Evolver Operation Manual
Evolver Operation Manual Version 3.2a July, 2010 Dave Smith Instruments 1210 Cabrillo Hwy N Half Moon Bay, CA 94019-1449 USA © 2003-2010 Dave Smith Instruments www.DaveSmithInstruments.
Tested To Comply With FCC Standards FOR OFFICE USE This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference and (2) this device must accept any interference received, including interference that may cause undesired operation. This Class B digital apparatus meets all requirements of the Canadian InterferenceCausing Equipment Regulations.
Contents Quick Start 6 Basic Operation FAQs 11 Inside Evolver 12 Signal Flow Diagram 13 Main Parameters 14 Main Row 1 14 Main Row 2 16 Sequencer Operation 18 Program Parameters 21 Oscillator 1 21 Oscillator 2 22 Oscillator 3 24 Oscillator 4 25 Lowpass Filter 26 Highpass Filter 27 Amplifier (VCA) 27 Feedback 28 Delay 28 Low Frequency Oscillators (LFO) 30 Envelope 3 31 Miscellaneous Audio Parameters 32 Trigger and Interface Parameters 33 Miscellaneous Timing Parameters 34 Miscellaneous Modulation Parameters 3
Welcome… Thanks for purchasing Evolver! Listen to the sounds, twiddle some knobs, have some fun! Register If you purchased Evolver directly from us, there is no need to register – we already have your contact information. If you purchased Evolver from a music dealer, please go to www.davesmithinstruments.com and register. Version 3.0 Notes Your Evolver has the latest 3.0 features installed. Older Evolvers can be updated – check on our website for more information.
Note - though the sequences are named 1-4, there is really only one sequence that has four different controls, each of which can be routed to a different destination via the four Sequence Destination parameters (bottom left corner). In other words, one sequencer with four individual outputs that act in parallel. Each of the four can be a different length. Sequence 1 (rows 1 and 2) controls whether a step acts as a rest (by not triggering the envelopes). Check page 18 for more information on the sequencer.
I should mention that this manual does not include explanations of basic synthesizer functions. It assumes you already know what an oscillator is, how a lowpass filter affects the sound, what an ADSR envelope looks like, etc. Fortunately, these days it is quite easy to find such resources on the Internet. If you want to learn the lingo and the basics, just try a search in Google (or the search engine of your choice), something like “analog synthesizer tutorial”. You’ll find plenty of good reading material.
Program Notes Following is a brief description of the 512 sounds in your Evolver. The factory sound set is on the website if you ever need to refresh it. Remember to save your sounds via program dumps occasionally. Bank 1 Programs 1 – 69 are sequence programs; all you need to do is hit the START button. Feel free to play around with parameters while the sequences play to get a feel of the instrument. This group of programs is set to ignore MIDI notes coming in, i.e.
Programs 80 - 127 are more sounds meant to played from a keyboard, and have no sequences programmed. They all respond in different ways to keyboard pressure and mod wheel. Program 128 is a test program – you’ll likely want to trash it. Bank 4 Programs 1 – 79 are a newer set of sequence programs; all you need to do is hit the START button. Programs 80 – 128 are sounds meant to played from a keyboard; some have sequences programmed, and some do not.
Basic Operation FAQs Evolver is a very flexible instrument. While this provides a wide range of operational possibilities, it also means that you can put Evolver into a state where it doesn’t seem to work. Here are some hints: 1) How do I save a Program? Hold the MAIN button down; its LED will start blinking. Hit the button a second time, and the Program will be stored. While blinking, you can change the Program and/or Bank to store in a different location.
Inside Evolver Before going through the individual parameters, following is a brief description of Evolver’s architecture. The signal flow diagram on the next page is a good starting point for understanding how Evolver works. The Analog Side Evolver’s analog electronics consist of two identical (Left/Right) synth sections, each with an analog waveshape oscillator, a 2/4 pole resonant lowpass filter, and a Voltage Controlled Amplifier (VCA).
