Synthesizer Owner's Manual

ManualsBrandsRoland ManualsElectronic KeyboardJUNO-Gi

Overview

Appendix

USB Memory

Song Player

Digital Recorder

Synthesizer

Selecting Sounds Perform. Functions Editing/Eects Other Settings

Rec/Play/Edit Eects Rhythm Pattern

Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Overview 7

Overview of the JUNO-Gi . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

About the Synthesizer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Live Sets and Tones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

About the Digital Recorder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Tracks and V-tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Rhythm Pattern . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Insert Eects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

About the Recorder Tempo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

About the USB Memory Song Player . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

SD Cards and USB Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Panel Descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

Rear Panel Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

About Batteries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Installing Batteries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

When to Replace the Batteries (BATTERY Indicator) . . . . . . . . . 14

Removing Batteries. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

About SD Cards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Removing an SD card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15

Turning the Power On . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

About the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Adjusting the Display Contrast ([LCD CONTRAST] Knob) . . . . . . . . . . 17

Turning the Display Backlight On/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Basic Operation of the JUNO-Gi . . . . . . . . . . . . . . . . . . . . . 18

About the Function Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

The [SHIFT] Button Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Editing a Value . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Moving the Cursor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Changing a Value . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Entering a Value ([NUMERIC] Button) . . . . . . . . . . . . . . . . . . . . . . . . . . . .19

The [MENU] Button Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Assigning a Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19

Listening to the Demo Song . . . . . . . . . . . . . . . . . . . . . . . . 20

Synthesizer 1 (Selecting Sounds) 22

Selecting Live Sets. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

About the LIVE SET PLAY Screen . . . . . . . . . . . . . . . . . . . . . . . . . . .22

Selecting Live Sets from the List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Using the VALUE Dial to Select a Live Set . . . . . . . . . . . . . . . . . . . . . . . . . 23

Selecting Live Sets by Number ([NUMERIC] Button) . . . . . . . . . . . . . . 23

Selecting Special Live Sets ([SPECIAL LIVE SET] Button) . . . . . . . . . . .23

Auditioning a Live Set ([PREVIEW] Button) . . . . . . . . . . . . . . . . . . . . . . .23

Registering and Calling Up Favorite Live Sets

(FAVORITE) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Registering a Favorite Live Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Calling Up a Favorite Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Registering, Calling Up, or Editing Favorites in a List . . . . . . . . . . . . . .24

Selecting Tones (LAYER/SPLIT) . . . . . . . . . . . . . . . . . . . . . . 25

Selecting Tones or Rhythm Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Dividing the Keyboard into Two Areas to Play Separate

Tones (SPLIT) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Changing the Tone or Volume in the LAYER/SPLIT Screen . . . . . . . . .26

Changing the Split Point . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

Synthesizer 2 (Performance Functions) 27

Changing the Keyboard Settings . . . . . . . . . . . . . . . . . . . . 27

Changing the Pitch in One-octave Steps

(OCTAVE [DOWN] [UP] Button) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27

Transposing the Pitch in Semitone Steps

([TRANSPOSE] Button) . . . .27

Adjusting the Keyboard Touch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27

Changing the Temperament to an Arabian or Other Scale

(Scale Tune) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27

Controlling Your Performance . . . . . . . . . . . . . . . . . . . . . . . 28

D Beam Controller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

D Beam Controller Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28

[S1] [S2] buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Pitch Bend/Modulation Lever . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

[SOUND MODIFY] Knob . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29

Modifying the Tonal Character

([CUTOFF]/[RESONANCE] Knobs) . . . . . . . . . . . . . . . . . . . . . . . . . . .29

Adding Reverberation ([REVERB] Knob) . . . . . . . . . . . . . . . . . . . .29

Adjusting the Level of the Low, Middle and High Frequency

Ranges (EQ [LOW]/[MID]/[HIGH] Knobs) . . . . . . . . . . . . . . . . . . . . 29

Using Pedals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Holding Notes (HOLD Pedal) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30

Adding Expression to Your Performance (CONTROL Pedal) .30

CONTROL Pedal Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30

Performing with a Microphone (Vocoder) . . . . . . . . . . . . . . . . . . . . . . . .30

Using the Vocoder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Changing the Vocoder Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . .30

Using the Chord Memory Function . . . . . . . . . . . . . . . . . . 31

About the Chord Memory Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31

Performing with the Chord Memory Function . . . . . . . . . . . . . . . . . . . . 31

Chord Memory Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Playing Arpeggios (ARPEGGIO) . . . . . . . . . . . . . . . . . . . . . 32

About Arpeggio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

Playing by Using Arpeggios. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

Turning Arpeggio On and O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Holding an Arpeggio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

Determining the Tempo for Arpeggio Performances . . . . . . . . 32

Arpeggio Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Saving Arpeggio Settings (WRITE) . . . . . . . . . . . . . . . . . . . . . . . . .33

Importing SMF on Your Computer to an Arpeggio Style . . . . . . . . . .33

Synthesizer 3 (Editing/Eects) 34

Editing a Live Set (LIVE SET EDIT) . . . . . . . . . . . . . . . . . . . . 34

Basic Operations in the LIVE SET EDIT Screen . . . . . . . . . . . . . . . . . . . . .34

Initializing a Live Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35

Copying/Exchanging Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Saving a Live Set (WRITE) . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

LIVE SET EDIT Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

LIVE SET EDIT 1 Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36

[1] (TONE) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36

[2] (LV&PAN) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36

[3] (PITCH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

[4] (OUTPUT) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36

[5] (KEYBORD) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36

LIVE SET EDIT 2 Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37

[1] (OFFSET) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37

[2] (VIBRATO) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37

[3] (VELOCITY) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37

[4] (KEY MOD) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37

[5] (RX FLTR) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

LIVE SET EDIT 3 Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38

[1] (COMMON) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

[2] (CONTROL) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38

Contents

Summary of content (148 pages)

