WORKING WITH A simple to use, comprehensive guide to setting up, configuring and using evolution wireless G3 systems.
APPLICABLE FOR USE IN THE U.S. CONSUMER ALERT Most users do not need a license to operate a wireless microphone system. Nevertheless, operating a microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device.
Table of Contents Introduction..................................................................4 The Parts of a Wireless System..............................5 The Transmitter...........................................................6 The Receiver................................................................ 8 The Antenna.............................................................. 10 Wireless Monitor Systems.................................... 10 Accessorizing a Wireless System........................
Introduction Wireless microphone and instrument systems have rapidly become standard equipment for musicians, Sennheiser’s evolution wireless systems are the standard for musicians, broadcasters, theatre productions, reality television shows, and sound contractors alike. Sennheiser is the leading pioneer of wireless systems and over the years created Emmy Award-winning advances in the field of RF wireless technology.
The Parts of a Wireless System Every wireless system consists of at least three parts: 1) Transmitter A transmitter which accepts the source input signal (mic or line), converts it into an RF (radio frequency) signal, and transmits it to the receiver.
The Transmitter The transmitter has a fairly straightforward job: to take the source input signal from a microphone or line-level input (a guitar, for example), convert it into an RF signal, and transmit it. It sounds easy, but there are a number of variables involved in producing accurate and dependable transmissions. While many other wireless systems use transmitters that may have enough power to work well on a small stage, they lack the operating range and performance for a professional event.
2) Handheld transmitters Handhelds are the most recognizable of transmitters since they most closely resemble traditional wired microphones. evolution wireless handheld transmitters (SKM100G3, SKM300G3, and SKM500G3) are specially designed to stand up to the rigors of live performance and offer exceptional sound.
The Receiver The brain of every wireless system, the receiver, is designed to receive the RF signal from the transmitter, convert it back into an audio signal, and output it to a PA system or audio device for mixing, recording, and amplification. All Sennheiser wireless EM rack-mountable receivers employ True Diversity technology to ensure stable, uninterrupted wireless reception free from signal dropouts.
3) In-ear monitor receivers (performer worn) In-ear monitor receivers are worn by musicians to hear themselves and other instruments while performing. This concept allows the performer to hear their performance clearly while simultaneously keeping the stage volume down which reduces the risk of feedback. Many enjoy the fact they can hear clearly without straining to hear as you would when using conventional monitor wedge speakers.
The Antenna For most basic wireless applications, the antenna supplied with a system’s receiver is more than adequate. As your wireless system grows, however, you may find you require one or more remote antennas to accommodate the increased number of channels. Receivers in large setups are most often rack-mounted. If the antennas are left inside the rack, performance can be degraded due to the rack and metal housings in the transmission path.
The compact EK300IEMG3 bodypack receiver provides each performer with clear, interference-resistant monitoring. Like the transmitter, it features frequency number and channel numSR300IEMG3 Transmitter ber display and a Focus control, which allows the user to adjust the balance of the system’s two channels to create a custom monitor mix. The receiver also features an adjustable Audio Limiter, which restricts volume to protect against hearing loss.
Frequency Concerns The successful operation of an RF wireless system depends greatly on two things: 1) The frequencies to be used must be free of inteference from other signals in the air. Frequency agile wireless systems (those offering a high number of user-selectable operating frequencies) provide the most effective means of avoiding such interference. 2) The frequencies to be used must be calculated exactly to avoid interfering with each other.
Steps for Auto Tuning evolution wireless G3 Systems 1. On the receiver, press SET to enter menu. Press up/down buttons to select “Easy Setup”. Press SET and choose “Scan New List.” Press SET to start scan. 2. After the scan is completed the receiver will suggest a BANK to choose with the most free channels. Press SET. Now select a channel using the up/down arrows and press SET to confirm. The receiver will say “STORED.” 3. Tap the POWER button to exit the menu. The frequency chosen will be displayed.
How To Use the Following Charts These charts represent the tuning scheme of each range and are for reference in determining the suitability of a particular range for your geographic location. Transmitters and receivers are available in a 42 MHz UHF frequency range with a total of 1,680 transmission/receiving frequencies. Transmitters and receivers have 20 frequency banks respectively. Each of the channels in the frequency banks has been factory-preset to a frequency.
• ew 100 G3 series: the first 12 channels in a frequency bank • ew 300 G3 series: the first 24 channels in a frequency bank • ew 500 G3 series: max.
Frequency Range B 626–668 MHz Ch. 40 (626–632 MHz) Ch. 44 (650–656 MHz)) US TV Channel Ch. 41 (632–638 MHz) Ch. 45 (656–662 MHz) Ch. 42 (638–644 MHz) Ch. 46 (662–668 MHz) Ch. 43 (644–650 MHz) 16 ew500 ew300 ew100 Channel 1 Bank 1 Bank 2 Bank 3 Bank 4 Bank 5 Bank 6 Bank 7 Bank 8 Bank 9 Bank 10 626.300 632.350 638.450 644.550 650.200 656.350 662.750 632.925 626.000 626.000 2 626.750 632.800 639.050 645.450 650.750 656.800 663.150 635.425 626.875 626.400 3 627.450 633.
