3 2 T N HN 25 5 4 T N HN 26 T N HN 27 6 T N HN 28 8 7 T N HN 29 T N HN 30 10 9 T N HN 31 T N HN 32 T 11 T N HN 33 N HN 34 12 T N HN 35 13 T N HN 36 15 14 T N HN 37 T N HN 38 16 T N HN 39 18 17 T T N HN 40 N HN 41 19 T N HN 42 21 20 T N HN 43 T N HN 44 22 T N HN 45 23 T N HN 46 48 CHANNEL FULLY BALANCED PATCHBAY A U D I O 24 T N HN 47 T N HN 48 S Class Signal Processors 1 48 POINT BALANCED PATCHBAY
Introduction Thank you for purchasing the S patch plus 48-channel, fully balanced patchbay by Samson Audio! The S patch plus has been designed to provide a convenient, central point to make all your audio connections. Featuring solid construction with 48, 1/4 inch phone plugs on the front and 48, 1/4 inch phone plugs on the rear, the S patch plus will provide reliable operation while maintaining a clean signal path.
S patch plus Features and Front Panel Layout S patch Features 1 3 2 T 48 POINT BALANCED PATCHBAY N HN 25 5 4 T T N HN N HN 26 27 6 T N HN 29 8 7 T N HN 28 T N HN 31 10 9 T N HN 30 T N HN 32 T N HN 33 11 T N HN 34 12 T N HN 35 13 T 15 14 T N HN 36 N HN 37 T 16 T N HN 19 T N HN N HN 40 39 18 17 T N HN 38 41 T 21 20 T N HN 42 T N HN 22 T N HN 43 23 24 T N HN N HN 45 44 46 T T N HN 47 N HN 48 • 48 Channel, fully Balanced patc
S patch plus Connections A Little Background Before You Get Connected A patchbay is one of the most useful additions to any recording studio, regardless of the size, as it provides a convenient way to make connections to various pieces of recording equipment such as multi-track recorders, computer harddisk recorders, two-tracks and outboard signal processors. The S patch plus is constructed with 24 modules which have two, 1/4 inch phone jacks on the front and two, 1/4 inch phone plugs on the rear.
S patch plus Connections Half-normalled Mode The channel is set to Half-normalled mode when the mini-toggle switch is to the right position under the “HN” legend. This configuration is commonly used for mixing console Insert Points. In Half-normalled mode, the signal from the top rear jack is sent to the lower rear jack. When you insert a jack into the top front jack you DO NOT “break the normal”, so the signal is sent out of the top jack and is still connected to the bottom rear jack.
S patch plus Typical Set-Up DIRECT OUT 1 - 4 CONSOLE BUS OUTPUTS 1 48 POINT BALANCED PATCHBAY 3 2 5 4 6 8 7 10 9 11 T T T T T T T T T T N HN N HN N HN N HN N HN N HN N HN N HN N HN N HN 26 25 27 28 30 29 31 33 32 34 DIRECT OUT 9 - 12 MULTITRACK OUTPUT 1 - 8 1 3 2 MIDI INSTRUMENTS 1 - 4 5 4 6 8 7 10 9 11 T T T T T T T T T T N HN N HN N HN N HN N HN N HN N HN N HN N HN N HN 26 27 28 30 29 31 33 32 34 LINE INPUTS 9 - 12 INS
S patch plus Typical Set-Up 13 15 14 2 TRACK OUT L & R MAIN OUT L & R DIRECT OUT 5 - 8 16 18 17 19 CASSETTE IN L & R 21 20 22 CD RECORDER IN L & R 23 24 T T T T T T T T T T T T N HN N HN N HN N HN N HN N HN N HN N HN N HN N HN N HN N HN 38 37 40 39 41 42 43 2 TRACK IN L & R DIRECT OUT 13 - 16 15 14 46 2 MONITOR IN L & R 47 CASSETTE OUT L & R AUX SEND 1 - 4 MIDI INSTRUMENTS 5 - 8 13 45 44 16 18 17 19 48 CD RECORDER OUT L & R EFFECTS OUTPUT 1
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