O W N E R ’S O P E R A T I N G M A N U A L VX-40d / VX-50d / VX-60d / VX-80d Digital Cinema Projectors
Table of Contents Warranty ............................................................................................................................. 4 Introduction 1.1 Projector overview ...................................................................................................... 7 1.2 Components ................................................................................................................ 7 Installation & Setup 2.1 Quick Setup..............................................
.4 Using Inputs and Channels ...................................................................................... 38 Do I Select an Input or a Channel? ................................................................................ 38 Creating a New Channel – AUTOMATIC – ..................................................................... 39 What Channels Are Defined So Far? .............................................................................. 40 Copying or Deleting Channels...................
TWO YEAR LIMITED WARRANTY For Projectors, Video Processors and Controllers Congratulations on your purchase of a Runco video product and welcome to the Runco family! We believe Runco produces “The World’s Finest Home Theater Products”. With proper installation, setup and care, you should enjoy many years of unparalleled video performance. This is a LIMITED WARRANTY as defined in the Magnuson-Moss Warranty Act. Please read it carefully and retain it with your other important documents.
RIGHTS, LIMITS AND EXCLUSIONS: Runco limits its obligations under any implied warranties under state laws to a period not to exceed the warranty period. There are no express warranties. Runco also excludes any obligation on its part for incidental or consequential damages related to the failure of this product to function properly. Some states do not allow limitations on how long an implied warranty lasts, and some states do not allow the exclusion or limitation of incidental or consequential damages.
ADDITIONAL INFORMATION: To locate the name and address of the nearest Runco Authorized Service Center, or for additional information about this Limited Warranty, please call or write: RUNCO INTERNATIONAL, INC.
SECTION 1 Introduction The Runco VX-40d, VX-50d, VX-60d and VX-80d Video Xtreme™ projectors are professional 3-chip projectors based on next-generation Digital Light Processing™ (DLP™) technology by Texas Instruments™. These projectors are compatible with standard international video formats and can interface with IBM®-compatible PC, Macintosh® computers and workstations. All models deliver high-brightness, highresolution, and high-quality images.
SECTION 2 Installation & Setup The instructions provided here are for those that are familiar with the projector and wish to quickly set it up and use it temporarily. Refer to the remaining subsections of this manual for a more complete setup. 2.1 Quick Setup Step 1 ➤ Install the Projection Lens The projection lens is shipped separately from the projector and must be installed prior to setting up the projector. Install the projection lens as described in 4.5 Replacing the Projection Lens.
Section 2: Installation and Setup ➤ Step 4 ➤ Step 5 ➤ Step 6 ➤ Connect the Power Cord The North American rated power cord is provided with each projector. Step 7 Plug the power cord to the AC receptacle located on the right hand side of the projector and the 3-pronged end into a grounded AC outlet. The input voltage to the projector must be capable of 100 – 240 VAC in 1000W models (VX-40d and VX-60d) and 200240VAC in 1200W models (VX-50d and VX-80d).
Section 2: Installation and Setup 2.2 Installation Considerations Installation Type ➤ Proper installation of your projector will ensure the quality of your display. Whether you are installing a projector temporarily or permanently you should take the following into account to ensure your projector performs optimally. Choose the installation type that best suits your needs: front or rear screen, floor mount or inverted mount.
Section 2: Installation and Setup Rear screen installations There are two basic types of rear screens: diffused and optical. A diffusion screen has a surface which spreads the light striking it. Purely diffused screens have a gain of less than 1. The main advantage of the diffused screen is its wide viewing angle, similar to that of a flat screen for front screen projection. This type of screen is suitable when a wide viewing angle is required but there is low ambient room lighting. Optical screens (e.g.
Section 2: Installation and Setup Ambient Light ➤ The high brightness of this projector is well suited for locations where ambient lighting might be considered less than ideal for projection. A typical room with ceiling lights and windows rarely requires special attention. Contrast ratio in your images will be noticeably reduced only if light directly strikes the screen, such as when a shaft of light from a window or floodlight falls on the image. Images may then appear washed out and less vibrant.
Section 2: Installation and Setup ������������������������� ������������������������������������������������������������ ��� ��� ���� ���� � � �� Figure 2.1 Estimating Throw Distance Vertical and horizontal position The correct vertical and horizontal position of the projector in relation to the screen depends on the lens type and the screen size. Ideally, the projector should be positioned perpendicular to the screen. This way, the image will appear rectangular instead of keystoned (trapezoidal).
Section 2: Installation and Setup Figure 2.
Section 2: Installation and Setup Vertical Offset for 0.75:1 Fixed Lens Vertical Offset for 1.65-1.95:1, 2.04-2.73:1, 2.86-4.83:1, 4.96-7.90:1 Zoom Lens Figure 2.