PAGE 1
Contents Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Overview of the JUNO-Gi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Front Panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Rear Panel Connections . . . . . . . . . . . . . . . .
PAGE 2
PRO EDIT Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1. GENERAL. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2. PITCH ENV. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3. TVF PARAMETER . . . . . . . . . . . . . .
PAGE 3
Digital Recorder 1 (Recording/Playing/Editing) 86 Displaying the Digital Recorder Screen. . . . . . . . . . . . . . . Playing a Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89 90 90 Insert Effects Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . .
PAGE 4
Digital Recorder 3 (Rhythm Pattern) 121 Appendix 131 Playing.a.Rhythm.Pattern. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. 121 Connecting.to.Your.Computer.via.USB. .. .. .. .. .. .. .. .. .. .. .. .. .. .. 132 About Patterns and Arrangements . . . . . . . . . . . . . . . . . . . . . . . 121 Turning the Rhythm Pattern On/Off . . . . . . . . . . . . . . . . . . . . . . . . . . . .
PAGE 5
Overview Selecting Sounds Editing/Effects Synthesizer Perform.
PAGE 6
Overview of the JUNO-Gi Broadly speaking, the JUNO-Gi consists of three sections: “Synthesizer,” “Digital Recorder,” and “USB Memory Song Player .” The explanations in this manual are also organized according to these sections . You can use the index tabs at the right edge of each page to jump to the section you want to read . USB.Memory Song.Player Synthesizer About the Synthesizer Digital.Recorder What is a Split? The synthesizer section lets you select sounds and play them from the keyboard .
PAGE 7
About the Digital Recorder About the Recorder Tempo The digital recorder provides eight tracks . Each track consists of eight virtual tracks (V-tracks), and you can select one of these V-tracks for playback and recording . In other words, you can use 8 x 8 = 64 tracks to record your performance, and choose eight of these for playback . The USB Memory Song Player plays back audio files (WAV, MP3, AIFF) or Standard MIDI Files (SMF) that you’ve copied from your computer to USB memory . Copy.to.USB.
PAGE 8
Panel Descriptions Front Panel 1 2 3 4 5 6 7 8 9 10 Number Name Explanation USB.MEMORY.SONG.PLAYER.area Here you can play back audio files (WAV, MP3, AIFF) or Standard MIDI Files (SMF) that you’ve copied from your computer to USB memory . USB.MEMORY.slot Connect your USB memory (sold separately) here . p . 128 [SONG.LIST].button Opens the song list (a list of the audio/MIDI files on USB memory) . p . 128 [PLAY/STOP].button Starts/stops playback for the USB Memory Song Player . p .
PAGE 9
Number Explanation Page [DEC] [INC] buttons Edit the value. The value will change more quickly if you press one button while holding down the other button. The value will change in larger steps if you press one of these buttons while holding down the [SHIFT] button. p. 18 Move the cursor position up/down/left/right. p. 18 VALUE dial Edits the value. The value will change more quickly if you turn the VALUE dial while holding down [SHIFT]. p.
PAGE 10
Rear Panel Connections The JUNO-Gi does not contain an amp or speakers . In order to produce sound, you’ll need to connect the rear panel OUTPUT jacks to an audio device such as an amplified speaker system (subsequently referred to as “speakers”), or use headphones . AUDIO INPUT jacks p. 92 Connect the equipment that you’ll be recording on the Digital Recorder . Use the LINE jacks to connect your audio player or audio device .
PAGE 11
DC IN jack SD card slot Connect the included AC adaptor here . p. 15 Insert an SD card here . When the JUNO-Gi is shipped from the factory, the included SD card is inserted and the SD card protector is fastened with screws . If you want to replace the card, remove the screws as described in “About SD Cards” (p . 15) . Place the AC adaptor so the side with the indicator (see illustration) faces upwards and the side with textual information faces downwards .
PAGE 12
About Batteries If you’re operating the JUNO-Gi on batteries, you’ll need eight rechargeable Ni-MH batteries (AA, HR6) . The battery life will depend on the specifications of the battery and on the conditions of use, but for continuous use, will be approximately 3 hours (approximately 2 hours if USB memory is connected) . About rechargeable batteries When using rechargeable batteries, the battery lifespan will normally become shorter with each recharge cycle .
PAGE 13
About SD Cards An SD card containing a demo song is inserted when the JUNO-Gi is shipped from the factory . You’ll be able to record for longer lengths of time if you use a commercially available high-capacity SD/SDHC card . SD cards usable with the JUNO-Gi 1. Overview The JUNO-Gi supports SDHC/SD cards up to a capacity of 32 GB . When using a commercially available SD/SDHC card, insert it as follows . Preparing an SD card for use Remove.the.SD.card.protector.screws .
PAGE 14
Turning the Power On * Once.the.connections.have.been.completed.(p ..12),.turn.on.power.to. your.various.devices.in.the.order.specifi.ed ..By.turning.on.devices. in.the.wrong.order,.you.risk.causing.malfunction.and/or.damage.to. speakers.and.other.devices . 1. Minimize.the.volume.of.the.JUNO-Gi.and.your.speakers . 2. On.the.JUNO-Gi’s.rear.panel,.turn.the..[POWER].switch.ON . Turning the Power Off 1. Minimize.the.volume.of.the.JUNO-Gi.and.your.speakers . 2. Turn.off..the.power.of.your.speakers . 3.
PAGE 15
About the Display To reduce battery consumption, you can turn off the display backlight when it’s not required . 1. Hold.down.the.[SHIFT].button.and.press.the.[EXIT].button . The display backlight will turn off . Turning the display backlight on 1. Hold.down.the.[SHIFT].button.and.press.the.[ENTER].button . The display backlight will turn on . MEMO Editing/Effects Synthesizer Perform. Functions The System setting “Power Save Mode” (p .
PAGE 16
Basic Operation of the JUNO-Gi About the Function Buttons The [1]–[6] buttons located below the display execute various functions (function buttons), and their operation will differ depending on the screen . The functions are shown in the bottom of the screen, and the corresponding function buttons will light . * When.indications.such.as.[6].(EXIT).appear.in.this.manual,.the. numeral.indicates.the.button.name,.and.the.text.in.parentheses. indicates.the.function.name.displayed.in.the.screen .
PAGE 17
Entering a Value ([NUMERIC] Button) Assigning a Name 1. Press.the.[ ].[ ].buttons.to.move.the.cursor.to.the.location. where.you.wish.to.input.a.character . 2. Turn.the.VALUE.dial,.or.press.the.[DEC].[INC].buttons.to. specify.the.character . Explanation 2. Press.the.[NUMERIC].button.so.it’s.lit . [2].(TYPE). Selects the type of character . Each time you press this, you will alternately select the first character of a character set: uppercase (A), lowercase (a), or numerals and symbols (0) . [3].
PAGE 18
Listening to the Demo Song The SD card included with the JUNO-Gi contains demo songs for the Digital Recorder . The first time that you turn on the power, the demo song in song data format will be loaded automatically . 1. Press.the.[ ].(PLAY).button . The demo song will begin playing . Demo song list Song.Name Composer Copyright 1 Gonna.Want.It Scott Tibbs ©2010 Roland Corporation 2 FARAWAY Mitsuru Sakaue ©2010 Roland Corporation 3 Late.
PAGE 19
Overview Selecting Sounds Editing/Effects Synthesizer Perform.
PAGE 20
Synthesizer 1 (Selecting Sounds) Selecting Live Sets On the JUNO-Gi, “Live Sets” are the units of sound that you select and use . Selecting Live Sets from the List The JUNO-Gi’s Live Sets are divided into the following groups . You can view a live set list and select a live set from that list . 1. Live Set Group Group Explanation Edit PRESET These live sets cannot be rewritten . You can edit one of these and save the edited result in the User group .
PAGE 21
To select a live set, use the cursor buttons and the VALUE dial to change the value in the LIVE SET PLAY screen . Selecting Special Live Sets ([SPECIAL LIVE SET] Button) Press.the.[SPECIAL.LIVE.SET].button . 2. Use.the.cursor.buttons.to.move.the.cursor.to.the.live.set. number . 3. Press.the.[ENTER].(LIST).button . Selecting Sounds 1. Overview Using the VALUE Dial to Select a Live Set Use.the.VALUE.dial.or.the.[DEC].[INC].buttons.to.select.the. desired.live.set.group.(PRESET,.SPECIAL.or.USER) . 3.
PAGE 22
Registering and Calling Up Favorite Live Sets (FAVORITE) If you register frequently used live sets as “favorites,” you’ll later be able to call them up instantly . Each bank of favorites lets you register a total of ten live sets . You can create ten of these banks . Registering, Calling Up, or Editing Favorites in a List For example, if the sounds you use in your performance are registered in their order of appearance, it will be easy for you to select each sound as necessary .
PAGE 23
Selecting Tones (LAYER/SPLIT) Each Live Set has four “Layers” (Upper 1, 2, Lower 1, 2), and a “ Tone” is assigned to each of these Layers . A tone is the lowest-level unit of sound; you can’t play a tone by itself . Each layer’s on/off setting is indicated as shown below . Overview Live.Set Layer On/Off ✔ means on Layer: Upper 1 Layer: Upper 2 Layer: Lower 1 Layer: Lower 2 Selecting Sounds Tone 3.
PAGE 24
Dividing the Keyboard into Two Areas to Play Separate Tones (SPLIT) “Split” refers to a setup in which the keyboard is divided into left-hand and right-hand areas with a different tone played by each area . The key at which the keyboard is divided is called the “split point .” Lower.2 Tone Lower.1 Tone Upper.2 Tone Upper.
