O W N E R ’S O P E R A T I N G M A N U A L RS-1100 Series 1080p Digital Light ProcessingTM Projectors RS-1100 RS-1100 Ultra RS-1100 CineWide RS-1100 / SDC-1
TWO YEAR LIMITED WARRANTY For Projectors, Video Processors and Controllers Congratulations on your purchase of a Runco video product and welcome to the Runco family! We believe Runco produces “The World’s Finest Home Theater Products.” With proper installation, setup and care, you should enjoy many years of unparalleled video performance. This is a LIMITED WARRANTY as defined in the Magnuson-Moss Warranty Act. Please read it carefully and retain it with your other important documents.
EFFECTIVE WARRANTY DATE: This warranty begins on the effective date of delivery to the end user. For your convenience, keep the original bill of sale as evidence of the purchase date. IMPORTANT -- WARRANTY REGISTRATION: Y Please fill out and mail your warranty registration card. It is imperative that Runco knows how to reach you promptly if we should discover a safety problem or product update for which you must be notified.
ADDITIONAL INFORMATION: To locate the name and address of the nearest Runco Authorized Service Center, or for additional information about this Limited Warranty, please call or write: EL IM IN A R Y RUNCO INTERNATIONAL, INC.
Safety Precautions Thank you for your purchase of this quality Runco video projector! It has been designed to provide you with the quality of video that is expected in a home theater. For the best performance, please read this manual carefully as it is your guide through the menus and operation. This symbol is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.
1 Table of Contents TWO YEAR LIMITED WARRANTY ................................................................................. iii Safety Precautions ......................................................................................................... vi 1. Introduction ...............................................................................................................1 About This Manual .......................................................................................................
Table of Contents Installing the Optional CineWide/AutoScope Lens Motor (RS-1100 Ultra only) ............21 Remove Projector Front Feet ................................................................................22 Install Anamorphic Lens Motor..............................................................................22 Attach Ceiling Mount Extension Brackets..............................................................23 Mounting the RS-1100 .........................................................
Table of Contents Using the On-Screen Menus ......................................................................................44 Main Menu............................................................................................................46 Picture Adjustment ...............................................................................................46 Aspect Ratio ........................................................................................................51 Installation.........
Table of Contents PR EL IM IN A R Y Notes: x Runco RS-1100 Series Owner’s Operating Manual
1 List of Figures 2-1. RS-1100 Front/Side/Top View......................................................................................5 2-2. RS-1100 Rear/Bottom/Side View .................................................................................6 2-3. RS-1100 Rear Panel.....................................................................................................7 2-4. RS-1100 Remote Control.............................................................................................
List of Figures PR EL IM IN A R Y Notes: xii Runco RS-1100 Series Owner’s Operating Manual
1 This Owner’s Manual describes how to install, set up and operate the Runco RS-1100 Series Digital Light Processing (DLP™) Projectors. This product family consists of the RS-1100 and the RS-1100 Ultra Projectors, each of which are available with a variety of optional upgrades. Introduction 1.1 About This Manual EL IM IN A R Y Throughout this manual, the Runco RS-1100 Series DLP Projectors are referred to collectively as the “RS-1100.
Introduction Graphic Conventions: These symbols appear in numerous places throughout the manual, to emphasize points that you must keep in mind to avoid problems with your equipment or injury: Note NOTES emphasize text with unusual importance or special significance. They also provide supplemental information. Caution CAUTIONS alert users that a given action or omitted action can degrade performance or cause a malfunction.
Introduction The RS-1100 Series DLP Projectors offer the astounding picture quality and versatility heretofore associated with more expensive projectors. Their 1920 x 1080 native resolution DLP light engine features Runco's powerful SuperOnyx™ technology for bright, pristine high-definition (1080p) images. Contrast ratio and dynamic range extend to new heights with Runco's exclusive Reflectance Volume Regulation™ (RVR), an electronically-controlled iris system.