Section 2: Installation and Setup The horizontal position of the image can be offset – that is moved to the left or right of lens center, by adjusting the fully motorized lens mount. The amount of horizontal offset available depends on the lens installed and if the image has already been vertically offset. Horizontal offset can also be expressed as the percent of half the image width – the number of pixels of shift to one side of lens center. Refer to Figure 2.
Section 2: Installation and Setup Horizontal Offset for 0.75:1 Fixed Lens Horizontal Offset for 1.65-1.95:1, 2.04-2.73:1, 2.86-4.83:1, 4.96-7.90:1 Zoom Lens Figure 2.
Section 2: Installation and Setup Mounting There are several methods for mounting the projector. Depending on your chosen installation, one method may be more suitable than another. In typical front and rear screen installations the projector can be mounted to a secure and level surface, such as a table or cart. Carts are useful when moving a projector during a presentation or from site to site. If possible, lock the wheels when it’s in position to prevent it from being moved during a presentation.
Section 2: Installation and Setup Adjusting projector height You can modify the height of the projector to remedy a slightly unlevel mounting surface by adjusting the two feet threaded into the front bottom chassis. Turn each foot clockwise or counterclockwise until the project is level on all sides. (Figure 2.7.) TURN Adjust projector feet manually. Figure 2.7 Folded Optics In rear screen applications where space behind the projector is limited, a mirror may be used to fold the optical path.
Section 2: Installation and Setup 2.3 Connecting Sources Sources connect to the Input Panel located at the back of the projector. See Figure 2.9. The upper right corner (INPUT 1) typically accepts an RGB signal from an external analog RGB source, or it can also be used for YPbPr signals or additional video sources. Just beside these BNCs, the DVI-I connector (INPUT 2) accepts digital or analog display signals from a computer.
Section 2: Installation and Setup Fron DHD Controller Figure 2.10 Connecting RGB and Sync NOTES: 1) If for some reason the projector fails to recognize a signal as an RGB signal, specify this Color Space option within the Image Settings menu. See 3.5 Adjusting the Image. 2) To connect YPbPr signals–such as from DVDs or analog HDTV sources– to INPUT 1, use the red, green and blue BNCs as described in YPbPr Signals (below).
Section 2: Installation and Setup Composite and S-Video ➤ INPUT 3 and INPUT 4 provide simultaneous connection of both a composite video source (INPUT 3) and an S-Video source (INPUT 4), though typically these connections would be made at the DHD Controller. See Figure 2.12. Figure 2.12 Connecting Composite or S-Video sources DVI Digital Video ➤ Use the DVI-I connector at INPUT 2 to connect either analog or digital video devices to the projector.
Section 2: Installation and Setup 2.4 Connecting Communications As desired, direct the projector’s IR remote keypad towards the projector’s IR sensors. In normal operation, the DHD Controller will control the projector, but for setup and calibration, use the projector remote. ➤ Remote Keypads There are two types of serial ports available on the projector: RS232 and RS422. The RS232 port is used for communication with the DHD Controller, and subsequently the RS422 port will be unused.
Section 2: Installation and Setup Connecting RS-422 If you wish to control the projector with an automation system with RS-422 capability and a DHD Controller is not used (not recommended), connect a RS-422 serial communication cable between the automation system and the RS-422 port on the projector. RS-422 is better suited for serial communication over long distances than is RS-232 communication.
SECTION 3 Operation This section explains how to effectively operate the projector once it has been installed. It is recommended that you read this section and familiarize yourself with the components and the available menu options before you begin using your projector for the first time. Front IR Sensor 3.1 About the Projector Projection Lens Adjustable Feet (2) Status LED Display Top IR Sensor Built-in Keypad Input Panel Lamp Door Figure 3.
Section 3: Operation Lens Mount & ➤ Projection Lenses The projector is built with a motorized lens mount that allows for easy lens control and adjustment. This includes such functions as adjusting vertical and horizontal offsets, zoom and focus. The lens mount can be fitted with any one of the available optional lenses – see Section 6 — Specifications. • Zoom and Focus — There are two internal lens motors that allow for quick motorized adjustment of zoom and focus.
Section 3: Operation 3.2 Using the Remote or Built-in Keypad ➤ Keypad Commands ➤ Built-in ➤ The projector can be controlled using one of the following keypads: IR Remote • Built-in Keypad located at the back of the projector • IR Remote While each of the keypads provides complete control of the projector, they differ slightly in their arrangement of keys and in what functions can be accessed directly with a key press rather than requiring use of the menu system.
Section 3: Operation Theater Master ➤ Remote Control OSD 1 MAIN 10 LENS FUNCS 2 3 11 SOURC + PREV CH - - GUIDE 12 + MENU 4 5 6 7 13 EXIT INFO 8 14 9 DIS Figure 3.