Frequency Range B 626–668 MHz continued Bank 11 Bank 12 Bank 13 Bank 14 Bank 15 Bank 16 Bank 17 Bank 18 Bank 19 Bank 20 1 626.100 626.200 626.050 626.175 626.300 626.375 626.150 667.850 626.100 628.100 2 626.500 626.600 626.450 626.575 626.700 626.775 626.525 667.475 626.975 628.475 ew500 Channel ew300 ew100 Ch. 40 (626–632 MHz) Ch. 44 (650–656 MHz)) US TV Channel Ch. 41 (632–638 MHz) Ch. 45 (656–662 MHz) Ch. 42 (638–644 MHz) Ch. 46 (662–668 MHz) Ch.
Frequency Range G 566–608 MHz Ch. 30 (566–572 MHz) Ch. 34 (590–596 MHz) US TV Channel Ch. 31 (572–578 MHz) Ch. 35 (596–602 MHz) Ch. 32 (578–584 MHz) Ch. 36 (602–608 MHz) Ch. 33 (584–590 MHz) 18 ew500 ew300 ew100 Channel 1 Bank 1 Bank 2 Bank 3 Bank 4 Bank 5 Bank 6 Bank 7 Bank 8 Bank 9 Bank 10 566.450 572.400 578.400 584.400 590.700 596.400 602.250 566.000 566.000 566.100 2 566.950 573.100 579.300 584.900 591.550 596.800 602.800 566.875 566.400 566.500 3 567.900 574.
Frequency Range G 566–608 MHz continued Bank 11 Bank 12 Bank 13 Bank 14 Bank 15 Bank 16 Bank 17 Bank 18 Bank 19 Bank 20 1 566.200 566.000 566.125 566.275 566.375 566.150 607.850 566.100 568.100 567.500 2 566.600 566.400 566.525 566.675 566.775 566.525 607.475 566.975 568.475 567.875 ew500 Channel ew300 ew100 Ch. 30 (566–572 MHz) Ch. 34 (590–596 MHz) US TV Channel Ch. 31 (572–578 MHz) Ch. 35 (596–602 MHz) Ch. 32 (578–584 MHz) Ch. 36 (602–608 MHz) Ch.
Multi-channel Wireless Mic System Hookup 1. Rack mount your gear. The GA3 rack adapter can accommodate two half-rack sized units, such as a receiver, a splitter, or an AM2 kit (which includes two front mounts for antennas). Consider how many channels you will need, and select the appropriate number of GA3 units (see the sample drawings on the following pages to get an idea of how this works). 2. Determine whether you will need an antenna splitter(s) based upon the number of channels you require.
Putting Together a System Following are diagrams of several typical wireless microphone and wireless monitor systems. NOTE: For systems larger than 8 channels, we recommend using Sennheiser's 2000 Series wireless: http://www.sennheiserusa.
Single Channel Wireless Monitor System (1 ew300IEMG3 system, for a single stage mix. NOTE: additional EK300 receivers may be added as needed to monitor the same mix.
Eight Channel Wireless System (4 Handheld Systems and 4 Lavalier Systems) Qty 4 4 1 Model Description ew365 G3 Handheld Systems w/MME865-1 capsules ew312 G3 Lavalier Systems w/ME2 capsules G3OmniKit8 Active splitter kit for eight receiver system using omni-directional remote paddle antennas, includes two (2) ASA1/NT, two (2) A1031-U, GA3, two (2) BB1 Note: Various Lengths of RF cable available for antenna run (sold separately) * AB3 boosters may be used to compensate for RF loss associated wit
Frequently Asked Questions Where’s the mute switch on the handheld? 00 and 500 Series (as well as 2000 Series) SKM handheld transmitters do not have a “Mute” button 1 due to the fact that true professional microphones (wired and wireless) usually do not have a mute button. Nonetheless, if you press the power button quickly, you will have the option to enable RF Mute on the hand held. This is a two-button operation (press the Power Button momentarily, then use the jog wheel to confirm the RF Mute).
Why doesn’t my right angle Ci1-R cable work with my new G3 system? The Ci1-R cable which was sold for G2 was manufactured for Sennheiser by a 3rd party and it was recently discovered that the cable did not meet our exact wiring specification. While this worked fine for G2, it will not work satisfactorily for G3. There is a new model Ci1-R which has the model number “Ci1R EW.
Frequently Asked Questions (Continued) How do I use the built-in guitar tuner on my 100 or 500 series G3 receiver? imply bring up the menu by pressing the “SET” button. Find the “Advanced” section and press “SET” S once more. In this menu you will find the guitar tuner option. Select it by using the “SET” button and change it from the “Inactive” setting to either “Active” or “Audio Mute.” Once this is done, you can tap the power button to exit to the main operating screen.
Notes: www.sennheiserusa.
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