STEREO WIRELESS PERSONAL MONITORING SYSTEM PSM 300 USER GUIDE ® Le Guide de l’Utilisateur Bedienungsanleitung Guia del Usuario Guida dell’Utente Manual do Usuário Gebruikershandleiding Руководство пользователя © 2016 Shure Incorporated 27A31318 (Rev.
IMPORTANT SAFETY INSTRUCTIONS 1. READ these instructions. 低功率電波輻射性電機管理辦法 2. KEEP these instructions. 第十二條 3. HEED all warnings. 經型式認證合格之低功率射頻電機，非經許可，公司、商號或使用者均不得 擅自變更頻率、加大功率或變更原設計之特性及功能。 第十四條 4. FOLLOW all instructions. 5. DO NOT use this apparatus near water. 6. CLEAN ONLY with dry cloth. 7. DO NOT block any ventilation openings. Allow sufficient distances for adequate ventilation and install in accordance with the manufacturer’s instructions. 8.
PSM®300 The PSM300 Personal Monitor System delivers wireless stereo monitoring for improved clarity and reduced feedback over traditional stage wedges. Performers can create their own custom mixes by adjusting the stereo blend and overall volume level at the bodypack, resulting in lower volume on stage and enhanced audio detail. Easy to set up and operate, PSM300 features one-touch frequency syncing and solid wireless RF stability between transmitters and receivers.
Hardware P3T Transmitter Front and Rear Panels ௗ P3T Front Panel P3T Rear Panel ① Input Level Control Adjusts the level of the incoming audio signal ⑨ Mono/Stereo-MX Switch ② IR Sync Window Sends and receives group/channel data to sync receivers with the transmitter ③ Sync Button Press to synchronize the transmitter and receiver to the same group and channel Note: Sync data is sent through the IR sync window ④ LCD Display Displays audio, RF, and system information S
P3R Wireless Receiver ⑥ Antenna ⑦ Power LED Indicator Indicates when receiver is on, remaining battery life, and when powersave mode is active. See battery life table for more information.
System Applications Refer to the following PSM300 system scenarios prior to installation. Understanding the configuration options before setting up helps to identify signal routing requirements and plan for future expansion. Specific information on how to set up the PSM300 system and create mixes for monitoring can be found in the "System Setup and Configuration" and "Operation" sections of this user guide.
Signal Routing to External Devices (Combination Systems) Stage Monitor Loudspeaker The LOOP outputs pass audio to an external device, such as other personal monitoring systems, recording devices, or stage monitors. The signal at the LOOP outputs is identical to the signal coming from the mixer, and is not affected by the transmitter volume or input sensitivity (line/aux) settings. This makes the LOOP outputs particularly useful when using a mixer that has one or two monitor/auxiliary sends.
Power, Audio, and RF Connections 1. Use the power adapter to connect the P3T to an AC power source. Creating a Wireless Connection Between Receivers and Transmitters (Sync) To pass audio from the transmitter to the receiver, both must be tuned to the same frequency. The easiest way to configure the system is to use the automatic sync feature. This transfers group and channel settings with a press of a button.
Single Transmitter and Multiple Receivers The following sync procedure should be used with a setup that consists of a single transmitter with multiple receivers, or if a specific group/channel setting has been assigned to the transmitter prior to a performance. ① Adjust Transmitter Levels: Input Sensitivity Select the setting that matches the input source: Line (+4 dBu) Use with mixers or other professional audio devices that send line-level signals.
Operation Creating Monitor Mixes The mix that performers hear on stage is usually different than the mix heard by the audience. In live sound applications, the engineer creates a separate mix to send to the performer by routing the input signals to specified mixer outputs, usually called Monitor or Auxiliary outputs. ① Mixer Channel Each mixer channel controls audio processing and routing for a single audio source. In this example, a vocal microphone is plugged into the mixer channel.
MixMode When to Use the Mono Setting • Each mix is heard through both the left and right earphones • Use the LEFT/CH1 input on the transmitter MixMode allows performers to adjust the blend between two monitoring mixes (an instrumental mix and a vocal mix, for example).
Specifications RF Carrier Range Frequency Range and Transmitter Output Power Audio Input 488-937.5 MHz varies by region Connector Type Compatible Frequencies Per band Polarity up to 15 Tuning Bandwidth 6.35 mm (1/4") TRS Configuration Electronically balanced Impedance Operating Range environment dependent Nominal Input Level Audio Frequency Response 38 Hz–15 kHz Signal-To-Noise Ratio A-Weighted 90 dB (typical) Total Harmonic Distortion ref. ±34 kHz deviation @1 kHz <0.
Certifications This product meets the Essential Requirements of all relevant European directives and is eligible for CE marking. The CE Declaration of Conformity can be obtained from: www.shure.com/ europe/compliance Authorized European representative: Shure Europe GmbH Headquarters Europe, Middle East & Africa Department: EMEA Approval Jakob-Dieffenbacher-Str. 12 75031 Eppingen, Germany Phone: 49-7262-92 49 0 Fax: 49-7262-92 49 11 4 Email: info@shure.
FREQUENCIES FOR EUROPEAN COUNTRIES PSM300-H8E 518 - 542 MHz max. 10 mW PSM300-H20 518-542 MHz max. 30 mW PSM300-K3E 606 - 630 MHz max. 30 mW PSM300-K12 614 - 638 MHz max. 30 mW PSM300-M16 686 - 710 MHz max. 30 mW PSM300-R12 794 - 806 MHz max. 10 mW PSM300-S8 823 - 832 MHz max. 20 mW PSM300-T11 863 - 865 MHz max. 10 mW PS300-Q25 742 - 766 MHz max.