Section 3: Operation POWER Button Hold this button down for 1-2 seconds to turn on or off the projector. 2. FUNCS Button This button brings you to a sub-page in which you can access the projector’s internal test patterns, help functions or to perform the auto-calibrate feature. 3. BACKLIGHT Button Lights the LCD display and buttons for use in a dark room. 4. MAIN Button Returns the remote to the main page 5. MUTE Button Activates the Shutter control on the projector.
Section 3: Operation Guide to Keypads ➤ Keep in mind the following guidelines: • Press keys one-at-a-time; there are no simultaneous key combinations required. • Note that two keys—Power and Shutter, are “press-and hold” keys that do not function with a typical quick press-and-release key press. • Hold arrow keys down for continuous adjustment/movement in one direction.
Section 3: Operation What an “Auto Setup” Does OPTIMIZES: SETS TO DEFAULT: Pixel Tracking Contrast Pixel Phase Brightness Size and Blanking Auto Input Level (off) Vertical Stretch Detail (if video source) Position Filter Input Levels Luma Delay Table 3.1 Auto Setup NOTE: You must have an unlocked channel present to use Auto Setup. Channel Press Channel to select a specific source setup (channel) defined and stored in projector memory.
Section 3: Operation Input 6 Press Input 6 to display from the INPUT 6 interface module installed in the Option 2 slot. NOTE: If you have the optional Dual SD/HD-SDI Module installed and there are two inputs connected here, the second input (B) is considered INPUT 8. If you are using the built-in keypad or the remote keypad, press INPUT 6 to access INPUT 8 as follows: • While displaying from INPUT 6, press Input 5 again. This switches to INPUT 8.
Section 3: Operation Enter Press to select a highlighted item, to toggle a checkbox, or to accept a parameter adjustment and return to the previous menu or image. Exit Press Exit to return to the previous level, such as the previous menu. NOTE: Exit does not save changes within text editing boxes (including number editing of a slidebar value) or within pull-down lists. It acts as a “cancel” in these cases.
Section 3: Operation 3.3 Navigating the Menus Most of the controls for the projector are accessed from within the projector’s menu system. There are several groups of related functions, with each group selectable from the Main menu as shown at right. Press Menu at any time to display this Main menu.
Section 3: Operation Figure 3.5 Context-sensitive Help From presentation level, press Help to access general Help Topics. Scroll as necessary within a topic. Press Help or Exit to return to your presentation. Figure 3.6 Accessing General Help Topics If a slidebar, menu or message is displayed you have limited time in which to make a keypad entry before the projector returns to presentation level and the graphic disappears. These time-outs may vary depending on what is displayed.
Section 3: Operation Slidebars in menus — The current value for a given parameter, such as size or vertical stretch, appears to the left of its slidebar icon (adjustment window). This number often expresses a percentage, or it may have units associated with it (such as pixels, degrees Kelvin, etc.), depending on the specific option. Press to gradually adjust the setting up or down—both the number and the length of the bar change accordingly. Hold for continuous adjustment.
Section 3: Operation ➤ Editing Text ➤ NOTES: 1) Press or to jump between pages in an extra long pull-down list. 2) Press Exit while in a pull-down list to cancel any change. Editing Numerical Values ACTIVATE THE EDIT WINDOW: To enter or edit text, highlight the desired parameter (such as a channel name) and press to activate its adjacent edit window. Any previously entered text is displayed with its first character highlighted in a square cursor, signifying that this character is ready for editing.
Section 3: Operation 3.4 Using Inputs and Channels NOTE: See Section 2, Installation and Setup, for details on connecting sources to the projector. The projector stores and automatically recalls up to 50 different channels (source setups) for a variety of inputs. This memory feature allows you to define and conveniently use a wide variety of customized setups rather than having to repeatedly re-configure the projector for different presentations.
Section 3: Operation Shown at right is a sample channel list as would be available from Channel . This is typically called the channel list. ➤ NOTE: The Channel key may display a channel list or not, depending on what you have defined for “Display Channel List” (see Menu Preferences later in this section). In order to access channels by using Channel on the keypad, you must first create the channels. See below.
Section 3: Operation What Channels ➤ Are Defined So Far? All available channels are listed in the Channel Setup menu, which describes how each channel can be accessed and which serves as the gateway for editing, copying and deleting channels. Figure 3.9. All Channels Appear in the Channel Setup Menu From the presentation level press Menu to display the Main menu. To display the Channel Setup menu, press 3 , or move the highlight to the Channel Setup option and press.
Section 3: Operation • Press Func if you want to copy the selected channel or delete this or other channels. See Copying or Deleting a Channel below. • Press if you want to edit channel setups (i.e., non-image related parameters) for the selected channel. See Editing a Channel Setup, below. TO COPY A CHANNEL, highlight the desired channel in the Channel Setup menu, then press Func to go to the Channel Copy/Delete submenu. Select “Copy” and press — a new channel will be created.
