To resize thickness, move all items on the front cover to left or right. Appendices • Unauthorized recording, distribution, sale, lending, public performance, broadcasting, or the like, in whole or in part, of a work (musical composition, video, broadcast, public performance, or the like) whose copyright is held by a third party is prohibited by law.
To resize thickness, move all items on the front cover to left or right. Information AFRICA EGYPT Al Fanny Trading Office 9, EBN Hagar A1 Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: 20-2-417-1828 REUNION Maison FO - YAM Marcel 25 Rue Jules Hermann, Chaudron - BP79 97 491 Ste Clotilde Cedex, REUNION ISLAND TEL: (0262) 218-429 SOUTH AFRICA That Other Music Shop(PTY)Ltd. 11 Melle St.
2400_app_e.book 3 ページ 2006年2月24日 金曜日 午前11時45分 Contents Contents About MIDI ...............................................................................................4 Troubleshooting......................................................................................5 Q&A ..........................................................................................................8 BASIC FUNCTIONS .........................................................................................................
2400_app_e.book 4 ページ 2006年2月24日 金曜日 午前11時45分 About MIDI This section explains the basic concepts of MIDI, and how the VS-2400CD handles MIDI messages. MIDI messages What is MIDI Note messages: MIDI stands for Musical Instrument Digital Interface. It is a worldwide standard that allows electronic musical instruments and personal computer to exchange musical performance data and messages such as sound selections.
2400_app_e.book 5 ページ 2006年2月24日 金曜日 午前11時45分 Troubleshooting When the VS-2400CD does not perform the way you expect, check the following points before you suspect a malfunction. If this does not resolve the problem, Contact your dealer or a qualified Roland Service Center. Recording and Play back • The power of the VS-2400CD and the connected devices is not turned on. • The audio cables are not connected correctly. • The audio cables are broken.
2400_app_e.book 6 ページ 2006年2月24日 金曜日 午前11時45分 Troubleshooting Cannot record digitally • The CD player’s digital connection is not accepted. • The MASTER CLOCK is set to “INT”. • The DIGITAL IN connector (optical/coaxial/R-BUS) was not properly selected. • The sampling rate of the recording destination project is different than the sampling rate of the digital audio device. → Match the sample rate setting of the digital audio device to the setting of the project.
2400_app_e.book 7 ページ 2006年2月24日 金曜日 午前11時45分 Troubleshooting Cannot write to CD-R discs • The project’s sample rate is set to something other than 44.1 kHz. • The internal IDE hard disk does not have sufficient free disk space. • The CD-R disc does not have sufficient free space. • You are trying to write to a commercial CD software disc. MIDI Devices Problems With the VS-2400CD as master, the MIDI sequencer does not respond to commands • The MIDI cable is not connected correctly.
2400_app_e.book 8 ページ 2006年2月24日 金曜日 午前11時45分 Q&A BASIC FUNCTIONS Q: What are the main differences between VS-2400CD and VS-1880/1824? A: Main differences from VS-1880/1824 are as follows. • Accommodates 96kHz sampling rate • 24-bit linear recording • An R-BUS port • Newly developed pre-amp circuit on analog input • 13 motorized faders • Mouse operation on VGA screen • 3.
2400_app_e.book 9 ページ 2006年2月24日 金曜日 午前11時45分 Q&A Q: How many tracks can I record/play back simultaneously? A: Maximum simultaneous recording/play back tracks in each recording mode and sampling rate are as shown in the following table. Recording Mode M24/M16/CDR MTP/MT1/ MT2/LIV/LV2 96/88.2/64kHz 48/44.1/32kHz Recording:8 Play back:8 Recording:8 Play back:12 Recording:16 Play back:16 Recording:16 Play back:24 Q: Is “Track Copy” possible between different projects? A: Yes.
2400_app_e.book 10 ページ 2006年2月24日 金曜日 午前11時45分 Q&A CD-R/RW DRIVE Q: Is it possible to use the CD-R/RW drive which were used with the previous VS models? A: No, they cannot be used. Please use the built-in CD-R/RW drive. Q: Can the built-in CD-RW drive be exchanged? A: No, it cannot be exchanged.
2400_app_e.book 11 ページ 2006年2月24日 金曜日 午前11時45分 Q&A DIGITAL I/O Q: What digital devices can be used when sampling rate is set to 96kHz? Q: Is it possible to connect two VS-2400CD’s in cascade via R-BUS to transfer audio data, various control messages and synchronization? A: Devices such as the Roland VS-2480/2480CD can be connected. Q: Is it possible to use two digital in connectors simultaneously? A: Yes.
2400_app_e.book 12 ページ 2006年2月24日 金曜日 午前11時45分 Q&A MIDI DEVICES Q: Is it possible to use a digital input when the VS-2400CD is an MTC slave? A: Yes. But if the discrepancy between the MTC and the digital master clock gets large, the VS-2400CD may stop play back. Q: Is it possible to assign any MIDI parameters to faders to control the external device? A: With “V-fader” function, you can transmit MIDI control change messages from the MIDI OUT using the 12 faders. Q: Is it possible to do 5.
2400_app_e.book 13 ページ 2006年2月24日 金曜日 午前11時45分 Q&A OTHERS Q: Is there DAT backup/recover function? Q: Is it possible to display the information that is on the LCD in the external VGA and operate the VS using a VGA display? A: No. A: Separate information such as playlist and channel settings can be displayed in the external VGA. VGA display can show more information at once with 256 colors and four times more resolution than the LCD.
2400_app_e.book 14 ページ 2006年2月24日 金曜日 午前11時45分 Q&A How to Record with External Effects Devices Connected There are two possible ways to carry out recording when you have external effects devices connected; you can use the track direct outs, or you can use the DIR path. Using the track direct outs allows up to twelve tracks to be output simultaneously in parallel, while with the DIR path you can simultaneously output up to eight tracks in parallel (including the R-BUS output).
2400_app_e.book 15 ページ 2006年2月24日 金曜日 午前11時45分 Q&A You can also make the Output Assign settings in the EZ ROUTING Output Assign screen ([EZ ROUTING]→ [F3 (OUTPUT)]. 14. Connect each output to the external effects. Recording the Sounds Output from the External Effects to the Tracks 16. Press [SELECT] for Input Mixer Channel 1. Input 1 is assigned to Track 1. 17. Press [STATUS] for Channel 2. 18. Press [SELECT] for Channel 2. Input 2 is assigned to Track 2. 19.
2400_app_e.book 16 ページ 2006年2月24日 金曜日 午前11時45分 Error Messages Aborted Command! Illegal Request! This disk drive cannot be used by the VS-2400CD. Arbitration Failed! Check Condition! Drive Status Error! The disk drive could not be accessed. Make sure that the disk drive is connected correctly. Blank Disc The CD in your drive is blank. Insert a CD or CD-R/RW that contains recorded material.
2400_app_e.book 17 ページ 2006年2月24日 金曜日 午前11時45分 Error Messages FX Board for RSS PAN is not installed! Not 44.1kHz Project! When a project or scene was loaded, the effect board necessary for using RSS pan was not found. The project's sample rate is not 44.1 kHz. Only 44.1 kHz audio can be written to a CD-R/RW disc. Hardware Error! Operation Failed! There is a problem with the disk drive. Contact the disk drive's manufacturer or dealer.
