Owner's Manual
Table Of Contents
- PSM300 User Guide
- PSM300 Stereo Personal Monitor System Online User Guide
- Table of Contents
- PSM300Stereo Personal Monitor System
- Important Product Information
- PSM®300
- PSM®300
- Hardware
- System Applications
- System Setup and Configuration
- Operation
- Troubleshooting
- Specifications
- RF Carrier Range
- Compatible Frequencies
- Tuning Bandwidth
- Operating Range
- Audio Frequency Response
- Signal-To-Noise Ratio
- Total Harmonic Distortion
- Companding
- Spurious Rejection
- Latency
- Frequency Stability
- MPX Pilot Tone
- Modulation
- Operating Temperature
- RF Output Power
- RF Output Impedance
- Net Weight
- Dimensions
- Power Requirement
- Audio Input
- Connector Type
- Polarity
- Configuration
- Impedance
- Nominal Input Level
- Maximum Input Level
- Pin Assignments
- Phantom Power Protection
- Audio Output
- Connector Type
- Configuration
- Impedance
- Active RF Sensitivity
- Image Rejection
- Adjacent Channel Rejection
- Intermodulation Attenuation
- Blocking
- Audio Output Power
- Minimum Load Impedance
- Headphone Output
- Output Impedance
- Net Weight
- Dimensions
- Battery Life
- Frequency Range and Transmitter Output Power
- Optional Accessories and Replacement Parts
- Certifications
- PSM®300 Personal Monitor Wireless System Frequency Supplement
- PSM300 Personal Monitor System Product Info
- P3RA User Guide
- P3RA Professional Bodypack Receiver Safety Information
- SE215 Manual
- Rack Mount Hardware Kit Instruction Sheet
- AA Battery Insertion for Bodybacks
- A Quick Guide to Personal Monitor Systems
- Warranty
- Safety Precautions
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② Adjust Receiver Volume:
After levels are established at the mixer and transmitter, use the headphone volume control on the bodypack receiver to adjust
overall listening volume. For information on adjusting the left/right balance or customizing the mix blend, see "MixMode and
Stereo Monitoring".
Operation
Creating Monitor Mixes
The mix that performers hear on stage is usually different than the mix heard by the audience. In live sound applications, the
engineer creates a separate mix to send to the performer by routing the input signals to specified mixer outputs, usually called
Monitor or Auxiliary outputs.
The following scenario demonstrates a generic signal path for monitoring mixes, and may not reflect the routing for all mixer
types. Consult the user guide for your mixer for detailed signal routing options.
① Mixer Channel
Each mixer channel controls audio processing and routing for a single audio source. In this
example, a vocal microphone is plugged into the mixer channel.