Section 3: Operation TO DELETE MULTIPLE CHANNELS, highlight any channel in the Channel Setup menu and press Func to go to the Channel Copy/Delete submenu. Select “Delete Unlocked Only” and press to delete all unlocked channels. Or select “Delete All Channels” to delete all channels, even those that are locked. In either case, the current channel will remain but will be redefined from projector defaults. NOTE: For any deletion, a confirmation box appears to make sure that you really want to delete.
Section 3: Operation • AUTO SOURCE: If checked, (default), the projector can automatically locate this channel when an incoming input signal matches. If not checked, the projector can locate the selected channel only when it is directly selected via Channel on the keypad—and a change in input signal will not result in a channel change. • LOCKED: If checked, all of the image settings for this channel are disabled. If unchecked (default), all available image settings can be adjusted as desired.
Section 3: Operation Size and Position Menu ➤ In the Size and Position menu, you can increase or decrease the size of your image, change its proportion (aspect ratio), move the image to a specific area of the screen, and refine other related parameters. Use Size and Position controls to match the image precisely to the screen used at the site. Refer to “Using Slidebars and Other Controls” (earlier in this section) if you need help using any of the options and controls.
Section 3: Operation • Select “NO RESIZING” to display the image in its native resolution, which may or may not match the projector’s 1400 x 1050 resolution. For example, for a source with a native resolution of 800 x 600, “No Resizing” will use the central 800 x 600 pixels and have a black border—the black border areas are unused areas. See below. • Select “FULL SIZE” to use all pixels (1400 x 1050) for displaying the image, regardless of source or original aspect ratio.
Section 3: Operation • Select “ANAMORPHIC” to display an anamorphic image in its native 16:9 aspect ratio. The image will fill the screen from side-to-side and be centered between black bars at top and bottom. • Note: If using a 16:9 screen, you may have to go to the ‘Anamorphic’ mode after performing an auto setup. Size “Size” controls both the image width and height in tandem, maintaining the current aspect ratio (proportion) of the displayed signal data.
Section 3: Operation H-Position This option moves the image right or left within the area of available pixels. NOTE: The value shown represents where the approximate center of the image lies in relation to the total number of pixels available horizontally. This varies widely according to the signal—watch the image while adjusting. V-Position This option moves the image up or down within the area of available pixels.
Section 3: Operation BLANKING (TOP, BOTTOM, LEFT, and RIGHT): Crop the image as desired so that unwanted edges are removed from the display (changed to black—see right). Blanking defines the size of the Active Input Window, or area of interest. Range of adjustment depends on the source resolution and other factors. PLUG & DISPLAY (EDID): By default, a Plug & Play (EDID) source outputs a signal according to the EDID information provided by the projector.
Section 3: Operation Contrast “Contrast” increases or decreases the perceived difference between light and dark areas of your image (0-100). For best results, keep it under 50. If contrast is set too high, the light parts of the image lose detail and clarity. If set too low, the light areas will not be as bright as they could be and the overall image will be dim.
Section 3: Operation Detail “Detail” adjusts the sharpness of a video image so that edges remain clearly defined. It can be particularly useful if a significant “Noise Reduction” adjustment has caused the image to appear too soft. Adjust until the display is as sharp as desired, keeping in mind that because “Detail” adds some high frequencies back into the image, it can also reintroduce a certain degree of noise.
Section 3: Operation Video Options — SUBMENU This submenu is used with video sources only (INPUTS 3 or 4). ENABLE DECODER AGC: Automatic Gain Control (AGC) affects decoded video images only. Enter a checkmark (default) in most instances—this activates the decoder’s AGC circuit to ensure properly bright images. Delete the checkmark if a decoded video image exhibits strange color artifacts such as stripes in highly saturated colors, indicating an incompatibility between this source and the AGC.
Section 3: Operation COLOR — This slidebar adjusts the color saturation level, i.e. the amount of color in a video image. Lower settings produce less saturated colors — for example a setting of “0” produces a black and white image. If the color level is too high, colors will be overpowering and unrealistic. TINT — This slidebar adjusts the red/green color hue for true color reproduction of video signals connected to INPUT 3 or 4.
Section 3: Operation AUTO INPUT LEVEL – Keep off for virtually all sources (default). Temporarily enter a checkmark only if you are an experienced user and you have an unusual source that you feel needs further color temperature and/or input level adjustment. After entering a checkmark, wait for the six slidebar values to stabilize, then delete the checkmark and exit.
Section 3: Operation COLOR ENABLE – Select which color or colors you want to see in the display, useful while working with color temperature white levels or input levels. NOTES: 1) Input levels apply for the current source only, but for any color temperature used. 2) Assuming that color temperature has been set up based on the internal test patterns, you can then set up input levels for a given source so that it matches the color temperature of the internal test patterns.
