Manual

STEREO
MK2-T
8
During live performance or in club installations, the Stereo
Vitalizer MK2-T is a powerful ally in maintaining speech intelligibi-
lity under difficult conditions. It is also of great benefit in systems
designed to play recorded music because the illusion of loudness
can be maintained at lower absolute SPLs. This could be particu-
larly beneficial with the introduction of new noise level legisla-
tion. On the subjective side, the Stereo Vitalizer MK2-T helps
produce a detailed, tight sound, even from indifferent speaker
systems giving an improvement in perceived audio quality.
The Stereo Vitalizer MK2-T can be of great value when mixing
under time-pressure. You can almost leave the onboard EQs flat
and create the FOH sound with the Stereo Vitalizer MK2-T in the
master inserts.
As in other areas, the Stereo Vitalizer MK2-T can be used to
sharpen and enrichen dialogue, even when the microphone
placement is less than optimum as is often the case when filming
due to the need to keep the mic out of shot. Music soundtracks
benefit in the ways already described for audio-only applications
and the fact that the Stereo Vitalizer MK2-T is so quick to set up
can save a lot of wasted time spent tuning multi-band equalisers.
Time-compressed audio can also be treated to restore the lack
of timbre so often caused by such intensive processing. This is
particularly valid in the case of vocal narratives as even a relatively
small amount of time-compression or expansion can dramatically
compromise the sound quality.
On the post production work on Spike Lee´s “Malcom X” the
voice of Denzel Washington playing Malcolm X was treated with
the Vitalizer for dramatical reasons:
“We wanted to make sure that there was a dramatic quality
difference between the voice-over and the sync dialog,”
Fleischman adds,offering a mixer´s view.“You try to find a balance
between two center mics then balance that with whatever you´re
using from left-right pair.We then treated it with the SPL Vitalizer,
a psychoacoustic equalizer. It brings a lot more presence to the
upper end of the spectrum and a very deep low end so that the
voice sounds full.”(Mix Magazine)
Sound
Reinforcement
Video & Film
Post Production