Owner`s manual

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Owner’s Manual

LIVE MIXING CONSOLE M-200i Owner’s Manual

* 5 1 0 0 0 3 0 7 9 2 - 0 3 *

Before using this unit, carefully read the sections entitled: “USING

THE UNIT SAFELY” (p. 3–5), and “IMPORTANT NOTES” (p. 6–7).

These sections provide important information concerning the proper

operation of the unit. Additionally, in order to feel assured that you

have gained a good grasp of every feature provided by your new unit,

Owner’s manual should be read in its entirety. The manual should be

saved and kept on hand as a convenient reference.

● MMP (Moore Microprocessor Portfolio) refers to a patent portfolio concerned with microprocessor architecture, which was

developed by Technology Properties Limited (TPL). Roland has licensed this technology from the TPL Group.

● This product is using the open source license (GPL/LGPL) software. You have the right to acquire, modify and distribute the source

code for this open source license software. You can obtain the open source license source code used in this product by downloading

it from the following website:

URL:http://www.roland.com/support/gpl/

● Roland, REAC, V-Mixer are either registered trademarks or trademarks of Roland Corporation in the United States and/or other

countries.

●

Cakewalk and SONAR are either registered trademarks or trademarks of Cakewalk, Inc. or Roland Corporation in the United States

and/or other countries.

● Company names and product names appearing in this document are registered trademarks or trademarks of their respective

owners.

● Apple, Macintosh, Mac OS, the Mac logo, iPad are either registered trademarks or trademarks of Apple Inc.

● “Made for iPad” means that an electronic accessory has been designed to connect specifically to iPad, and has been certified by the

developer to meet Apple performance standards. Apple is not responsible for the operation of this device or its compliance with

safety and regulatory standards. Please note that the use of this accessory with iPad may affect wireless performance.

Summary of content (149 pages)

