Datasheet

ZOOM H4
96
H4 Patch List
Effect patches in this page" Patch List" can be used in 4track mode and audio interface function. (with sampling
rate in 44.1kHz )
Category No. Patch Name Description
PREAMP
module
EFX
module
Guitar
00 Fender Clean
Basic clean sound optimized for recording.
FD CLEAN OFF
01 Natural Cho
Versatile clean chorus sound for applications ranging
from arpeggio to melody playing.
OFF ENSEMBLE
02 FunkyCutting
Great sound for seventies style funky cutting.
FD CLEAN AUTO WAH
03 Clean Lead
Sound suitable for solo play, characterized by clean
delay with a tempo setting of about 120 BPM.
HW CLEAN DELAY
04 Vox Clean
Mersey beat sound as exemplified by the Beatles
using the Vox AC30TBX.
VX CLEAN LIMITER
05 Light AcoSim
Acoustic guitar simulation ideal for stroke playing.
ACO SIM HALL
06 Clean Comp
Natural compressor sound that differs from a
conventional stomp box compressor.
FD CLEAN RACK COMP
07 CuttingPhase
Phaser with a wide range of applications for various
cutting styles.
OFF PHASER
08 Smooth Trem
Tremolo sound that smoothly enhances everything
from full notes to delicate arpeggios.
FD CLEAN TREMOLO
09 Deep Vibe
Vibrato sound provides body to sound effects and
band sound.
OFF VIBE
10 Octave Down
Distorted unison sound adds a one octave lower
component.
TS+FD_CMB PITCH
11 MS Crunch
Marshall Bluesbreaker crunch sound that closely
tracks your picking.
UK BLUES RACK COMP
12 Full Crunch
Simulation of the versatile Mesa Boogie Mk III for
backing or lead.
BG CRUNCH RACK COMP
13 Air Crunch
Crunch sound with a light and airy feel.
UK BLUES AIR
14 Blues Tone
Solid backbone for lead parts in Blues and Rock'n Roll.
TS+FD_CMB ROOM
15 Crossover
Overdrive tone with just the right chorus for Fusion
and Crossover.
BG CRUNCH ENSEMBLE
16 Peavey Lead
High gain sound of Peavey 5150 fits power chords,
speedy riffs, or technical solos.
PV DRIVE OFF
17 Diezel Riff
Heavy riff sound using a Diezel Herbert simulation.
DZ DRIVE OFF
18 Rectify Lead
Simulation of the Mesa Boogie Rectifier high-gain sound.
RECT VNT RACK COMP
19 Melody Line
Delay sound for playing everything from melody to
improvised solos.
PV DRIVE DELAY
20 Classic MS
Sound modeled on the Marshall 1959 SuperLead
100.
MS #1959 ROOM
21 Fuzz Box
Distinct fuzz tone using a combination of Fuzz Face
+ Marshall sound.
FZ+MS_STK SPRING
22 Air Lead
Mesa Boogie Mk III drive sound combines airiness
with a gutsy touch.
BG CRUNCH AIR
23 Jet Flanger
Well-known jet sound makes chords more
expressive.
SD+MS_STK FLANGER
24 Wah Lead
Heavy wah sound combining distortion and auto
wah, suitable for lead play.
SD+MS_STK AUTO WAH
Bass
25 Hartke
Tight sound modeled on the Hartke HA3500.
HARTKE OFF
H4_E.book 96 ページ 2006年9月1日 金曜日 午後7時56分