Section 3: Operation Figure 3.13. Adjusting Input Levels Using the Peak Detector (RED EXAMPLE SHOWN) Advanced Image Settings — SUBMENU GAMMA TABLE: This control selects and applies the normal 2.2 gamma setting or a user-defined “arbitrary” (custom) gamma table that has been previously downloaded to projector memory (these custom gamma tables—a.k.a. curves—are created in Runco’s Arbitrary Gamma application for the PC, and are downloaded via a separate utility).
Section 3: Operation To configure a “User” color adjustment (gamut), use either the Color Adjustment by X/Y or Color Saturation submenu found in the Configuration menu under Geometry and Color. NOTES: 1) “Color Temperature” defaults to 6500K until changed. All four “User” options default to SD Video unless they have been redefined by the user. 2) Factory defined color primaries, which ensure consistent color gamut from projector-to-projector, can be altered in the Service menu only.
Section 3: Operation DETAIL THRESHOLD — Use “Detail Threshold” to define at what frequency level the “Detail” control will begin to magnify high frequencies, which adds details back into the image. Raise the threshold to ignore more of these high frequencies, and lower the threshold to magnify more of these frequencies. A setting of “0”, for example, means no noise will be ignored and all will be magnified.
Section 3: Operation Menu Preferences — SUBMENU Use the options in this submenu to adjust the appearance, content and/or location of on-screen menus and messages. LARGE MENU FONT — Enter a checkmark to enlarge menus and their text. You may have to adjust “Menu Location” to accommodate the increased menu area. MENU LOCATION — Use the pull-down list to choose a pre-defined default or customized location for the display of all on-screen menus.
Section 3: Operation Figure 3.14. Communications Baud Rates The baud rate setting determines the speed of communication to and from the projector on the RS232 or RS422 links. The maximum rate for either standard is 115200. The default baud rate for use with the DHD Controller is 115200. If this is changed, communication with the DHD Controller will be lost. Projector Enter a three-digit number (such as “001”) to assign or change a number to the projector currently in use.
Section 3: Operation Ethernet Settings (SUBMENU) NOTE: Reserved for future use. Backlight Toggle the built-in keypad lighting on/off. Front IR / Back IR As needed for your application, set to “on” so that the front and/or rear IR sensor locations on the projector responds to the IR keypad. Set to “off” to disable. To disable both IR sensors, you cannot use the IR remote keypad to select the second OFF setting. This safeguard prevents accidentally disabling an IR keypad while you are using it.
Section 3: Operation In the Configuration menu, select the Geometry and Color submenu when you need to modify overall color performance and/or image geometry for all sources. System Configuration ➤ — GEOMETRY & COLOR — Test Pattern Choose the desired internal test pattern or select OFF to turn off a test pattern. Alternatively, use the Test key for cycling through test patterns.
Section 3: Operation Edge Blending — SUBMENU The Edge Blending submenu provides a range of controls for smoothing together the overlapping bright edges of multiple adjacent projected images to create a single larger “seamless” image. Color Adjustments by X/Y, and Color Saturation — SUBMENUS NOTES: 1) For defining or changing a User 1, 2, 3, or 4 color performance or “gamut”. Sometimes known as Comprehensive Color Adjustment™.
Section 3: Operation COLOR ADJUSTMENT BY X,Y: Use this submenu if you want to alter, add or copy a color gamut (i.e., “color adjustment”). Controls in this menu define the precise hue of each primary color component (red, green, blue, and white) used to generate the millions of colors produced in displays. The x/y coordinates for each color define its location on the standard CIE chromaticity graph (see Figure 3.
Section 3: Operation COLOR SATURATION: Use this submenu if you do not have specific color coordinates in mind and will simply judge color performance by eye (or meter). Like the Color Adjustment by X,Y submenu, each color control actually defines new x/y coordinates for that color and changes its hue — it is just a different interface. Adjust the hue of each primary color (red, green, blue, and white) by using more or less of it in relation to the other colors. Figure 3.20.
Section 3: Operation Color Enable Select which color or colors you want to see. This is useful while working with color temperature, input levels or other special setup parameters. Odd Pixel Adjustment NOTES: Factory-set and rarely required by user. When using certain RGB sources, you may need to adjust the normal gain or offset of odd pixels in relation to even pixels. This will smooth out very narrow (1-pixel wide) “checks” or vertical stripes that indicate adjacent “on” and “off” pixels.
Section 3: Operation Reserved No function. Peak Detector The “Peak Detector” is fast method of defining individual input levels, and can improve the accuracy of input levels set by the Auto Input Level function. Enabling the “Peak Detector” activates a special operating mode for detecting only pixels that are considered black or white — all other levels are displayed as a mid-level gray.
