User's Manual

3
Tips for practical use
Point the microphone directly towards the sound source as much as possible to get a dry, direct
sound and high gain before feedback.
The closer the distance from the microphone to the source, the more bass you’ll get (“proximity
effect”). Use this to your advantage when you want it, and be aware of it when you don’t.
The fewer microphones you are using on the stage the better. Use just one microphone per source
to minimize to risk feedback.
Make sure the microphone is positioned behind the PA speakers to reduce the risk of feedback.
If several microphones are necessary (e.g. choir miking) apply the 3:1 rule: The distance between
the microphones should be at least three times the distance of each microphone to its source.
Safety and maintenance
Risk of damage
Please make sure that the piece of equipment to which your
microphone will be connected fulfils the safety regulations enforced in
your country and is fitted with a ground lead.
Cleaning the microphone
After every use, clean the microphone with a dry, soft cloth tissue and store it in a solid case or a
zipper pouch.
Technical Specifications
V7
V3
Capsule
dynamic
dynamic
Voice coil
Aluminum
Copper
Magnet
Neodymium
Neodymium
Polar patterns
Super cardioid
Cardioid
Frequency range
40 – 19,000 Hz
50 – 16,000 Hz
Sensitivity
2.0 mV/Pa -54 dBV
2.5 mV/Pa -52 dBV
Electrical Impedance
300 ohms
600 ohms
Connectivity
3-pin male XLR connector
3-pin male XLR connector
Dimensions
Diameter: 54 mm (2.12 in.)
Length 184 mm (7.24 in.)
Diameter: 52 mm (2.05 in.)
Length 181 mm (7.13 in.)
Weight
305 g (10.8 oz)
295 g (10.4 oz.)