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LIVE MIXING CONSOLE M-200i Owner’s Manual Owner’s Manual ● MMP (Moore Microprocessor Portfolio) refers to a patent portfolio concerned with microprocessor architecture, which was developed by Technology Properties Limited (TPL). Roland has licensed this technology from the TPL Group. ● This product is using the open source license (GPL/LGPL) software. You have the right to acquire, modify and distribute the source code for this open source license software.
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M-200i_e.book 3 ページ２０１３年６月２８日金曜日午後１時２７分 USING THE UNIT SAFELY About WARNING and CAUTION Notices About the Symbols The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger. Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
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M-200i_e.book 4 ページ２０１３年６月２８日金曜日午後１時２７分 011 016 Don’t allow foreign objects or liquids to enter unit; never Do not use overseas place containers with liquid on unit ● Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” leaflet. ● Do not place containers containing liquid (e.g., flower vases) on this product. Never allow foreign objects (e.g.
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M-200i_e.book 5 ページ２０１３年６月２８日金曜日午後１時２７分 101b 110b Place in a well ventilated location If there is a possibility of lightning strike, disconnect the AC ● The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation. adaptor from the outlet .................................................................................................................................
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M-200i_e.book 6 ページ２０１３年６月２８日金曜日午後１時２７分 IMPORTANT NOTES Power Supply 301 ● Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise.
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M-200i_e.book 7 ページ２０１３年６月２８日金曜日午後１時２７分 IMPORTANT NOTES 558a ● To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you. ● USB memory (USB flash Memory and USB flash drive) does not work via USB hub. 559a ● We recommend to format USB memory (USB flash Memory and USB flash drive) before doing mixing operation on the M200i.
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M-200i_e.book 8 ページ２０１３年６月２８日金曜日午後１時２７分 Contents Introduction ................................................................................................. 11 Contents Check the included items .....................................................................................................................................................11 Conventions used in this manual ............................................................................................................................
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M-200i_e.book 9 ページ２０１３年６月２８日金曜日午後１時２７分 Contents DCA groups .................................................................................................. 60 Contents About DCA groups..................................................................................................................................................................60 Accessing the DCA GROUP screen .........................................................................................................................
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M-200i_e.book 10 ページ２０１３年６月２８日金曜日午後１時２７分 Contents User Preference settings ............................................................................. 94 Contents USER PREFERENCE screen.....................................................................................................................................................94 Editing the user fader layers .......................................................................................................................................
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M-200i_e.book 11 ページ２０１３年６月２８日金曜日午後１時２７分 Introduction Check the included items • The M-200i itself • Power cord * Use only the power cord that was included with the M-200i. • AC Adaptor • DOCK cable • Tablet Stand • Owner’s manual (the document you’re reading) Conventions used in this manual 985 The explanations in this manual include illustrations that depict what should typically be shown by the display.
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M-200i_e.book 12 ページ２０１３年６月２８日金曜日午後１時２７分 Introduction Ethernet connectors Ethernet cables use RJ45 plugs. REAC equipment provides an RJ45 connector for each REAC port. Introduction fig.RJ45andREAC-j.eps REAC connections Here is a typical example of connections using the S-1608. When connecting REAC devices to each other, the REAC mode of one device must be set to REAC master, and the REAC mode of the other must be set to REAC slave.
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M-200i_e.book 13 ページ２０１３年６月２８日金曜日午後１時２７分 Introduction Placement It is possible to adjust the angle of the iPad with the included iPad stand. About the REAC caps When the M-200i is shipped from the factory, a REAC cap is attached to the REAC port. In order to use REAC port, you’ll need to remove the REAC cap. Take care not to lose the REAC caps you remove. fig.connection.
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M-200i_e.book 14 ページ２０１３年６月２８日金曜日午後１時２７分 Introduction Attaching the power cord hook When installing in a Rack Introduction 1. As shown in the illustration, fit the power cord hook over the power cord. When installing in a Rack, the M-200i should be used only with the optional rackmount angle brackets, RA-10U. fig.cord-hook1.eps RA-10U Included items • Rackmount angles (two) • Screws (eight) • Hex key * Assembly requires a Phillips screwdriver (not included). How to Attach 1.
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M-200i_e.book 15 ページ２０１３年６月２８日金曜日午後１時２７分 Introduction If you move the cursor to 8 HOURS (ENABLE “AUTO OFF”) and press [ENTER], the auto off function is kept enabled. Turning the power on/off This screen will not appear if the auto off function is turned “OFF” Once the connections have been completed, turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices. 5.
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M-200i_e.book 16 ページ２０１３年６月２８日金曜日午後１時２７分 Introduction ig.battery-panel2.eps Introduction About the internal lithium battery The M-200i has an internal lithium battery that backs up the clock function and the mixer settings. If this battery runs down, the clock function and the feature that provides for the reinstatement of the mixer settings that existed prior to switching off the power will no longer operate correctly.
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M-200i_e.book 17 ページ２０１３年６月２８日金曜日午後１時２７分 Explanation of the panels Top panel/Front panel fig.TopPanelGuide.eps Explanation of the panels 6 4 14 7 5 9 3 10 8 1 11 2 12 13 1 Fader module section p. 18 2 LAYER section p. 18 3 Main fader module p. 19 4 Display p. 19 5 CHANNEL EDIT section p. 19 6 DISPLAY section p. 20 7 Screen controller section p. 20 8 SENDS ON FADER section p. 21 9 SOLO CLEAR button p. 21 10 TALKBACK ON button p. 21 11 USER button section p.
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M-200i_e.book 18 ページ２０１３年６月２８日金曜日午後１時２７分 Explanation of the panels 1 Fader module section Explanation of the panels fig.FaderModSectGuide.eps 2 LAYER section fig.LayerSectGuide.eps 1 1 2 2 3 3 4 5 4 This section lets you select the channel layer to be assigned to the fader module section. The button of the currently assigned channel layer lights up. 1 USER2 layer button 2 USER1 layer button 5 These assign user fader layer 1 or user fader layer 2 to the fader module section.
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M-200i_e.book 19 ページ２０１３年６月２８日金曜日午後１時２７分 Explanation of the panels 3 Main fader module 4 Display fig.MainFaderModGuide.eps This display indicates the mixer parameters and system settings, as well as displaying a list of the meters. 1 5 CHANNEL EDIT section 5 fig.DisplayGuide.eps 1 3 2 3 5 4 In this section, you can access the respective screens for working with the parameters of the currently selected channel. 4 1 EDIT button This button accesses the CHANNEL EDIT screen.
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M-200i_e.book 20 ページ２０１３年６月２８日金曜日午後１時２７分 Explanation of the panels 6 DISPLAY section 7 SCENE button This button accesses the SCENE screen, where you manage the scene list. Explanation of the panels fig.FunctionSectGuide.eps 1 2 3 4 5 6 7 8 “Scene memory” (p. 74) 8 USB REC button This button accesses the RECORDER screen for making recorder settings and managing the song list. “USB memory recorder” (p.
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M-200i_e.book 21 ページ２０１３年６月２８日金曜日午後１時２７分 Explanation of the panels 8 SENDS ON FADER section 12 PHONES jacks fig.MeterBtn.eps You can connect a set of headphones to these jacks, and use them to monitor the MONITOR L/R audio signal.
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M-200i_e.book 22 ページ２０１３年６月２８日金曜日午後１時２７分 Explanation of the panels Rear panel fig.RearPanelGuide.eps 10 11 8 Explanation of the panels 4 5 6 7 13 9 14 1 12 1 3 18 17 22 2 16 15 1 INPUT jacks p. 23 2 ASSIGNABLE OUTPUT jacks p. 23 3 MAIN OUTPUT jacks p. 24 4 AES/EBU OUT jack p. 24 5 REAC port p. 24 6 LAN connector p. 24 7 USB MEMORY connector p. 24 8 USB WLAN ADAPTOR connector p. 24 9 USB COMPUTER connector p. 24 10 Security slot p.
