User Manual
Table Of Contents
- Copyright information
- Health and safety information
- Indications used in this manual
- Contents
- Tips
- Chapter 1
- My Camera
- Getting started
- Camera layout
- Inserting the battery and memory card
- Charging the battery and turning on your camera
- Performing the initial setup
- Selecting functions (options)
- Display icons
- Lenses
- Accessories
- Shooting modes
- My Camera
- Chapter 2
- Chapter 3
- Chapter 4
- Wireless network
- Connecting to a WLAN and configuring network settings
- Saving files to a smart phone automatically
- Sending photos or videos to a smart phone
- Using a smart phone as a remote shutter release
- Using Auto Backup to send photos or videos
- Sending photos or videos via email
- Using photo or video sharing websites
- Using Samsung Link to send files
- Sending photos using Wi-Fi Direct
- Wireless network
- Chapter 5
- Chapter 6
- Chapter 7

27
Concepts in Photography
Flash guide number
The model number of a ash refers to the ash’s power, and the maximum
amount of light created is represented by a value known as a “guide
number.” The bigger the guide number, the more light is emitted from the
ash. The guide number is achieved by multiplying the distance from the
ash to the subject and the aperture value when the ISO sensitivity is set
to 100.
Guide number = Flash to Subject Distance X Aperture value
Aperture value = Guide number / Flash to Subject Distance
Flash to Subject Distance = Guide number / Aperture value
Therefore, if you know the guide number of a ash, you can estimate an
optimum ash to subject distance when setting the ash manually. For
example, if a ash has a guide number of GN 20 and is 4 meters away from
the subject, the optimal aperture value is F5.0.
Flash
Light is one of the most important components in photography. It is not
easy, however, to have an enough amount of light anytime and anywhere.
Making use of a ash allows you to optimize light settings and create a
variety of eects.
Flash, also known as strobe or speed light, helps to create adequate
exposure in low-light conditions. It is also useful in light-abundant
situations. For example, ash can be used in compensating the exposure
of a subject’s shadow or capturing clearly both the subject and the
background in backlit conditions.
Before correction After correction