Main Parameters There are two rows of Main, or global, parameters. Hitting the MAIN button repeatedly will toggle between the first row and the second. All Main parameters are saved when power is removed. Program Save: If you hold the MAIN button, its LED will start blinking, which indicates that it is ready to store a program. Hitting the MAIN button a second time will store the program. You can change the Bank and Program number while it is blinking to move programs between locations and banks.
Here are all the possible settings, with the effect on the overall tempo: Display 2n Tempo BPM/2 Timing Division Half note 4n BPM Quarter note 8n BPM x 2 Eighth note 8H BPM x 2 Eighth note, half swing timing 8s BPM x 2 Eighth note, full swing timing 8t BPM x 3 Eighth note triplets 16n BPM x 4 Sixteenth note 16H BPM x 4 Sixteenth note, half swing timing 16s BPM x 4 Sixteenth note, full swing timing 16t BPM x 6 Sixteenth note triplets 32n BPM x 8 Thirty-second note 32n BPM x
Main Row 2 1 Lock Seq: Off, On When set to OFF, sequencer operation is normal, and each Program plays its own sequence. If set to On, the sequence does not change when changing a Program. This provides an easy way to hear the same sequence with different sounds. Note that Lock Sequence can be used to copy a sequence from one Program to another.
6 MIDI Xmit: see table MIDI transmits – determines what MIDI data to send. If enabled Evolver will send out changes for all 128 Program Parameters in System Exclusive (SysEx) format – see the MIDI Implementation section starting on page 41 for more information. Display OFF MIDI Transmit Operation No MIDI data sent ALL All MIDI data sent pro Only MIDI program changes sent par Only MIDI parameters sent 7 MIDI Channel: ALL, 1…16 Select which MIDI channel to send and receive data, 1 to 16.
Sequencer Operation Evolver has a 4 x 16 “analog” style step sequencer. Imagine four rows of 16 knobs. It is really a single sequencer with four controls per step, though the convention in Evolver is to call the four rows sequence 1 through 4. When you hit the START button, the sequence will start playing. The column LEDs will light in sequence to show which step is playing; remember that each sequence is two rows, so the LEDs repeat.
To program the sequencer, hit the SEQUENCER button; the SEQUENCER LED will light indicating that the program matrix is now active for editing the sequences. Row 1 has positions 1-8 of Sequence 1, and Row 2 has positions 9-16 of Sequence 1. Likewise the remaining rows cover Sequences 2 – 4. You can easily switch the matrix back and forth between normal Program edit mode and sequence mode by hitting the SEQUENCER button.
While the sequencer is running, if you hold the SHIFT button when you hit the STOP button, the sequence will continue running until finished (according to the length of Sequence 1), and will stop after playing step 1. Also, If you hold the SHIFT button while changing the program or bank and the sequencer is running, when the SHIFT button is released the sequence will complete (according to the length of Sequence 1) before synchronously changing to the new program and it’s sequence.
Program Parameters There are eight rows of Program parameters. In addition, holding the SHIFT button gives access to an additional 64 parameters. The SHIFT button operates two different ways. While held, it always selects the alternate parameter (in yellow). The selected row LED blinks to indicate that SHIFT is selected.
Shape/PW: 13 Display see table Selects the analog waveshape as follows: Sat Waveshape Sawtooth tri Triangle s-t Sawtooth – triangle mix p 0 to p99 Pulse Wave, with pulse width ranging to minimum (0) to maximum (99). The pulse width will turn off at the two extremes – this allows some interesting modulation possibilities. A square wave will be around P50. Level: 1 4 0…100 Sets the volume of Oscillator 1. Glide: 1 1 S 0…100; F02…F99; OFF The oscillator 1 Glide rate; low numbers are faster.
Shape/PW: 1 7 see table Selects the analog waveshape as follows: Display Sat Waveshape Sawtooth tri Triangle s-t Sawtooth – triangle mix p 0 to p99 Level: 1 8 Pulse Wave, with pulse width ranging to minimum (0) to maximum (99). The pulse width will turn off at the two extremes – this allows some interesting modulation possibilities. A square wave will be around P50. 0…100 Sets the volume of oscillator 2. Glide: 1 5 S 0…100; F02…F99; OFF The oscillator 2 Glide rate; low numbers are faster.
