Operation Manual

(2) P(2) P

(2) P

AD switch (Channels 1-4 only)AD switch (Channels 1-4 only)

AD switch (Channels 1-4 only)

Pressing the PAD switch reduces the input level by 20dB allowing line or

mic level signals that would normally be too loud for the Input stage to

handle to be connected without any audible distortion.

(3) Main V(3) Main V

(3) Main V

olume Controlume Contr

olume Contr

olol

The Main Volume Control determines the amount of level sent from the

channel to the main output mix.

This allows each channel’s relative volume level to be ‘blended’ together

to create the final mix whose overall level is then controlled by the Main

Master Volume control (8) .

(4) Mon V(4) Mon V

(4) Mon V

olume Controlume Contr

olume Contr

olol

The Monitor (Mon) Volume Control determines the amount of level sent

from the channel to the Monitor (Mon) Output (20) and also the Phones

Output(18)

This allows each channel’s relative volume level to be ‘blended’ together

to create a separate monitor mix whose overall level is then controlled

by the Mon Master Volume control (9). This feature is used mainly for

creating a ‘foldback’ mix for the musicians and would normally be sent to

a monitor speaker with its own amplifier. (This could also be used for

creating a headphone mix)

The Mon Volume Control operates independent of the Main Volume Control

and will therefore not be affected if the Main Volume Control is turned

up or down. (For the more technically minded, the signal is sourced Pre-

Fader and Post EQ)

(5) FX Control

The FX Control determines the amount of level sent from the channel to

the GigFX digital effects processor and also to the ‘FX Bus output’

connector (21)

This allows each channel’s relative level to be ‘blended’ together to create

a separate effects mix whose overall level is then controlled by the ‘FX

to Main’ (24) and ‘FX to Mon’ (25).

The FX Bus Output connector could also be used to connect to other

external devices such as effects processors or recorders.