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M-200i_e.book 23 ページ２０１３年６月２８日金曜日午後１時２７分 Explanation of the panels 1 INPUT jacks 2 ASSIGNABLE OUTPUT jacks fig.ConsInJackGuide.eps fig.ConsOutJackGuide.eps 2 1 3 2 1 ASSIGNABLE OUTPUT 1 – 6 jacks These are balanced XLR-3-32 male output jacks for outputting analog audio signals. By default, AUX1 through 6 are patched to these jacks. 1 INPUT 1 – 16 jacks 922 These are balanced XLR-3-31 female input jacks for inputting analog audio signals from microphones or line level equipment.
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M-200i_e.book 24 ページ２０１３年６月２８日金曜日午後１時２７分 Explanation of the panels 3 MAIN OUTPUT jacks 6 LAN connector fig.REACPortGuide.eps Explanation of the panels You can use this connector to attach a Wireless LAN router for connection to an iPad. These are balanced XLR-3-32 male output jacks for outputting analog audio signals. By default, MAIN L/R is patched to these jacks. “LAN setting” (p. 101) 7 USB MEMORY connector This connector is for attaching a USB flash drive.
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M-200i_e.book 25 ページ２０１３年６月２８日金曜日午後１時２７分 Explanation of the panels 13 DOCK CABLE connector Connecting an iPad to the unit using the included dock cable lets you control the unit remotely from the iPad. 17 Use this to supply power from a connected AC adapter (PSB-14U). Charging starts automatically when an iPad is connected. BATTERY slot This slot contains a lithium battery that maintains the M-200i’s clock function and preserves the mixer settings.
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M-200i_e.book 26 ページ２０１３年６月２８日金曜日午後１時２７分 Basic operation Basic panel operations Basic operation Selecting the channel layer Use the buttons of the LAYER section to select the channel layer to be controlled by the fader module section.
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M-200i_e.book 27 ページ２０１３年６月２８日金曜日午後１時２７分 Basic operation Screen operations Basic screen structure Button operations Buttons on the screen are used to turn a function on or off, to execute a command, or to access a screen. To operate a button, move the cursor to the desired button and press [ENTER]. Basic operation ON/OFF buttons These are used to turn a parameter or function on or off.
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M-200i_e.book 28 ページ２０１３年６月２８日金曜日午後１時２７分 Basic operation List operations Copying channel settings to the clipboard Channel settings can be saved on the clipboard. 1. At the editing screen for the desired channel, access the Basic operation FUNCTION screen. The selected item in a list is highlighted. Use the up/down keys or the value dial to select a different item. An item that has an accessible screen with more detailed settings is displayed with an arrow as shown in the figure above.
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M-200i_e.
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M-200i_e.book 30 ページ２０１３年６月２８日金曜日午後１時２７分 Basic operation Library operations You can store settings for many of the functions of the M-200i using LIBRARIES. 2. Verify that the desired channel, effect, or patchbay is displayed. 3. At the library data list, select the desired number, then press [ENTER]. A popup appears. There are libraries for: Basic operation • Channels • Buses • Gates • Compressors • Limiters • EQ • Effects • Input Patchbay settings 4.
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M-200i_e.book 31 ページ２０１３年６月２８日金曜日午後１時２７分 Basic operation Storing data to a library 1. Access the desired LIBRARY screen. A message prompting you to confirm the operation is displayed. 7. Pressing the [ENTER] button stores the data to the library and closes the popup. Pressing [EXIT] cancels the library data-store operation. 2. Verify that the desired channel, effect, or patchbay is displayed. 3. At the library data list, select the desired number, then press [ENTER]. A popup appears. 4.
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M-200i_e.book 32 ページ２０１３年６月２８日金曜日午後１時２７分 Basic operation Locking/unlocking library data You can lock user data to prevent from being accidentally overwritten. Clearing data from a library 1. Access the desired LIBRARY screen. Basic operation 1. Access the desired LIBRARY screen. 2. Verify that the desired channel, effect, or patchbay is displayed. 2. Verify that the desired channel, effect, or patchbay is displayed. 3. At the library data list, select the desired number, then 3.
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M-200i_e.book 33 ページ２０１３年６月２８日金曜日午後１時２７分 Basic operation Editing the name of library data You can assign a name of up to twelve characters to user data. 1. Access the desired LIBRARY screen. displayed. 3. At the library data list, select the desired number, then press [ENTER]. A popup appears. This section describes operations common to the NAME EDIT screens. Basic operation 2. Verify that the desired channel, effect, or patchbay is Editing a name 1.
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M-200i_e.book 34 ページ２０１３年６月２８日金曜日午後１時２７分 Input channel operations About the input channels The input channels process the audio signals from the input jacks and internal ports, and send them to the MAIN, AUX, and MTX buses. fig.InBlkDia.
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M-200i_e.book 35 ページ２０１３年６月２８日金曜日午後１時２７分 Input channel operations Accessing the CHANNEL EDIT screen 1. In the LAYER section, press [CH1-16] or [CH17-32] to assign the input channels to the fader module section. 2. In the fader module section, press [SEL] to select the desired input channel. 2 PAD button This turns the pad on/off. Turning this on lowers the input sensitivity of the preamp by 20 dB. The preamp circuit in the M-200i has no pad.
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M-200i_e.book 36 ページ２０１３年６月２８日金曜日午後１時２７分 Input channel operations 3 Dynamics 6 Fader 1 GATE button Input channel operations This turns the gate/expander on/off. For information on editing gate/expander parameters, refer to “Gate/expander operations” (p. 44). 2 COMP button This turns the compressor on/off. This adjusts the send level to MAIN in a range of -Inf dB to +10.0 dB. You can make more-detailed settings by holding down [FUNC] and operating the value dial.
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M-200i_e.book 37 ページ２０１３年６月２８日金曜日午後１時２７分 Input channel operations CHANNEL FUNCTION screen 1. Access the CHANNEL EDIT screen for the desired channel. 2. Press [FUNC] to access the CHANNEL FUNCTION screen. Stereo-linking channels Adjacent odd-numbered and even-numbered channels can be stereo-linked so that their parameters have the same settings. This is convenient when you’re dealing with stereo sources. 1. Access the CHANNEL FUNCTION screen for the channel that you want to stereo-link. 2.
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M-200i_e.book 38 ページ２０１３年６月２８日金曜日午後１時２７分 Input channel operations Changing the patching for a channel You can change the patchbay setting for a selected channel. 1. Access the CHANNEL FUNCTION screen for the desired channel. 2. Move the cursor to “PATCHBAY” and press [ENTER]. Selecting the position from which the channel’s signal is sent as the direct out signal 1. Access the CHANNEL FUNCTION screen for the desired channel. Input channel operations 2.
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M-200i_e.book 39 ページ２０１３年６月２８日金曜日午後１時２７分 AUX, MTX, MAIN operations About AUX, MTX, MAIN The AUX and MAIN process the mixed audio signals from the input channels, and send them to the output ports. MTX (MATRIX) process a mix of the audio signals from input channels, AUX1-8, and MAIN, and send them to the output ports. fig.OutBlkDia.
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M-200i_e.book 40 ページ２０１３年６月２８日金曜日午後１時２７分 AUX, MTX, MAIN operations • ATT (Attenuator) This adjusts the input level. • EXT FX INSERT (External Effect insert) These ports let you use the rear panel INPUT17–20 and ASSIGNABLE OUTPUT 7-10 ports to insert external effects processors. • FX INSERT (Effect insert) These ports let you insert FX1–FX4. • GEQ INSERT Accessing the CHANNEL EDIT screen 1. In the LAYER section, press [AUX/MTX] to assign the output channels to the fader module section. 2.
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M-200i_e.book 41 ページ２０１３年６月２８日金曜日午後１時２７分 AUX, MTX, MAIN operations CHANNEL EDIT screen 5 EQ 1 Attenuator 1 EQ graph This shows the approximate response of the EQ. 1 ATT knob 2 EQ button This turns the 4-band EQ on/off. 2 Overload indicator This will light when the output of the attenuator exceeds the OVER LEVEL setting specified in the METER FUNCTION screen (p. 59). For information on editing 4-band EQ parameters, refer to “4band EQ operations” (p. 55).
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M-200i_e.book 42 ページ２０１３年６月２８日金曜日午後１時２７分 AUX, MTX, MAIN operations 8 Channel meter CHANNEL FUNCTION screen 1. Access the CHANNEL EDIT screen for the desired channel. 2. Press [FUNC] to access the CHANNEL FUNCTION screen. AUX, MTX, MAIN operations This indicates the signal level of the channel. For a stereolinked channel, two meters (L and R) are shown. The level detection point is according to the setting in the METER screen. For details, refer to “Metering” (p. 59).
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M-200i_e.book 43 ページ２０１３年６月２８日金曜日午後１時２７分 AUX, MTX, MAIN operations Stereo-linking AUX/MTX You can stereo-link adjacent odd-numbered and even-numbered AUX/MTX so that their parameters have the same settings. This is convenient when you want stereo output. 1. Access the CHANNEL FUNCTION screen for the AUX/MTX that you want to stereo-link. Changing the patching for a channel You can change the patchbay setting for a selected channel. 1. Access the CHANNEL FUNCTION screen for the desired channel. 2.