2400_app_e.book 18 ページ 2006年2月24日 金曜日 午前11時45分 Glossary Analyzer Current Project A device that divides the frequency spectrum into narrow bands, and displays a level meter for each function band to analyze the frequency distribution. The project currently being recorded, played back, or edited is referred to as the current project. ATA This is an interface for PC hard disks, and is the official standard for the interface known as IDE.
2400_app_e.book 19 ページ 2006年2月24日 金曜日 午前11時45分 Glossary Frame MTC Similar to the individual frames in a roll of movie film, the numerous still pictures that are displayed in rapid succession to create a moving video image are also known as “frames.” About thirty of these frames are shown each second. When hard disk recorders, sequencers, and other such equipment are synchronized with video, it is generally assumed that there should be one frame every 1/30th of a second. MTC stands for MIDI Time Code.
2400_app_e.book 20 ページ 2006年2月24日 金曜日 午前11時45分 Glossary R-BUS TOC Roland’s digital communication specification developed to allow audio and control data to be exchanged between devices. Multi-channel audio signals, word clock, and MIDIcompatible operation data and synchronization signals can be exchanged. A single R-BUS connector allows simultaneous bi-directional transfer of eight channels of digital audio data. The connector is a DB-25 type, and uses a special cable for connections.
2400_app_e.book 21 ページ 2006年2月24日 金曜日 午前11時45分 Shortcut Key Operations Here is a list of the functions that can be performed by pressing multiple buttons, or using the TIME/VALUE dial in conjunction with a button. CH EDIT/SELECT/AUTOMIX STATUS buttons [AUTOMIX] + [AUTOMIX STATUS] (*1) Switch the Automix status of each channel (when Automix is “on”) [SHIFT] + [CH EDIT] Adjust the each channel faders to set the “0 dB,” and the PAN knobs to set the “Center.
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2400_app_e.book 23 ページ 2006年2月24日 金曜日 午前11時45分 Shortcut Key Operations PHRASE/MARKER buttons [PREVIOUS] If there is a phrase at the current location, move to the beginning of that phrase. (*4) If not, move to the end of the previous phrase. (*4) Move to the previous marker. (*5) [NEXT] If there is a phrase at the current location, move to the end of that phrase. (*4) If not, move to the beginning of the next phrase. (*4) Move to the next marker.
00_app_e.book 24 ページ 2006年2月24日 金曜日 午前11時45分 Shortcut Key Operations Mouse Operation [SHIFT] + Dropping Copy the data. ASCII Keyboard PLAY/STOP the project performance.
2400_app_e.book 25 ページ 2006年2月24日 金曜日 午前11時45分 Parameter List Input Mixer [IN 1-12] (or [IN 13-16]) → [CH EDIT] (IN 1–12, 13–16)] Display Value, Initial value Patchbay - ANALOG INPUT 1–8, R-BUS 1–8, COAXIAL, OPTICAL (*1) Channel Link Link Off, On Attenuator ATT -42.0–0.0–+6.0 dB Phase Phase NRM, INV Fader Group Group Off, 1–12 Fader Link F.LINK Off, On Level Meter - Pre, Pst Solo Solo Off, On Mute Mute Off, On Offset Level - -∞–0.0–+6.0 dB (*2) Fader Fader -∞–+6.
2400_app_e.book 26 ページ 2006年2月24日 金曜日 午前11時45分 Parameter List Parameter name Display Value, Initial value Equalizer High Mid Q EQ Hi-Mid Q 0.36–2.00–16.0 (*5) (*8) Equalizer High Gain EQ High G -15.0–0.0–15.0 dB (*5) (*8) Equalizer High Frequency EQ High F 1.0 kHz–10.0 kHz–20.0 kHz (*5) (*8) AUX Send Switch AUX (1–8) Off, Pre/Pst (*9) AUX Send Level - -∞–+6.0 (*10) AUX Send Pan - L63–C–R63 (*11) Direct Path Switch DIR (1–8) 1, ...
2400_app_e.book 27 ページ 2006年2月24日 金曜日 午前11時45分 Parameter List Track Mixer [TR 1-12] (or [TR 13-16] → [CH EDIT] (TR 1–12, 13-16) Display Value, Initial value V-track V.Track 1–16 Channel Link Link Off, On Attenuator ATT -42.0–0.0–+6.0 dB Phrase Phase NRM, INV Fader Group Group Off, 1–12 Level Meter Meter Pre, Pst Solo Solo Off, On Mute Mute Off, On Offset Level - -∞–0.0–+6.0 (*1) Fader Fader -∞–0.0–+6.
2400_app_e.book 28 ページ 2006年2月24日 金曜日 午前11時45分 Parameter List Parameter name Display Value, Initial value Equalizer High Gain EQ High G -15.0–0.0–15.0 dB (*6) Equalizer High Frequency EQ High F 1.0 kHz–10.0 kHz–20.0 kHz (*6) AUX Send Switch AUX (1–8) Off, Pre/Pst (*7) AUX Send Level - -∞–+6.0 (*8) AUX Send Pan - L63–0–R63 (*9) Direct Path Switch DIR (1–8) Off, On Effect Insert Switch FX (1–4) Off, Ins, InsL, InsR, InsS (*10) Effect Insert Send Level Snd -∞–0.0–6.
2400_app_e.book 29 ページ 2006年2月24日 金曜日 午前11時45分 Parameter List Effect Return [AUX1–8 FX1–4 RTN] → [CH EDIT] (FX 1–4 RTN) Parameter name Display Value, Initial value Assign ASSIGN AUX1–AUX8, DIR1–DIR8 Fader Group GROUP Off, On Mono Switch MONOSw Off, On Level Meter - Pre, Post Solo Solo Off, On Mute Solo Off, On Effect Return Level FADER -∞–0.0–+6.
2400_app_e.book 30 ページ 2006年2月24日 金曜日 午前11時45分 Parameter List Parameter name Display Value, Initial value AUX B AUX B L/R MASTER, MONITOR, AUX1/2, AUX3/4, ..., AUX7/8, DIR1/2, ..., DIR7/8 ANALOG MULTI OUTPUT A.MULTI (1/2–7/8) TR 1/2, ..., TR23/24, MONITOR (*3), MASTER, MONITOR, AUX1/2, AUX3/4, L/R, Ls/Rs, DIR1/2, ..., DIR7/8 (*4) MASTER, MONITOR, AUX1/2, AUX3/4, L/R, C/RC, DIR1/2, ..., DIR7/8 (*5) MASTER, MONITOR, AUX1/2, L/R, Sub.W/C, Ls/Rs, DIR1/2, ...
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2400_app_e.book 32 ページ 2006年2月24日 金曜日 午前11時45分 Parameter List Global Parameter [SHIFT]+[F4 (UTILITY)] → [(Page1) F2 (GLOBAL)] Parameter name Display Value, Initial value Input Peak Level INPUT PEAK LEVEL 0 dB, -3 dB, -6 dB Foot Switch Assign FOOT SWITCH ASSIGN Play/Stop, Record, TapMarker, Next, Previous, GPI CD Digital Recording CD DIGITAL REC Off, On Screen Saver SCREEN SAVER Off, 1–30 min Shift Lock SHIFT LOCK Off, On, Once Switching Time SWITCHING TIME 0.3–0.5–2.
