Royer Manual
Table Of Contents
- Introduction
 - Active Ribbon Technology
 - Description
 - Ribbons in the Digital World
 - User’s Guide
 - Operation
 - Using the RSM-24 Shock Mount Accessory
 - Amplification Considerations
 - The Sweet Spot
 - Proximity Effect and Working Distance
 - Microphone Technique
 - Stereophonic Microphone Technique
 - Care and Maintenance
 - Features and Specifications
 - Polar Pattern
 - Frequency Response
 - Warranty
 
Hum, Noise & Mic Orientation
All  ribbon  microphones  are  susceptible  to  picking  up  stray  alternating  magnetic  fields,  which 
show  up  in  the  audio  signal  as  hum.  Power  transformers  (such  as  those  found  in  guitar 
amplifiers)  and  alternating  current  motors  are  the  most  likely  sources  of  hum.  In-wall  wiring, 
solid-state light dimmers, and electrical utility transformers are other likely sources. 
A well designed microphone provides shielding to minimize the effects of such stray magnetic 
radiation.  Complete  isolation  is  not  possible  however  and  unpowered  ribbon  microphones  can 
manifest  this  condition  to  a  greater  degree  because  of  their  higher  gain  requirements.  With 
vintage  ribbon  microphones  that  often  employ  large,  bulky  magnet  structures  and  are  often 
poorly shielded, the problem can be even worse.
The  SF-2  reduces  induced  hum  in  three  ways.  Because  the  essential  gain  is  provided  at  the 
microphone, there is no need to push the preamplifier for excessive (hum producing) gain. Royer 
SF microphones (SF-2, SF-12, SF-24 and SF-24V) are also designed to minimize the effects of 
stray radiation by integrating the transducer barrel as part of the magnetic return circuit, further 
reducing hum potential. Lastly, all SF-series ribbon microphones incorporate toroidal impedance 
matching transformers, which repel magnetic radiation. 
Hum can only come from external sources and simply repositioning a ribbon microphone is the 
best way to control it.  If hum is  detected, the microphone  is in the  proximity of an alternating 
magnetic field.
While listening to the mic’s output (preferably with headphones), move the mic around. It will 
“find” the noise source quite easily. For example, if you are miking a guitar amplifier and suspect 
the amplifier’s power transformer to be the source of hum, move the mic around the amplifier. 
You will probably find that the hum is louder as you approach the amplifier’s power supply and 
quieter when you move it away. Eliminating the hum can be fairly simple and requires using the 
“null”  point  of  the  microphone.  The  null  point  is  the  position  that  places  the  microphone’s 
magnetic  components  away  from  the  lines  of  the  noise's  radiation.  Slightly  rotating  the 
microphone is usually all that is required to cancel out the hum. This is similar to the procedure 
guitarists  use  to  eliminate  hum  from  single-coil  guitar  pickups,  turning  around  slowly  while 
listening for the hum to cancel. There will be a position where the hum disappears from the mic’s 
output. Hum and other noise can even be picked up by microphone cables. Since the output of 
Royer Active Series mics is 15 dB to 25 dB higher than with traditional ribbon microphones, any 
noise picked up in the mic cables will be at a corresponding lower level and thus less likely to be 
objectionable.
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