Datasheet

Effect Types and Parameters
ZOOM H4
90
Bass preamp effect types
* Manufacturer names and product names mentioned in this table are trademarks or registered
trademarks of their respective owners. The names are used only to illustrate sonic characteristics and do
not indicate any affiliation with ZOOM CORPORATION.
Mic preamp effect types
(7) ZNR (ZOOM Noise
Reduction)
OFF, 1 – 16
Adjusts the sensitivity of the noise reduction circuit
developed by ZOOM.
SVT
Simulation of Ampeg SVT sound.
BASSMAN
Simulation of Fender Bassman 100 sound.
HARTKE
Simulation of Hartke HA3500 sound.
SuperBass
Simulation of Marshall Super Bass sound.
SANSAMP
Simulation of Sansamp Bass Driver DI sound.
TUBE PRE
ZOOM original tube preamplifier sound.
The above 6 effect types have the same parameters.
(1) CABINET
0 –2
(2) GAIN
0 – 100
Adjusts the intensity of the speaker cabinet sound. Adjusts the preamp gain (distortion depth).
(3) BASS
-12 – 12
(4) MIDDLE
-12 – 12
Adjusts boost/cut in the low range. Adjusts boost/cut in the middle range.
(5) TREBLE
-12 – 12
(6) BALANCE
0 – 100
Adjusts boost/cut in the high range.
Sets the mixing balance between the signal before
input and after passing the module. Higher values
result in a higher ratio of post-module signal.
(7) LEVEL
1 – 100
(8) ZNR (ZOOM Noise
Reduction)
OFF, 1 – 16
Adjusts the level of the signal after passing the
PREAMP module.
Adjusts the sensitivity of the noise reduction circuit
developed by ZOOM.
VO MICPRE
Preamp with characteristics optimized for vocals.
AG MICPRE
Preamp with characteristics optimized for recording an acoustic guitar.
FLAT MPRE
Preamp with flat characteristics.
The above 3 effect types have the same parameters.
(1) COMP
OFF, 1 – 10
(2) DE-ESSER
OFF, 1 – 10
Adjusts the parameter which keeps the level within a
certain range by attenuating high-level signals and
boosting low-level signals.
Adjusts the degree by which sibilants are attenuated.
(3) LOW CUT
OFF, 1 – 10
(4) BASS
-12 – 12
Adjusts the frequency of a filter designed to attenuate
low-frequency noise that is easily picked up my a mic.
Adjusts boost/cut in the low range.
(5) MIDDLE
-12 – 12
(6) TREBLE
-12 – 12
Adjusts boost/cut in the middle range. Adjusts boost/cut in the high range.
H4_E.book 90 ページ 2006年9月1日 金曜日 午後7時56分