User Manual

16
Neos
Overview
Operation
Control Elements Input Path
Overview
The control elements of the Neos console are distributed horizontally across the input paths
and Master path.
The Master path is on the far right. This section houses the processing functions and control
elements of the output signal, as well as all monitoring functions.
To the left are the twelve stereo input paths. In the input paths is where the level and
panorama settings, as well as some other functions, of the signals to be mixed is adjusted.
In principle there are only two different types of paths. Thus, it is almost absurd to even think
of a learning curve to actually start working with the Neos — instead, we could say there is
one single learning step, which is almost self-explanatory just by reading the names of the
functions involved.
Mono
The Neos offers 24 input channels in total. Two channels make up what we call an input path.
Input paths work generally in stereo. When working with mono signals (vocals, instruments
recorded on one single channel, etc.) you use only one of the channels of the input path.
Depress the Mono push button on the corresponding path to place the signal in the center of
the stereo panorama, instead of hard left. That way you can use the Pan control to place the
signal wherever you want in the stereo field.
SOLO
CUT
MONO
To Monitor
Only
SOLO
CUT
MONO
To Monitor
Only
SOLO
CUT
MONO
To Monitor
Only
SOLO
CUT
MONO
To Monitor
Only
SOLO
CUT
MONO
To Monitor
Only
SOLO
CUT
MONO
To Monitor
Only
SOLO
CUT
MONO
To Monitor
Only
SOLO
CUT
MONO
To Monitor
Only
SOLO
CUT
MONO
To Monitor
Only
SOLO
CUT
MONO
To Monitor
Only
SOLO
CUT
MONO
To Monitor
Only
SOLO
CUT
MONO
To Monitor
Only
120 Volts Analog
Pure Audio Performance
SIG SIG SIG SIG SIG SIG SIG SIG SIG SIG SIG SIG
24|2 Mixing Console
Made in Germany
L
C
R
P
A
N
M
O
N
I
T
O
R
-
8
0
-
6
0
-
4
6
-
3
8
-
3
0
-
2
6
-
2
2
-
1
8
-
1
6
-
1
2
-
1
0
-
8
-
6
-
4
-
1
0
1
3
4
5
6
+
7
MON B
MUTE
DIM
TAPE
RETURN
MASTER
INSERT
MONO
BEND
dB dB
+6
5
23
24
21
22
19
20
17
18
15
16
13
14
11
12
9
10
7
8
5
6
3
4
1
2
Model 1010
P
O
W
E
R
4
3
2
0
-2
-4
-5
-6
-8
-10
-12
-15
-18
-20
-24
-28
-36
-40
-50
-
∞
6
7
5
3
2
0
-2
-4
-5
-6
-8
-10
-12
-15
-18
-20
-24
-28
-36
-46
-
∞
+8
dB
+6
5
4
3
2
0
-2
-4
-5
-6
-8
-10
-12
-15
-18
-20
-24
-28
-36
-40
-50
-
∞
dB
+6
5
4
3
2
0
-2
-4
-5
-6
-8
-10
-12
-15
-18
-20
-24
-28
-36
-40
-50
-
∞
dB
+6
5
4
3
2
0
-2
-4
-5
-6
-8
-10
-12
-15
-18
-20
-24
-28
-36
-40
-50
-
∞
dB
+6
5
4
3
2
0
-2
-4
-5
-6
-8
-10
-12
-15
-18
-20
-24
-28
-36
-40
-50
-
∞
dB
+6
5
4
3
2
0
-2
-4
-5
-6
-8
-10
-12
-15
-18
-20
-24
-28
-36
-40
-50
-
∞
dB
+6
5
4
3
2
0
-2
-4
-5
-6
-8
-10
-12
-15
-18
-20
-24
-28
-36
-40
-50
-
∞
dB
+6
5
4
3
2
0
-2
-4
-5
-6
-8
-10
-12
-15
-18
-20
-24
-28
-36
-40
-50
-
∞
dB
+6
5
4
3
2
0
-2
-4
-5
-6
-8
-10
-12
-15
-18
-20
-24
-28
-36
-40
-50
-
∞
dB
+6
5
4
3
2
0
-2
-4
-5
-6
-8
-10
-12
-15
-18
-20
-24
-28
-36
-40
-50
-
∞
dB
+6
5
4
3
2
0
-2
-4
-5
-6
-8
-10
-12
-15
-18
-20
-24
-28
-36
-40
-50
-
∞
dB
+6
5
4
3
2
0
-2
-4
-5
-6
-8
-10
-12
-15
-18
-20
-24
-28
-36
-40
-50
-
∞
L
C
R
P
A
N
L
C
R
P
A
N
L
C
R
P
A
N
L
C
R
P
A
N
L
C
R
P
A
N
L
C
R
P
A
N
L
C
R
P
A
N
L
C
R
P
A
N
L
C
R
P
A
N
L
C
R
P
A
N
L
C
R
P
A
N
MONO