2400_app_e.book 33 ページ 2006年2月24日 金曜日 午前11時45分 Parameter List Play/Recording Parameter [SHIFT]+[F4 (UTILITY)] → [(Page1) F4 (PlyRec)] Parameter name Display Value, Initial value Record Monitor RECORD MONITOR Auto, Source Marker Stop MARKER STOP Off, On Fade Curve FADE CURVE Linear, Exp Fade Length FADE LENGTH 2, 10, 20, 30, 40, 50 ms Vari Pitch Switch VARI PITCH Sw Off, On Vari Pitch Vari Pitch 16.00 kHz–96.00 kHz–98.00 kHz (fs=96.0 kHz) 16.00 kHz–88.20 kHz–98.00 kHz (fs=88.
2400_app_e.book 34 ページ 2006年2月24日 金曜日 午前11時45分 Parameter List Sync Parameter [SHIFT]+[F4 (UTILITY)] → [(Page1) F6 (SYNC)] Parameter name Display Value, Initial value Sync Mode SYNC MODE INT, EXT Sync with Gap SYNC with Gap Off, On External Sync Source EXT SYNC SOURCE MIDI IN, R-BUS Frame Rate auto select SYNC AUTO Off, On Sync Offset Time SYNC OFFSET TIME 00:00:00:00.00–23:59:59:29.
2400_app_e.book 35 ページ 2006年2月24日 金曜日 午前11時45分 Parameter List Metronome Drum Pattern Edit [SHIFT]+[F4 (UTILITY)] → [(Page2) F2 (Metro)] → [F1 (PtnEdt)] Parameter name Display Value, Initial value Percussion PERCUSSION Hand Clap, Cowbel, Maracas Percussion Switch - Off, On Percussion Verocity VELO 1–100–127 High Hat Switch H.H. (Off), High Hat Verocity VELO 1–100–127 Snare Drum Switch S.D. Off, On (Initial value: odd-numbered beats are On. even-numbered beats are Off.
2400_app_e.book 36 ページ 2006年2月24日 金曜日 午前11時45分 Parameter List Scene [SHIFT]+[F4 (UTILITY)] → [(Page3) F1 (SCENE)] Parameter name Display Value, Initial value Scene Active Channel INPUT MIXER (1–16) Valid, Ignore TRACK MIXER (1–24) Valid, Ignore FX RETURN (1–4) Valid, Ignore AUX MASTER (1–8) Valid, Ignore DIR (1–8) Valid, Ignore EFFECT (1–4) Valid, Ignore MST (MST) Valid, Ignore Automix [SHIFT]+[F4 (UTILITY)] → [(Page3) F2 (A.
2400_app_e.book 37 ページ 2006年2月24日 金曜日 午前11時45分 Parameter List Oscillator/Analyzer [SHIFT]+[F4 (UTILITY)] → [(Page3) F4 (OscAna)] Oscillator Parameter name Display Value, Initial value Switch Sw Off, On Source SOURCE PINK Noise, WhiteNoise, Sin Wave, METRONOME (*1) Attenuator ATT -42.0–-12–+0 dB (*2) Fader Fader -∞–0.0–6.0 dB Mix Send Pan PAN L63–C–R63 Mix Send Switch MIX Off, On AUX Send Switch AUX (1–8) Off, On AUX Send Level - -∞–6.
2400_app_e.book 38 ページ 2006年2月24日 金曜日 午前11時45分 Parameter List RSS PAN Setup [SHIFT]+[F4 (UTILITY)] → [(Page4) F2 (RSSPan)] Parameter name Display Value, Initial value Use Effect Board Use EFFECT Board Off, A, B (*1) Phones Mode PHONES Sw Off, On Use Channel List Use CHANNEL LIST INPUT 1–INPUT16 (*2), TRACK 1–TRACK24 (*2) *1 When an effect board is being used by the analyzer, it’s unavailable for other use. *2 If Channel Link is On, its channels will not appear in Use Channel List.
2400_app_e.book 39 ページ 2006年2月24日 金曜日 午前11時45分 Preset Patch List On the VS-2400CD, you can access the range of effects listed below. Loop: Direct Level is set to “0.” Connect this Patch to the effects bus. Insert: This Patch mixes the direct sound and effected sound. Insert it into a channel. * The Patches using algorithm shown below cannot be selected on the EFFECT 2, 4, 6 and 8.
2400_app_e.book 40 ページ 2006年2月24日 金曜日 午前11時45分 Preset Patch List ■ Reverb (18 presets) No. Patch Name Algorithm Type Input Comment P036 P037 P038 P039 P040 P041 P042 P043 P044 P045 P046 P047 P048 RV:LargeHall RV:SmallHall RV:Strings RV:PianoHall RV:Orch Room RV:VocalRoom RV:MediumRm RV:LargeRoom RV:CoolPlate RV:Short Plt RV:Vocal Plt RV:Soft Amb. RV:Room Amb.
2400_app_e.book 41 ページ 2006年2月24日 金曜日 午前11時45分 Preset Patch List ■ Tape Echo 201 (4 presets) No. Patch Name Algorithm Type Input Comment P087 P088 P089 P090 TE:ShortEcho TE:LongEcho TE:OldTape TE:PanEcho Tape Echo 201 Tape Echo 201 Tape Echo 201 Tape Echo 201 Loop Loop Loop Loop Mono Mono Mono Mono Models short type tape echo. Models long type tape echo. Models tape echo using an old tape. Models tape echo in stereo. ■ Chorus (6 presets) No.
2400_app_e.book 42 ページ 2006年2月24日 金曜日 午前11時45分 Preset Patch List P129 MM:C3KB→Line Mic Modeling Insert 2ch P130 P131 P132 P133 P134 P135 P136 P137 P138 MM:Kick&Snr1 MM:Kick&Snr2 MM:H.Hat&Tom MM:Dr.OvrTop MM:Dr.OvrAll MM:Ac.
2400_app_e.book 43 ページ 2006年2月24日 金曜日 午前11時45分 Preset Patch List ■ Special Effects (11 presets) No.
2400_app_e.book 44 ページ 2006年2月24日 金曜日 午前11時45分 Preset Patch List ■ Speaker Modeling (11 presets) No. Patch Name Algorithm Type Input Comment P220 SPM:SuperFlt Speaker Modeling Insert Stereo P221 SPM:P.GenBlk Speaker Modeling Insert Stereo P222 P223 P224 P225 SPM:P.E-Bs SPM:P.Mack SPM:SmalCube SPM:WhiteCon Speaker Modeling Speaker Modeling Speaker Modeling Speaker Modeling Insert Insert Insert Insert Stereo Stereo Stereo Stereo P226 SPM:W.
2400_app_e.book 45 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List Algorithm List This section describes the effects associated with the respective algorithms and internal terminations. Read this section when you need to check the algorithms in the built-in library (pre-set library) or before creating a new library. ● To add reverbs (Reverb-related) ● To add effects suited for the guitar/bass Reverb(p. 46) Reverb2(p. 48) Gate Reverb(p. 50) ● To add delayed sounds (Delay-related) Delay(p.
2400_app_e.book 46 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List Reverb This feature adds reverberation to the sound to model the size of space such as a hall and a room. fig.08-04 Direct Level Input L 3BAND EQ Input R Output L Reverb Output R Direct Level Sound types Sounds around us can be analyzed and categorized into three types: direct sounds, early reflections and reverberation. A direct sound is the sound that reaches the listener directly from the source.