Introduction Key Features and Benefits ➤ The RS-1100 offers these key features and benefits: • Native Resolution: 1920 x 1080 (16:9 Native Aspect Ratio) • DLP system using SuperOnyx™ Digital Micromirror Device (DMD) • 8-segment, 5x color wheel produces wide dynamic range and rich grayscale • Reflectance Volume Regulation (RVR™) provides for infinitely variable adjustment of the light path through the optics, enabling the perfect balance of black and white levels for each individual installation • Picture
2. Controls and Functions 2.1 RS-1100 at a Glance Figure 2-1 and Figure 2-2 show the key RS-1100 components. 2 3 PR EL IM IN A R Y 1 9 8 7 6 5 4 Figure 2-1. RS-1100 Front/Side/Top View 1. RUNCO LOGO The logo can be rotated to match the projector orientation: inverted (ceiling-mounted) or upright. To rotate the logo, grip it at the sides, pull it away from the projector and rotate it 180 degrees. 2. PROJECTION LENS 3. TOP IR SENSOR 4.
Controls and Functions 6. POWER/STANDBY LED Indicates power status as follows: • Orange when the projector is in standby mode • Flashes orange for 45 seconds after the projector is turned on to indicate that the lamp is warming up • Green during normal operation • Flashes green for 110 seconds after the projector is turned off to indicate that the lamp is cooling down • Off during normal operation Y 7.
Controls and Functions 4. LAMP MODULE COVER Remove this cover to access the lamp compartment. 5. FRONT/REAR ADJUSTERS Use these to adjust the projector height or projection angle. 6. CEILING MOUNT HOLES Use these to attach the ceiling bracket to the projector. 2.2 RS-1100 Rear Panel 3 4 5 EL IM IN A R 2 S-VID / 9 8 PR 10 S-VID 1 Y Figure 2-3 shows the RS-1100 rear panel. Figure 2-3. RS-1100 Rear Panel 1.
Controls and Functions 3. COMP 1 (RCA connectors) Standard Definition (480i/576i) Component (YPrPb) input. This is the input for component video from sources such as DVD players. Tip For best results, do not run your DVD player in progressive mode. 4. COMPOSITE VIDEO INPUT Standard composite video input for connecting a VCR, laser disc player or other composite video source. EL IM IN A R Y 5. S-VIDEO A standard S-Video input for connecting a DVD player, satellite receiver or Super VHS (S-VHS) VCR. 6.
Controls and Functions Figure 2-4 shows the RS-1100 remote control, and the paragraphs that follow describe its functionality. LIGHT VID ON 2 OFF S-VID COMP1 RGBHD HDMI COMP2 INFO 4 RVR ENTER EXIT BRT 6 EL IM IN A R 3 MENU CONT COL TNT ISF NIGHT ISF DAY FACT 4X3 LBOX VWIDE 1 2 VCINE 4 5 6 7 8 9 0 PBP ACT PIP PIP+ FOCUS FOCUS ZOOM ZOOM LENS LENS PIP- MEM1 ANA 16X9 5 7 CINEMA 10 PR 3 8 Y 1 9 Figure 2-4.
Controls and Functions 1. LIGHT Press to illuminate the buttons. 2. ON / OFF Use these buttons to turn the projector on or off. 3. Source Selection Buttons: VID Press to select Composite video input as the source. Y S-VID (S-Video) Press to select the S-Video input as the source. EL IM IN A R COMP1 (SD Component) Press to select Component 1 (SD 480i/576i) video input as the source. COMP2 (HD Component) Press to select Component 2 (HD 480p/576p/720p/1080i) video input as the source.
Controls and Functions 5. Picture Adjustment Buttons: BRT (Brightness) Press to adjust black level. CONT (Contrast) Press to adjust white level. COL (Color) Press to adjust color intensity. Y TNT (Tint) Press to adjust color hues. EL IM IN A R 6. Memory Preset Buttons: MEM1 Press to recall settings for the current input from the “Memory 1” memory preset. ISF NIGHT Press to recall settings for the current input from the “ISF Night” memory preset.
Controls and Functions 9. Picture-In-Picture (PIP) / Picture-By-Picture (PBP) Controls: Note PIP and PBP are not available when the RS-1100 is used with the SDC-1 System Expansion Device. PBP Press to activate PBP mode. EL IM IN A R PIP Press to activate PIP mode. Y ACT Press to switch to the active window in PIP or PBP mode. PIP+ Press to enlarge the PIP window. PIPPress to shrink the size of the PIP window. 10. Motorized Lens Controls: FOCUS Press to focus the image.