PAGE 25
Synthesizer 2 (Performance Functions) Changing the Keyboard Settings Octave Shift is a function that changes the pitch of the keyboard in steps of an octave . 1. Press.the.OCTAVE.[DOWN].or.[UP].button . You can set the instrument so all notes sound at a fixed volume regardless of the strength (velocity) at which you play the keys, or adjust the way in which the keyboard responds to your playing touch . 1. Press.the.[MENU].button . 2. Use.the.VALUE.dial.or.the.cursor.buttons.to.select. “4 ..System,”.
PAGE 26
Controlling Your Performance D Beam Controller [S1] [S2] buttons The D Beam controller can be used simply by waving your hand over it . It can be used to apply various effects, depending on the function that is assigned to it . On the JUNO-Gi, the D Beam controller can be used not only to modify the sounds, but also to control the pitch of a monophonic (solo) synthesizer sound . 1. 2. Press.either.the.D.BEAM.[SOLO. SYNTH],.[EXPRESSION],.[ASSIGNABLE]. button.to.turn.on.the.D.Beam. controller .
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Pitch Bend/Modulation Lever Parameter [. RESONANCE] knob Resonance. Off.set Value -64– +63 Explanation Boosts the sound in the vicinity of the cutoff frequency, adding a distinctive character to the sound . Turning the knob toward the right will strengthen this character, and turning the knob toward the left will weaken it . Pushing the lever away from yourself will apply vibrato . This is called “modulation .” Selecting Sounds MEMO The Cutoff and Resonance effects apply only to the Synthesizer .
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Using Pedals You can connect a hold pedal (sold separately: DP series) and an expression pedal (sold separately: EV-5) to the JUNO-Gi . If an optional hold pedal (DP series) is connected to the rear panel PEDAL HOLD jack, you can press the hold pedal to cause notes to sustain or “hold” even after their keys have been released . If an optional expression pedal or pedal switch (EV-5, DP series .
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Using the Chord Memory Function About the Chord Memory Function 1. Press.the..[CHORD.MEMORY].button.to.turn.it.on . MEMO By holding down the [SHIFT] button and pressing the [CHORD MEMORY] button, you can access the “CHORD MEMORY” screen without turning the Chord Memory function on/off . 2. Use.the.cursor.buttons.to.move.the.cursor.to.the.item.that. you.want.to.edit . 3. Use.the.VALUE.dial.or.[DEC].[INC].to.edit.the.value . Explanation 01–17 Chord.Key C–B Changes the key of the chord .
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Playing Arpeggios (ARPEGGIO) About Arpeggio The JUNO-Gi’s Arpeggio function lets you produce arpeggios automatically; simply hold down some keys, and a corresponding arpeggio will be played automatically Determining the Tempo for Arpeggio Performances This sets the arpeggio tempo . 1. Press.the..[ TEMPO].button . The TEMPO window will open . Playing by Using Arpeggios Turning Arpeggio On and Off 1. Press.the..[ARPEGGIO].button.so.it’s.lit . 2. Use.either.of.the.following.methods.to.set.the.tempo .
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Parameter Value Explanation Parameter Specifies the basic way in which the arpeggio will be played . Style 1– MEMO You can create your own original Arpeggio Style by importing SMF or phrase data into an arpeggio user style . For details, refer to “Importing SMF on Your Computer to an Arpeggio Style” (p . 33) . Destination The arpeggio settings (including ON/OFF setting) are saved as live set settings . If you want to keep these settings, press the [WRITE] button to save them in the live set (p .
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Synthesizer 3 (Editing/Effects) Editing a Live Set (LIVE SET EDIT) If you want to create an original sound on the JUNO-Gi, you can edit a live set . For details on each screen, refer to the following pages . On the JUNO-Gi, it’s not possible to edit or rewrite the tones themselves . However, you can select the tones that are played by a live set, and make relative adjustments (offsets) to the values of each tone .
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Initializing a Live Set Copying/Exchanging Layers 1. Select.the.live.set.that.you.want.to.edit . Initialization will affect only the currently selected live set . If you want to return all settings to their factory-set state, execute the Factory Reset operation (p . 78) . 2. Press.the.[MENU].button . 3. Use.the.VALUE.dial.or.the.cursor.buttons.to.select.“1 ..Live.Set. Edit,”.and.then.press.the.[ENTER].button . Select.the.user.live.set.that.you.want.to.initialize . 2. Press.the.[MENU].button . 3.
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LIVE SET EDIT Parameter For details on how to edit in each screen, refer to “Basic Operations in the LIVE SET EDIT Screen” (p. 34). LIVE SET EDIT 1 Screen [4] (OUTPUT) Parameter Value • Chorus and reverb are output in mono at all times. • The output destination of the signal after passing through the chorus is set with the “Chorus Output” (p. 45) parameter. Explanation Tone type of each layer Type Tone These are instruments such as piano or strings.
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LIVE SET EDIT 2 Screen Parameter Explanation 0–127 Determines what will happen to the tone’s level when the tone is played at a velocity greater than Velo Range Upper. If you don’t want the tone to sound at all, set this parameter to "0." F.U [1] (OFFSET) (Velocity Fade Upper) The values set here are applied to the parameters of the tones of the various layers, and are used in correcting the tone.
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LIVE SET EDIT 3 Screen Parameter Parameter Value LiveSet Category Type (category) of the live set LiveSet Tempo 20–250 Tempo of the live set 0–127 Adjusts the volume of the entire live set. Common Resonance offset Phase Lock Adjusts the cutoff frequency of the entire live set. You can use the SOUND MODIFY [CUTOFF] knob to control this (p. 29). OFF, ON MONO/POLY Specify whether the tone will play polyphonically (POLY) or monophonically (MONO).
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PRO EDIT Screen Parameter Explanation NORM The tone begins to play after the time specified in the Tone Delay Time parameter has elapsed . HOLD Although the tone begins to play after the time specified in the Tone Delay Time parameter has elapsed, if the key is released before the time specified in the Tone Delay Time parameter has elapsed, the tone is not played .
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Parameter Value P-Env T4 V-Sens Use this parameter when you want key release speed to affect the T4 value of the Pitch envelope. -64–+63 P-Env Time KF Parameter If you want T4 to be speeded up for quickly released notes, set this parameter to a positive (+) value. Use this setting if you want the pitch envelope times (T2–T4) to be affected by the keyboard location. -64–+63 (Time Keyfollow) 3.
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Parameter Value -64–+63 Parameter Value Explanation Depth of the TVF envelope If you want strongly played notes to raise the cutoff frequency, set this parameter to positive (+) settings. F-Env Depth -63–+63 This allows keyboard velocity to modify the amount of Resonance. -64–+63 If you want strongly played notes to have a greater Resonance effect, set this parameter to positive (+) settings. Use this setting if you want the TVF envelope times (T2–T4) to be affected by the keyboard location.
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5. TVA PARAMETER 6. TVA ENVELOPE Parameter Parameter Value Explanation Value Explanation Curve that determines how keyboard playing dynamics (velocity) will affect the volume This allows keyboard dynamics to affect the T1 of the TVA envelope. A-Env T1 V-Sens Set this to “FIX” if you don’t want the volume of the tone to be affected by the keyboard velocity.
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7. LFO1/8. LFO2 Rate Explanation 0–127 Modulation speed of the LFO Note If you want the LFO rate to be synchronized with the tempo, this should be set in terms of a note value. TONE The setting of the tone assigned to the layer will be used. OFF, ON Specifies whether the LFO cycle will be synchronized to begin when the key is pressed (ON) or not (OFF). TONE The setting of the tone assigned to the layer will be used.
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Applying Effects (EFFECT EDIT) You can apply two multi-effects (MFX1, MFX2), one chorus, and one reverb to each live set . The two multi-effects can not only be used individually but also as a combination of multi-effects . Turning Effects On/Off (Effect Switch) The JUNO-Gi’s onboard effects can be switched on/off as a whole . Turn these OFF when you want to listen to the unprocessed sound as you create a sound, or if you want to use an external effects processor instead of the built-in effects .
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Signal Flow and Parameters (EFFECT ROUTING) Number Parameter 9 3 6 12 10 5 8 14 13 11 15 Value Explanation 1 Layer.Select UPPER 1, UPPER 2, LOWER 1, LOWER 2 The layer for which to make settings Output in stereo via the multi-effect . Chorus and reverb can also be applied after the multi-effect .
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Multi-Effect Settings (MFX1, 2) Parameter Parameter Value Explanation .(MFX.Type). 00: THRU– 79: VOCODER Parameters.for. each.MFX.type Edit the parameters of the MFX type you’ve selected . Refer to “Multi-Effects Parameters (MFX1, 2)” (p . 48) . OFF MFX will not be used . Source (1–4). CC01–31 Controller number 1–31 (Control. Source).