2400_app_e.book 47 ページ 2006年2月24日 金曜日 午前11時45分 Parameter (full name) Setting Function EQ (Equalizer) Sw (Switch) On, Off Turns the equalizer on or off. Low Gain -12– +12 dB Sets the boost/cut amount in the low frequency band. Low Freq (Low Frequency) 20 - 2000 Hz Sets the center frequency in the low frequency band. Low Q 0.3–10.0 Sets the width of the area around the low frequency that will be affected by the gain settings.
2400_app_e.book 48 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List Reverb2 This gate reverb works in either of two modes of gate operation (Gate/Ducking). In the Gate mode, the gate opens when a certain volume (Threshold Level) is exceeded while in the Ducking mode, the gate opens when the volume becomes as low as or lower than Threshold Level. You can use two reverbs (FX1 and FX2) with different settings, or use it in combination with a previous reverb. fig.
2400_app_e.book 49 ページ 2006年2月24日 金曜日 午前11時45分 Parameter (full name) Rev (Reverb 2): Setting Function Gate reverb with two modes of gate operation Sw (Switch) On, Off Turns the reverb on or off. Type (Reverb Type) See the column on the previous page. Sets the reverb type. Gate (Gate) On, Off Opens or closes the gate. Mode (Gate Mode) Gate, Ducking Sets the gate operation type. Time (Reverb Time) 0.1–10.0 sec. Sets the length (time) of the reverb sound.
2400_app_e.book 50 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List Gate Reverb This is a reverb in which the reverberation is muted during its decay. Its reverse mode can be used in conjunction with Accent sounds to obtain sounds like from reverse play back of a tape. fig.08-42 Input L Output L Direct Level 3BAND EQ Gate Reverb 3BAND EQ Input R Direct Level Output R Gate Reverb fig.
2400_app_e.book 51 ページ 2006年2月24日 金曜日 午前11時45分 Parameter (full name) GRev (Gate Reverb): Setting Function Mutes the revert sound midway. Sw (Switch) On, Off Mode (Gate Mode) See the column on the previous page. Turns the gate reverb on or off. Time (Gate Time) 10–400 s Sets the time from when the reverb sound begins until it is muted. PreDLY (Pre-Delay) 0–300 ms Sets the time until the reverb sound appears. Thick (Thickness) 0–100 Sets the thickness of the reverb sound.
2400_app_e.book 52 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List Delay Delay is a feature to add a delayed sound to the direct sound in order to add thickness to the sound or to yield a special effect. fig.08-08 Input L Direct Level Output L 3BAND EQ Feedback Level Lch Delay Feedback Level Rch 3BAND EQ Input R Direct Level Output R Delay sounds and the spread of sound As a delay is output in the stereo mode, it sounds from the right and the left sides.
2400_app_e.book 53 ページ 2006年2月24日 金曜日 午前11時45分 EQ (Equalizer) Sw (Switch) On, Off Turns the equalizer on or off. Low Gain (Low Gain) -12– +12 dB Sets the boost/cut amount in the low frequency band. Low Freq (Low Frequency) 20 - 2000 Hz Sets the center frequency in the low frequency band. Low Q 0.3–10.0 Sets the width of the area around the low frequency that will be affected by the gain settings.
2400_app_e.book 54 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List Stereo Pitch Shifter Delay Changes the pitch of the direct sound. Corrects vocals out of tune or adds thickness to the sound by mixing the direct sound and a sound at a shifted pitch. fig.
2400_app_e.book 55 ページ 2006年2月24日 金曜日 午前11時45分 EQ (Equalizer) Sw (Switch) On, Off Turns the equalizer on or off. Low Gain (Low Gain) -12– +12 dB Sets the boost/cut amount in the low frequency band. Low Freq (Low Frequency) 20 - 2000 Hz Sets the center frequency in the low frequency band. Low Q 0.3–10.0 Sets the width of the area around the low frequency that will be affected by the gain settings.
2400_app_e.book 56 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List Delay RSS The right-side, left-side and center Delay sounds can be set separately. As RSS (p. 70) is connected to both the right and left outputs, the sound image of the sound from the left-side channel is localized at 90˚ to the left and that of the sound from the right-side channel at 90˚ to the right. The center Delay output can receive the Feedback effect. fig.
2400_app_e.book 57 ページ 2006年2月24日 金曜日 午前11時45分 Tape Echo 201 Models the tape echo section of the Roland RE-201 Space Echo. Capable of reproducing very subtle behavior at the measuring instrument level as well as adding subtle changes in pitch due to deterioration of the tape or inconsistency in tape rotation fig.08-71 Output L Input L TapeEcho201 Input R Output R About replay head RE-201 is equipped with three heads for creating sounds with different delay times (short, middle and long delay sounds).
2400_app_e.book 58 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List Multi Tap Delay This is a Delay feature that can set 10 delay sounds separately. fig.08-45 Output L Diret Level Input L 3BAND EQ Pan 1 Pan 2 Pan 10 Multi Tap Delay Feedback Level 3BAND EQ Input R Parameter (full name) MTD (Multi-Tap Delay): 58 Output R Diret Level Setting Function Issues 10 delay sounds separately.
2400_app_e.book 59 ページ 2006年2月24日 金曜日 午前11時45分 EQ (Equalizer) Sw (Switch) On, Off Turns the equalizer on or off. Low Gain (Low Gain) -12– +12 dB Sets the boost/cut amount in the low frequency band. Low Freq (Low Frequency) 20 - 2000 Hz Sets the center frequency in the low frequency band. Low Q 0.3–10.0 Sets the width of the area around the low frequency that will be affected by the gain settings.
2400_app_e.book 60 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List Stereo Delay Chorus Delay and Chorus can be combined to create spaciousness. fig.08-10 Output L Input L Delay L Chorus L Cross FB Level Lch Cross FB Level Lch Cross FB Level Rch Cross FB Level Rch Chorus R Delay R 3BAND EQ 3BAND EQ Input R Output R How feedback works for Delay and Chorus Feedback is the feature to return the effect sound to its input. The amount of feedback is set with FBLevel (Feedback Level).
2400_app_e.book 61 ページ 2006年2月24日 金曜日 午前11時45分 Chorus: Adds spaciousness and depth to the sound. Sw (Switch) On, Off Turns the chorus on or off. Rate (Rate) 0.1–10.0 kHz Sets the rate of modulation. Depth (Depth) 0–100 Sets the depth of modulation. PreDLY (Pre-Delay) 0–50 ms Sets the time delay from when the direct sound begins until the processed sound is heard.
2400_app_e.book 62 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List Chorus RSS RSS (p. 70) is connected to the Chorus output. The sound image is defined with the sound from the left-side channel located at left 90˚ and the sound from the right-side channel at right 90˚. fig.08-22 Input L Output L Direct Level RSS Chorus RSS Output R Direct Level Input R • Location is fixed; no azimuth or elevation can be specified. • Refer to the column “Labeling on RSS product package” (p. 71).
2400_app_e.book 63 ページ 2006年2月24日 金曜日 午前11時45分 Space Chorus This is a chorus effect simulating Roland SDD-320. The effect to be changed can be reproduced by turning the four buttons 1 to 4 on or off. fig.08-51 Output L Input L Space Chorus Input R Output R Parameter (full name) Spcho (Space Chorus): Setting Function Adds a chorus effect simulating SDD-320. Sw (Switch) On, Off Turns the space chorus on or off.