Installation 3 3.1 Remote Control EL IM IN A R Y To install batteries in the remote control, push the battery cover and slide it off. Install the two AAA batteries with the correct polarity and then replace the cover. • Make sure that the battery polarities are correct when installing the batteries. Notes on Batteries • Do not mix an old battery with a new one or different types of batteries.
Installation 3.2 Quick Setup Table 3-1 gives a quick overview of the RS-1100 installation process. The sections following this one provide detailed instructions. Note Installation should be performed by a qualified custom video installation specialist. Y Table 3-1. Installation Overview Procedure PR EL IM IN A R Step For Details, Refer to page...
Installation Proper installation of your projector will ensure the quality of your display. Whether you are installing a projector temporarily or permanently, you should take the following into account to ensure your projector performs optimally. 3.3 Installation Considerations Choose the installation type that best suits your needs: front or rear screen, floor mount or inverted mount. Table 3-2 compares these various installation methods.
Installation Throw Distance ➤ Throw distance is the distance measured from the front of the projector to the screen. This is an important calculation in any projector installation as it determines whether or not you have enough room to install your projector with a desired screen size and if your image will be the right size for your screen. You can quickly estimate the throw distance by taking the width of the screen and multiplying it by the lens throw ratio; see Figure 3-1.
Installation Throw Ratio - RS-1100 Ultra: Table 3-3 lists the available lens options for the RS-1100 Ultra and their associated throw ratios. Table 3-3. RS-1100 Ultra Lens Options Lens Option (Note 2) Throw Ratio (Throw Dist. ÷ Screen Width) Throw Distance Range (in inches, with 100-inch Wide Screen) Minimum Maximum 1.03 - 1.20 103 120 Proteus C 1.23 - 1.47 123 147 Proteus D 1.53 - 1.97 153 197 Proteus D with CineWide 1.20 - 1.58 120 158 2.00 - 3.01 200 301 1.63 - 2.36 163 236 3.
Installation Vertical and Horizontal ➤ Position Proper placement of the projector relative to the screen will yield a rectangular, perfectly-centered image that completely fills the screen. Ideally, the projector should be positioned perpendicular to the screen and in such a way that the lens center and screen center are aligned with each other, as shown in Figure 3-2.
Installation 150% Width Lens Shift (1.5 x W) 100% Width Lens Shift (1.0 x W) 50% Width Lens Shift (0.5 x W) Screen Center EL IM IN A R Screen Width (W) Y 0% PR Note: This is a general example of lens shift. Lenses vary in their shift capabilities. No particular lens or projector is used in this example. Figure 3-4.
Installation Table 3-4 lists the lens shift limits for each available RS-1100 lens, as percentages and absolute measurements with a 100 x 56 inch (1.78:1) screen. Table 3-4.
Installation In rear-screen applications where space behind the projector is limited, a mirror may be used to fold the optical path, as shown in Figure 3-5. The position of the projector and mirror must be accurately set. If you are considering this type of installation, contact your dealer for assistance. Folded Optics Screen Figure 3-5.
Installation Note The anamorphic lens mounting kit is partially pre-assembled at the factory – the AutoScope lens motor and lens mounting assemblies are both fully assembled. EL IM IN A R Install Anamorphic Lens ➤ Motor Place the projector upside down on a blanket or other soft surface. Then, remove the two front feet by turning them counter-clockwise. Y Remove Projector Front ➤ Feet PR Line up the eight mounting holes on the lens motor housing with those on the bottom of the projector.
Installation If you are installing an AutoScope-equipped RS-1100 Ultra, use the supplied hardware to attach the ceiling mount extension brackets to the bottom of the projector as shown in Figure 3-7. PR Ceiling Mount Extension Brackets EL IM IN A R Y For ceiling installations, these brackets bring the mounting points for the projector mounting plate (included with the ceiling mount kit) from the bottom of the projector up and around the lens motor housing.