Oscillator 3 Oscillator 3 is a digital waveshape oscillator, and is hardwired to the Left channel. Like the Prophet VS, the digital oscillators in Evolver get quite trashy at higher frequencies. Following are the controls for Oscillator 3: Frequency: 2 1 C…C8 Selects base frequency over a 10 octave range, from 8 Hz to 8KHz, stepping in semitones. C3 is middle C, the first octave has no number (c , db , d …), the second octave is –1 (c 1, db1, d 1…), the third is zero (c 0, db0, d 0 …), etc.
Oscillator 4 Oscillator 4 is a digital waveshape oscillator, and is hardwired to the Right channel. Like the Prophet VS, the digital oscillators in Evolver get quite trashy at higher frequencies. Following are the controls for Oscillator 4: Frequency: 2 5 C…C8 Selects base frequency over a 10 octave range, from 8 Hz to 8KHz, stepping in semitones. C3 is middle C, the first octave has no number (c , db , d …), the second octave is –1 (c 1, db1, d 1…), the third is zero (c 0, db0, d 0 …), etc.
Lowpass Filter The analog (real analog!) lowpass filter is actually two different filters; one for the Left channel and one for the Right channel. This allows true stereo processing of external audio signals run through Evolver. However, for simplicity and consistency the two filters are driven together in tandem, so they normally respond the same way.
Highpass Filter Highpass: 3 5 S o0…99, i0…99 Sets the cutoff frequency of the four-pole highpass filter. If set to o00 to o99, the filter is placed after the analog lowpass filter and VCA, before the Delay. If set to i00 to i99, the highpass filter is inserted before the analog lowpass filter, and only affects external input. Refer to the Signal Flow diagram on page 13. There are two separate highpass filters, one for each channel, that are controlled in tandem.
rs1 rs2 rs3 Reverse Stereo 1 – Right channel panned somewhat left, Left somewhat to the right Reverse Stereo 2 – Right channel panned mostly left, Left mostly to the right Reverse Stereo 3 – Right channel panned fully left, Left fully to the right Volume: 4 8 0…100 Sets the voice volume; usually used for matching volumes between Programs. Feedback Feedback is implemented via two identical tuned delay lines, one for each channel – see the diagram on page 13.
Note – if all three Delay taps are in use, the Levels of each should be set to lower amounts to prevent overload distortion. Time 1: 5 4 0…150, sync Sets the delay time of the first delay tap. 0 –150 will adjust the delay from zero to 1 second (at 16 bits 48KHz sampling), no compression. The middle range steps are in tuned semitones (noticeable with Feedback 1 turned up high). Since delay is a time measurement, higher delay numbers are lower frequencies.
Feedback 2: 5 7 0…100 Amount of feedback from the summed output of all the delay taps to the input of the filter for more extreme effects. Time 2: 5 4 S 0…150, sync Sets the delay time of the second delay tap, same ranges as Time 1. Level 2: 5 5 S 0…100 Sets the delay amount of the second delay tap. Time 3: 5 6 S 0…150, sync ranges as Time 1. Level 4: 5 7 S Sets the delay time of the third delay tap, same 0…100 Sets the delay amount of the third delay tap.
Shape: 6 2 see table Selects the LFO waveshape: Display tri LFO Shape Triangle rsa Reverse Sawtooth Sat Sawtooth pul Pulse (square wave) rnd Random – changes once per cycle for sample-and-hold effects Amount: 6 3 0…100, 1…100 Sets the amount of LFO, 0-100. When you go past 100, the scale starts over at 1, but now Key Sync is on. This means that this LFO will restart every time you hit a key.