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M-200i_e.book 44 ページ２０１３年６月２８日金曜日午後１時２７分 GATE/EXPANDER screen Gate/expander operations A gate/expander is provided on CH1–32, and can be used as a gate, an expander, or a ducking processor. A gate applies a user-adjustable level of attenuation (RANGE) to input signals that are lower than the threshold level. ffig.GateCurve.
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M-200i_e.book 45 ページ２０１３年６月２８日金曜日午後１時２７分 GATE/EXPANDER screen GATE/EXPANDER screen Gate fig.PopGateGuide2.eps 1. In the fader module section, press [SEL] to select the desired channel. 2. In the CHANNEL EDIT section, press [GATE]. 1 THRESH knob This adjusts the threshold level in a range of -80.0 dB–0.0 dB. This adjusts the RANGE in a range of -Inf dB–0.0 dB. The GATE/EXPANDER screen appears. (The name of the screen varies depending on the type of gate selected.
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M-200i_e.book 46 ページ２０１３年６月２８日金曜日午後１時２７分 GATE/EXPANDER screen Expander Ducking fig.PopExpGuide.eps fig.PopDuckGuide.eps 1 THRESH knob GATE/EXPANDER screen This adjusts the threshold level in a range of -80.0 dB–0.0 dB. 2 RATIO knob This adjusts the RATIO in a range of 1.00:1–INF:1 (14 steps). 3 ATTACK knob This adjusts the ATTACK time in a range of 0.0 ms–800.0 ms. This is the time from when the input signal exceeds the threshold level until the expander effect disappears.
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M-200i_e.book 47 ページ２０１３年６月２８日金曜日午後１時２７分 GATE/EXPANDER screen GATE FUNCTION screen 1. Access the GATE/EXPANDER screen for the desired channel. Selecting the type of GATE/EXPANDER 1. Access the GATE FUNCTION screen. 2. Select “TYPE SELECT“ and press [ENTER]. 2. Press [FUNC] to access the GATE FUNCTION screen. The operations available at the GATE FUNCTION screen are as follows: TYPE SELECT This selects the type of gate from among the three types of GATE, EXPANDER, and DUCKING (p. 45).
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M-200i_e.book 48 ページ２０１３年６月２８日金曜日午後１時２７分 GATE/EXPANDER screen Selecting the key-in signal Using the key-in filter The key-in signal used by the gate is taken from the post-HPF point of the channel itself or from any of the following sources: 1. Access the GATE FUNCTION screen. 2. Select “KEY-IN FILTER“ and press [ENTER] to access the • CH1-32 direct out GATE KEY-IN FILTER screen.
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M-200i_e.book 49 ページ２０１３年６月２８日金曜日午後１時２７分 COMPRESSOR/LIMITER screen Compressor/Limiter operations Compressors are provided on CH1-32, AUX 1-8, MTX1-4 and MAIN L/R. They apply a user-adjustable ratio of attenuation to input signals that exceed the threshold level. fig.CompCurve.eps INPUT SIGNAL (KNEE=HARD, GAIN=0.0dB, AUTO GAIN=OFF) OUTPUT SIGNAL OUTPUT LEVEL THRESHOLD RATIO COMPRESSOR/LIMITER screen INPUT LEVEL Limiters are provided on each AUX1-8, MTX1-4, and MAIN L/R.
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M-200i_e.book 50 ページ２０１３年６月２８日金曜日午後１時２７分 COMPRESSOR/LIMITER screen COMPRESSOR screen Accessing the COMPRESSOR screen 1. In the fader module section, press [SEL] to select the desired channel. 2. In the CHANNEL EDIT section, press the [COMP] button. COMPRESSOR/LIMITER screen 1 On button This turns the COMPRESSOR on/off. 2 IN meter This shows the input level of the compressor. For a stereolinked channel, two meters (L and R) are shown.
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M-200i_e.book 51 ページ２０１３年６月２８日金曜日午後１時２７分 COMPRESSOR/LIMITER screen COMP FUNCTION screen 1. Access the COMP screen for the desired channel. 2. Press [FUNC] to access the COMP FUNCTION screen. TYPE SELECT This selects COMPRESSOR or LIMITER as the compressor type. (LIMITER cannot be selected for CH1-32.) AUTO GAIN This turns AUTO GAIN on/off. KEY-IN SOURCE This button accesses the KEY-IN SELECT screen for selecting the key-in signal. For stereo-linked channels, L and R sources are shown.
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M-200i_e.book 52 ページ２０１３年６月２８日金曜日午後１時２７分 COMPRESSOR/LIMITER screen Using the key-in filter 1. Access the COMP FUNCTION screen. 2. Select “KEY-IN FILTER“ and press [ENTER] to access the COMP KEY-IN FILTER screen. Changing between COMPRESSOR/ LIMITER You can select either compressor or limiter on AUX1 through 8, MTX1 through 4, and MAIN L and R. The insert point varies according to the type selected. COMPRESSOR/LIMITER screen 1. Access the COMP FUNCTION screen.
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M-200i_e.book 53 ページ２０１３年６月２８日金曜日午後１時２７分 COMPRESSOR/LIMITER screen LIMITER screen Limiters are provided on each AUX1 through 8, MTX1 through 4, and MAIN L and R. Accessing the LIMITER screen 1. In the fader module section, press [SEL] to select the desired channel. 2. In the CHANNEL EDIT section, press [COMP]. This turns the LIMITER on/off. 2 IN meter This shows the input level of the limiter. For stereo-linked channels, two meters (L and R) are shown.
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M-200i_e.book 54 ページ２０１３年６月２８日金曜日午後１時２７分 COMPRESSOR/LIMITER screen LIMITER FUNCTION screen 1. Access the LIMITER screen for the desired channel. COMPRESSOR/LIMITER screen 2. Press [FUNC] to access the LIMITER FUNCTION screen. The following functions are available at the LIMITER FUNCTION screen. TYPE SELECT This selects COMPRESSOR or LIMITER as the compressor type. COPY This copies the LIMITER settings to the clipboard.
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M-200i_e.book 55 ページ２０１３年６月２８日金曜日午後１時２７分 4-BAND EQ 4-band EQ operations A 4-band EQ is provided on each CH1 through 32, MAIN L and R, AUX1 through 8, and MTX1 through 4 channel. About 4-band EQ for CH1-32 The LO and HI bands provide shelving-type or peaking-type filters, and the LO-MID and HI-MID bands provide peaking-type filters. Also, 12-dB/octave high-pass filters that pass the region higher than the specified frequency are provided for CH1 through 32.
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M-200i_e.book 56 ページ２０１３年６月２８日金曜日午後１時２７分 4-BAND EQ EQ FUNCTION screen 1. Access the EQ screen for the desired channel. 4-BAND EQ 2. Press [FUNC] to access the EQ FUNCTION screen. The operations available at the EQ FUNCTION screen are as follows: FLAT This sets the gain to 0.0 dB for each band. LO EQ TYPE Selects as the EQ TYPE for the LO band. HI EQ TYPE Selects as the EQ TYPE for the HI band. COPY Copies EQ settings to the clipboard.
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M-200i_e.book 57 ページ２０１３年６月２８日金曜日午後１時２７分 AUX/MTX send AUX/MTX send operations (CH1–32) This sends audio signal from CH1 through 32 to AUX1 through 8, and MTX1 through 4. fig.InBlkSends.eps MAIN MTX SOLO AUX LR 1 2 3 4 5 6 7 8 1 2 3 4 LR CH 1–32 PRE EQ PRE FADER 4-BAND PEQ POST FADER MUTE FADER MAIN ON PAN AUX SEND 1–8, MTX SEND 1–4 PRE EQ PRE FADER POST FADER SEND PRE EQ PRE FADER POST FADER SEND ON AUX/MTX LINK TO 1, 3...7 PAN MUTE ON TO 2, 4...
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M-200i_e.book 58 ページ２０１３年６月２８日金曜日午後１時２７分 AUX/MTX send SENDS screen 1. In the fader module section, press [SEL] to select the SENDS FUNCTION screen 1. Access the SENDS screen for the desired channel. desired channel. 2. Press [FUNC] to access the SENDS FUNCTION screen. 2. In the CHANNEL EDIT section, press the [SEND] button. AUX/MTX send The SENDS screen is displayed.
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M-200i_e.book 59 ページ２０１３年６月２８日金曜日午後１時２７分 Metering About the meters This section describes the METER screen, where you can view a list of channel levels. Accessing the METER screen 1. In the top panel’s DISPLAY section, press [METER]. METER FUNCTION screen To change the level detection point of the meter and make peak hold settings, you use the METER FUNCTION screen. 1. Access the METER screen. 2. Press [FUNC] to access the METER FUNCTION screen. fig.ScrMeter.eps The METER screen is displayed.
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M-200i_e.book 60 ページ２０１３年６月２８日金曜日午後１時２７分 DCA groups About DCA groups Accessing the DCA GROUP screen DCA grouping is a function that lets you make relative adjustments to the output level of channels so that the level of multiple channels belonging to a group can be controlled together. 1. In the DISPLAY section, press [DCA]. fig.DCAGuide.eps Faders assigned to DCA DCA Fader The DCA GROUP screen is displayed. -3dB You can use fader modules 1 through 8 to control DCA groups 1 through 8.
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M-200i_e.book 61 ページ２０１３年６月２８日金曜日午後１時２７分 DCA groups DCA GROUP FUNCTION screen Assigning channels to DCA groups 1. Access the DCA GROUP screen. 2. Press [FUNC] to access the DCA GROUP FUNCTION screen. Selecting “GROUP ASSIGN“ at the CHANNEL EDIT FUNCTION screen also lets you assign channels to DCA groups. For details, refer to “Assigning channels to DCA groups and mute groups” (p. 38).
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M-200i_e.book 62 ページ２０１３年６月２８日金曜日午後１時２７分 Mute groups About mute groups Mute grouping is a function that lets you control the mute status of multiple channels belonging to a mute group. A channel can belong to more than one mute group. MUTE GROUP FUNCTION screen 1. Access the MUTE GROUP screen. 2. Press [FUNC] to access the MUTE GROUP FUNCTION screen. You use the MUTE GROUP screen to make mute group settings. Accessing the MUTE GROUP screen 1. In the DISPLAY section, press [MUTE].
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M-200i_e.book 63 ページ２０１３年６月２８日金曜日午後１時２７分 Mute groups Specifying a name for a mute group You can specify a name for each mute group. A name of up to six characters can be specified. You use the NAME EDIT screen to edit the name. 1. Access the MUTE GROUP FUNCTION screen. 2. Select one from among “MUTE1-4 NAME EDIT“ to access the NAME EDIT screen. For information on how to edit the name, refer to “Editing a name” (p. 33).