Installation 3.5 Mounting the RS-1100 There are several methods for mounting the projector. Depending on your chosen installation, one method may be more suitable than another. In typical front and rear screen installations, the projector can be mounted to a secure and level surface such as a table or cart. Carts are useful when moving a projector during a presentation or from site to site. If possible, lock the wheels when it’s in position to prevent it from being moved during a presentation.
Installation Proceed as follows to connect the RS-1100 to your video sources, external controller(s) – if present – and AC power. When connecting your equipment: 3.6 Connections to the RS-1100 • Turn off all equipment before making any connections. • Use the correct signal cables for each source. • Ensure that the cables are securely connected. Tighten the thumbscrews on connectors that have them.
Installation Connecting Source ➤ Components to the RS-1100 If your installation does not include an SDC-1: Connect your video sources to the RS-1100 as shown and described in the sections that follow. HDMI/DVI Connections: See Figure 3-9. With an HDMI source, use the included HDMI-to-HDMI cable; with a DVI source, use the included DVI-to-HDMI cable. Use the HDMI input whenever possible.
Installation Progressive Component Video Connections: Connect your progressive component source (DVD player or HD set top box) to the COMP 2/RGB input as shown in Figure 3-11. Y Pb Pr EL IM IN A R Y S-VID S-VID / DTV or Progressive Component (YPbPr) Source PR Figure 3-11.
Installation Composite/S-Video/Component Video Connections: Use the included cables to connect your composite, S-Video and SD (480i) component video sources to the RS-1100 as shown in Figure 3-12. PR EL IM IN A R Y S-VID S-VID / DTV Source, DVD Player, VCR, Satellite Receiver etc. Figure 3-12.
Installation Connect a PC or home theater control/automation system (if present) to the RS-232 port on the RS-1100; see Figure 3-13. Use a standard, 4-wire RJ-11 telephone cable, wired straight-through. For more information about using this connection, refer to Serial Communications on page 69.
Installation If your RS-1100 is equipped with a CineWide with AutoScope system, use the cable supplied with the AutoScope Lens Motor to connect the motor to the 12-volt trigger output as shown in Figure 3-14. EL IM IN A R Y S-VID / S-VID Connecting 12-Volt ➤ Trigger Output to External Theater Equipment 3.5-mm mini plug to AutoScope Lens Motor Figure 3-14.
Installation Projector: The RS-1100 ships with various types of AC power cords. Choose the one that is appropriate to your locale. Connecting to AC Power Power switch Plug the female end of the power cord into the AC receptacle on the rear of the projector (AC 100V ~ 240V). Then, connect the other end to your AC power source. Caution The input voltage to the AutoScope lens motor must be between 100 and 120 VAC.
Installation 3.8 Changing the OSD Language The RS-1100 OSD language is initially set to English, but can also display the menus in French, Spanish, Italian or German. To change the OSD language: 1. Press MENU. 2. Select Installation from the Main Menu and press ENTER. 3. Select Language from the Installation Menu and press ENTER. 4. Press or to highlight the desired language. (The change takes effect immediately.
Installation If you are installing a CineWide-equipped projector, proceed as follows to install and adjust the anamorphic lens. It is extremely important that the primary lens is properly adjusted before you install the anamorphic lens. Ensure that the image from the primary lens is perfectly centered on the screen. Note 3.11 Installing and Adjusting the CineWide Anamorphic Lens Y The standard RS-1100/CineWide uses a prismatic-style anamorphic lens.
Installation Attaching Lens Mounting Assembly to Lens Motor Carriage Plate: 1. Remove the two Yaw/X Adjustment Levers and 1/4-20 Fiber Washers from the bottom of the lens mounting assembly. 2. Place the Lens Mounting Assembly on top of the Lens Motor Carriage Plate. Position the bracket so that the long slot at the bottom of the bracket is perpendicular to the corresponding slots on the carriage plate. 3.
Installation Configure Lens Motor Trigger: CineWide with AutoScope maintains constant image height independent of the aspect ratio, while using the full display resolution of the projector. It accomplishes this by moving the anamorphic lens in front of the primary lens when widescreen material is being viewed. When the viewer transitions back to 16:9 or 4:3 source material, the anamorphic lens moves out of the light path.