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Chorus Settings (CHORUS) Reverb Settings (REVERB) Use the cursor buttons to move the cursor to the parameter that you want to edit, and use the VALUE dial or the [DEC] [INC] buttons to set the value . Use the cursor buttons to move the cursor to the parameter that you want to edit, and use the VALUE dial or the [DEC] [INC] buttons to set the value . Value (Chorus.Type). 00: OFF– 03: GM2 CHORUS Parameter Value (Reverb.Type). 00: OFF– 05: GM2 REVERB Selects the type of chorus .
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Effects Parameters Multi-Effects Parameters (MFX1, 2) The multi-effects feature 79 different kinds of effects. Some of the effects consist of two or more different effects connected in series. Parameters marked with a sharp “#” can be controlled using a MultiEffects Control (p. 46) (Two setting items will change simultaneously for “#1” and “#2”). FILTER (10 types) 01 EQUALIZER p. 50 02 SPECTRUM p. 50 03 ISOLATOR p. 50 04 LOW BOOST p. 50 05 SUPER FILTER p. 51 06 STEP FILTER p.
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About Note When Using 3D Effects 52: 3D DELAY 29: 3D CHORUS 30: 3D FLANGER 31: 3D STEP FLANGER When using these effects, we recommend that you place your speakers as follows . Also, make sure that the speakers are at a sufficient distance from the walls on either side . Perform. Functions * If.the.Rate.is.specifi.ed.as.a.note.value,.the.modulation.will.be. synchronized.with.the.keyboard.
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01: EQUALIZER 03: ISOLATOR This is a four-band stereo equalizer (low, mid x 2, high). L in 4-Band EQ L out R in 4-Band EQ R out Parameter Value Explanation Low Freq 200, 400 Hz Frequency of the low range Low Gain # -15–+15 dB Gain of the low range Mid1 Freq 200–8000 Hz Frequency of the middle range 1 Mid1 Gain -15–+15 dB Gain of the middle range 1 Width of the middle range 1 Mid1 Q 0.5, 1.0, 2.0, 4.0, 8.0 Set a higher value for Q to narrow the range to be affected.
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05: SUPER FILTER 06: STEP FILTER This is a filter whose cutoff frequency can be modulated in steps. You can specify the pattern by which the cutoff frequency will change.
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08: AUTO WAH Parameter Cyclically controls a filter to create cyclic change in timbre. L in R in 2-Band EQ Auto Wah Auto Wah Parameter 2-Band EQ Value L out Manual # Peak LPF The wah effect will be applied over a wide frequency range. BPF The wah effect will be applied over a narrow frequency range. 0–127 Adjusts the center frequency at which the effect is applied. Adjusts the amount of the wah effect that will occur in the range of the center frequency.
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11: PHASER Parameter Mix L out 2-Band EQ R out Explanation Mode Number of stages in the phaser 0–127 Adjusts the basic frequency from which the sound will be modulated. Rate # 0.05–10.00 Hz, note Frequency of modulation Depth 0–127 Depth of modulation The left and right phase will be opposite. When using a mono source, this spreads the sound. Resonance # 0–127 Amount of feedback Cross . Feedback -98–+98% Adjusts the proportion of the phaser sound that is fed back into the effect.
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14: INFINITE PHASER 16: STEP RING MODULATOR A phaser that continues raising/lowering the frequency at which the sound is modulated. This is a ring modulator that uses a 16-step sequence to vary the frequency at which modulation is applied. L in L in Step Ring Mod 2-Band EQ L out R in Step Ring Mod 2-Band EQ R out L out Infinite Phaser 2-Band EQ R in Pan L Pan R R out Parameter Value Explanation Mode 1, 2, 3, 4 Higher values will produce a deeper phaser effect.
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18: AUTO PAN 20: SLICER Cyclically modulates the stereo location of the sound. Auto Pan 2-Band EQ L out R in Auto Pan 2-Band EQ R out Value Explanation Slicer L out R in Slicer R out Modulation Wave Parameter Value Explanation Square wave Step 01-16 0–127 Level at each step SIN Sine wave SAW1/2 Sawtooth wave Rate # 0.05–10.
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21: ROTARY The Rotary effect simulates the sound of the rotary speakers often used with the electric organs of the past. Since the movement of the high range and low range rotors can be set independently, the unique type of modulation characteristic of these speakers can be simulated quite closely. This effect is most suitable for electric organ Tones. L in L out Rotary R in Parameter R out Value SLOW Slows down the rotation to the Slow Rate. FAST Speeds up the rotation to the Fast Rate.
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24: FLANGER 25: STEP FLANGER L in Balance D Flanger 2-Band EQ L out This is a flanger in which the flanger pitch changes in steps. The speed at which the pitch changes can also be specified in terms of a note-value of a specified tempo. L in Step Flanger Balance W Balance D Value R out Explanation R in Parameter Cuts the frequency range below the Cutoff Freq 200–8000 Hz Center frequency when using the filter to cut a specific frequency range Pre Delay 0.
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26: HEXA-CHORUS 28: SPACE-D Uses a six-phase chorus (six layers of chorused sound) to give richness and spatial spread to the sound. L in Balance D Hexa Chorus R in L out Balance W R out Parameter Value Explanation Pre Delay 0.0–100 msec Adjusts the delay time from the direct sound until the chorus sound is heard. Rate # 0.05–10.00 Hz, note Frequency of modulation Depth 0–127 Depth of modulation Pre Delay Deviation 0–20 Adjusts the differences in Pre Delay between each chorus sound.
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29: 3D CHORUS L 3D Chorus Value Explanation Feedback # -98–+98% Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. L out The optimal 3D effect will be achieved.
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32: 2 BAND CHORUS A chorus effect that lets you apply an effect independently to the low-frequency and high-frequency ranges. L in L out R in R out Parameter Value Explanation Low Rate # 0.05–10.
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Parameter Explanation 0.0–100 msec Delay time from when the original sound is heard to when the high-range flanger sound is heard Rate at which the high-range flanger sound is modulated High Depth 0–127 Modulation depth for the high-range flanger sound High Phase 0–180 deg Spaciousness of the high-range flanger sound High Feedback # -98–+98% Proportion of the high-range flanger sound that is to be returned to the input (negative values invert the phase) High Step Rate # 0.10–20.
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39: GUITAR AMP SIMULATOR Specifications for each Speaker Type The speaker column indicates the diameter of each speaker unit (in inches) and the number of units. This is an effect that simulates the sound of a guitar amplifier.
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41: LIMITER 43: DELAY Limiter 2-Band EQ L out R in Limiter 2-Band EQ R out Parameter Release # Value Explanation 0–127 Adjusts the time after the signal volume falls below the Threshold Level until compression is no longer applied. Ratio 1.5:1, 2:1, 4:1, 100:1 Compression ratio Post Gain 0–+18 dB Adjusts the output gain.
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44: LONG DELAY A delay that provides a long delay time.
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47: 3TAP PAN DELAY Parameter HF Damp 200–8000 Hz, BYPASS Adjusts the frequency above which sound fed back to the effect is filtered out. If you do not want to filter out any high frequencies, set this parameter to BYPASS.
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50: REVERSE DELAY 51: SHUFFLE DELAY This is a reverse delay that adds a reversed and delayed sound to the input sound. A tap delay is connected immediately after the reverse delay. L in Feedback 2-Band EQ Rev Rev. Delay L in D1 Feedback D3 Delay A A Delay B B 2-Band EQ L out 2-Band EQ R out Delay Delay D2 2-Band EQ R in Parameter L out Adds a shuffle to the delay sound, giving the sound a bouncy delay effect with a swing feel.
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Parameter Explanation 200–8000 Hz, BYPASS Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS. Left Level Right Level 0–127 54: LONG TIME CTRL DELAY A delay in which the delay time can be varied smoothly, and allowing an extended delay to be produced.
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55: TAPE ECHO 56: LOFI NOISE A virtual tape echo that produces a realistic tape delay sound. This simulates the tape echo section of a Roland RE-201 Space Echo. L in Direct Level Tape Echo R in Parameter Mode Direct Level L out Echo Level 2-Band EQ L out 2-Band EQ R out Noise Gen. Lo-Fi Explanation S, M, L, S+M, S+L, M+L, S+M+L Combination of playback heads to use Select from three different heads with different delay times.
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57: LOFI COMPRESS This is an effect that intentionally degrades the sound quality for creative purposes. R in Compressor Compressor Pre Filter Type Lo-Fi 2-Band EQ Value L out R out Explanation Selects the type of filter applied to the sound before it passes through the Lo-Fi effect. 1 Compressor off 2–6 Compressor on 1–9 Degrades the sound quality. The sound quality grows poorer as this value is increased.