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M-200i_e.book 64 ページ２０１３年６月２８日金曜日午後１時２７分 Effects, GEQ, External effects The M-200i is provided with four programmable effects processors and four mono 31-band GEQs. You can also use the input and output jacks on the rear panel to insert up to four external effect processors into channels. About effects fig.EffectDia.
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M-200i_e.book 65 ページ２０１３年６月２８日金曜日午後１時２７分 Effects, GEQ, External effects EFFECTS screen 2 EXT FX1-4 1. In the top panel’s DISPLAY section, press the [EFFECT] button. The EFFECTS screen appears. You can use the up and down cursor buttons to change the effect number. 1 FX1-4 1 INSERT indication This shows the input-source for the external effect. 2 EXT FX ON button This enables or disables the EXT FX.
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M-200i_e.book 66 ページ２０１３年６月２８日金曜日午後１時２７分 Effects, GEQ, External effects EFFECTS FUNCTION screen 1. Access the EFFECTS screen. Effect input/output settings You use the EFFECTS FUNCTION screen to select the input source and output destination for the effect. 2. Press [FUNC] to access the EFFECTS FUNCTION screen. Setting the input source for an effect 1. Access the EFFECTS FUNCTION screen. 2. Move the cursor to the FX 1-4 SOURCE, and press [ENTER].
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M-200i_e.book 67 ページ２０１３年６月２８日金曜日午後１時２７分 Effects, GEQ, External effects Using an effect via send/return Effects such as reverb and delay are typically used in a send/ return configuration. Here we will explain the procedure for using FX3 as a send/return type effect using AUX7, CH25 and CH26. Specifying the effect return channel 1. Access the EFFECTS FUNCTION screen. 2. Move the cursor to the FX3 L DESTINATION, and press [ENTER]. Specifying the effect input-source 1.
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M-200i_e.book 68 ページ２０１３年６月２８日金曜日午後１時２７分 Effects, GEQ, External effects Inserting an effect into a channel Here we will explain the procedure for inserting the L side of FX1 into CH1. Inserting an EXT FX into a channel 1. Access the EFFECTS FUNCTION screen. Here we will explain how to connect your external effects device to ASSIGNABLE OUTPUT 7 and INPUT17, and insert it into CH1. 2. Move the cursor to the FX1 L SOURCE, and press [ENTER]. 1. Access the EXT FX1 screen. 2.
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M-200i_e.book 69 ページ２０１３年６月２８日金曜日午後１時２７分 Effects, GEQ, External effects Editing effect parameters You use the FX EDIT screen to manipulate effect parameters. Accessing the FX EDIT screen FX EDIT FUNCTION screen 1. Access the FX EDIT screen. 2. Press [FUNC] to access the FX EDIT FUNCTION screen. 1. Access the EFFECTS screen. The operations available at the FX EDIT FUNCTION screen are as follows: 2.
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M-200i_e.book 70 ページ２０１３年６月２８日金曜日午後１時２７分 Effects, GEQ, External effects Using the effect library You use the effect library to select the effect type. You can recall effect settings from the library, and store the current effect settings in the library. Effect library operations are performed at the FX LIBRARY screen. 1. Access the EFFECTS screen. RECALL This recalls the library data selected using the list. STORE This stores the library data selected using the list.
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M-200i_e.book 72 ページ２０１３年６月２８日金曜日午後１時２７分 Effects, GEQ, External effects Editing GEQ parameters GEQ EDIT FUNCTION screen 1. Access the GEQ EDIT screen for the desired channel. GEQ EDIT screen 2. Press [FUNC] to access the GEQ EDIT FUNCTION screen. 1. Access the GEQ screen 2. Move the cursor to the EDIT button for the desired GEQ among “GEQ1-4“ and press [ENTER].
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M-200i_e.book 73 ページ２０１３年６月２８日金曜日午後１時２７分 Effects, GEQ, External effects Controlling a GEQ using the top-panel faders 1. Access the desired GEQ EDIT FUNCTION screen. 2. Move the cursor to the GEQ ON FADER and press [ENTER]. You can accomplish GEQ operations using the faders on the top panel. The range of corresponding faders is displayed on the screen. 3. Press the layer buttons in the LAYER section (p. 18) to select the band to manipulate.
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M-200i_e.book 74 ページ２０１３年６月２８日金曜日午後１時２７分 Scene memory About Scene memory Scene memory is a function that lets you store mixer parameters as a scene, and recall them when desired. The M-200i can store 300 scenes in its internal memory, and you can assign a 16-character name to each scene. The following scene function is also provided: • Lock This prohibits overwriting, deletion, renaming, or editing for the scene (p. 76).
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M-200i_e.book 75 ページ２０１３年６月２８日金曜日午後１時２７分 Scene memory Recalling a scene memory to the mixer parameters (recall) Saving mixer parameters in a scene memory (store) 1. Access the SCENE screen. 1. Access the SCENE screen. 2. From the scene list, select the desired scene and press 2. From the scene list, select the desired scene and press [ENTER]. A popup appears. 3. Move the cursor to the RECALL and press [ENTER]. 3. Move the cursor to the STORE and press [ENTER].
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M-200i_e.book 76 ページ２０１３年６月２８日金曜日午後１時２７分 Scene memory Locking/unlocking a scene Renaming a scene memory 1. Access the SCENE screen. 1. Access the SCENE screen. 2. From the scene list, select the desired scene and press 2. Select the scene memory that you want to rename, and [ENTER]. A popup appears. 3. Moving the cursor to the LOCK and pressing [ENTER] press [ENTER]. A popup appears. 3. Select the NAME EDIT and press [ENTER]. locks or unlocks the scene. Clearing the data in a scene 1.
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M-200i_e.book 77 ページ２０１３年６月２８日金曜日午後１時２７分 USB memory recorder About the USB memory recorder The M-200i provides a two-track recorder function that uses USB memory. This function allows you to choose any two sources from AUX1–8, MTX1–4, MAIN L/R and MAIN MONO, and record the audio signal to USB memory as a WAV file, or to play back a WAV file from USB memory. RECORDER screen You use the RECORDER screen to make settings for the USB memory recorder. 1. In the DISPLAY section, press [USB REC].
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M-200i_e.book 78 ページ２０１３年６月２８日金曜日午後１時２７分 USB memory recorder Pressing buttons executes the following action at RECORDER screens. Button Using the USB memory recorder Function Editing the song list REW This selects the previous WAV file.Holding this down during playback rewinds the WAV file being played. FF This selects the next WAV file.Holding this down during playback fast-forwards the WAV file being played. 1. Access the RECORDER screen.
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M-200i_e.book 79 ページ２０１３年６月２８日金曜日午後１時２７分 USB memory recorder USB memory recorder input-source settings By default, the inputs of the USB memory recorder are specified as follows: Input Input source REC L MAIN L REC R MAIN R You use the REC SOURCE SELECT screen to specify the inputs. 3. Move the cursor to the Moving the cursor to that you want to make the output destination and press [ENTER] to attach a check mark to it. 4. Press [EXIT] to quit the screen. 5.
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M-200i_e.book 80 ページ２０１３年６月２８日金曜日午後１時２７分 SETUP screen You use the SETUP screen to make a variety of settings for the M200i. • REAC This makes the settings for the M-200i’s REAC port. Accessing the SETUP screen “REAC applications and settings” (p. 96) 1. In the top panel’s DISPLAY section, press [SETUP]. The SETUP screen is displayed.
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M-200i_e.book 81 ページ２０１３年６月２８日金曜日午後１時２７分 SETUP screen Loading mixer settings from USB memory 1. Access the LOAD/SAVE screen. 2. From the project file list, select the file you want to load and press [ENTER]. A popup appears. • INITIALIZE This accesses the INITIALIZE screen, where you can initialize the mixer settings (p. 84). • SYSTEM UPDATE This updates the system programs. SYSTEM UPDATE is for future system-program updates.
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M-200i_e.book 82 ページ２０１３年６月２８日金曜日午後１時２７分 SETUP screen Saving mixer settings to USB memory 1. Access the LOAD/SAVE screen. 2. Select the current directory, and press [ENTER]. A popup will appear. If you want to overwrite and existing file, select the file to overwrite and press [ENTER]. 3. Move the cursor to the SAVE and press [ENTER]. SETUP screen 4. The PROJECT FILE SAVE screen appears. Edit the name of the project file. For information on how to edit the name, refer to “Editing a name“ (p. 33).
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M-200i_e.book 83 ページ２０１３年６月２８日金曜日午後１時２７分 SETUP screen Deleting mixer settings from USB memory 1. Access the LOAD/SAVE screen. 2. From the project file list, select the file you want to delete and press [ENTER]. A popup appears. Locking the console You can lock the console to prevent it from being operated. If you turn off the power while the console is locked, the console is unlocked the next time you turn on the power. 1. Access the SETUP screen. 2. Select “LOCK CONSOLE“ and press [ENTER]. 3.