Installation Too Low Y Correct position EL IM IN A R Too High When the height is properly set, tighten the Height Adjustment T-Screws to secure the lens in place. PR Adjusting the Pitch (Angle): Next, angle the lens to even out any top-to-bottom pincushion distortion. To do this, loosen the Pitch Adjustment T-Screws (directly below the Height/Y Adjustment T-Screws) on either side of the lens to allow it to pivot freely.
Installation EL IM IN A R Y Anamorphic Lens (Top View) Correct Position Wrong Position Once the proper lens angle has been set, firmly tighten the Yaw/X-Adjustment Levers to secure the lens in place. Geometry: PR 1. Input an anamorphic cross-hatch test pattern to the projector. 2. Loosen the three Lens Rotation Set Screws (shown in Figure 3-17) on the lens adapter plate just enough to allow it to rotate freely. 3.
Focus: Finally, rotate the Focus Ring on the anamorphic lens to fine-tune the optical focus. Y Standard RS-1100/CineWide (Prismatic Lens): The standard RS-1100 Anamorphic lens mount kit consists of everything shown in Figure 3-18. Some components shipped with your projector may differ slightly from what is shown in these instructions.
Installation Too Low Y Correct position EL IM IN A R Too High 4. When the height is properly set, tighten the Height Adjustment Screws to secure the lens in place. PR Adjusting the Pitch (Angle): Next, angle the lens to even out any top-to-bottom pincushion distortion. To do this, loosen the Pitch Adjustment Screws on either side of the lens to allow it to pivot freely.
Installation your projector may differ slightly from what is shown in these instructions. 1 Mounting Bracket 2 Lens Rotation Set Screw (3x) EL IM IN A R Y 3 T-Nut for Pitch Adjustment T-Screw (2x) 8 PR 9 4 T-Screw, Long (4x) 5 Height/ Y-Adjustment T-Screw (2x) 7 Pitch Adjustment Yoke for Lens 6 Pitch Adjustment T-Screw (2x) Lens Adapter Ring Anamorphic Lens Figure 3-19. RS-1100 Ultra Anamorphic Lens Mounting Assembly - Exploded View 1.
Installation EL IM IN A R Y 4. Attach the Anamorphic Lens (item #9) to the Lens Adapter Ring by threading it clockwise. Adjusting the Lens Height (Y): 1. Project a white field on the screen. 2. Ensure that the Height/Y-Adjustment T-Screws and Pitch Adjustment T-Screws are loose enough to allow vertical movement of the lens assembly. PR 3. Slowly move the anamorphic lens into place so that there are no shadows on the top or bottom of the screen: Too Low Correct position Too High 4.
Installation EL IM IN A R Incorrect Lens Angle Y Correct Lens Angle The anamorphic lens will almost always be angled with respect to the projector; this is normal. Once the proper lens angle has been set, firmly tighten the Pitch Adjustment T-Screws to secure the lens in place. Note There may be some pincushion distortion even after the lens is properly adjusted, especially at shorter throw distances.
Operation 4 • Press the MEM1 button on the remote control to recall settings for the current input from the “Memory 1” memory preset. MEM1 ISF NIGHT ISF DAY FACT 4.1 Selecting Video Memory • Press ISF NIGHT to recall settings for the current input from the “ISF Night” memory preset. Y • Press ISF DAY to recall settings for the current input from the “ISF Day” memory preset. EL IM IN A R • Press FACT to recall the factory-default settings for the current input.
Operation 4.5 Using Picture-In-Picture/ Picture-By-Picture (PIP/PBP) Note PIP and PBP are not available when the RS-1100 is used with the SDC-1 System Expansion Device. For PIP and PBP purposes, there are two groups of inputs separated by their display modes: • Graphic (HD) group: HDMI and Component 2/RGB inputs. ACT PIP PIP+ FOCUS FOCUS ZOOM ZOOM LENS LENS PIP- Y • Video (SD) group: Video, S-Video and Component 1 inputs.
Operation White Balance Gamma Selection SD Enhance Y RVR Adjust EL IM IN A R HDTV Adj.