2400_app_e.book 64 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List Stereo Phaser A phaser adds a phase-shifted sound to the direct sound, producing a twisting modulation that creates spaciousness and depth. fig.08-36 Input L Output L Phaser L 3BAND EQ Phaser R 3BAND EQ Input R Output R Phaser and Flanger The effects obtained with Phaser and Flanger are very similar. Both add twisting modulation effects to the sound, creating spaciousness and depth.
2400_app_e.book 65 ページ 2006年2月24日 金曜日 午前11時45分 EQ (Equalizer) Sw (Switch) On, Off Turns the equalizer on or off. Low Gain (Low Gain) -12– +12 dB Sets the boost/cut amount in the low frequency band. Low Freq (Low Frequency) 20 - 2000 Hz Sets the center frequency in the low frequency band. Low Q 0.3–10.0 Sets the width of the area around the low frequency that will be affected by the gain settings.
2400_app_e.book 66 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List Analog Phaser Two units of analog phasers are placed in parallel to accommodate stereo sounds. Surges unique to Phaser is created by adding sounds with the phase shifted periodically. fig.08-75 Input L Input R Analog Phaser L Analog Phaser R Output L Output R Number of stages of Phaser As the number of sages of Phaser increases, the number of frequency points suppressed increases as well, generating sharper effect. fig.
2400_app_e.book 67 ページ 2006年2月24日 金曜日 午前11時45分 Stereo Flanger fig.08-38Parameter (full name)SettingFunction Input L Output L Flanger L 3BAND EQ Flanger R 3BAND EQ Input R Flg (Flanger): Output R Adds effect similar to ascending/descending sound of a jet. Sw (Switch) On, Off Turns the flanger on or off. Pol (Polarity) Sync, Inv Sets the right and left phases of modulation. Rate (Rate) 0.1–10.0 Hz Sets the rate at which the flanger is modulated.
2400_app_e.book 68 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List Analog Flanger Models Roland SBF-325 Analog Flanger. Provides three types of flanger effects as well as chorus-like effect. fig.08-73 Input L Input R Analog Flanger L Analog Flanger R Output L Output R Input L Input R (Mode=FL1) Analog Flanger L Analog Flanger R Output L Output R (Mode=FL2/FL3/CHO) Types of Flanger Effect Analog Flanger provides a variety of flanger effects or chorus effects.
2400_app_e.book 69 ページ 2006年2月24日 金曜日 午前11時45分 Rotary Models a rotary speaker. Behaviors of High and low frequency band Roters can be set up separately, allowing realistic modeling of unique surging sensation. This effect is suited for organ sounds. fig.08-32 Input L Output L Noise Suppressor Over Drive Rotary Speaker Output R Input R Parameter (full name) NS (Noise Suppressor): Setting Function Mutes noise in the silent mode. Sw (Switch) On, Off Turns the noise suppressor on or off.
2400_app_e.book 70 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List 2ch RSS Gives each of the sounds input into the respective channels three-dimensional locations. fig.08-16 Output L Input A RSS RSS Input B Output R • Input A is input into the L-channel side of the effect. Therefore, it is required to insert and connect “Lch” of the effect to the channel handling Input A. Similarly, Input B is input into the R-channel side of the effect.
2400_app_e.book 71 ページ 2006年2月24日 金曜日 午前11時45分 Precautions for using RSS When you use RSS with Phones Off, please notice the following points. • Acoustically “dead” rooms are most suitable. • A single-way speaker is suited. However, a multi-way type will do if it incorporates the coaxial or virtual coaxial system. • Place the speakers as far as possible from the walls on the sides. • Do not separate the right and left speakers too much. • Recommended sweet spots for listening are as follows: fig.
2400_app_e.book 72 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List Mic Modeling (Microphone Modeling) This modifies sound that was recorded by a conventional dynamic mic, lapel mic or direct line, causing it to sound as though it had been recorded by an expensive condenser mic or a special studio mic. The mic simulator can add effects of proximity or distance. fig.
2400_app_e.book 73 ページ 2006年2月24日 金曜日 午前11時45分 Parameter (full name) Lnk (Link): Setting Function Channel B follows the settings for Channel A. Link (Link Switch) On, Off Specifies if Channel B follows or does not follow the settings for Channel A. CnvA, CnvB (Mic Converter):Converts the characteristics of the low-end general-purpose microphone into the characteristics of the High-end microphone for studio application. Sw (Switch) On, Off Turns the microphone converter on or off.
2400_app_e.book 74 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List Guitar Multi 1–3 These provide multi-effects for guitar sounds suited for rock. Guitar Multi 1 through 3 differ in the degree of sound distortion. Guitar Multi 1 provides the Highest degree of distortion and Guitar-Multi 3 the lowest. fig.08-26 Input L Compressor Heavy Metal Noise Suppressor Output L Auto Wah GAmp Mdl Flanger Delay Output R Input R fig.
2400_app_e.book 75 ページ 2006年2月24日 金曜日 午前11時45分 Parameter (full name) Setting Function Comp (Compressor):Compresses the entire output signals when the input volume exceeds a specified value. Sw (Switch) On, Off Turns the compressor on or off. Sustain (Sustain) 0–100 Sets the time over which low level signals are boosted to a constant volume. Attack (Attack) 0–100 Sets the strength of attack when a sound is input. Tone (Tone) -50–50 Sets the tone color.
2400_app_e.book 76 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List Dly (Delay):Adds a delayed sound to the direct sound, adding depth to the sound or creating special effects. Sw (Switch) On, Off Turns the delay on or off. Time (Delay Time) 0–1000 ms Sets the time from direct sound until when the delay sound is heard. *1 shift (shift) L1000–0–R1000 ms Sets the delay time difference between the right and left delay sounds. FBTim (Feedback Delay Time) 0–1000 ms Sets the feedback repetition cycle.
2400_app_e.book 77 ページ 2006年2月24日 金曜日 午前11時45分 DirLvl (Direct Level) 0–100 Sets the volume of the direct sound. *1: Can be set only when JC-120, Clean Twin or BG Lead is selected for Pre-amplifier Type. *2: Cannot be set when Match Drive is selected for the Pre-amplifier Type. *3: The setting range is -100 to 0 when Match Drive is selected for the Pre-amplifier Type. Pre-amplifier Models the pre-amplifier section of a guitar amplifier.
2400_app_e.book 78 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List Vocal Multi This feature provides a multi-effect suited for vocals. fig.08-30 Input L Noise Suppressor Output L Limiter/ De-esser Enhancer 3BAND EQ Pitch Shifter Delay Chorus Output R Input R Cutting distortion in vocals Limiter can be used to suppress signals at a High level to prevent sound distortion.
2400_app_e.book 79 ページ 2006年2月24日 金曜日 午前11時45分 EQ (Equalizer) Sw (Switch) On, Off Turns the equalizer on or off. Low Gain (Low Gain) -12– +12 dB Sets the boost/cut amount in the low frequency band. Low Freq (Low Frequency) 20 - 2000 Hz Sets the center frequency in the low frequency band. Low Q 0.3–10.0 Sets the width of the area around the low frequency that will be affected by the gain settings.