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M-200i_e.book 84 ページ２０１３年６月２８日金曜日午後１時２７分 SETUP screen Initializing the mixer settings 1. Access the SETUP screen. Attempting to initialize the scenes or libraries when locked scenes or libraries exist makes a warning message like the following appear: 2. Select “INITIALIZE“ and press [ENTER]. The INITIALIZE screen is displayed. 3. Select the sections to initialize. The sections you can select are as follows: MIXER PARAMETER The mixer parameters are initialized.
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M-200i_e.book 85 ページ２０１３年６月２８日金曜日午後１時２７分 SETUP screen Managing USB memory The USB MEMORY screen is used to perform USB memory management. Formatting USB memory Testing the speed of USB memory Here’s how to test your USB memory’s reading and writing speed to verify whether it can be used by the USB memory recorder for playback and recording. 1. Access the SETUP screen. 2. Select “USB MEMORY“ and press [ENTER]. 1. Access the SETUP screen. 2. Select “USB MEMORY“ and press [ENTER].
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M-200i_e.book 86 ページ２０１３年６月２８日金曜日午後１時２７分 Input/output patchbay Default setting of the input/output patchbay Default settings of the input patchbay When the M-200i is in its default state, the input patchbay is set as follows: Input channel Input port CH1–24 INPUT1–24 CH25–26 FX3 OUT L,R CH27–28 FX4 OUT L,R CH29–30 DOCK INPUT L,R CH31-32 PLAY L,R You can also use the EFFECTS screen to patch an effect output to a channel. For details, refer to “Setting the input source for an effect” (p.
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M-200i_e.book 87 ページ２０１３年６月２８日金曜日午後１時２７分 Input/output patchbay Patchbay operations Accessing the PATCHBAY screen 1. In the top panel’s DISPLAY section, press [SETUP]. If the “PATCHBAY CHANGE“ item in the CONFIRMATION section of User Preference (p. 94) is not in effect, no confirmation message is displayed in step 3. You can patch more than one channel to a single input jack. 2. At the SETUP screen, select “PATCHBAY“ and press [ENTER].
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M-200i_e.book 88 ページ２０１３年６月２８日金曜日午後１時２７分 Input/output patchbay Editing the output patching 1. Access the PATCHBAY screen. 2. Select “OUTPUT PATCHBAY“ and press [ENTER]. Using the patchbay libraries At the INPUT/OUTPUT PATCHBAY LIBRARY screen, you can store the settings for the current input or output patchbay and recall the settings later. 1. Access the PATCHBAY screen. 2. Select “INPUT PATCHBAY LIBRARY“ or “OUTPUT PATCHBAY LIBRARY“ and press [ENTER].
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M-200i_e.book 89 ページ２０１３年６月２８日金曜日午後１時２７分 Talkback About talkback fig.TB-OSCFlow.eps MAIN AUX MTX LR 1 2 3 4 5 6 7 8 1 2 3 4 TALKBACK / OSCILLATOR MIC SELECT TALKBACK / OSC OUT TALKBACK / OSC OSC ON LEVEL INPUT 1 INPUT 16 TALKBACK ON OSC ON OSC FREQ TO OUTPUT PATCHBAY LEVEL LR 1 2 3 4 5 6 7 8 1 2 3 4 MAIN AUX MTX Talkback is a function that sends the input of a mic connected to the INPUT1–16 on the rear panel jack to an AUX, MTX, MAIN L/R, or the output patchbay.
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M-200i_e.book 90 ページ２０１３年６月２８日金曜日午後１時２７分 Talkback TALKBACK FUNCTION screen 1. Access the TALKBACK screen. 2. Press [FUNC] to access the TALKBACK FUNCTION screen. The following functions are available at the TALKBACK FUNCTION screen. MIC SELECT: This selects the input jack for connecting the mic to use for talkback. If you don’t use talkback, select “NONE.“ DESTINATION This selects the bus you want to use as the destination for talkback.
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M-200i_e.book 91 ページ２０１３年６月２８日金曜日午後１時２７分 Oscillator About oscillator fig.TB-OSCFlow.eps MAIN AUX MTX LR 1 2 3 4 5 6 7 8 1 2 3 4 TALKBACK / OSCILLATOR MIC SELECT TALKBACK / OSC OUT TALKBACK / OSC OSC ON LEVEL INPUT 1 INPUT 16 TALKBACK ON OSC ON OSC FREQ TO OUTPUT PATCHBAY LEVEL LR 1 2 3 4 5 6 7 8 1 2 3 4 MAIN AUX MTX Oscillator is a function that generates a pink noise, white noise, or sine wave, and sends it to an AUX, MTX, MAIN L/R, or the output patchbay.
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M-200i_e.book 92 ページ２０１３年６月２８日金曜日午後１時２７分 Monitor/Solo About monitoring fig.MonitorFlow.
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M-200i_e.book 93 ページ２０１３年６月２８日金曜日午後１時２７分 Monitor/Solo INPUT AFL OUTPUT AFL This selects the point from the signal is sent from CH1 through 32 to solo. If this is on, the post-pan signal of the channel is sent. If this is off, the prefader signal is sent. This selects the point from which the signal is sent from MAIN, AUX, or MTX to solo. If this is on, the postfader signal of the channel is sent. If this is off, the pre-fader signal is sent.
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M-200i_e.book 94 ページ２０１３年６月２８日金曜日午後１時２７分 User Preference settings Here you can make the settings for the user fader layers, user buttons and other user preferences. USER PREFERENCE screen 1. In the top panel’s DISPLAY section, press [SETUP]. 2. AT the SETUP screen, select “USER PREFERENCE“ and 7 STARTUP OPTION This specifies scenes and layers in effect on powerup. The parameters are as follows: RECALL SCENE This specifies scenes in effect on powerup.
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M-200i_e.book 95 ページ２０１３年６月２８日金曜日午後１時２７分 User Preference settings Editing the user buttons Selecting the Home screen The user buttons are a function for assigning desired functions to buttons [1] through [8] in the USER button section (p. 21). You can select either the CHANNEL EDIT screen or the METER screen to be the Home screen. You can make settings for eight user buttons. 1. Access the USER PREFERENCE screen. Editing the user button assignments 2.
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M-200i_e.book 96 ページ２０１３年６月２８日金曜日午後１時２７分 REAC applications and settings REAC applications This chapter explains more advanced ways to use REAC. For basic information about REAC, refer to “Basic knowledge about REAC” (p. 11) . REAC splitting By connecting a REAC splitter between the REAC master and slave, you can split the output from the REAC master device and distribute it to multiple REAC split devices. fig.REACsplit.
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M-200i_e.book 97 ページ２０１３年６月２８日金曜日午後１時２７分 REAC applications and settings REAC connection examples Here we show some examples of REAC setups and connections.For details on REAC settings for the M-200i, refer to “REAC settings” (p. 98). FOH console setup Set the M-200i’s REAC port to be the REAC master. • In this example, the REAC port uses input and output from the stage. Recording to a computer Set the M-200i’s REAC port to be the REAC master (p. 98).
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M-200i_e.book 98 ページ２０１３年６月２８日金曜日午後１時２７分 REAC applications and settings Monitor/broadcast console setup Set the M-200i’s REAC port to SPLIT. • In this example, the output from the FOH console’s REAC B split is received by the M-200i’s REAC port. S-1608 SLAVE REAC A MASTER M-480 S-1608 SLAVE REAC SPLITTER REAC B MASTER FOH CONSOLE For details about connection examples, refer to “REAC connection examples” (p. 97). 4. Pressing [ENTER] changes the setting for the REAC port.
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M-200i_e.book 100 ページ２０１３年６月２８日金曜日午後１時２７分 Network Network functions 2 IP ADDRESS LAN This indicates the IP address. You can connect a Wireless LAN router to the LAN connector on the M-200i’s rear panel and use a application that has wireless support (the M-200i Remote iPad application) to operate the M200i remotely. 3 SETUP button This access the LAN screen.
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M-200i_e.book 101 ページ２０１３年６月２８日金曜日午後１時２７分 Network LAN setting Accessing the LAN screen Viewing settings for LAN 1. Access the NETWORK screen. 1. Access the LAN screen. 2. Select “SETUP“ button on LAN section and press [ENTER]. 2. Select “INFOMATION“ and press [ENTER]. The LAN screen is displayed. The LAN INFOMATION screen is displayed. You can view the following values: LAN settings 1 STATUS 1. Access the LAN screen. 2. Select “OPTION“ and press [ENTER].
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M-200i_e.book 102 ページ２０１３年６月２８日金曜日午後１時２７分 Network Basic settings for WIRELESS LAN What’s the wireless LAN function? 3. Press the button on the USB adapter (separately available WNA1100-RL). Attaching a wireless USB adapter (WNA1100-RL, available separately) to the M-200i’s WLAN ADAPTOR connector lets you operate the M-200i remotely using an application that has wireless support (the M-200i Remote iPad application).
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M-200i_e.book 103 ページ２０１３年６月２８日金曜日午後１時２７分 Network Making detailed settings for WIRELESS LAN Accessing the WIRELESS LAN screen 1. Access the NETWORK screen. • When you’re using a Wireless LAN router that you’ve connected to in the past, the connection is made as soon as you select the router. If the connection is successful, the M200i returns to the WIRELESS LAN screen. 2. Select “SETUP“ button on WIRELESS LAN section and press [ENTER]. Authorization screen (AUTHORIZATION) 4.
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M-200i_e.book 104 ページ２０１３年６月２８日金曜日午後１時２７分 Network Connecting using WPS You can make a connection to a Wireless LAN router by using WPS. You can also make the connection by pressing the button on the USB adapter (WNA1100-RL, available separately). For details of the procedure, refer to “Basic connection method (connecting using WPS)” (p. 102). The AD-HOC screen appears. 1. Access the WIRELESS LAN screen. 2. Select “WPS“ and press [ENTER]. AD-HOC MODE This sets ad-hoc mode on/off.