Operation Main Menu ➤ (The Set Up and ISF Calibration menus are hidden and not accessible until you enter a passcode.) Runco RS-1100 Video The active source is indicated by an arrow (>) to its left; in the example at left, Video is the active source. To select a different source, use the or button to highlight it and press ENTER or .
Operation Although it may be possible to obtain satisfactory picture quality using the naked eye and regular program material, Runco recommends using the following calibration tools for best results: • External test pattern source – Ovation Multimedia, Digital Video Essentials or AVIA test DVD or equivalent. • A blue filter (provided with many test DVDs), for color level and tint adjustments. Connect your test pattern source to the input that you are calibrating and proceed as follows.
Operation EL IM IN A R Y Contrast: On your external test pattern source, select a stepped, gray-bar pattern like the one shown in Figure 4-3. Figure 4-3. Typical Gray Bar Pattern for Adjusting Contrast Select Contrast from the Adjustment menu and press ENTER. Adjust the contrast to a point just below which the white rectangle starts to increase in size. Brightness and contrast controls are interactive. A change to one may require a subtle change to the other in order to achieve the optimum setting.
Operation EL IM IN A R Y blue red magenta green cyan yellow gray Select Color from the Adjustment menu and press ENTER. While looking at the color bar pattern through a blue filter, adjust the color saturation level until the outermost (gray and blue) color bars appear to be a single shade of blue: Tint: Tint or “hue” is essentially the ratio of red to green in the color portion of the image. When tint is decreased, the image appears redder; when it is increased the image appears greener.
Operation EL IM IN A R Y Sharpness: “Sharpness” is the amount of high-frequency detail in the image. To adjust sharpness, select Sharpness from the Adjustment menu and press ENTER. On your external test pattern source, select a pattern like the one shown in Figure 4-5. Adjust as needed, looking for white edges around the transitions from black to gray and differently-sized lines in the “sweep” patterns at the top and bottom. Lower the sharpness setting to eliminate them. PR Figure 4-5.
Operation Color Temperature: The RS-1100 has five memory settings for Color Temperature: • 5400 kelvins Color Temperature • 6500 kelvins 6500 • 8500 kelvins • Custom 1 • Custom 2 Y Custom 1 and Custom 2 are installer-adjustable and can be used to create custom settings. There are nine adjustable “white balance” parameters available for the Custom 1 and Custom 2 settings (three each for red, green and blue). These are described later in this section; refer to Set Up on page 55.
Operation Table 4-1. Aspect Ratio Settings Aspect Ratio Remote Control Key Anamorphic ANA Description EL IM IN A R Y 16:9 Image on 16:9 Screen Select Anamorphic to view 16:9 DVDs and HDTV programs in their native aspect ratio. 4:3 images are stretched horizontally to fit a 16:9 screen. 4:3 Image on 16:9 Screen Standard 4:3 4X3 Active Image Area (4:3) Letterbox LBOX PR Letterbox Image on 16:9 Screen Standard 4:3 scales the input signal to fit in the center of the 16:9 screen.
Operation Table 4-1. Aspect Ratio Settings (continued) Remote Control Key Virtual Cinema VCINE Description 2.35:1 Image on 16:9 Screen Virtual Cinema is available only on RS-1100 projectors equipped with the CineWide option. EL IM IN A R 2.35:1 Image on 16:9 Screen with Virtual Cinema A 2.35 image is stretched anamorphically in both directions to fill a 16:9 image. (The secondary anamorphic lens then “stretches” the image back to 2.35:1.) Y Aspect Ratio 2.35:1 Image on 2.
Operation RS-232 Baud Rate: Press the or button to select the projector’s RS-232 Baud Rate. This function is used to change the transfer rate of the RS-232 connection. (This setting must match the data rate of the device connected to the RS-232 input.) Blue Image: Press the or button to turn the Blue Image Off or On. This feature removes all red and green color information from the image (simulating a blue filter), and is useful for color-calibrating the projector or other video components.
Operation PIP/PBP Set Up (not available when used with the SDC-1): Select PIP/PBP Set Up from the Option menu to change the PIP/PBP settings. • PIP/PBP Enable: Press the or button to select PIP/PBP Enable, then press ENTER. Press the or button to select Off or On, then press ENTER. • PIP Set Up: Press the or button to select PIP Set Up, then press ENTER. Press the or button to select PIP Off, Graphic in Video or Video in Graphic, then press ENTER.