2400_app_e.book 80 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List Voice Transformer You can convert male voice into female voice, female voice into male voice, and human voice into mechanical voice to create sounds of various qualities by controlling the base pitch and the formant separately. fig.08-63 Input L Output L Voice Transformer Reverb Output R Input R • When inputting voice, use voice of one person only. Inputting voices of more than one person disables normal operation.
2400_app_e.book 81 ページ 2006年2月24日 金曜日 午前11時45分 Vocal Canceler When a stereo source is being input from CD or DAT and so on, this cancels the sound which is located in the stereo center, such as the vocal or bass. fig.08-61 Output L Input L 3BAND EQ Vocal Canceler 3BAND EQ Input R Output R Depending on the music source, sounds that you do not wish to be canceled may be canceled as well.
2400_app_e.book 82 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List *1: Setting to “Unlimit” means that the frequency that can be played back on this unit is the lower limit. *2: Setting to “Unlimit” means that the frequency that can be played back on this unit is the upper limit. *3: If Low Type (Lo Type) or High Type (Hi Type) is set to “Shlv (Shlving Type),” the setting for Lo Q or High Q is invalid.
2400_app_e.book 83 ページ 2006年2月24日 金曜日 午前11時45分 Vocoder The vocoder creates “talking instrument” effects. To use Vocoder, input an instrumental sound into the left channel and a vocal sound into the right channel. The instrumental sound is split into ten frequency bands to be processed according to its frequency components. fig.08-14 Output L Input L (Instrument) Chorus 10 Band Vocoder Input R (Mic) Output R Instrumental sounds are input into the L-channel side of the effect.
2400_app_e.book 84 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List Vocoder2 (19) This is a 19-band vocoder. Provides clear sounds that used to be impossible with the previous vocoders. fig.08-65 Input L (Instrument) Output L VOCODER + + Chorus Input R(Mic) Output R Noise Suppressor • Instrumental sounds are input into the L channel side of Effect. Therefore, it is required to insert-connect “Lch” of Effect to the channel handling instrumental sounds.
2400_app_e.book 85 ページ 2006年2月24日 金曜日 午前11時45分 Parameter (full name) Voc (Vocoder 2): Setting Function The pitch is specified as in the instrumental sound while the tone is output in the human voice. Envelope (Envelope) Sharp, Soft, Long Defines characteristics of the sound. PanMode (Pan Mode) Mono, Stereo, L→R, R→L Defines how the sound is located. Hold (Hold) On, MIDI Specifies that an instrumental sound is or is not issued with the formant fixed.
2400_app_e.book 86 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List Lo-Fi Processor This allows you to create a “lo-fi” sound by lowering the sample rate and/or decreasing the number of bits. fig.
2400_app_e.book 87 ページ 2006年2月24日 金曜日 午前11時45分 3band Isolator Sharply cuts off components by frequency band to eliminate undesired sounds. Useful to eliminate undesired sounds and take out only specific sounds from a CD. Isolator can make sounds completely perish, unlike ordinary equalizers that leave some sounds even with the gains of the respective frequency bands set to the minimum. fig.
2400_app_e.book 88 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List Dual Compressor/Limiter Compressors suppress signals at High levels. Limiter is used to control excessive input. Each of the above is used to prevent sound distortion or to control dynamics. fig.08-40 Output L Input A Compressor/Limiter A Noise Suppressor A Detector in Detector in Detector in Detector in Compressor/Limiter B Noise Suppressor B Input B Output R Input A is input into the L-channel side of the effect.
2400_app_e.book 89 ページ 2006年2月24日 金曜日 午前11時45分 Parameter (full name) Setting Function CmpA, CmpB (Compressor): Compresses the entire output signals when the input volume has exceeded a preset value. (Limiter): Suppresses the volume of the section where the input volume has exceeded the preset value. Sw (Switch) On, Off Turns the compressor/limiter on or off. Thrsh (Threshold Level) -60 - 0 dB Sets the level at which the compressor/limiter starts taking effect. Ratio (Ratio) 1.
2400_app_e.book 90 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List Parametric Equalizer (4-Band Parametric Equalizer) This is an equalizer that can freely change the cutoff frequency or the band width (Q). With this equalizer, you can create sounds with subtlety. fig.08-55 Input A Output A 4Band EQ A Link 4Band EQ B Input B Output B Cutting noise.
2400_app_e.book 91 ページ 2006年2月24日 金曜日 午前11時45分 *1: If Low Type (Low Type) or High Type (High Type) is set to “Shlv (Shlving Type),” the setting for Lo Q or High Q is invalid. Graphic Equalizer (10-Band Graphic Equalizer) This Equalizer sets the boost/cut amount by each segment of the frequency divided into ten bands. In performing PA at a live, this feature is useful to prevent howling by cutting the site-specific resonance frequency. fig.
2400_app_e.book 92 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List Hum Canceler Eliminates annoying hum (or “surge” sounding “boon”). fig.08-59 Input A Hum Canceler Noise Suppressor Hum Canceler Noise Suppressor Input B Output A Output B Removing hum Hum is a noise with a certain low frequency. Hum is generated mostly due to ingression of part of alternating current into signals as alternating current is converted into direct current in the power circuit.
2400_app_e.book 93 ページ 2006年2月24日 金曜日 午前11時45分 Stereo Multi fig.08-47 Input L Input R Compressor/ Limiter Enhancer 3BAND EQ Noise Suppressor Compressor/ Limiter Enhancer 3BAND EQ Parameter (full name) NS (Noise Suppressor): Output L Noise Suppressor Setting Output R Function Mutes noise in the silent mode. Sw (Switch) On, Off Turns the noise suppressor on or off. Thresh (Threshold) 0–100 Sets the level to start muting noise.
2400_app_e.book 94 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List EQ (Equalizer) Sw (Switch) On, Off Turns the equalizer on or off. Low Gain (Low Gain) -12– +12 dB Sets the boost/cut amount in the low frequency band. Low Freq (Low Frequency) 20 - 2000 Hz Sets the center frequency in the low frequency band. Low Q 0.3–10.0 Sets the width of the area around the low frequency that will be affected by the gain settings.
2400_app_e.book 95 ページ 2006年2月24日 金曜日 午前11時45分 Speaker Modeling Models a variety of speaker characteristics ranging from those of High-end professional monitor speakers used as the standard at studios around the world to those of speakers of small-sized TV sets and portable radios. fig.
2400_app_e.book 96 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List Parameter (full name) Setting Function SpMod (Speaker Modeling): Selects the speaker subject to characteristics modeling. Sw (Switch) Off, On Turns the Speaker Modeling on or off. Model (Model) See the column on the previous page. Specifies the speaker actually generating sounds. Output Speakers (Output Speakers) DS-90/DS-90A, DS-50A Phase (Phase) NRM, INV Sets the phase of the speaker.
2400_app_e.book 97 ページ 2006年2月24日 金曜日 午前11時45分 Mastering Tool Kit This Kit is a compressor that splits sounds into different frequency band to unify their volumes. With this feature, you can perform mastering at the optimized level when mixing down into an MD or a CD or when producing your original audio CD using the CD-R disk. fig.
2400_app_e.book 98 ページ 2006年2月24日 金曜日 午前11時45分 Algorithm List HiMid Q (High Middle Q) 0.3–16.0 Sets the width of the area around the High middle frequency that will be affected by the gain settings. High Gain (High Gain) -12– +12 dB Sets the boost/cut amount in the High frequency band. High Freq (High Frequency) 1.40–20.0 kHz Sets the center frequency in the High frequency band. High Q (High Q) 0.3–16.