Section 3: Operation Enter a checkmark for LAMP MESSAGE to enable a warning message that will appear upon power-up when the lamp has reached the specified lamp limit and should be replaced. Delete the checkmark to prevent display of this message—instead, when your lamp expires, only the status display messages on the back of the projector will provide the visual warning to replace the lamp. NOTES: 1) It is recommended that the Lamp Message checkbox remain enabled.
Section 3: Operation POWER – This slidebar and number indicates how many watts are applied to the lamp. You can apply anywhere from approximately 60-65% of the maximum power intended for the installed lamp up to 100% of the lamp rating. Set for the number of watts as desired, keeping in mind that lower power levels produce dimmer images. When in either Power or Max Brightness modes, the power level remains constant. Specifying a maximum power level here is the same as operating in Max Brightness mode.
Section 3: Operation OPTICAL APERTURE – The optical aperture inside the projector controls the diameter of the light beam passing through the system. With a fully open aperture (slidebar default of “0”), the maximum amount of light passes through for maximum brightness in your images. Increase the slidebar setting to reduce the aperture diameter and maximize contrast ratio instead. LAMP HISTORY – This read-only option lists the lamps most recently installed and recorded in the projector.
Section 3: Operation How Old is My Lamp? ➤ When a new lamp is installed and its serial number recorded by selecting “Change Lamp” in the Lamp menu, the lamp timer resets to “0” and begins logging time for the new lamp. This tally appears in both the Lamp menu (see right) and the Status menu. To review the number of hours logged for previous lamps, consult the Lamp History menu.
Section 3: Operation Occasionally the projector will encounter an error condition that can interrupt normal operation. Such a condition can be caused by a simple invalid keypad entry, an input signal error (most common) or a system error. The manner in which users are to be notified of error conditions is set in the Menu Preferences menu: 3.9 Error Conditions • To see error messages displayed on-screen, select the “Screen” or “All” option.
Section 3: Operation Other Signal Error Messages In addition to the common “Bad Sync” and “No Signal” errors, you may encounter a signal error message indicating that HSYNC and/or VSYNC are either too fast or too slow. When such a message appears, check the frequencies shown in the Status menu. If they are correct, then the signal is not recognized by the projector. On some PCs you may be able to change the settings to generate a compatible signal.
Section 3: Operation Code Description GENERAL 12 Software bug. Contact dealer/factory. 13 CRC error in flash ROM. Download new software. 14 Engineering-only programming is complete. Call Runco, replace TIPM. 15 Attempting to download code without being in boot mode 16 Invalid interrupt. Power off/on. If it persists, contact dealer/factory.
SECTION 4 Maintenance 4.1 Warnings and Safety Guidelines The projector is an international regulatory agency approved product designed for safe and reliable operation. To assure complete safety at all times it is important to acknowledge the following precautions while operating the projector. WARNING Always remove the lens when shipping the projector. WARNING NEVER look directly into the projector lens. The high brightness of this projector could cause permanent eye damage.
Section 4: Maintenance Lamp: The projector uses a Cermax® Xenon lamp to deliver its high brightness. A lamp should be replaced when it has reached its end of life (1000 hrs, typical) or if a noticeable change in brightness or excessive lamp flicker occurs. Keep track of the number of hours the lamp has been in use (Lamp Menu) and be aware of any changes to brightness. These indicators will help you effectively maintain operation of the projector.
Section 4: Maintenance Ventilation ➤ Slots and vents in the projector provide ventilation. Never block or cover these openings. This ensures reliable operation of the projector and prevents overheating. • Do not place the projector over a radiator or heat register. The projector should not be placed in an enclosure unless proper ventilation is provided. • Do not insert objects into the ventilation openings of the projector.
Section 4: Maintenance WARNING Always power down and unplug the projector before cleaning or servicing. Part Description Frequency Action Lens As required CLEAN: Clean if absolutely necessary. A small amount of dust on the lens has very little affect on picture quality. To clean: Apply a solvent such as acetone, alcohol or vinegar sparingly to clean, lint-free lens tissue. Wipe across the surface of the lens. Do not scrub or rub tissue in circular motion, this will scratch the lens.
Section 4: Maintenance 4.3 Replacing Remote Batteries The optional IR remote uses four AAA size, 1.5V alkaline batteries. To replace the batteries simply turn the remote over and remove the battery cover. Remove and properly discard the old batteries. Insert new batteries in the proper positive/ negative orientation as shown etched in the bottom of the compartment (2). Replace the cover by inserting the tabbed end into the opening and snapping the opposite end into place. 1 Figure 4.1.
Section 4: Maintenance WARNING Handle lamp with care. Lamp may explode if dropped. Wear protective clothing and safety goggles when handling lamps. Use only Runco approved lamps provided for your projector. 1. Press to power down the projector. Wait at least 5 minutes to allow the internal cooling fans to stop before unplugging the projector. This wait period is also required to allow the lamp to sufficiently cool before handling. WARNING Always power down and unplug the projector prior to servicing.