Operation Gamma Selection: The normal gamma setting of 2.2 is correct for almost all signals and conditions. If excess ambient light washes out the image and it becomes difficult or impossible to see details in dark areas, lower the gamma setting to compensate. This will improve contrast while maintaining good details for blacks. Conversely, if the image is washed out and unnatural, with excessive detail in black areas, increase the setting.
Operation • Analog RGBHV: Select Analog RGBHV to adjust the Gain and Offset for the red, green and blue channels. These controls are similar to those in the White Balance menu (described above), but only affect RGB high-definition signals. The Gain controls increase or decrease the full-scale input range; the Offset controls shift the entire range, resulting in a change in brightness. Figure 4-6 shows how the Gain and Offset controls interact with each other.
Operation Timing 1080ix60 Clamp Place +80 Clamp Duration +10 Pre-Coast +10 Post Coast +5 SOG Threshold +23 Overscan Rate +2 • Signal Fine Tune: This sub-menu displays current input signal timing information and provides the following advanced settings. • Clamp Place: “Clamping” refers to the removal of any DC offset from the analog input signal so that it can be accurately digitized.
Operation SDTV Adjust: Use the controls in the SDTV Adj. sub-menu to improve the display of standard-definition signals. These controls allow you to make adjustments independently for each SD signal type (as opposed to the per-input controls in the Picture Adjustment menu).
Operation Note 1. To adjust the image position with a 480p or higher-resolution source, use the PC & HD Adjust controls in the Option menu, described on page 54. 2. The values shown represent where the approximate center of the image lies in relation to the total number of pixels available horizontally or vertically. This varies widely according to the signal; watch the image while adjusting.
Operation Note The Remote Control menu is read-only and need not be visible in order to change the secondary IR code. To simultaneously change the secondary IR code and synchronize that remote with a projector, point the remote at the projector, then press and hold and simultaneously for five seconds. The Remote Control edit window, shown at left, appears. Type a new, two-digit code.
Operation ISF Calibration ➤ ISF Calibration Reset Picture Adjust To access the ISF Calibration menu, select ISF Calibration from the Main Menu and press ENTER. Use the number buttons on the remote control to enter the ISF Calibration menu passcode when prompted and press ENTER again. Then, press MENU on the remote control. Picture Adjust White Balance Note Gamma Selection This menu should be used by ISF-certified technicians only.
Operation Store Settings: For each input, the RS-1100 lets you store image quality settings as presets that you can recall at a later time. You can create up to three presets per input and resolution. Note When you change a setting, save the change to a preset afterwards. Otherwise, the change will be lost when a different input is selected. (Most settings are saved for each input and resolution separately.) To store image quality settings to a preset: 1.
Operation PR EL IM IN A R Y Notes: 64 Runco RS-1100 Series Owner’s Operating Manual
Maintenance and Troubleshooting 5 The lamp should be replaced when it reaches the end of its life (typically 2000 hours), or sooner if a noticeable degradation in brightness occurs. Contact your Runco dealer to obtain a replacement lamp. EL IM IN A R Y 1. Turn off the projector and unplug the power cord. Allow the projector to cool down for approximately 45 minutes prior to removing the lamp assembly for replacement. 2. Loosen the two captive screws from the lamp cover. 3. Remove the lamp cover.
Maintenance and Troubleshooting 5.2 Troubleshooting Tips Table 5-1 provides some general guidelines for troubleshooting problems you may encounter with the RS-1100. If the suggested solutions fail to resolve the problem or if you encounter an issue not described here, please contact Runco Technical Support. Table 5-1. Troubleshooting Chart Symptom Possible Cause(s) Solution • The RS-1100 is not plugged in or the AC outlet is not active. • The main power switch (at the rear of the projector) is off.