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61: PITCH SHIFTER A stereo pitch shifter. L in L out 2-Band EQ Pitch Shifter Pitch Shifter R in R out 2-Band EQ Parameter Value Explanation -24–+12 semi Adjusts the pitch of the pitch shifted sound in semitone steps. -100–+100 cent Adjusts the pitch of the pitch shifted sound in 2-cent steps. 0–1300 msec, note Adjusts the delay time from the direct sound until the pitch shifted sound is heard.
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64: REVERB Adds reverberation to the sound, simulating an acoustic space. Balance D Reverb Parameter L out 5–500 msec Adjusts the time from when the reverb is heard until it disappears.
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67: OVERDRIVE g FLANGER Balance D L in Feedback Overdrive Balance W Balance D Parameter L out Balance W Flanger R in 69: DISTORTION g CHORUS The parameters are essentially the same as in “66: OVERDRIVE g CHORUS,” with the exception of the following two. Overdrive Drive g Distortion Drive, Overdrive Pan g Distortion Pan L in R out Balance D Distortion R in Chorus L out Balance W Balance W R out Value Explanation Overdrive Drive # 0–127 Degree of distortion Also changes the volume.
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72: ENHANCER g CHORUS Enhancer Mix Balance D Chorus R in Enhancer Balance D L in Enhancer Balance W Delay Balance W R out Balance D Mix R in Enhancer Feedback Balance D Mix L out Balance W Balance W R out Value Explanation Enhancer Sens # 0–127 Sensitivity of the enhancer Enhancer Mix # 0–127 Level of the overtones generated by the enhancer Enhancer Mix # 0–127 Level of the overtones generated by the enhancer Chorus Pre Delay 0.
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76: FLANGER g DELAY L in Balance D Feedback Flanger Balance D Balance W Balance W R in 77: CHORUS g FLANGER Balance D Delay Feedback Balance D L out L in Balance W Balance W Chorus Balance W R out Balance D Balance W R in Balance D Balance D Feedback Flanger Balance D L out Balance W Balance W R out Value Explanation Parameter Value Explanation Flanger Pre Delay 0.0–100 msec Adjusts the delay time from when the direct sound begins until the flanger sound is heard.
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78: SYMPATHETIC RESONANCE 79: VOCODER 3-Band EQ L in L out R out BYPASS, 16–15000 Hz Frequency of the filter that cuts the low-frequency content of the input sound (BYPASS: no cut) Peaking Freq 200–8000 Hz Frequency of the filter that boosts/ cuts a specific frequency region of the input sound Peaking Gain -15–+15 dB Amount of boost/cut produced by the filter at the specified frequency region of the input sound Peaking Q 0.5, 1.0, 2.0, 4.0, 8.
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Chorus Parameters NOTE If you specify the delay time as a note value, slowing down the tempo will not change the delay time beyond a certain length. This is because there is an upper limit for the delay time; if the delay time is specified as a note value and you slow down the tempo until this upper limit is reached, the delay time cannot change any further. This upper limit is the maximum value that can be specified when setting the delay time as a numerical value.
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Reverb Parameters These settings allow you to select the desired type of reverb, and its characteristics. Value LF Damp Freq 50–4000 Hz Adjusts the frequency below which the low-frequency content of the reverb sound will be reduced, or “damped.” LF Damp Gain -36–0 dB Adjusts the amount of damping applied to the frequency range selected with LF Damp. With a setting of “0,” there will be no reduction of the reverb’s low-frequency content.
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Synthesizer 4 (Other Settings) Utility (UTILITY) The Utility menu lets you back up your data and format a card . Displaying the UTILITY MENU 1. Press.the.[MENU].button . 2. Use.the.VALUE.dial.or.the.cursor.buttons.to.select. “5 ..Utility,”.and.press.the.[ENTER].button . Restoring JUNO-Gi Settings from SD Card (User Restore) Here’s how to restore backed-up user data from SD card into the JUNO-Gi . All user data will be rewritten when you execute the User Restore operation .
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You can initialize (format) USB memory . Here’s how to back up SD card data to your computer . If the USB memory contains important data that you’ve created, be aware that all of this data will be lost when you execute this operation . NOTE In.the.UTILITY.MENU.screen,.use.the.cursor.buttons.to.select. “USB.Mem.Format,”.and.press.the.[ENTER].button . A confirmation message will appear . In order to perform this procedure, you’ll need a computer and a commercially available SD card reader .
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System Settings (SYSTEM) Here you can make “System settings” that affect the operation of the entire JUNO-Gi, such as the tuning and how MIDI messages will be received. Press the [MENU] button. 2. Use the VALUE dial or the cursor buttons to select . “4. System,” and press the [ENTER] button. USB Audio To Computer Press one of the function buttons to select the setting that you want to edit. Button Explanation Page [1] (GENERAL) Settings for the entire JUNO-Gi p.
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Parameter LIGHT This sets the keyboard to a light touch . You can achieve fortissimo (ff ) play with a less forceful touch than MEDIUM setting, so the keyboard feels lighter . This setting makes it easier for children, whose hands have less strength . MEDIUM This sets the keyboard to the standard touch . HEAVY This sets the keyboard to a heavy touch . You have to play the keyboard more forcefully than MEDIUM setting in order to play fortissimo (ff ), so the keyboard touch feels heavier .
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Parameter . ontinuous. C Hold Value Explanation OFF, ON Determines whether the HOLD PEDAL jack will provide support for half-pedaling (ON), or not (OFF) . When this is set to support use of half-pedaling techniques, you can then connect an optional expression pedal (DP-10, etc .), and employ pedal work to achieve even finer control in performances in which piano tones are used .
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[4] (SYNC) Parameter [2] (PLAYER) Value Explanation REMOTE The JUNO-Gi’s USB memory song player will obey MIDI Start, Continue, and Stop messages from an external device, but will use its own keyboard tempo. System Menu [5] (D BEAM) [1] (GENERL) Parameter * If the Tempo Link is on, the JUNO-Gi cannot synchronize to an external MIDI device (p. 134). System Menu [4] (CLICK/PLAYER) Value Explanation This sets the D Beam controller’s sensitivity.
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Parameter Value [4] (ASSIGN) Explanation .Filter Parameter Type of filter OFF LPF (Low Pass Filter) BPF .Filter.Type (Band Pass Filter) HPF (High Pass Filter) PKG (Peaking Filter) No filter is used . This leaves only the frequencies in the region of the cutoff frequency, and cuts the rest . This emphasizes the frequencies in the region of the cutoff frequency . Frequency at which the filter begins to have an effect on the waveform’s frequency components .
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Overview Selecting Sounds Editing/Effects Synthesizer Perform.
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Digital Recorder 1 (Recording/Playing/Editing) Displaying the Digital Recorder Screen Displaying the RECORDER Screen 1. Number Name Explanation Indicator Press.the..[RECORDER.VIEW].button.so.it’s.lit . This is displayed when Repeat is enabled . 7 B This is displayed when you use the [REPEAT] B) button to specify the A–B region used (A by Repeat or Auto Punch In . It will blink when you specify the start time (A), and will display when you specify the end time (B) . A .
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Playing a Song Changing the Current Position You can use any of the following methods to change the current position within the song . Overview Selecting and Playing a Song (Song Select) When the JUNO-Gi is shipped from the factory, an SD card containing demo songs are installed . Here’s how to play these demo songs . In.the.RECORDER.screen,.press.the.[3].(MENU).button . 2. Use.the.VALUE.dial.or.the.cursor.buttons.to.select. “1 ..Song.Edit,”.and.press.the.[ENTER].button . Selecting Sounds 1.
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Muting Tracks Adjusting the Volume of the Tracks Track button operations Button .[ TRACK.1–4.5–8] [. RHYTHM. PATTERN] [1/5]–[4/8] Adjusting the volume of tracks 1–8 Status Explanation Unlit Controlling tracks 1–4 Lit red Controlling tracks 5–8 If the [TRACK 1–4 5–8] button is lit, you’ll be controlling tracks 5–8 .
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Adjusting the Pan, Reverb, and EQ (TRACK SETTING) 1. In.the.RECORDER.screen,.press.the.[4].(TRK.SET).button . R Rhythm Pattern 1–8 Track 1–8 .High.Gain -12–+12 dB Gain of the high range .High.Freq 400 Hz–16 kHz Frequency of the high range 1. Explanation [1].(EQ.SET). Accesses the equalizer setting screen (EQ SETTING) . [2].(ST.LINK). Enables Stereo Link . Use.the.cursor.buttons.to.select.to.the.parameter.that.you. want.to.set . 3. Use.the.VALUE.dial.or.the.[DEC].[INC].buttons.to.set.the.