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M-200i_e.book 105 ページ２０１３年６月２８日金曜日午後１時２７分 Network Making the setting for WIRELESS ID Viewing settings for WIRELESS LAN Here you make the setting for WIRELESS ID. 1. Access the WIRELESS LAN screen. This ID setting is shared by the LAN and WIRELESS LAN settings. 2. Select “INFOMATION“ and press [ENTER]. What’s a wireless ID? This determines the M-200i’s device name and ad-hoc SSID that are displayed by the application making the wireless connection.
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M-200i_e.book 106 ページ２０１３年６月２８日金曜日午後１時２７分 Remote Remote functions MIDI You can use the rear panel MIDI IN/OUT connectors to remotely control the M-200i from an external device, or control an external device from the M-200i. You can use either MIDI or RS-232C, not both. In order to use MIDI, go to the REMOTE screen and set “RS-232C/ MIDI SELECT“ to MIDI. The M-200i can be remotely controlled from M-200iRCS via its rear panel USB connector.
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M-200i_e.book 107 ページ２０１３年６月２８日金曜日午後１時２７分 Remote Remote settings You use the REMOTE screen to make remote settings. Accessing the REMOTE screen Setting the device ID 1. Access the REMOTE screen. 2. Select “DEVICE ID“ and press [ENTER]. 1. In the DISPLAY section, press [SETUP]. 2. At the SETUP screen, select “REMOTE“ and press [ENTER]. You specify a device ID in a range of 1 to 32. The setting for the device ID is shared by MIDI, USB MIDI, and V-LINK. Changing between RS-232C and MIDI 1.
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M-200i_e.book 108 ページ２０１３年６月２８日金曜日午後１時２７分 Remote MIDI settings MIDI SEND SETTING screen 1. Access the REMOTE screen. 1. Access the MIDI screen. 2. Select “MIDI“ and press [ENTER]. 2. Select “SEND“ and press [ENTER]. The MIDI screen appears. 1 MIDI OUT/THRU These select the functions of the MIDI OUT/THRU connectors on the rear panel. If you select THRU, the setting made at the MIDI SEND SETTING screen has no effect. 2 RECEIVE This accesses the MIDI RECEIVE SETTING screen (p. 108).
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M-200i_e.book 109 ページ２０１３年６月２８日金曜日午後１時２７分 Remote USB MIDI settings USB MIDI SEND SETTING screen 1. Access the REMOTE screen. 1. Access the USB MIDI screen. 2. Select “USB MIDI“ and press [ENTER]. 2. Select “SEND“ and press [ENTER]. The USB MIDI setting screen appears. The USB MIDI SEND SETTING screen is displayed. At the USB MIDI SEND SETTING screen, you can specify the MIDI data items that the M-200i sends via its MIDI connectors.
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M-200i_e.book 110 ページ２０１３年６月２８日金曜日午後１時２７分 Remote V-LINK settings 1. Access the REMOTE screen. 1. Access the REMOTE screen. 2. Select “V-LINK“ and press [ENTER]. 2. Select “RS-232C RATE“ and press [ENTER]. The V-LINK screen appears. 1 V-LINK This turns the V-LINK function on/off. 2 - 17 SOURCE 1-16 These access the V-LINK SOURCE1 to 16 screens (p. 110).
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M-200i_e.book 111 ページ２０１３年６月２８日金曜日午後１時２７分 System settings Accessing the SYSTEM screen 7 DELAY UNIT This selects the unit used for delay at the CHANNEL EDIT screens (AUX, MTX, or MAIN) and the MONITOR screen. 1. In the top panel’s DISPLAY section, press [SETUP]. The selection items are as follows: 2. At the SETUP screen, select “SYSTEM“ and press [ENTER]. ms Milliseconds Feet Feet Meter Meters Frame Frames (24, 25, 29.
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M-200i_e.book 112 ページ２０１３年６月２８日金曜日午後１時２７分 System settings Adjusting the brightness of the display and panel You use the DISPLAY/PANEL screen to adjust the settings of the panel and display. Date&time setting Use the DATE&TIME popup of the SYSTEM screen to set the date and time. 1. Access the SYSTEM screen. fig.ScrSystem.eps 1. Access the SYSTEM screen. 2. Select “DISPLAY/PANEL“ and press [ENTER]. 2. Select “DATE/TIME“ and press [ENTER]. fig.ScrSysDateTimeGuide.
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M-200i_e.book 113 ページ２０１３年６月２８日金曜日午後１時２７分 System settings Other settings Initializing the M-200i’s internal memory Never turn off the power to the M-200i before initialization finishes. 4. Turn off the power. This initializes the following items, returning them to their factory-default settings: • System settings • Network settings • Mixer parameters • Scene memories • All user libraries When you initialize the internal memory, all data that had been saved in memory is lost.
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M-200i_e.book 114 ページ２０１３年６月２８日金曜日午後１時２７分 System settings Fader calibration If the fader positions are no longer aligned with the index markings of the top panel, you can use the Fader Calibration function to correct the misalignment. 1. Hold down [SETUP] in the DISPLAY section and turn on the power to the M-200i. 2. Select “FADER CALIBRATION“ and press [ENTER]. The FADER CALIBRATION screen appears. 3. Move all faders to 10dB (all the way up). Pressing [ENTER]. 4. Move all faders to 0dB.
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M-200i_e.book 116 ページ２０１３年６月２８日金曜日午後１時２７分 Appendix Error message list Message Explanation xxx is used for EXT FXx Do you want to disable it? Port xxx is being used by EXT FXx. Do you want to disable EXT FXx? Cannot operate the USB memory. It exceeds the power capability. The device connected to the USB MEMORY connector used more than the maximum allowable electrical current. Internal battery is low. The internal lithium battery has run down. Internal data were damaged.
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M-200i_e.book 117 ページ２０１３年６月２８日金曜日午後１時２７分 Appendix Troubleshooting Overall operation No sound ● A device is not powered on. ● An input/output unit is not connected correctly. ● The devices are not connected correctly. ● The volume of a connected amp or other device is lowered. ● A volume level setting is lowered.
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M-200i_e.book 118 ページ２０１３年６月２８日金曜日午後１時２７分 Appendix Network LAN ● A connection to the Wireless LAN router cannot be made. • Make sure that the M-200i and the Wireless LAN router are powered on. • Make sure the M-200i is connected to the correct port on the Wireless LAN router. • Check whether the setting for DHCP has been made on the M-200i. If the M-200i is being used with DHCP set to OFF, make sure the settings for IP ADDRESS and SUBNET (subnet mask) are correct.
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M-200i_e.book 119 ページ２０１３年６月２８日金曜日午後１時２７分 Appendix Pin configuration diagrams Other Insufficient volume from a device connected to the output jacks ● You’re using a cable that contains a built-in resistor. Insufficient volume from a device connected to the INPUT jacks ● You’re using a cable that contains a built-in resistor. Use a connection cable that does not contain a resistor.
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M-200i_e.book 120 ページ２０１３年６月２８日金曜日午後１時２７分 Appendix Requirements for switching hubs Switching hubs used to connect REAC devices must meet the following conditions: • We recommend a switching hub that supports 1000BASE-T (IEEE 802.3ab, Gigabit Ethernet) • 100BASE-TX interface must be supported (IEEE 802.
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M-200i_e.book 121 ページ２０１３年６月２８日金曜日午後１時２７分 Appendix Main specifications M-200i: LIVE MIXING CONSOLE Mixing Channels INPUT: 32 channels BUS: MAIN L/R, 8 AUX buses, 4 MATRIX buses OUTPUT: 14 ports (Max 54 ports When using REAC Devices) Signal Processing AD/DA Conversion: 24 bit Sample Rate: 48.0 kHz or 44.1 kHz Frequency Response ASSIGNABLE OUTPUT jacks (1 to 10): -2 dB / +0 dB (20k ohms load, +4 dBu, typ.) MAIN OUTPUT jacks (L, R): -2 dB / +0 dB (20k ohms load, +4 dBu, typ.
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M-200i_e.book 122 ページ２０１３年６月２８日金曜日午後１時２７分 Appendix Output Impedance ASSIGNABLE OUTPUT jacks (1 to 10): 600 ohms (typ.) MAIN OUTPUT jacks (L, R): 600 ohms (typ.) PHONES jack: 49 ohms (typ.) Recommended Load Impedance ASSIGNABLE OUTPUT jacks (1 to 10): 10 k ohms or greater MAIN OUTPUT jacks (L, R): 10 k ohms or greater PHONES jack: 40 ohms or greater Minimum Load Impedance PHONES jack: 16 ohms Non Clip Maximum Output level ASSIGNABLE OUTPUT jacks (1 to 10): +22 dBu (1 kHz, 10 k ohms load, typ.
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M-200i_e.book 124 ページ２０１３年６月２８日金曜日午後１時２７分 Appendix Dimensions Appendix Dimensions are shown in millimeters.
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M-200i_e.book 125 ページ２０１３年６月２８日金曜日午後１時２７分 Effect types Reverb Types of sound fig.RevExp01.eps early reflections reverberation direct sound source listener The sound you normally hear is divided into three types: “direct sound,” “early reflections,” and “reverberation.” The “direct sound” is the sound that reaches the listener directly from the source. “Early reflections” are sounds that have reflected one to several times from the walls or other surfaces of the room.
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M-200i_e.book 126 ページ２０１３年６月２８日金曜日午後１時２７分 Appendix sound begins to be attenuated Value: 20 Hz–2.00 kHz St.REVERB (Stereo Reverb) fig.AlgoStRev.eps DRY Input L Output L HI FREQ DAMP GAIN High-frequency attenuation of the reverb sound Value: -36.0–0.0 dB Stereo Reverb Input R 4 Band EQ HI FREQ DAMP FREQ DRY Output R This is a stereo-in, stereo-out reverb. It adds reverberation without impairing the position of the sound image that’s been set for the stereo input, by panning or other means.
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M-200i_e.book 127 ページ２０１３年６月２８日金曜日午後１時２７分 Appendix LO-MID FREQ Center frequency of the Lo-Mid band (*1) Value: 20 Hz–20.00 kHz LO-MID Q Steepness of the frequency response curve at the Lo-Mid band center frequency (*1) Value: 0.36–16.00 HI-MID TYPE Filter type for the Hi-Mid band (*1) Value: PEAK, LSV, HSV, LPF1, HPF1, LPF2, HPF2, BPF, BEF, THRU HI-MID GAIN Gain of the Hi-Mid band (*1) Value: -15.0–+15.