2400_app_e.book 99 ページ 2006年2月24日 金曜日 午前11時45分 Cmp (Compressor):Compresses the entire output signals when the input volume exceeds a specified value. SW (Switch) On, Off Turns the compressor on or off. Low Thre (Low Threshold) -24–0 dB Sets the volume at which the compressor for the low frequency band starts working. Low Ratio (Low Raito) 1:1.0–1:16, 1:INF Sets the ratio at which the output in the low frequency band is suppressed when the input level has exceeded the low threshold level.
2400_app_e.book 100 ページ 2006年2月24日 金曜日 午前11時45分 MIDI Implementation Model VS-2400CD Version 1.00 Oct. 2, 2002 1. TRANSMITTED DATA AND RECOGNIZED RECEIVE DATA ■Channel Voice message ●Note On/Off When “METORONOME OUT” in the UTILITY condition METRONOME screen is OUT, MIDI note number/velocity of MIDI channel number which is assigned to the Metronome is transmitted. Received when the effect patch Voice Transformer effect (algorithm 27) is selected (FX1 or 3) and MIDI CONTROL Sw is “On”.
2400_app_e.book 101 ページ 2006年2月24日 金曜日 午前11時45分 MIDI Implementation --------------------------------Level Meter Value and Level --------------------------------Value Level 0 0dB 1 -1dB 2 -2dB : 127 -Infinite ●Control Change The controller numbers that have been set by means of the FADER parameters in the Utility menus V.FADER/USER screen are transmitted when the faders are operated while the faders are in V.Fader mode. If V-LINK function is enable, see “5.V-LINK”.
2400_app_e.book 102 ページ 2006年2月24日 金曜日 午前11時45分 MIDI Implementation (*1) Mixer Level Table +—————+————————++—————+————————++—————+————————++—————+————————+ | Data| Lev(dB)|| Data| Lev(dB)|| Data| Lev(dB)|| Data| Lev(dB)| +—————+————————++—————+————————++—————+————————++—————+————————+ | 0 | — Inf || 32 | —21.2 || 64 | — 9.3 || 96 | — 0.8 | | 1 | —80.0 || 33 | —20.8 || 65 | — 9.0 || 97 | — 0.6 | | 2 | —68.0 || 34 | —20.4 || 66 | — 8.8 || 98 | — 0.4 | | 3 | —60.0 || 35 | —20.0 || 67 | — 8.6 || 99 | — 0.
2400_app_e.book 103 ページ 2006年2月24日 金曜日 午前11時45分 MIDI Implementation (*1) Mixer Frequency Table +——————+————————++——————+————————++——————+————————++ | Data |Freq(Hz)|| Data |Freq(Hz)|| Data |Freq(Hz)|| +——————+————————++——————+————————++——————+————————++ | 20 | 20 || 62 | 224 || 104 | 2.50k || | 21 | 21 || 63 | 237 || 105 | 2.66k || | 22 | 22 || 64 | 250 || 106 | 2.80k || | 23 | 24 || 65 | 266 || 107 | 3.00k || | 24 | 25 || 66 | 280 || 108 | 3.15k || | 25 | 27 || 67 | 300 || 109 | 3.
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2400_app_e.book 105 ページ 2006年2月24日 金曜日 午前11時45分 MIDI Implementation ❍ Algorithm 3 Stereo Pitch Shifter Delay +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | P.
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2400_app_e.book 109 ページ 2006年2月24日 金曜日 午前11時45分 MIDI Implementation ❍ Algorithm 17 Gate Reverb (FX1 or FX3) +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | G.
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2400_app_e.book 112 ページ 2006年2月24日 金曜日 午前11時45分 MIDI Implementation |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | EQ Ach: 8.0kHz Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | EQ Ach: 16.
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2400_app_e.book 116 ページ 2006年2月24日 金曜日 午前11時45分 MIDI Implementation ●Program Change ■System Real time Message Parameters on the Mixer/Effect section can be changed when UTILITY-MIDI screens EFFECT P.C.Rx Sw is “On.” When UTILITY-MIDI screens EFFECT P.C. Rx Sw is “On,” 00H-03H is received if it operates as the Effect Program Change. When UTILITY-MIDI screens SCENE P.C. Rx Sw is “On,” MIDI Channel No. FH is received if it operates as the Scene Change. If V-LINK function is enable, see “5.V-LINK”.
2400_app_e.book 117 ページ 2006年2月24日 金曜日 午前11時45分 MIDI Implementation Byte ---F0H 41H Dev 00H 36H 12H aaH bbH ccH ddH Sum F7H Identify Request (sub-ID #2) Manufacturer ID (Roland) Device Family Code (VS-2400CD) Device Family No. Software Revision Level EOX (End of Exclusive Message) When VS-2400CD, the value of the device family code is 61H 01H.
2400_app_e.book 118 ページ 2006年2月24日 金曜日 午前11時45分 MIDI Implementation | 02 01 00 02 | 00 — 01 | CD DIGITAL REC Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 01 00 03 | 00 — 02 | SHIFT LOCK Off,On,Once | |—————————————+—————————+—————————————————————————————————————————| | 02 01 00 04 | 03 — 14 | SWITCHING TIME 0.3,,,2.
2400_app_e.book 119 ページ 2006年2月24日 金曜日 午前11時45分 MIDI Implementation | | | EQ Sw, | | | | EQ Low Gain, | | | | EQ Low Freq, | | | | EQ LoMid Gain, | | | | EQ LoMid Freq, | | | | EQ LoMid Q, | | | | EQ HiMid Gain, | | | | EQ HiMid Freq, | | | | EQ HiMid Q, | | | | EQ High Gain, | | | | EQ High Freq | |—————————————+—————————+—————————————————————————————————————————| | 02 0B 00 04 | 00 — 77 | V.Fader Fader 1 0,,,119 | : : : | 02 0B 00 0F | 00 — 77 | V.
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2400_app_e.book 121 ページ 2006年2月24日 金曜日 午前11時45分 MIDI Implementation (*3) The Loop Start point must be before the Loop Stop point. The Auto Puunch In point must be before the Auto Punch Out point. If the interval of each point is shorter than 1 sec, the VS-2400CD does not work correctly. (*4) Read/Write/Erase of the Mark points are done by writing operation mode to the marker command. Set the value of the Marker time and marker Number, before setting the value of the Marker command. Ex.
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2400_app_e.book 126 ページ 2006年2月24日 金曜日 午前11時45分 MIDI Implementation |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 42 | 0aaaaaaa| DIR6 MASTER LEVEL | | 04 50 00 43#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 44 | 0aaaaaaa| DIR7 MASTER LEVEL | | 04 50 00 45#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.
2400_app_e.book 127 ページ 2006年2月24日 金曜日 午前11時45分 MIDI Implementation (*2) Dynamics Attack/Release time Table +———--+-——————+——-———++—-———+——-————+————-—++—-———+———————+—————-+ | Data|Atk |Rel || Data|Atk |Rel || Data|Atk |Rel | | | (ms)| (ms)|| | (ms)| (ms)|| | (ms)| (ms)| +———--+-——————+——-———++—-———+——-————+————-—++—-———+———————+—————-+ | 0 | 0.0 | 0 || 42 | 7.1 | 71 || 84 | 80.0 | 800 | | 1 | 0.1 | 1 || 43 | 7.5 | 75 || 85 | 84.0 | 840 | | 2 | 0.2 | 2 || 44 | 8.0 | 80 || 86 | 90.0 | 900 | | 3 | 0.