Miscellaneous Audio Parameters Output Hack: 5 8 0…14 Trashes the output signal, quite rudely. Distortion: 5 8 S o0…99, i0…99 Amount of distortion. If set to o00 to o99, the distortion is after the analog filter and VCA, before the Delay. If set to i00 to i99, the distortion is before the analog filter, and only affects external input. There are two separate distortions, one for each channel. Note - there is a built-in noise gate that is enabled when distortion is not zero.
Trigger/Interface Parameters There are different ways to control Evolver; using the internal sequencer, using external MIDI controllers (keyboards, computers, etc), or using external audio sources. And, there are ways of combining these, such as gating the sequencer from a keyboard. Control consists mainly of triggers for the envelopes, and note numbers for the oscillators. Beyond that there are all the additional modulation sources/destinations and MIDI controls.
Key Off/Xpose: 7 8 Off, -36…+36 Enables and transposes MIDI notes. If 0FF, MIDI notes are ignored. Otherwise, it transposes midi notes from –36 to +36 semitones (+/- 3 octaves). Note – this is an important parameter! When this is off, MIDI notes will not work. This parameter, with the Trigger Select (above) are the main controls for selecting how Evolver plays. Another note – you will find that there are other interactions between the sequencer and MIDI.
Miscellaneous Modulation Parameters Seq 1 Dest: 8 1 see table Sequence 1 Destination - see the Modulation Destination table on page 38 for a list of possible destinations. Seq 2 Dest: 8 2 see table Sequence 2 Destination Seq 3 Dest: 8 3 see table Sequence 3 Destination Seq 4 Dest: 8 4 see table Sequence 4 Destination Osc Slop: 1 6 S 0…5 The amount of random oscillator frequency slop. The analog and digital oscillators in Evolver are very accurate, and will not drift.
In Peak Amt: 7 3 S -99…+99 Amount of Peak Hold modulation. Takes the momentary peak of the left external audio input, and uses it as a modulation signal. Destination: 7 4 S see table Peak Mod Destination - see the Modulation Destination table on page 38 for a list of possible destinations. Env Fol Amt: 7 5 S -99…+99 Amount of Envelope Follower modulation. Generates an envelope from the Left external audio input, and uses it as a modulation signal.
Breath Amt: 8 5 S -99…+99 Amount of MIDI Breath controller modulation. This parameter has a smoothing filter, which will clean up messy MIDI controller data into a clean response. If you want to bypass the filtering, use one of the four General Purpose Modulation sets, which are unfiltered. Destination: 8 6 S see table Breath controller Destination - see the Modulation Destination table on page 38 for a list of possible destinations. Foot Amt: 8 7 S -99…+99 Amount of MIDI Foot controller modulation.
Modulation Destinations Display 0ff 01F 02f 03f 04f 0af 01l 02l 03l 04l 0AL noL E1l 01P 02p 0ap F43 F34 R43 R34 FiL FLS Res hip UCA pan Fbf Fba Dt1 Dt2 Dt3 DtA DA1 DA2 DA3 DAA Df1 Df2 38 Destination No destination selected Oscillator 1 Frequency Oscillator 2 Frequency Oscillator 3 Frequency Oscillator 4 Frequency Oscillator All Frequency – goes to all four Oscillator 1 Level Oscillator 2 Level Oscillator 3 Level Oscillator 4 Level Oscillator All Level Noise Level External In Level Oscillator 1 Pulse width
L1f L2f L3f L4f Laf L1A L2a L3a L4a Laa E1L E2L E3L EaL E1a E2a E3a Eaa E1d E2d E3d Ead E1r E2r E3r Ear F1f F2f F1r F2r LFO 1 Frequency LFO 2 Frequency LFO 3 Frequency LFO 4 Frequency LFO All Frequency LFO 1 Amount LFO 2 Amount LFO 3 Amount LFO 4 Amount LFO A Amount Envelope 1 Amount (Level) Envelope 2 Amount (Level) Envelope 3 Amount (Level) Envelope All Amount (Level) Envelope 1 Attack Rate Envelope 2 Attack Rate Envelope 3 Attack Rate Envelope All Attack Rate Envelope 1 Decay Rate Envelope 2 Decay Rate
Modulation Sources Display 0ff SE1 Se2 Se3 Se4 Lf1 Lf2 Lf3 Lf3 fen aen en3 eip eie mpb i im m iu ipr m ibr m ift m iue m ino m iep m noi 0s3 0s4 40 Source No Source selected Sequence 1 Sequence 2 Sequence 3 Sequence 4 LFO 1 LFO 2 LFO 3 LFO 4 Filter Envelope Amp (VCA) Envelope Envelope 3 External Audio Input Peak External Audio Envelope Follower Midi - Pitch Bend Midi - Mod Wheel Midi - Pressure Midi - Breath Controller Midi - Foot Controller Midi – Note Velocity Midi – Note Number Midi – Expression Noise
MIDI Implementation Evolver Receives MIDI data according to the mode controls in the Main Section. There is interaction between some of the controls to determine the overall response of Evolver to MIDI data; these controls are repeated below: MIDI Channel Select which MIDI channel to send/receive data, 1 to 16. ALL receives on any channel. MIDI Rec: Display MIDI Receive – determines what MIDI data to receive.
