (p. 42). (Two setting items will change simultaneously for “#1” and “#2.”) FILTER (10 types) DELAY (13 types) 01 EQUALIZER P.66 43 DELAY P.79 02 SPECTRUM P.66 44 LONG DELAY P.79 03 ISOLATOR P.
Effects List About Note When Using 3D Effects Some effect parameters (such as RATE or DELAY TIME) can be set in terms of a note value. Such parameters have a RATE SYNC switch that lets you specify whether you will set the value as a numerical value or as a note value. If you want to set RATE (DELAY TIME) as a numerical value, set the RATE SYNC switch to “OFF.” If you want to set it as a note value, set the RATE SYNC switch to “ON.
Effects List 01: EQUALIZER 03: ISOLATOR This is a four-band stereo equalizer (low, mid x 2, high). fig.MFX-01 L in 4-Band EQ L out This is an equalizer which cuts the volume greatly, allowing you to add a special effect to the sound by cutting the volume in varying ranges. fig.
Effects List 05: SUPER FILTER 06: STEP FILTER This is a filter with an extremely sharp slope. The cutoff frequency can be varied cyclically. This is a filter whose cutoff frequency can be modulated in steps. You can specify the pattern by which the cutoff frequency will change. fig.MFX-05 fig.
Effects List Parameter 08: AUTO WAH Value Cyclically controls a filter to create cyclic change in timbre. fig.MFX-08 L in R in Auto Wah Auto Wah Parameter Value Filter Type LPF, BPF Manual # 0–127 Peak 0–127 Sens # 0–127 Polarity UP, DOWN Rate # Depth # Phase # Low Gain High Gain Level 2-Band EQ L out 2-Band EQ R out Type of filter LPF: The wah effect will be applied over a wide frequency range. BPF: The wah effect will be applied over a narrow frequency range.
Effects List Parameter 11: PHASER Value Explanation A phase-shifted sound is added to the original sound and modulated. fig.MFX-11 L in Phaser Mix Mix R in Phaser 2-Band EQ L out 2-Band EQ R out Parameter Value Explanation Mode 4-STAGE, 8-STAGE, 12-STAGE Number of stages in the phaser Manual # 0–127 Rate # Depth 0.05–10.
Effects List 14: INFINITE PHASER 16: STEP RING MODULATOR A phaser that continues raising/lowering the frequency at which the sound is modulated. This is a ring modulator that uses a 16-step sequence to vary the frequency at which modulation is applied. fig.MFX-14 fig.
Effects List 18: AUTO PAN 20: SLICER Cyclically modulates the stereo location of the sound. fig.MFX-18a L in Auto Pan 2-Band EQ L out R in Auto Pan 2-Band EQ R out Parameter Mod Wave Value Explanation TRI, SQR, SIN, SAW1, SAW2 Modulation Wave TRI: triangle wave SQR: square wave SIN: sine wave SAW1/2: sawtooth wave SAW1 R L Rate # Depth # Low Gain High Gain Level SAW2 R L 0.05–10.
Effects List 21: ROTARY The Rotary effect simulates the sound of the rotary speakers often used with the electric organs of the past. Since the movement of the high range and low range rotors can be set independently, the unique type of modulation characteristic of these speakers can be simulated quite closely. This effect is most suitable for electric organ Patches. fig.MFX-21 L in L out Rotary R in Parameter Speed # R out Value SLOW, FAST Woofer Slow Speed 0.05–10.00 Hz Woofer Fast Speed 0.
Effects List 24: FLANGER Parameter This is a stereo flanger. (The LFO has the same phase for left and right.) It produces a metallic resonance that rises and falls like a jet airplane taking off or landing. A filter is provided so that you can adjust the timbre of the flanged sound. fig.MFX-24 Balance D L in Flanger 2-Band EQ R in Balance D Parameter Filter Type Value Balance W Cutoff Freq 200–8000 Hz Pre Delay 0.0–100 msec Rate # Depth Phase 0.05–10.
Effects List 27: TREMOLO CHORUS 29: 3D CHORUS This is a chorus effect with added Tremolo (cyclic modulation of volume). This applies a 3D effect to the chorus sound. The chorus sound will be positioned 90 degrees left and 90 degrees right. fig.MFX-27 fig.MFX-29 L in L out L Balance D Balance W 2-Band EQ L out 2-Band EQ R out 3D Chorus Tremolo Chorus Balance W R in R R out Balance D Parameter Parameter Value Pre Delay 0.0–100 msec Chorus Rate # 0.05–10.
Effects List Parameter Value Pre Delay 0.0–100 msec Rate # Depth Phase 0.05–10.00 Hz, note 0–127 0–180 deg Feedback # -98–+98% Step Rate # 0.10–20.
Effects List 33: 2 BAND FLANGER 34: 2 BAND STEP FLANGER A flanger that lets you apply an effect independently to the lowfrequency and high-frequency ranges. A step flanger that lets you apply an effect independently to the lowfrequency and high-frequency ranges. fig.MFX-33 fig.
Effects List 35: OVERDRIVE 38: VS DISTORTION Creates a soft distortion similar to that produced by vacuum tube amplifiers. This is a distortion effect that provides heavy distortion. The parameters are the same as for “37: VS OVERDRIVE.” fig.MFX-35 fig.
Effects List Specifications for each Speaker Type The speaker column indicates the diameter of each speaker unit (in inches) and the number of units.