2400_app_e.book 128 ページ 2006年2月24日 金曜日 午前11時45分 MIDI Implementation |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| EQ: High EQ Gain | | 05 00 00 21#| 0bbbbbbb| —12,,,12dB | |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| EQ: High EQ Frequency | | 05 00 00 23#| 0bbbbbbb| 14,,,200 = 1.4,,,20.
2400_app_e.book 129 ページ 2006年2月24日 金曜日 午前11時45分 MIDI Implementation ❍Algorithm 3 Stereo Pitch Shifter Delay +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| P.ShifterDelay SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On | |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| EQ SW | | 05 00 00 11#| 0bbbbbbb| 0,1 = Off,On | |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| P.
2400_app_e.book 130 ページ 2006年2月24日 金曜日 午前11時45分 MIDI Implementation | 05 00 00 26 | 00 | (Reserved) | : : : | 05 00 7F 7F | 00 | (Reserved) | +—————————————————————————————————————————————————————————————————+ * (Delay Time) + (Absolute Shift) should be 1200 or less. ❍Algorithm 7 Chorus RSS +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Chorus RSS: Chorus Rate | | 05 00 00 0F#| 0bbbbbbb| 1,,,100 = 0.1,,,10.
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2400_app_e.book 133 ページ 2006年2月24日 金曜日 午前11時45分 MIDI Implementation ❍Algorithm 18 Multi Tap Delay +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| EQ SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On | |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| M.Tap Delay: Time 1 | | 05 00 00 11#| 0bbbbbbb| 0,,,1200ms | |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| M.
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2400_app_e.book 142 ページ 2006年2月24日 金曜日 午前11時45分 MIDI Implementation ●V-LINK OFF 5. V-LINK TRANSMITTED DATA The following control command will be transmitted while V-LIN function is activated. ■CHANNEL VOICE MESSAGES ●CONTROL CHANGE ❍BANK SELECT(MSB) This is used to switch image banks. (MIDI ch.=1 fixed) In the V-LINK activated mode, while AUTOMIX is playing, this is transmitted when the current time coincides with the pre-registered time for switching image bank.
2400_app_e.book 143 ページ 2006年2月24日 金曜日 午前11時45分 MIDI Implementation 6. Appendices ●Decimal and Hexadecimal table (Hexadecimal number is shown with H.
2400_app_e.book 144 ページ 2006年2月24日 金曜日 午前11時45分 MIDI Implementation Digital Studio Workstation Date: Oct. 2, 2002 MIDI Implementation Chart Model VS-2400CD Transmitted Function...
0 1 2 3 4 5 6 7 8 9 V-Tracks 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 1 Track Sheet (1) 0 1 2 3 4 5 6 7 8 9 LOCATOR 2 3 4 0 1 2 3 4 5 6 7 8 9 Tracks 5 Backing up to Artist 6 0 1 2 3 4 5 6 7 8 9 SCENE 7 Client Date 8 金曜日 145 Track Sheet Project Project Name Partition # 2400_app_e.book 145 ページ 2006年2月24日 午前11時45分 Track Sheet fig.
2400_app_e.book 146 ページ 2006年2月24日 金曜日 午前11時45分 Track Sheet 146 V-Tracks 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 9 Track Sheet (2) 10 11 12 NOTES Tracks 13 14 15 16 fig.
2400_app_e.book 147 ページ 2006年2月24日 金曜日 午前11時45分 Track Sheet 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 17 Track Sheet (3) 18 19 20 NOTES Tracks 21 22 Track Sheet 23 24 fig.
2400_app_e.book 148 ページ 2006年2月24日 金曜日 午前11時45分 About the Demo Performances "Promises" Written by Scott Tibbs © 2002 Buoy Music BMI All rights reserved V-Tracks 2 Tracks 1 3 4 5 6 7 9 1 Kick 8 Kick 2 Snare Snare 3 Claps Claps 4 Real Snare Real Snare 5 Bass Bass 6 El.Piano El.
2400_app_e.book 149 ページ 2006年2月24日 金曜日 午前11時45分 SPECIFICATIONS VS-2400CD Frequency Response 24-Tr, 24-bit, 96kHz Sampling Digital Studio Workstation 96.0 kHz: 20 Hz – 40 kHz (+0 dB/-2 dB) 88.2 kHz: 20 Hz – 40 kHz (+0 dB/-2 dB) 48.0 kHz: 20 Hz – 22 kHz (+0 dB/-2 dB) 44.1 kHz: 20 Hz – 20 kHz (+0 dB/-2 dB) 32.0 kHz: 20 Hz – 14 kHz (+0 dB/-2 dB) Tracks Tracks: V.Tracks: 24 384 (16-V.Tracks per each Track) Sample Rate Projects 96.0/88.2/64.0/48.0/44.1/32.
2400_app_e.book 150 ページ 2006年2月24日 金曜日 午前11時45分 SPECIFICATIONS Residual Noise Level (input terminated with 1k ohm, INPUT SENS: LINE, IHF-A, typ.) Master Out: AUX A: AUX B: Monitor Out: -86 dBu or less -86 dBu or less -86 dBu or less -86 dBu or less EQ 4-band (2 shelving + 2 peaking) * Useful simultaneously at up to 32ch in both Input Mixer and Track Mixer. (at 48kHz or less.) * Useful simultaneously at up to 16ch in both Input Mixer and Track Mixer. (at 64kHz or above.
2400_app_e.book 151 ページ 2006年2月24日 金曜日 午前11時45分 Index Numerics 10-Band Graphic Equalizer .......................................... 2ch RSS ............................................................................ 3band Isolator ................................................................ 4-Band Parametric Equalizer ....................................... 91 70 87 90 A Aborted Command! ...................................................... 16 algorithm ...........................................
2400_app_e.book 152 ページ 2006年2月24日 金曜日 午前11時45分 Index G Gate Reverb .............................................................. 40, 50 Gated Reverb ................................................................... 6 General Purpose Interface ............................................ 19 Global Parameter ........................................................... 32 GPI ................................................................................... 19 Graphic Equalizer ........................
2400_app_e.book 153 ページ 2006年2月24日 金曜日 午前11時45分 Index Reverb ....................................................................... 40 Reverb2 ..................................................................... 40 Same as Algorithm .................................................. 39 Special Effects ........................................................... 43 Stereo Multi .............................................................. 43 Tape Echo 201 ...............................................
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To resize thickness, move all items on the front cover to left or right. Information AFRICA EGYPT Al Fanny Trading Office 9, EBN Hagar A1 Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: 20-2-417-1828 REUNION Maison FO - YAM Marcel 25 Rue Jules Hermann, Chaudron - BP79 97 491 Ste Clotilde Cedex, REUNION ISLAND TEL: (0262) 218-429 SOUTH AFRICA That Other Music Shop(PTY)Ltd. 11 Melle St.
To resize thickness, move all items on the front cover to left or right. Appendices • Unauthorized recording, distribution, sale, lending, public performance, broadcasting, or the like, in whole or in part, of a work (musical composition, video, broadcast, public performance, or the like) whose copyright is held by a third party is prohibited by law.