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Playing Back Repeatedly (REPEAT) The “repeat” function lets you play back a specified region repeatedly . This function is useful when you want to check the mix balance repeatedly, or can be used in conjunction with punch-in/out to perform Loop Recording (p . 96) . Using the A–B SETTING Screen To Specify the Repeat Region 3. A–B SETTING screen will appear . Specifying the A–B Region 1. Hold.down.the.[SHIFT].button.and.press.the.[REPEAT].(A. . . B).button . Current Time Move.to.the.point.where.you.want.
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Recording Song Production Flow A general outline of the song production workflow is shown below. On the Digital Recorder, each of your compositions is managed as a “song.” You’ll need to create a song before you begin recording a new composition. In the RECORDER screen, press the [3] (MENU) button. 2. Use the VALUE dial or the cursor buttons to select . “1. Song Edit,” and press the [ENTER] button. 1. Create a new song (p. 91) 2. Specify the tempo, and select a Rhythm Pattern to play (p. 121) 3.
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Connecting the Equipment to Record and Adjusting the Input Level To the rear panel AUDIO INPUT jacks, connect the equipment that you want to record in the Digital Recorder . Connect your digital audio player or other audio device to the LINE jacks . Connect your microphone or guitar to the GUITAR/MIC jack as shown in the illustration . To adjust the level, use the [LEVEL] knob located at the left of the jacks .
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Selecting the Sound of the External Audio Input (AUDIO INPUT) If you want to record the sound from a guitar, microphone, line input, or USB audio, select the desired sound as follows . Here’s how to select the instrument you’ll be recording . 1. Overview Selecting an Instrument to Record (REC SOURCE SELECT) Press.the..[AUDIO.INPUT].button . The AUDIO INPUT SELECT window will appear . Selecting Sounds 2. If.you.want.to.record.your.Synthesizer.performance,.press. the..[KEYBOARD].button.so.it’s.lit .
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Recording Selecting stereo tracks for recording Entering normal mode 1. If INPUT is set to “KEYBOARD”, “LINE” or “USB” In.the.RECORDER.screen,.press.the.[1].(.MODE).button.a. number.of.times.to.select.Normal.mode . Since the input is stereo, this will normally be stereo recording using two tracks . If you press the TRACK [1] or [2] button, recording will take place in stereo on tracks 1 and 2 . Similarly if you press the [3] or [4] button, recording will take place in stereo on tracks 3 and 4 .
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Auto Punch-In/Out “Auto punch-in/out” is the method in which punch-in/ out begins automatically at the time locations you specify beforehand . During recording, you may sometimes play a wrong note or be unsatisfied with your performance . In such cases, you can punch-in/ out to re-record just a specific region of your performance . “Punch-in” is the action of switching from playback to recording while you play back a track .
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Repeatedly Recording the Same Region (Loop Recording) Canceling a Recording/Editing (Undo/Redo) “Loop recording” is when you use the Repeat function and the Auto Punch-In/Out function together to record repeatedly . Occasionally when the recording you make doesn’t turn out as you wish, or the settings you make for an editing operation are incorrect, and you want to reverse what you have done . At these times, you can use the “Undo function .
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Putting Multiple Tracks Together (BOUNCE Mode) 3. Play.back.the.song,.and.use.the.[MASTER].slider.to.adjust.the. master.level . Raise the volume level until it is as high as you can get it without causing the level meter to reach the maximum (the point at which distortion would occur) . Overview Although the JUNO-Gi allows the simultaneous playback of eight tracks, when you run out of tracks, the JUNO-Gi also lets you copy the recordings of multiple tracks together onto one track (V-Track) .
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Editing Selecting the RECORDER MENU 1. TRACK EDIT Menu (Editing a Track) These operations let you change the structure of your song by copying track data or moving it to another location. In the RECORDER screen, press the [3] (MENU) button. The Recorder Menu screen will appear. MEMO You can also access the Recorder Menu screen from the RECORDER screen by pressing the [MENU] button. 2. 3. Use the VALUE dial or the cursor buttons to select the menu, and press the [ENTER] button.
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1. Choose.Recorder.Menu.g.2 ..Track.Edit.g.Track.Copy. (p ..98) . Track Move (Moving Data) The TRACK COPY screen will appear . Specify.the.Source.Track,.Source.V-Track,.Start.and.End.for. the.Copy.operation,.and.press.the.[6].(NEXT).button . * Following.this.operation,.the.original.location.of.the.moved.data. will.be.empty.(containing.no.data) . Overview 2. This operation moves the data of the specified region (or the entire track) to another location .
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Track Erase (Erasing Data) Track Exchange (Exchanging Data) This operation erases data from the specified region . If you use this operation to erase data, any data located later than the erased data will not be moved forward . In other words, this operation is comparable to recording silence over an unwanted portion of recording tape . This operation exchanges data between two tracks . Example: Exchanging the entire contents of tracks 1 and 2 Track 1 * Don’t.leave.sounds.shorter.than.1 .0.seconds.
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Track Import (Importing an Audio File) MEMO You’ll need a commercially available SD card reader in order to perform this operation . 2. Insert.the.SD.card.into.the.JUNO-Gi,.and.switch.on.the. JUNO-Gi’s.power . 3. Choose.Recorder.Menu.g.2 ..Track.Edit.g.Track.Import. (p ..98) . 4. Turn.the.VALUE.dial.to.select.the.audio.fi.le.you.want.to. import . • By pressing the [5] (PREVIEW) button, you can audition the selected audio . • If you decide not to import, press the [EXIT] button .
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Track Export (Exporting Track Data to an Audio File) Here’s how track data recorded on a track can be converted to an audio file (WAV formats) . MEMO If you want to combine all tracks and export the result as a single audio file, execute the Mastering procedure as described in “Mastering (MASTERING Mode)” (p . 118) . Exported audio files About the file name Files created using the Track Export procedure are named as follows . (Ex .) T1_V1_01.WAV T34V8_99.
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SONG EDIT Menu Song Remove This operation removes a song from the SD card . This is a menu of song-related operations . Refer to “Selecting and Playing a Song (Song Select)” (p . 87) . 2. If.you.are.sure.you.want.to.remove.the.song,.press.the.[5]. (EXEC).button ..If.you.decide.not.to.remove.the.song,.press. the.[6].(CANCEL).button . If you remove the song that you’re currently using, another song on the SD card will be selected automatically . If no other song exists, a new song will be created .
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Song Protect Even after you’ve finished the work of creating a song, you could lose your song by accidentally recording over it or erasing it . To prevent such accidents, the Song Protect setting lets you protect a song so that it cannot be erased or modified . Saving the Current Settings to the Song (Song Write) The following content is saved as song data . • Mixer status (pan, etc .
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Digital Recorder 2 (Effects) Effects in the Recorder Section The Digital Recorder section includes three effects: Insert Effects, Reverb, and Mastering Tool Kit. Insert effects provide various types of effects driven by COSM technology. Reverb What is the COSM? Technology that simulates existing physical structures, materials, and the like using different, virtual means is called “modeling technology.
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Using Insert Effects Displaying the Recorder’s Effects Screen 1. Selecting an Insert Effect 1. In.the.recorder’s.eff.ects.screen,.press.the.[1].(INS.FX).button . The INSERT FX screen will appear . In.the.RECORDER.screen,.[6].(EFFECT).button . The recorder’s effects screen will appear . 2. Function Buttons Button Explanation Page [1].(INS.FX). Opens the INSERT FX screen . p . 106 [1].(MASTER). 2. (only in Mastering mode) Opens the Mastering Tool Kit . p . 118 [2].(REVERB).
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If you want to create a new effect sound, start by selecting an existing patch that’s close to the sound you want, then modify (edit) the patch settings. If you want to save the effect settings you’ve edited, save the patch as a user patch or song patch. 3. 1. 2. 3. 4. For the save procedure, refer to “Saving Insert Effects Settings (WRITE)” (p. 107).
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Changing the Location of the Insert Effects (LOCATION) Value Use this setting if you want to apply the effect to the overall sound, such as when using the effect to modify the sound during bounce-recording, or using the effect to achieve a special sound. By default, the insert effects are connected (inserted) directly after the input source. This means that you’ll be able to hear and record the sound processed by the effect. However, in some cases, you may wish to change this method of connection.
