Operation Manual
ENGLISH
13
RHYTHM SECTION AND BACKING TRACKS MIX
FROM CONSOLE AUX SEND
SIGNAL FLOW
Bass Guitar
From Mixer Direct Out
Rhythm Guitar
From Mixer Direct Out
Lead Guitar
From Mixer Direct Out
Keyboards
From Mixer Direct Out
SIGNAL FLOW
MAIN
INJECT
VOLUME
2 CH
STEREO
SHAPE
OU
T
SHAPE
OUT
CH 1
OL
0
-6
-12
-18
-24
OL
0
-6
-12
-18
-24
CH
1
CH
2
SHAPE
OUT
SHAPE
OU
T
OL
0
-6
-12
-18
-24
CH 3 CH
4
4 CHANNEL
HEADPHONE AMP
CH 2
CH
3
CH 4
VOLUME
VOLUME
VOLUME
VOLUME
MAIN
INJECT
2 CH
STEREO
SHAPE
OU
T
SHAPE
OU
T
0 10
0 10
CH 1
OL
0
-6
-12
-18
-24
OL
0
-6
-12
-18
-24
CH
1
CH
2
SHAPE
OUT
SHAPE
OUT
OL
0
-6
-12
-18
-24
CH 3 CH
4
4 CHANNEL
HEADPHONE AMP
CH 2
CH
3
CH 4
VOLUME
VOLUME
VOLUME
VOLUME
MAIN
INJECT
2 CH
STEREO
SHAPE
OU
T
SHAPE
OU
T
CH 1
OL
0
-6
-12
-18
-24
OL
0
-6
-12
-18
-24
CH
1
CH
2
SHAPE
OUT
SHAPE
OUT
OL
0
-6
-12
-18
-24
CH 3 CH
4
4 CHANNEL
HEADPHONE AMP
CH 2
CH
3
CH 4
VOLUME
VOLUME VOLUME
VOLUME
MAIN
INJECT
2 CH
STEREO
SHAPE
OU
T
SHAPE
OU
T
0 10
0 10
CH 1
OL
0
-6
-12
-18
-24
OL
0
-6
-12
-18
-24
CH
1
CH
2
SHAPE
OUT
SHAPE
OUT
OL
0
-6
-12
-18
-24
CH 3 CH
4
4 CHANNEL
HEADPHONE AMP
CH 2
CH
3
CH 4
VOLUME
VOLUME VOLUME
VOLUME
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
0 10
BALANCE
L R
0 1
0
0 1
0
0 1
0
0 1
0
VOLUME
0 10
BALANCE
L R
0 1
0
0 1
0
0 1
0
0 1
0
VOLUME
0 1
0
BALANCE
L R
0 1
0
0 1
0
0 1
0
0 1
0
VOLUME
0 10
BALANCE
L R
0 1
0
0 1
0
0 1
0
0 1
0
TO RIGHT
LINE INPUT ON
REAR PANEL
LINK OUTPUT
BALANCED
LEFT
RIGHT
LINE INPUT
BALANCED
LEFT
RIGH
T
LINK OUTPUT
BALANCED
LEFT
RIGH
T
LINE INPUT
BALANCED
LEFT
RIGH
T
LINK OUTPUT
BALANCED
LEFT
RIGH
T
LINE INPUT
BALANCED
LEFT
RIGH
T
LINK OUTPUT
BALANCED
LEFT
RIGH
T
LINE INPUT
BALANCED
LEFT
RIGH
T
The following example shows a sophisticated cue mix for tracking a rhythm section during a recording session using five C
•
The following example shows a sophisticated cue mix for tracking a rhythm section during a recording session using five C•The following example shows a sophisticated cue mix for tracking a rhythm section during a recording session using five C
que 8’s. The complete mix for all the
musicians is sent via the console’s auxiliary send to the C
•
musicians is sent via the console’s auxiliary send to the C•musicians is sent via the console’s auxiliary send to the C
que 8’s RIGHT LINE input and daisy-chained from unit to unit. Then signal from each instrument is con-
nected from the console’s direct outputs to each of C
•
nected from the console’s direct outputs to each of C•nected from the console’s direct outputs to each of C
que 8’s master INJECT inputs using a mono 1/4-inch (TIP/SLEEVE) cable. (By using a mono 1/4-inch cable only
the Left Inject input is connected). The C
•
the Left Inject input is connected). The C•the Left Inject input is connected). The C
cue 8’s are set to 2-channel mode, so that the BALANCE controls the level difference between the backing tracks and indi-
vidual instruments. This allows the lead vocalist or musician to dial up his or her own track for a “more me” mix.