Section 4: Maintenance Figure 4.4 5. Align the new lamp with the top and bottom guides on the left side of the lamp compartment. (Figure 4.5.) Slide the lamp all the way in – a slightly harder push may be required right at the end to make sure it is fully seated into the terminal block. NOTE: The projector will not power up again if the lamp is not fully connected to the terminal block. Figure 4.5 6.
Section 4: Maintenance Use the following instructions when replacing a projection lens: NOTE for first time use: The projection lens is shipped separately from the projector. Before you install a lens it is important that you remove the lens plug from the lens opening in the projector. 1. Power down the projector and wait 5 minutes to allow the lamp to cool before continuing with Step 2. 2.
Section 4: Maintenance Figure 4.
SECTION 5 Troubleshooting If the projector does not appear to be operating properly, note the symptoms present and use the following guide to assist you. If you cannot resolve the problems yourself, contact your dealer for assistance. NOTE: A qualified Runco service technician is required when opening the projector to diagnose any “probable cause”. SYMPTOM The projector is on but there’s no display... CAUSE/REMEDY Was a lens cover accidentally left on? Remove lens cover. Make sure the shutter is OPEN.
Section 5: Troubleshooting SYMPTOM CAUSE/REMEDY Portions of the display are cut off or wrap to the opposite edge... Resizing and/or blanking may need adjustment. The display appears compressed ... The aspect ratio selected at the DHD Controller may be incorrect. The horizontal or vertical scan frequency of the input signal may be out of range for the projector. Refer to Section 6, Specifications for scan frequency ranges.
Section 5: Troubleshooting SYMPTOM Lamp does not ignite CAUSE/REMEDY If the lamp won’t ignite, there may be an interlock failure such as an open lamp door, or failed lamp fan. An error code will display on the status LED display located on the built in keypad. If a temperature is too high (e.g.“DMD over critical temp limit”), the lamp will not ignite until the temperature is low enough. Cool the projector and try again. If the lamp does not ignite after a second and third try, replace the lamp.
SECTION 6 Specifications VX-40d ➤ Projector Type: Digital Light Processing™ (DLP™), 3-Chip, 16:9 Darkchip2™ DMD™ Native Resolution: 1280 x 720 Aspect Ratios: Determined by Supplied DHD Video Processor Video Standards: NTSC, PAL DTV Compatibility: 480p, 720p, 1080i Scan Frequency: Horizontal: 15 – 120kHz, Vertical: 23.97 – 150Hz Picture Size (16:9 screens) Recommended Width: 72 – 192 in. Maximum Width: 300 in. Throw Distance (Factor x Screen Width) Lens Option 1: Zoom 4.96 – 7.
Section 6: Specifications ➤ Projector Type: Digital Light Processing™ (DLP™), 3-Chip, 16:9 Darkchip2™ DMD™ Native Resolution: 1280 x 720 Aspect Ratios: Determined by Supplied DHD Video Processor Video Standards: NTSC, PAL DTV Compatibility: 480p, 720p, 1080i Scan Frequency: Horizontal: 15 – 120kHz, Vertical: 23.97 – 150Hz Picture Size (16:9 screens) Recommended Width: 72 – 240 in. Maximum Width: 350 in. Throw Distance (Factor x Screen Width) Lens Option 1: Zoom 4.96 – 7.
Section 6: Specifications VX-60d ➤ Projector Type: Digital Light Processing™ (DLP™), 3-Chip, Darkchip2™ DMD™ Native Resolution: 1400 x 1050 Aspect Ratios: Determined by Supplied DHD Video Processor Video Standards: NTSC, PAL DTV Compatibility: 480p, 720p, 1080i Scan Frequency: Horizontal: 15 – 120kHz, Vertical: 23.97 – 150Hz Picture Size (16:9 screens) Recommended Width: 72 – 192 in. Maximum Width: 300 in. Throw Distance (Factor x Screen Width) Lens Option 1: Zoom 4.48 – 7.
Section 6: Specifications ➤ Projector Type: Digital Light Processing™ (DLP™), 3-Chip, Darkchip2™ DMD™ Native Resolution: 1400 x 1050 Aspect Ratios: Determined by Supplied DHD Video Processor Video Standards: NTSC, PAL DTV Compatibility: 480p, 720p, 1080i Scan Frequency: Horizontal: 15 – 120kHz, Vertical: 23.97 – 150Hz Picture Size (16:9 screens) Recommended Width: 72 – 288 in. Maximum Width: 375 in. Throw Distance (Factor x Screen Width) Lens Option 1: Zoom 4.48 – 7.