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Insert Effects Parameters * Their marks are used solely to identify the equipment whose sound is simulated. The algorithms (the available effects and their connection order) that can be used as the insert effects are shown below. The algorithms that can be selected will differ for each bank. This is a multi-effect designed for vocals. It provides the basic effects needed for vocals.
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AMP Parameter Value Explanation On/Off OFF, ON Turns the AMP OFF/ON. T-AMP R-FIER MS MODERN MS CLASSIC BG LEAD MATCH COMBO CRUNCH 110 Value Explanation BOSS DRIVE This is a drive sound producing awesome distortion. SLDN This models a Soldano SLO-100, a very popular tube amp in the 1980s. LEAD STACK This is a lead sound with high gain. HEAVY LEAD A powerful lead sound featuring extreme distortion. Explanation BOSS CLEAN This is a clean sound that is smooth and warm.
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Parameter Value Explanation This setting selects the simulated microphone type. This is the sound of the SENNHEISER MD-421, a dynamic microphone with extended low end. CND451 This is the sound of the AKG C451, a smalldiaphragm condenser microphone for use with instruments. CND87 This is the sound of the NEUMANN U87, a large-diaphragm condenser microphone with flat response. FLAT Simulates a microphone with perfectly flat response.
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FX BLUES Parameter Value Explanation On/Off OFF, ON Turns FX OFF/ON. FX Explanation This effect distorts the sound to create long sustain. OD/DS WAH COMPRESSOR LIMITER OCTAVE AC.PROCESSOR (AC.PRO) Select the type of distortion with TYPE, then use DRIVE to adjust the amount of distortion. If you set “Control Pedal Assign” (p. 81) to “INSERT FX CTRL,” you can use an expression pedal connected to the PEDAL CONTROL jack to control wah.
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WAH Value Explanation Selects the wah mode. Mode MANUAL T.DOWN Explanation 0–100 This sets the sustain for the sound. If you set “Control Pedal Assign” (p. 81) to “INSERT FX CTRL,” you can use an expression pedal connected to the PEDAL CONTROL jack to control wah. Attack 0–100 This sets the attack (onset) of the sound. Level 0–100 This sets the volume level of the effect. This produces a wah effect matched to the intensity of picking.
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PHASER Parameter ROTARY Value Explanation Selects the number of stages that the phaser effect uses . 4 STAGE This is a four-phase effect . A light phaser effect is obtained . 8 STAGE This is an eight-phase effect . This is the most common phaser effect . 12 STAGE This is a twelve-phase effect . A deep phase effect is obtained . BI-PHASE This is the phaser with two phase shift circuits connected in series . Rate 0–100, BPM This sets the speed of the effect .
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DELAY REVERB Value Explanation Parameter Value Explanation On/Off OFF, ON Turns the DELAY OFF/ON. On/Off OFF, ON Turns the REVERB OFF/ON. Use this to choose the type of delay. The direct sound is output from the left channel, and the effect sound is output from the right channel. REVERSE This produces the effect of playback in reverse. ANALOG This produces a mild analog delay sound. TAPE This setting provides the characteristic wavering sound of a tape echo.
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COMPRESSOR Parameter ENHANCER Value Explanation On/Off OFF, ON This parameter turns the compressor effect on/off. Sustain 0–100 This sets the sustain for the sound. Attack 0–100 This sets the attack (onset) of the sound. Level 0–100 This sets the volume level of the effect. Parameter Value Explanation On/Off OFF, ON This parameter turns the enhancer effect on/off. Sens 0–100 Adjusts the manner in which the enhancer will be applied relative to the input signals. Freq 1.0–10.
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Using Reverb Effect Here we will explain how to edit the reverb settings (parameters) . 1. In.the.RECORDER.screen,.press.the.[6].(EFFECT).button . 2. Press.the.[2].(REVERB).button . The recorder’s effects screen will appear . Parameter Value Explanation Use this to choose the type of reverb . 3. Use.the.cursor.buttons.to.move.the.cursor.to.the.Type.fi.eld,. and.use.the.VALUE.dial.or.[DEC].[INC].buttons.to.choose.the. type . Simulates the reverberation in a small room .
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Mastering (MASTERING Mode) You can apply the “Mastering Tool Kit” to those two tracks (or stereo) to optimize the level (volume) of your completed song . And you can convert mastering data into an audio file . 4. Use.the.cursor.buttons.and.the.VALUE.dial.or.the.[DEC].[INC]. buttons.to.select.the.desired.patch.for.the.Mastering.Tool. Kit .
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MEMO • You can audition an exported WAV file in the TRACK IMPORT screen (p . 101) by pressing the [5] (PREVIEW) button . 1. The MASTERING PATCH NAME screen will appear . 2. 3. 1. In.the.RECORDER.screen,.press.the.[6].(EFFECT).button . 4. 2. In.the.recorder’s.eff.ects.screen,.press.the.[1].(MASTER). button . Press.the.[1].(USER).or.[2].(SONG).button.to.select.the. save-destination.group . Explanation USER Patches saved in internal memory Press.the.[5].(EDIT).button .
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Mastering Tool Kit Parameters Algorithm Parameter The Mastering Tool Kit’s algorithms are composed from the following effects . Algorithm Explanation Input This divides the original sound into three frequency ranges: low, mid, and high . 3BANDCOMP. (Compressor). This compresses the overall output signal when the input volume level exceeds a set value . Mixer Adjusts the volume of each frequency band . Limiter This suppresses high-level signals to prevent distortion .
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Digital Recorder 3 (Rhythm Pattern) Playing a Rhythm Pattern The JUNO-Gi provides a dedicated rhythm track in addition to its audio tracks 1–8 . What is an arrangement? You could let a certain pattern repeat endlessly and practice along with it, just as though you were playing along with a metronome . However, using just a single pattern from the beginning of the song to its end would make the rhythm rather boring! Rhythm.
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Displaying the RHYTHM PATTERN screen 1. 1. In.the.RHYTHM.PATTERN.screen,.use.the.cursor.buttons.to. move.the.cursor.to.the.“ =”.(Recorder.Tempo).fi.eld . 2. Use.the.VALUE.dial.or.the.[DEC].[INC].button.to.set.the. recorder.tempo . In.the.RECORDER.screen,.press.the.[5].(RHYTHM).button . MEMO The RHYTHM PATTERN screen will appear . You can also set the recorder tempo in the TEMPO window that appears when you press the [TEMPO] button (p . 32) .
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Placing Patterns to Create an Arrangement (ARRANGE EDIT) Here’s how to create an arrangement by placing patterns in the desired order from the intro through the ending . The arrangement you create is saved in the song . 1. In.the.RHYTHM.PATTERN.screen,.press.the.[1].(ARG.EDIT). button . A confirmation message will appear . 2. 3 4 DELETE STEP This operation deletes an unwanted step, and joins the two sections .
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Editing a Pattern (PATTERN EDIT) In addition to using the patterns that are provided, you are also free to create your own patterns . Your edited content can be saved either as a user pattern or a song pattern . Displaying the PATTERN EDIT screen 1. In.the.RHYTHM.PATTERN.screen,.press.the.[2].(PTN.EDIT). button . SETUP (Specify the Time Signature and Length) Here’s how to specify the time signature and length of the pattern . 1. In.the.PATTERN.EDIT.screen,.press.the.[1].(SETUP).button . 2. Use.the.
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Entering Notes Use the cursor buttons to move the cursor to the location at which you want to enter a note. A pattern you create is temporary, and will be lost if you turn off the power or select another pattern. You can also specify the pitch by playing a key on the keyboard If you want to keep a pattern you’ve created, you must save it in internal user memory or song memory. (same result as cursor [ 2. ][ ] buttons). NOTE Press the [INC] or [ENTER] button to enter the note.
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Importing SMF on Your Computer to a Rhythm Pattern (IMPORT) You can create your own original Rhythm Pattern by importing SMF on your computer. MEMO You’ll need a commercially available SD card reader in order to perform this procedure. 1. Using your computer and a commercially available SD card reader, copy your Standard MIDI File (.MID) into the SD card’s “/ROLAND/IMPORT” folder. 2. Insert the SD card into the JUNO-Gi, and switch on the JUNO-Gi’s power. 3. Press the [RECORDER VIEW] button. 4.
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Overview Selecting Sounds Editing/Effects Synthesizer Perform.
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Playing Song Files from USB Memory The USB Memory Song Player is able to play audio files (WAV, MP3, AIFF) or Standard MIDI Files (SMF) that you’ve copied from your computer to USB memory . Insert the USB Memory 1. Copying Song Files from Your Computer to Usb Memory Insert.your..USB.memory.into.the.USB.MEMORY.slot.as. shown.in.the.illustration.below . Insert.USB.Memory You’ll need to copy the audio files from your computer to the root level of your USB memory . Copy.to.a.USB.