Display OFF MIDI Clock Setting MIDI clock is neither sent nor received OUT MIDI clock is sent IN MIDI clock is received I-O MIDI clock is received and transmitted Ei Left External Input is used to clock the sequencer. When the signal goes above a fixed threshold, the sequencer steps once. Note that internal functions do not sync up when this mode is used, and the Clock Divide and BPM knob are ignored. Each incoming MIDI note on will advance the sequencer one step.
Key Off/Xpose Enables and transposes MIDI notes. If 0FF, MIDI notes are ignored. Otherwise, it transposes midi notes from –36 to +36 semitones (+/- 3 octaves).
MIDI Messages Received Channel Messages Status 1000 nnnn 1001 nnnn 1010 nnnn 1011 nnnn Second 0kkkkkkk 0kkkkkkk 0kkkkkkk 0vvvvvvv 1100 nnnn 0ppppppp 1101 nnnn 1110 nnnn 0vvvvvvv 0vvvvvvv Notes: 0kkkkkkk nnnn Third 0vvvvvvv 0vvvvvvv 0vvvvvvv 0vvvvvvv 0vvvvvvv Description Note Off. Velocity is ignored Note On.
27 28 29 30 31 40 41 42 43 62 52 53 54 55 56 57 58 59 60 61 75 76 77 78 13 85 86 12 102 103 104 105 106 107 108 109 Oscillator 4 Level Oscillator 1 Shape Oscillator 2 Shape Oscillator 3 Shape Oscillator 4 Shape FM 4->3 FM 3->4 RM 4->3 RM 3->4 Noise Level Low Pass Filter Frequency Filter Resonance Filter Envelope Amount Filter Attack Filter Decay Filter Sustain Filter Release Filter Audio Mod Filter Split Filter Key Amount Amp Attack Amp Decay Amp Sustain Amp Release Highpass Filter Cutoff Feedback Frequenc
System Real-time Messages Status 1111 1000 1111 1010 1111 1011 1111 1100 Description Timing Clock Start – starts the sequencer from step 1 Continue – re-starts the sequencer from the current step Stop – Stops the sequencer Universal System Exclusive Message (Device Inquiry) Status 1111 0000 0111 1110 0vvv vvvv 0000 0110 0000 0001 1111 0111 Description System Exclusive (SysEx) Non-realtime message If MIDI channel is set to 1-16, 0vvvvvvv must match (unless MIDI Channel = ALL); always responds if 0vvvvvvv
System Exclusive Messages Program Parameters Status 1111 0000 0000 0001 0010 0000 0000 0001 0000 0001 0vvv vvvv 0000 vvvv 0000 vvvv 1111 0111 Description System Exclusive (SysEx) DSI ID Evolver ID File Version Program Parameter Parameter Number 0 – 127. Parameters are in the order of the front panel, with the 64 shift parameters following the non-shift parameters. The Parameter data starts on page 54.