Effects List 43: DELAY 44: LONG DELAY This is a stereo delay. When Feedback Mode is NORMAL: A delay that provides a long delay time. fig.MFX-44 fig.
Effects List 45: SERIAL DELAY 46: MODULATION DELAY This delay connects two delay units in series. Feedback can be applied independently to each delay unit, allowing you to produce complex delay sounds. Adds modulation to the delayed sound. When Feedback Mode is NORMAL: fig.MFX-46a Balance D fig.
Effects List 47: 3TAP PAN DELAY 49: MULTI TAP DELAY This effect provides four delays. Each of the Delay Time parameters can be set to a note length based on the selected tempo. You can also set the panning and level of each delay sound. Produces three delay sounds; center, left and right. fig.MFX-47 Balance D L in 2-Band EQ L out fig.
Effects List 50: REVERSE DELAY 51: SHUFFLE DELAY This is a reverse delay that adds a reversed and delayed sound to the input sound. A tap delay is connected immediately after the reverse delay. Adds a shuffle to the delay sound, giving the sound a bouncy delay effect with a swing feel. fig.MFX-50 L in 2-Band EQ L in Feedback Rev fig.
Effects List 52: 3D DELAY This applies a 3D effect to the delay sound. The delay sound will be positioned 90 degrees left and 90 degrees right. Parameter Value Explanation Feedback # -98–+98% HF Damp 200–8000 Hz, BYPASS fig.
Effects List 55: TAPE ECHO 56: LOFI NOISE A virtual tape echo that produces a realistic tape delay sound. This simulates the tape echo section of a Roland RE-201 Space Echo. In addition to a lo-fi effect, this adds various types of noise such as white noise and disc noise. fig.MFX-55 fig.MFX-56 L in L out Direct Level L in Echo Level 2-Band EQ L out 2-Band EQ R out Lo-Fi Tape Echo Echo Level R in Noise Gen.
Effects List 57: LOFI COMPRESS 59: TELEPHONE This is an effect that intentionally degrades the sound quality for creative purposes. fig.MFX-57 L in R in Compressor Compressor Parameter Value Pre Filter Type 1–6 LoFi Type 1–9 Post Filter Type Post Filter Cutoff Low Gain High Gain Balance # Level # OFF, LPF, HPF Lo-Fi Lo-Fi 2-Band EQ L out 2-Band EQ R out Explanation Selects the type of filter applied to the sound before it passes through the Lo-Fi effect.
Effects List 61: PITCH SHIFTER A stereo pitch shifter. fig.MFX-61 L in 2-Band EQ L out Pitch Shifter Pitch Shifter R in 2-Band EQ Parameter Value Coarse #1 -24–+12 semi Fine #1 -100–+100 cent Delay Time 0–1300 msec, note R out Explanation Feedback # -98–+98% Low Gain High Gain -15–+15 dB -15–+15 dB Balance # D100:0W–D0:100W Level 0–127 Adjusts the pitch of the pitch shifted sound in semitone steps. Adjusts the pitch of the pitch shifted sound in 2-cent steps.
Effects List 64: REVERB Adds reverberation to the sound, simulating an acoustic space. Parameter Value Explanation High Gain -15–+15 dB Balance # D100:0W–D0:100W Level # 0–127 Gain of the high range Volume balance between the direct sound (D) and the reverb sound (W) Output Level fig.MFX-64 L in 2-Band EQ Balance D L out Balance W 66: OVERDRIVE → CHORUS Reverb Balance W R in Balance D Parameter Type Value 2-Band EQ R out fig.
Effects List 68: OVERDRIVE → DELAY 70: DISTORTION → FLANGER fig.MFX-68 L out L in Balance D Balance W Overdrive Delay Balance W Feedback fig.
Effects List 73: ENHANCER → FLANGER 75: CHORUS → DELAY fig.MFX-73 fig.MFX-75 Balance D L in L out Enhancer Mix Feedback Balance D L in L out Balance D Balance W Balance W Flanger Balance W R in R out Enhancer Balance D Mix Value Explanation Enhancer Sens # 0–127 Enhancer Mix # 0–127 Flanger Pre Delay 0.0–100 msec Sensitivity of the enhancer Level of the overtones generated by the enhancer Adjusts the delay time from when the direct sound begins until the flanger sound is heard.
Effects List Parameter Delay Feedback # Value -98–+98% Delay HF Damp 200–8000 Hz, BYPASS Delay Balance # D100:0W–D0:100W Level 0–127 Explanation Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.
Effects List Chorus Parameters The JUNO-Di’s Chorus effect unit can also be used as a stereo delay unit. These settings allow you to select chorus or delay, and the characteristics of the selected effect type. Parameter Value Chorus Type OFF, CHORUS, DELAY, GM2 CHORUS Chorus Level 0–127 Explanation Selects either Chorus or Delay. OFF: Neither Chorus or Delay is used. CHORUS: Chorus is used. DELAY: Delay is used. GM2 CHORUS: GM2 Chorus is used.
Effects List Reverb Parameters These settings allow you to select the desired type of reverb, and its characteristics. Parameter Reverb Type Reverb Level Value OFF, REVERB, SRV ROOM, SRV HALL, SRV PLATE, GM2 REVERB 0–127 Explanation Type of reverb OFF: Reverb is not used. REVERB: Normal reverb SRV ROOM: This simulates typical room acoustic reflections. SRV HALL: This simulates typical concert hall acoustic reflections.