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3. Press.the..[PLAY/STOP].button.to.play/stop.the.song . Detailed Settings for Center Cancel You can choose from types of the center cancel function . 2. Use.the.cursor.buttons.to.move.the.cursor.to.the.“Center. Cancel.Type”.fi.eld . 3. Use.the.VALUE.dial.or.the.[DEC].[INC].buttons.to.set.the. Center.Cancel.Type . • If you press the [PLAY/STOP] button during playback, it will stop . Parameter • If you press the [PLAY/STOP] button once again, playback will resume from where it was stopped . Press.
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Using the Included USB Memory Protector You can use the included USB memory protector to prevent theft of the USB memory connected to the JUNO-Gi. NOTE • You must use the included screws. • You must use the included Allen wrench to tighten or remove the screws. Using a tool that does not match the screw heads will damage them. • Be careful not to over-tighten the screws. Doing so may damage the screw’s head, causing the wrench to rotate uselessly. • To tighten the screws, turn the Allen wrench clockwise.
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Overview Selecting Sounds Editing/Effects Synthesizer Perform.
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Connecting to Your Computer via USB If you use a commercially available USB cable to connect the JUNO-Gi’s rear panel USB COMPUTER connector to a USB connector on your computer, you’ll be able to do the following things . What is the USB driver? The USB driver is software that transfers data between the JUNO-Gi and the application (e .g ., DAW software) on your computer when the JUNO-Gi is connected via USB to your computer .
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Connecting an External MIDI Device About MIDI Specifying the Transmit Channel Set the JUNO-Gi’s transmit channel so it matches the channel your external MIDI device is using for reception . In.the.MIDI.CONTROLLER.screen,.use.the.cursor.buttons.to. move.the.cursor.to.the.“MIDI.Ch”.value . 2. Use.the.VALUE.dial.or.the.[DEC].[INC].buttons.to.set.the. value . About MIDI Connectors Value 1–16 MEMO For details on how to set the receive channel of your external MIDI device, refer to its owner’s manual .
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Playing the JUNO-Gi from an External MIDI Device Synchronizing with an External MIDI Device Connection example Connection example MIDI.keyboard MIDI.device MIDI OUT connector MIDI OUT connector JUNO-Gi MIDI IN connector MIDI IN connector JUNO-Gi MIDI OUT connector Setting the Receive Channel You’ll need to match your external MIDI device’s transmit channel with the JUNO-Gi’s receive channel . 1. Press.the.[MENU].button . 2. Use.the.VALUE.dial.or.the.cursor.button.to.select.“4 ..System”. and.
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Using the Keyboard to Control Images (V-LINK) What is V-LINK? V-LINK Settings Press.the.[V-LINK].button.to.access.the.V-LINK.screen . 2. Use.the.cursor.buttons.to.move.the.cursor.to.the.parameter. you.want.to.edit . For example if you use the JUNO-Gi in conjunction with EDIROL P-10, you’ll be able to do the following things . 3. Use.the.VALUE.dial.or.the.[DEC].[INC].buttons.to.set.the. value . The V-LINK screen will appear . • Use the JUNO-Gi’s keyboard (the far-left octave) to switch images .
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Chord Memory List 01: Pop 1 Assign Key C C# D D# E F F# G G# A A# B 06: Blues Chord Name Cadd9 C#maj9 D-7 D#maj7 Cadd9 (on E) Fmaj9 Dadd9 (on F#) Cadd9 (on G) F-6 (on Ab) F (on A) G- (on Bb) G (on B) Constituent Notes of Chord Forms C3, G3, D4, E4 C#3, C4, D#4, F4 D3, F4, A3, C4 D#3, A#3, D4, G4 E3, C4, D4, G4 F2, A3, E4, G4 F#2, A3, D4, E4 G2, D4, E4, G4 G#2, C4, D4, F4 A2, A3, C4, F4 A#2, A#3, D4, G4 B2, B3, D4, G4 02: Pop 2 Assign Key C C# D D# E F F# G G# A A# B Chord Name Cmaj9 C#dim7 D-9 D#dim7 E-
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11: Pop Min 2 16: 5th Stack Constituent Notes of Chord Forms C3, D4, D#4, G4 C#3, A#3, D#4, G4 D3, G#3, C4, F4 D#3, A#3, D4, G4 E3, G#3, D#4, F#4 F2, G#3, D#4, G4 F#2, A3, C4, D#4 G2, F3, B3, D#4 G#2, C4, D#4, G4 A2, C4, D#4, G4 A#2, C4, D#4, G4 B2, D4, D#4, G4 12: Jazz Min 1 Constituent Notes of Chord Forms C3, A#3, D#4, F4 C#3, F3, B3, E4 D3, C4, F4, G#4 D#3, B3, D4, G4 E2, G#3, D4, F#4 F2, A3, D#4, G4 F#2, A3, C4, D#4 G2, B3, F4, A#4 G#2, C4, D4, G4 A2, C4, D#4, G4 A#2, G#3, C#4, F4 B2, G#3, D4, F4 Co
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Error Message List If an incorrect operation is performed, or if processing could not be performed as you specified, an error message will appear . Refer to the explanation for the error message that appears, and take the appropriate action . Message Meaning Action Battery.Low! The battery has run down . Recharge the batteries, or use an AC adaptor . Cannot.Erase! If only step 1 remains, no further steps can be erased . No further steps can be erase . Cannot.
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Message Meaning Action SD Card Locked! Writing or erasure are not possible because the SD card is locked. Turn off the power, remove the SD card, and unlock it. USB Memory Not Ready! USB Memory Read Error! The SD card or USB memory was removed after you selected data that was on the SD card or USB memory. Turn off the power, firmly insert the SD card or USB memory, and then turn on the power once again. Failed to load data from SD card/USB memory.
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Troubleshooting Problem Items to check Action Overall problems Power turns off by itself Check the system setting “Auto Power Off” (p. 80). The JUNO-Gi’s power will automatically be switched off if no operation has been performed for a certain length of time (with the factory setting, the power will turn off after 240 minutes). If you want the power to remain on constantly, set the system setting “Auto Power Off” (p. 80) to “OFF.
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Action Could effects be applied? Since the JUNO-Gi’s internal effects are stereo, applying an insert effect will allow effect sound to be heard from the opposite side even if the source sound is panned all the way to one side. Notes played in a high register sound funny When you play high notes on the JUNO-Gi, you might hear notes that fail to sound, whose pitch fails to rise, or a noise that changes depending on the note you play (a warbling, chirping, rustling, beeping, etc.
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Problem Items to check Action Problems with a microphone or external device you’re recording No sound or insufficient sound from the microphone Insufficient volume from a device connected to the JUNO-Gi Is the microphone cable connected correctly? Check the connection. Is a condenser microphone connected? Set the phantom power supply appropriately (p. 92). Could the mic level be lowered? Check the rear panel MIC IN [LEVEL] knob. Could the AUDIO INPUT SELECT setting have been turned off? (p.
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Specifications JUNO-Gi: Synthesizer Keyboard (Conforms to General MIDI 2 System) Keyboard Others 61 keys (with velocity) Sound Generator Section Preset: 371 Rhythm Pattern 128 voices Parts Live Set (4 layers) +16 parts Wave Memory 128 M bytes (16-bit linear equivalent) Song (Digital Recorder): 99 Arpeggiator Chord Memory Live Set: 1,379 Tone: 788 + 256 (GM2) Effects Controllers Live Set: 256 240 x 64 dots graphic LCD (with backlit) External Memory SD/SDHC Card OUTPUT Jacks (L/MONO, R) (1/4
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MIDI Implementation Chart Date : June 1, 2010 Version : 1.00 Model JUNO-Gi Transmitted Function...
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Index A O octave. . . . . . . . . . . . . . . . . . . . . . . . . . 27 OCTAVE. . . . . . . . . . . . . . . . . . . . . . . . 113 OCTAVE [DOWN] [UP] button. . . . 27 Octave Shift . . . . . . . . . . . . . . . . . . . . 36 OFFSET. . . . . . . . . . . . . . . . . . . . . . . . . 37 On/Off. . . . . . . . . . . . . . . . . . . . . . . 81, 89 Osc1. . . . . . . . . . . . . . . . . . . .
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PATTERN EDIT screen. . . . . . . . . . . 124 PEAK indicator. . . . . . . . . . . . . . . . . . 92 pedal. . . . . . . . . . . . . . . . . . . . . . . . . . . 30 PEDAL. . . . . . . . . . . . . . . . . . . . . . . . . . 81 P-Env Depth. . . . . . . . . . . . . . . . . . . . 40 P-Env Level0. . . . . . . . . . . . . . . . . . . . 40 P-Env Level1. . . . . . . . . . . . . . . . . . . .
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USING THE UNIT SAFELY Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly. • Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are • Damp (e.g.
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IMPORTANT NOTES Power Supply Using SD cards/USB memories Additional Precautions • Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise.
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For China Overview Selecting Sounds Editing/Effects Synthesizer Perform.
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For the USA Model Name : Type of Equipment : Responsible Party : Address : Telephone : DECLARATION OF CONFORMITY Compliance Information Statement JUNO-Gi Synthesizer Keyboard Roland Corporation U.S. 5100 S. Eastern Avenue, Los Angeles, CA 90040-2938 (323) 890-3700 For EU Countries This product complies with the requirements of EMC Directive 2004/108/EC.