Program Data Dump Status 1111 0000 0000 0001 0010 0000 0000 0001 0000 0010 0000 00vv 0vvv vvvv 0vvv vvvv 1111 0111 Description System Exclusive (SysEx) DSI ID Evolver ID File Version Program Data Bank Number, 0 - 3 Program Number, 0 - 127 220 bytes in “packed MS bit” format (see below). Includes 128 bytes of Program parameters and 64 bytes of Sequence data.
Program Name Data Dump Status 1111 0000 0000 0001 0010 0000 0000 0001 0001 0001 0000 00vv 0vvv vvvv 0vvv vvvv 1111 0111 Description System Exclusive (SysEx) DSI ID Evolver ID File Version Program Name Data Bank Number, 0 - 3 Program Number, 0 - 127 16 name data bytes. Note that Evolver stores the basic 7 bit data.
Shift Button On Status 1111 0000 0000 0001 0010 0000 0000 0001 0001 0011 1111 0111 Description System Exclusive (SysEx) DSI ID Evolver ID File Version Shift Button On End of Exclusive (EOX) Shift Button Off Status 1111 0000 0000 0001 0010 0000 0000 0001 0001 0100 1111 0111 Description System Exclusive (SysEx) DSI ID Evolver ID File Version Shift Button Off End of Exclusive (EOX) Packed Data Format Data is packed in 8 byte “packets”, with the MS bit stripped from 7 parameter bytes, and packed into an eig
Request Program Dump Status 1111 0000 0000 0001 0010 0000 0000 0001 0000 0101 0000 00vv 0vvv vvvv 1111 0111 Description System Exclusive (SysEx) DSI ID Evolver ID File Version Request Program Transmit Bank Number, 0 - 3 Program Number, 0 - 127 End of Exclusive (EOX) Evolver will respond by sending out the Program Data in the format described in the Program Data Dump on page 48.
Request Main Parameter Dump Status 1111 0000 0000 0001 0010 0000 0000 0001 0000 1110 1111 0111 Description System Exclusive (SysEx) DSI ID Evolver ID File Version Request Main Parameter Transmit End of Exclusive (EOX) Evolver will respond by sending out the current edit buffer in the format described in the Main Parameter Dump on page 48 Request Program Name Dump Status 1111 0000 0000 0001 0010 0000 0000 0001 0001 0000 0000 00vv 0vvv vvvv 1111 0111 Description System Exclusive (SysEx) DSI ID Evolver ID
Main Parameter Data Parameter Range Description 0 0 - 127 Program Number 1 - 128 1 0-3 Bank Number 1 - 4 2 0 - 100 Master Volume 0 - 100 3 0 - 72 4 30 - 250 Master Transpose; 0 = -36 semitones (- 3 octaves), 36 = 0 (no transpose), and 72 = +36 semitones.
1 2 13 0-3 14 0 - 16 All MIDI received Only MIDI program changes received (along with note/controller data) 3 Only parameters received (along with note/controller data) MIDI Transmit 0 Off; no MIDI is transmitted 1 All MIDI is transmitted 2 Only Program Changes transmitted 3 Only parameters are transmitted MIDI Channel; if = 0, data received on all MIDI channels. Otherwise = channel number 1 – 16.