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M-200i_e.book 128 ページ２０１３年６月２８日金曜日午後１時２７分 Appendix HI CUT FREQ REVERB+GATE fig.AlgoRevwGate.eps DRY Input L Output L Frequency at which the high-frequency region of the reverb sound will be cut Value: 200 Hz–20.00 kHz WET (Wet Level) 4 Band EQ Reverb Gate Level of the reverb sound Value: -INF–+6.0 dB Key-In Input R DRY Output R This is a mono-in, stereo-out reverb.
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M-200i_e.book 129 ページ２０１３年６月２８日金曜日午後１時２７分 Appendix HI-MID FREQ Center frequency of the Hi-Mid band (*1) Value: 20 Hz–20.00 kHz HI-MID Q Steepness of the frequency response curve at the Hi-Mid band center frequency (*1) Value: 0.36–16.00 HI GAIN Gain of the Hi band Value: -15.0–+15.
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M-200i_e.book 130 ページ２０１３年６月２８日金曜日午後１時２７分 Appendix Delay As delay units, you can use msec, Meter, Feet, Frame (24, 25, 29.97, 30fps), or Note. The M-200i’s delay is based on msec units, and simply changing the delay unit parameter will not change the delay time in msec units. This means that after changing the delay unit, there may be a discrepancy between the msec value and the value that is displayed in the specified units. To correct this discrepancy, please re-specify the delay time.
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M-200i_e.book 131 ページ２０１３年６月２８日金曜日午後１時２７分 Appendix WET POSITION FEEDBACK TIME (Feedback time) The wet position specifies how the delay’s wet signal is related to the position of the DPF (Damp Filter). Value PRE DAMP: Takes the wet sound from before the damp filter. The signal before passing through the damp filter is used as the wet signal. In this case, the damp filter is applied only to the delay feedback. POST DAMP: Takes the wet sound from after the damp filter.
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M-200i_e.book 132 ページ２０１３年６月２８日金曜日午後１時２７分 Appendix Value: M.TAP DELAY (Multi Tap Delay) HI FREQ DAMP GAIN fig.AlgoMTPDly.eps DRY Input L Output L Pan 1 Frequency at which the high-frequency region of the delay sound begins to be attenuated Value: 200 Hz–20.00 kHz WET (Wet Level) Pan 12 Level of the delay sound Value: -INF–+6.0 dB Multi Tap Delay DPF DRY (Dry Level) FEEDBACK LEVEL Input R DRY Output R This is a mono-in, stereo-out twelve-stage tap delay.
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M-200i_e.book 133 ページ２０１３年６月２８日金曜日午後１時２７分 Appendix X.MOD DELAY (Cross-modulation Delay) fig.AlgoXModDelay.eps Input L DRY Output L FB PRE DPF Delay L DPF XFB LO FREQ DAMP GAIN WET POSITION Low-frequency attenuation of the delay sound Value: -36.0–0.0 dB POST DPF Modulation DPF Delay R POST DPF LO FREQ DAMP FREQ WET POSITION PRE DPF FB Input R DRY Output R This is a stereo-in, stereo-out cross-modulation delay.
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M-200i_e.book 134 ページ２０１３年６月２８日金曜日午後１時２７分 Appendix Modulation St.FLANGER (Stereo Flanger) St.CHORUS (Stereo Chorus) fig.AlgoStFlang.eps fig.AlgoStCho.eps Input L DIR SW Output L Input L DIR SW Output L FB EFF SW EFF SW Chorus L Flanger L XMIX XFB Chorus R EFF SW Input R DIR SW Flanger R Output R This is a stereo-in, stereo-out chorus. It lets you apply chorus without impairing the position of the sound image that’s been set for the stereo input, by panning or other means.
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M-200i_e.book 135 ページ２０１３年６月２８日金曜日午後１時２７分 Appendix Value: FB (Feedback) OFF, ON Amount of phaser sound that is returned to the input of the phaser Value: -100–100 EFF SW (Effect switch) Turns the effect sound on/off Value: OFF, ON XFB (Cross feedback) Feedback means returning the effect sound back into the input. The feedback level specifies the amount of sound that is returned. Cross-feedback is when the effect sound is returned back to the opposite-side (left or right) input.
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M-200i_e.book 136 ページ２０１３年６月２８日金曜日午後１時２７分 Appendix Channel strip EQ A/B CH STRIP x2 (Channel Strip x2) EQ SW (EQ switch) fig.AlgoDualChStrip.eps Input A Input B Output A Enhancer/ De-esser 4 Band EQ Delay Enhancer/ De-esser 4 Band EQ Delay Output B This is a dual-mono channel strip. It provides enhancer/de-esser, EQ, and delay. Turns the EQ on/off Value: OFF, ON EQ ATT (EQ attenuator) Attenuator for the EQ Value: -42.0–+6.
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M-200i_e.book 137 ページ２０１３年６月２８日金曜日午後１時２７分 Appendix HI-MID FREQ Center frequency of the Hi-Mid band (*1) Value: 20 Hz–20.00 kHz HI-MID Q Steepness of the frequency response curve at the Hi-Mid band center frequency (*1) Value: 0.36–16.00 HI TYPE Filter type for the Hi band (*1) Value: PEAK, LSV, HSV, LPF1, HPF1, LPF2, HPF2, BPF, BEF, THRU HI GAIN Gain of the Hi band (*1) Value: -15.0–+15.0 dB HI FREQ Center frequency of the Hi band (*1) Value: 20 Hz–20.
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M-200i_e.book 138 ページ２０１３年６月２８日金曜日午後１時２７分 Appendix filter is used as the wet signal. In this case, the damp filter is applied only to the delay feedback. POST DAMP: Takes the wet sound from after the damp filter. the signal after passing through the damp filter is used as the wet signal. In this case, the damp filter is applied to all of the delay sound. WET (Wet Level) Level of the delay sound Value: -INF–+6.0 dB Pitch shift P.SHIFTER x2 (Pitch Shifter x2) fig.AlgoDualPS.
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M-200i_e.book 139 ページ２０１３年６月２８日金曜日午後１時２７分 Appendix GEQ GEQ fig.AlgoDualGEQ.eps Input A Output A 31 Band GEQ Input B THRU Output B This is a single-mono 31-band GEQ. GEQ ATT (Attenuator) Attenuator for the GEQ Value: -42.0–+15.0 dB 20 Hz Gain–20 kHz Gain Gain of each band Value: -15.0–+15.
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M-200i_e.book 140 ページ２０１３年６月２８日金曜日午後１時２７分 Appendix Roland vintage effects SBF-325 (STEREO FLANGER SBF-325) This is a stereo-in, stereo-out flanger that models the Roland SBF325 Stereo Flanger. RESONANCE Boosts the region around the center frequency specified by CENTER FREQ Value: 0.0–10.0 SHIFT MODE FEEDBACK Amount of flanger sound returned to the input (valid only if EFFECT MODE is set to FLANGER) Value: 0.0–10.
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M-200i_e.book 141 ページ２０１３年６月２８日金曜日午後１時２７分 Appendix SDD-320 (DIMENSION D SDD-320) fig.ScrSDD320.eps This is a stereo-in, stereo-out chorus that models the Roland SDD320 Dimension D. The SDD-320 was released in 1979, and became standard equipment in many recording studios.
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M-200i_e.book 142 ページ２０１３年６月２８日金曜日午後１時２７分 CAUTION Danger of explosion if battery is incorrectly replaced. Replace only with the same or equivalent type recommended by the manufacturer. Discard used batteries according to the manufacturer’s instructions. Apparatus containing Lithium batteries ADVARSEL! VARNING Lithiumbatteri - Eksplosionsfare ved fejlagtig håndtering. Udskiftning må kun ske med batteri af samme fabrikat og type. Levér det brugte batteri tilbage til leverandøren.
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M-200i_e.book 143 ページ２０１３年６月２８日金曜日午後１時２７分 For the USA DECLARATION OF CONFORMITY Compliance Information Statement Model Name : Type of Equipment : Responsible Party : Address : Telephone : M-200i Audio Mixer Roland Systems Group U.S. 501 S.Eastern Avenue, Los Angeles, CA 90040-2938, U.S.A (323) 890-3700 For the U.K. IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
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M-200i_e.book 145 ページ２０１３年６月２８日金曜日午後１時２７分 Index A AC adapter connector ................................................................ 25 Action buttons .............................................................................. 27 AD-HOC Restrictions ................................................................. 104 AD-HOC screen ........................................................................... 104 AES/EBU OUT jack .....................................................................
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M-200i_e.book 146 ページ２０１３年６月２８日金曜日午後１時２７分 Index M Main fader module ...................................................................... 19 MAIN OUTPUT jacks .................................................................... 24 METER FUNCTION screen .......................................................... 59 METER screen ................................................................................ 59 MIDI connectors ...........................................................................
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Block Diagram TO EXTERNAL FX MAIN AUX MTX SOLO EXTERNAL FX OUT LR 1 2 3 4 5 6 7 8 1 2 3 4 LR INPUT PATCHBAY OUTPUT PATCHBAY MAIN L, R CH 1–32 PRE COMP POST ATT PRE EQ PRE FADER POST FADER POST LIMITER POST DELAY GR PHANTOM PREAMP GAIN POST ATT POST HPF +48V POST GATE POST COMP GAIN GATE/ EXP HPF POST FADER GR EXT FX FX GEQ INSERT INSERT INSERT EXT FX FX GEQ INSERT INSERT INSERT A/D ATT PRE FADER GR GR INPUT 1–16 PRE EQ COMP MUTE FADER 4-BAND PEQ COMP ATT MAIN ON PAN
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LIVE MIXING CONSOLE M-200i Owner’s Manual Owner’s Manual ● MMP (Moore Microprocessor Portfolio) refers to a patent portfolio concerned with microprocessor architecture, which was developed by Technology Properties Limited (TPL). Roland has licensed this technology from the TPL Group. ● This product is using the open source license (GPL/LGPL) software. You have the right to acquire, modify and distribute the source code for this open source license software.