Operation Manual

ENGLISH
Operating the C•control
11
Operating the C Control
Once you have connected your stereo recorders, stereo sound sources and studio monitor speakers you can
begin to use, and enjoy the powerful features of the C control. The following section will take you through the
operation of the C control’s switches, control knobs and operating functions.
Controls and Functions
POWER switch
Use the POWER switch to turn the C control on and off. When the POWER switch
is set to the on position, the unit will power up and the green LED on the POWER
switch will illuminate indicating the unit is ready for operation.
Source Assignment Switches
When you engage any of the Source assignment switches, their associated LED’s will
illuminate indicating the signal connected to that Source input is on and will now be heard on all outputs
including the selected SPEAKER outputs, the HEADPHONE and the EXTERNAL CUE outputs. C control allows
you to monitor more than one stereo Source at the same time, therefore a Source assignment switch will stay
on when another is selected. Simply press the source assignment button a second time and the Source will
turn off.
MIX Switch
The MIX switch is used to assign the audio signal from the device connected to the
left and right MIX inputs to the monitor bus.
2 TK A Switch
Use the 2TK A switch to assign the signal connected to the left and right 2-track A
inputs to the main stereo monitor bus.
2 TK B Switch
Used to assign the signal connected to the left and right 2 TK B inputs to the monitor bus.
2 TK C Switch
Used to assign the signal connected to the left and right 2 TK C inputs to the monitor bus.
Master Level Meter
The C control’s master section includes an 6-segment LED LEVEL meter, which displays the
input level of the main left and right bus in decibels (dBs) from –30 to Overload(OL). The sig-
nal displayed on the LEVEL meter shows the level of the combined signals of all of the two
track inputs. If the LEVEL meter displays a clipped signal, then turn down the signal or sig-
nals being sent into the stereo bus.
MIX 2TK A
2TK C
2TK B
OL
+6
0
-6
-18
-30
L R
SPEAKER A SPEAKER C
MUT
E
SPEAKER B
SU
B
DIM
MONO
HEADPHONE
VOLUME
SPK B
VOLUME
HEADPHONE
VOLUME
0 10
0 10
0 10
TALKBACK
LEVEL
MI
C
TALK TO
2TK
TALK TO
CUE
0 10
CONTROL ROOM
MA
TRIX
SAMSON
SOURCE
DESTINATION
LEVEL
CONTROL ROOM
TALKBACK
L R
DESTINA
LEVE
MIX 2TK A
2TK C
2TK B
OL
+6
0
-6
-18
-30
L R
SPEAKER A SPEAKER C
MUT
E
SPEAKER B
SU
B
DIM
MONO
HEADPHONE
VOLUME
SPK B
VOLUME
HEADPHONE
VOLUME
0 10
0 10
0 10
TALKBACK
LEVEL
MI
C
TALK TO
2TK
TALK TO
CUE
0 10
CONTROL ROOM
MA
TRIX
SAMSON
SOURCE
DESTINATION
LEVEL
CONTROL ROOM
TALKBACK
MIX 2TK A
2TK C
2TK B
OL
+6
0
-6
-18
-30
L R
SPEAKER A SPEAKER C
MUT
E
SPEAKER B
SU
B
DIM
MONO
HEADPHONE
VOLUME
SPK B
VOLUME
HEADPHONE
VOLUME
0 10
0 10
0 10
TALKBACK
LEVEL
MI
C
TALK TO
2TK
TALK TO
CUE
0 10
CONTROL ROOM
MA
TRIX
SAMSON
SOURCE
DESTINATION
LEVEL
CONTROL ROOM
TALKBACK
LK TO
2TK
LK TO
CUE
19
18
17
16
15
14
14
15 16
17 18
19