14 15 0 - 127 0 - 100 + 50 cents Oscillator 4 Shape 1 - 128 Oscillator 4 Level Parameter 16 17 18 19 20 21 22 23 Range 0 - 164 0 - 198 0 - 110 0 - 110 0 - 100 0 - 110 0 - 100 0 - 100 Description Filter Frequency, steps in semitones Filter Envelope Amount; -99 to +99 Filter Envelope Attack Filter Envelope Decay Filter Envelope Sustain Filter Envelope Release Resonance Filter Keyboard Amount Parameter 24 25 26 27 28 29 30 Range 0 - 100 0 - 100 0 - 110 0 - 110 0 - 100 0 - 110 0-6 31 0 - 100 Descripti
Parameter 40 56 Range 0 - 160 41 0-4 42 43 44 45 46 47 0 - 200 0 - 68 0 - 160 0-4 0 - 200 0 - 68 Parameter 48 49 50 51 52 53 54 Range 0 - 198 0 - 68 0 - 110 0 - 110 0 - 100 0 - 110 0 - 13 Description LFO 1 Frequency; 0 – 150 unsynced frequency 151 Sequence speed divided by 32 152 Sequence speed divided by 16 153 Sequence speed divided by 8 154 Sequence speed divided by 4 155 Sequence speed divided by 2 156 One cycle per step 157 Two cycles per step 158 Four cycles per step 159 Eight cycles per step
12 55 0 - 73 Parameter 56 57 58 59 60 61 62 Range 0 - 75 0 - 75 0 - 75 0 - 75 0 - 100 0 - 100 0-2 63 0 - 14 Parameter 64 65 66 67 Range 0 - 200 0-1 30 - 250 0 - 12 68 69 70 71 0 - 200 0-5 0 - 12 0-5 Parameter 72 73 74 75 76 77 78 79 Range 0 - 200 0 - 100 0-4 0 - 100 0 - 200 0 - 100 0-4 0 - 100 External Trigger – the sequence plays once on an external signal 13 The sequence plays once when a key is hit Key Off / Transpose – 0 = MIDI notes ignored.
Parameter 80 81 82 83 84 Range 0-1 0 - 100 0 - 100 0 - 100 0 – 199 85 86 87 0 - 24 0 - 198 0 - 68 Description 2/4 Pole Select; 0 = 2 Pole, 1 = 4 Pole Filter Envelope Velocity Filter Audio Modulation Filter Split Highpass Filter cutoff.
Parameter 112 113 114 115 Range 0 - 100 0 - 100 0 - 198 0 - 68 116 117 0 - 198 0 - 68 118 119 0 - 198 0 - 68 Parameter 120 121 122 123 124 125 Range 0 - 198 0 - 68 0 - 198 0 - 68 0 - 198 0 - 68 126 127 0 - 198 0 - 68 Description Envelope 3 Delay Envelope 3 Velocity External Input Peak Amount; -99 to +99 External Input Peak Destination (see destination table on page 60) External Input Envelope Follower Amount; -99 to +99 External Input Envelope Follower Destination (see destination table on page 60
Modulation Destinations 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 60 No destination selected Oscillator 1 Frequency Oscillator 2 Frequency Oscillator 3 Frequency Oscillator 4 Frequency Oscillator All Frequency – goes to all four Oscillator 1 Level Oscillator 2 Level Oscillator 3 Level Oscillator 4 Level Oscillator All Level Noise Level External In Level Oscillator 1 Pulse width Oscillator 2 Pulse width Oscillator All Pulse
45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 LFO 3 Amount LFO 4 Amount LFO A Amount Envelope 1 Amount Envelope 2 Amount Envelope 3 Amount Envelope A Amount Envelope 1 Attack Envelope 2 Attack Envelope 3 Attack Envelope A Attack Envelope 1 Decay Envelope 2 Decay Envelope 3 Decay Envelope A Decay Envelope 1 Release Envelope 2 Release Envelope 3 Release Envelope A Release Filter 1 (left) Cutoff Frequency Filter 2 (right) Cutoff Frequency Filter 1 (left) Resonance Filter 2 (right) Re
Modulation Sources 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 62 No Source selected Sequence 1 Sequence 2 Sequence 3 Sequence 4 LFO 1 LFO 2 LFO 3 LFO 4 Filter Envelope Amp (VCA) Envelope Envelope 3 External Audio Input Peak External Audio Envelope Follower Midi - Pitch Bend Midi - Mod Wheel Midi - Pressure Midi - Breath Controller Midi - Foot Controller Midi – Note Velocity Midi – Note Number Midi – Expression Noise Oscillator 3 Oscillator 4
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