Maintenance and Troubleshooting Table 5-1. Troubleshooting Chart (continued) Symptom Possible Cause(s) Solution • The lamp cover is open. • Fans are not working properly. • Close the lamp cover. • Please contact your Runco dealer for assistance. LAMP LED lights solid red. • The lamp has failed or exceeded its usage life. • Replace the lamp with a new one. TEMP LED lights solid red. • RS-1100 internal temperature is too high. • Power off the RS-1100 and allow it to cool down.
Maintenance and Troubleshooting PR EL IM IN A R Y Notes: 68 Runco RS-1100 Series Owner’s Operating Manual
6 Serial Communications To interface the RS-1100 with a home theater automation/control system or a PC running terminal emulation software: 1. Connect it to your control system or PC as shown in Figure 3-13. 6.1 RS-232 Connection and Port Configuration 2. Start a terminal session on your PC using a terminal-emulation program, such as HyperTerminal. EL IM IN A R Y 3. Configure the RS-232 controller or PC serial port as follows: no parity, 8 data bits, 1 stop bit and no flow control.
Serial Communications Table 6-1.
Serial Communications Table 6-1.
Serial Communications Table 6-1. Serial Commands (continued) Code Function Vertical Lens Shift = Max. Down x283x Zoom = Max. Out x284x Zoom = Max.
Specifications 7 7.1 RS-1100 Specifications Table 7-1 lists the RS-1100 specifications. Table 7-1.
Specifications Table 7-1. RS-1100 Specifications (continued) Cinema Standards Measurement System (CSMS) Specifications Brightness*: 14.5 to 21.6 foot-Lamberts (fL) Contrast Ratio*: 200:1 to 220:1 *Variable depending on RVR setting These measurements are taken from the projector in a controlled, home theater environment. All measurements are made to ANSI/NAPM IT7.228-1997 specifications using the Photo Research PR-650 SpectraColorimeter and Minolta LS-100 Luminance Meter, Video Essentials test DVD and a 1.
Specifications Table 7-1. RS-1100 Specifications (continued) Weight (without lens): RS-1100: 34 lbs. (15.42 kg) RS-1100 Ultra: 36 lbs. (16.33 kg) Regulatory Approvals: Complies with FCC, CE C-Tick Limited Warranty: Projector: Two (2) years parts and labor from the date of delivery to the end user. Lamp: 1000 hours or six (6) months, whichever comes first. PR EL IM IN A R Y Specifications are subject to change without notice.
Specifications Figure 7-1 shows the RS-1100 dimensions. A R Y 7.2 RS-1100 Dimensions 9.84 in. (250.00 mm) 17.32 in. (440.00 mm) 8.86 in. (225.00 mm) EL IM IN 19.69 in. (500.00 mm) PR 2.17 in. (55.00 mm) 9.25 in (235.00 mm) 1.38 in. (35.00 mm) 12.99 in. (330.00 mm) 17.72 in. (450.00 mm) 18.21 in. (462.50 mm) 7.28 in. (185.00 mm) 4.43 in. (112.50 mm) 8.16 in. (207.27 mm) 8.85 in. (224.77 mm) Figure 7-1.
Specifications 7.3 RS-1100 Ultra Dimensions Figure 7-2 shows the RS-1100 Ultra dimensions. 13.59 in. (345.1 mm) Y R 10.679 19.67 in. (499.7 mm) 9.84 in. (250.00 mm) EL IM IN A R 6.09 in. (154.6 mm) 0 PR 18.11 in. (460.0 mm) 5.12 in. (130.1 mm) 0 18.50 in. (469.8 mm) Figure 7-2. RS-1100 Ultra Dimensions Runco RS-1100 Series Owner’s Operating Manual 77 0.20 in. (5.1 mm) 21.26 in. (540.0 mm) 0.49 in. (12.5 mm) 0.86 in. (21.8 mm) 7.32 in. (185.92 mm) 0.65 in. (16.5 mm) 0 1.17 in. (29.
Specifications PR EL IM IN A R Y Notes: 78 Runco RS-1100 Series Owner’s Operating Manual
SERIAL NUM BER RUMA-011215 rev 08-16-06 v1.0 Runco International • 2900 Faber Street • Union City, CA 94587 • Ph (510) 324-7777 / (800) 23RUNCO / Fax (510) 324-9300 www.runco.