APPENDIX A Glossary This appendix defines the specific terms used in this manual as they apply to this projector. Also included are other general terms commonly used in the projection industry. Active Line Time ➤ Ambient Light Rejection ➤ Analog Video ➤ Anamorphic ➤ ANSI ➤ The time, inside one horizontal scan line, during which video is generated. The ability of a screen to reflect ambient light in a direction away from the “line of best viewing”.
Appendix A: Glossary Component Video ➤ Composite Video ➤ Contrast (ratio) ➤ Convergence ➤ Curved Screen ➤ DDC ➤ DDI ➤ DMD™ ➤ Decoder ➤ Detail ➤ See YCbCr or YPbPr. The output of video tape players and some computers, characterized by synchronization, luminance and color signals combined on one output cable. The degree of difference between the lightest and darkest areas of the image. The alignment of the red, green, and blue elements of a projected image so that they appear as a single element.
Appendix A: Glossary Horizontal Frequency ➤ Horizontal Offset ➤ Hot Spot ➤ Input ➤ Input Signal ➤ The frequency at which scan lines are generated, which varies amongst sources. Also called horizontal scan rate or line rate. The difference between the center of the projected image and the center of the projector lens. For clarity, offset is often expressed as the maximum amount of the image that can be projected to one side of the lens center without degrading the image quality.
Appendix A: Glossary Menu ➤ A list of selectable options displayed on the screen. NTSC Video ➤ A video output format of some video tape and disk players. There are two types of NTSC (National Television Standards Committee) video: NTSC 3.58 and NTSC 4.43. NTSC 3.58 is used primarily in North America and Japan. NTSC 4.43 is less commonly used. Optical Screen ➤ A type of rear-projection screen which re-directs light through the screen to increase image brightness in front of the screen.
Appendix A: Glossary SECAM ➤ Slidebar ➤ Source ➤ Source Setup ➤ Switcher ➤ Sync ➤ A video output format of some video tape and disk players (used primarily in France). SECAM (Sequential Couleur á Mémoire) signals are similar in resolution and frequency to PAL signals. The primary difference between the two standards is in the way color information is encoded. A slidebar is a graphical display of an adjustable setting.
Appendix A: Glossary White Field ➤ The area of an image that is white only. For example, a full white field is an image that is white everywhere. A 10% white field is a white area (usually rectangular) that occupies 10% of the image; the remaining 90% is black. YCbCr ➤ A high-end digital component video signal. YPbPr ➤ A high-end analog component video signal. Sometimes called YUV, Component, or Y, R-Y, B-Y, the YPbPr signal by-passes the video decoder in this projector. YUV ➤ Zoom ➤ See YPbPr.
APPENDIX B Serial Communications Cables A serial link of RS232 or RS422 enables ASCII communication with the projector so that it can be controlled remotely from a PC or other controller. From a PC, connect a standard 9-wire RS232 serial cable to the RS232 IN port. Or, for long-distance (>100 ft.) links with an RS422-compatible PC or controller, connect RS422 cable to the RS422 port.
APPENDIX C Throw Distance Calculating Throw Distance It is important throw distance be precisely calculated for your installation using the appropriate formula from the chart below. To calculate throw distance you must know the screen size and the lens type installed in the projector. In general, the larger you want the image to be the greater the distance you must allow between the lens and the screen. NOTES: 1) Throw distance is measured from the screen to the center of the projector’s lens.
APPENDIX D Optional Input Modules RGB500 Input Module ➤ There are many optional input modules and accessories currently available for this projector. Contact your dealer for a complete and up-to-date listing. The RGB500 Input Module may be installed in this projector, a Marquee Signal Switcher, or a Marquee Case/Power Supply. The module receives analog RGB input signals from computers or other RGB source devices.
Appendix D: Optional Input Modules ➤ RGB400 Active Loop-Thru Input Module ➤ The RGB400 ALT Input Module may be installed in this projector, a Marquee Signal Switcher, or a Marquee Case/Power Supply. The module receives analog RGB input signals from computers or other RGB source devices. Video inputs are 75Ω terminated. Video outputs provide buffered loop-through to another display device.
Appendix D: Optional Input Modules Composite / S-Video ➤ Input Module The module receives either composite video or S-video input signals from tape or disk players (do not connect both types of signals simultaneously). Video inputs are 75Ω terminated. Video outputs are provided for buffered loop-through to another display device.
Appendix D: Optional Input Modules ➤ Serial Digital Input Module ➤ The module accepts a serial digital 4:2:2 component video signal (YCbCr) via a single SERIAL IN BNC connector. The signal can loop through the SERIAL OUT BNC out to another device (such as another projector). Inputs are 75Ω terminated.
SERIAL NUMBE R RUMA-011115 rev 05-18-05 Runco International • 2900 Faber Street • Union City, CA 94587 • Ph (510) 324-7777 / (800) 23RUNCO / Fax (510) 324-9300 www.runco.
