User manual
Table Of Contents
- Table of Contents
- Introduction
- Part I: Getting into the details
- Setting up your system
- VST Connections
- The Project window
- Working with projects
- Creating new projects
- Opening projects
- Closing projects
- Saving projects
- The Archive and Backup functions
- The Project Setup dialog
- Zoom and view options
- Audio handling
- Auditioning audio parts and events
- Scrubbing audio
- Editing parts and events
- Range editing
- Region operations
- The Edit History dialog
- The Preferences dialog
- Working with tracks and lanes
- Playback and the Transport panel
- Recording
- Quantizing MIDI and Audio
- Introduction
- Quantizing Audio Event Starts
- AudioWarp Quantize (Cubase Only)
- Quantizing MIDI Event Starts
- Quantizing MIDI Event Lengths
- Quantizing MIDI Event Ends
- Quantizing Multiple Audio Tracks (Cubase Only)
- AudioWarp Quantizing Multiple Audio Tracks (Cubase Only)
- The Quantize Panel
- Additional Quantizing Functions
- Fades, crossfades, and envelopes
- The arranger track
- The transpose functions
- Using markers
- The MixConsole
- Overview
- Configuring the MixConsole
- Keyboard Navigation in the MixConsole
- Working with the Fader Section
- Working with the Channel Racks
- Linking Channels (Cubase only)
- Metering (Cubase only)
- Using Channel Settings
- Saving and Loading Selected Channel Settings
- Resetting MixConsole Channels
- Adding Pictures
- Adding Notes
- The Control Room (Cubase only)
- Audio effects
- VST instruments and instrument tracks
- Surround sound (Cubase only)
- Automation
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- The MediaBay
- Introduction
- Working with the MediaBay
- The Define Locations section
- The Locations section
- The Results list
- Previewing files
- The Filters section
- The Attribute Inspector
- The Loop Browser, Sound Browser, and Mini Browser windows
- Preferences
- Key commands
- Working with MediaBay-related windows
- Working with Volume databases
- Working with track presets
- Track Quick Controls
- Remote controlling Cubase
- MIDI realtime parameters and effects
- Using MIDI devices
- MIDI processing
- The MIDI editors
- Introduction
- Opening a MIDI editor
- The Key Editor – Overview
- Key Editor operations
- The In-Place Editor
- The Drum Editor – Overview
- Drum Editor operations
- Working with drum maps
- Using drum name lists
- The List Editor – Overview
- List Editor operations
- Working with SysEx messages
- Recording SysEx parameter changes
- Editing SysEx messages
- The basic Score Editor – Overview
- Score Editor operations
- Working with the Chord Functions
- Introduction
- The Chord Track
- The Chord Track Inspector Section
- The Chord Editor
- The Chord Assistant (Cubase only)
- Creating a Chord Progression from Scratch (Chords to MIDI)
- Extracting Chords from MIDI (Make Chords)
- Controlling MIDI or Audio Playback with the Chord Track (Follow Chords)
- Assigning Chord Events to MIDI Effects or VST Instruments
- Expression maps (Cubase only)
- Note Expression
- The Logical Editor, Transformer, and Input Transformer
- The Project Logical Editor (Cubase only)
- Editing tempo and signature
- The Project Browser (Cubase only)
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing (Cubase only)
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Playing back and recording
- Page Mode
- Changing the zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting clef, key, and time signature
- Transposing instruments
- Printing from the Score Editor
- Exporting pages as image files
- Working order
- Force update
- Transcribing MIDI recordings
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy, and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys, or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and Display Quantize
- Creating crossed voicings
- Automatic polyphonic voicing – Merge All Staves
- Converting voices to tracks – Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- About this chapter
- Layout settings
- Staff size
- Hiding/showing objects
- Coloring notes
- Multiple rests
- Editing existing bar lines
- Creating upbeats
- Setting the number of bars across the page
- Moving bar lines
- Dragging staves
- Adding brackets and braces
- Displaying the Chord Symbols from the Chord Track
- Auto Layout
- Reset Layout
- Breaking bar lines
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Tips and Tricks
- Index
133
Recording
Options and Settings
Further configuration options for MIDI and audio clicks are available in the Click
Outputs section:
Lock and Unlock Record
During recording it can happen that you accidentally deactivate the record mode, e. g.
by pressing [Space]. In order to prevent this, you can set up a key command for this in
the Key Commands dialog. If you use the Lock Record key command, the Record
button will turn gray and the record mode is locked until you use the Unlock Record
key command or enter Stop mode.
• If Lock Record is activated and you want to enter Stop mode (by clicking Stop or
pressing [Space]), you will see a dialog in which you need to confirm that you want
to stop recording. You can also use the Unlock Record key command first and
then enter Stop mode as usual.
• By default, no key commands are assigned to these functions. In the Key
Commands dialog, you will find the corresponding key command entries in the
Transport category (see the chapter
“Key commands” on page 711 for more
information on how to set up key commands).
Ö These key commands are especially useful when combined with other commands
(e.
g. with Record/Stop) using the macro functions. That way you will receive powerful
macros that can greatly enhance your workflow.
Ö Note that an automatic punch-out at the right locator position that you may have set
on the transport panel, will be ignored in Lock Record mode.
Record Time Max display
The Record Time Max display lets you see how much time you have left for recording.
The available time depends on the current setup, for example, on the amount of tracks
that are record-enabled, your project setup (e.
g. the sample rate), and the amount of
hard disk space available. You can show and hide the display using the “Record Time
Max” option on the Devices menu.
Ö The remaining record time is also shown in the status line above the track list.
Option Description
Activate MIDI Click Selects whether or not the metronome sounds via MIDI.
MIDI Port/Channel This is where you select a MIDI output and channel for the
metronome click.
For the metronome click you can also select a VST instrument
previously set up in the VST Instruments window.
Hi Note/Velocity Sets the MIDI note number and velocity value for the “high note” (the
first beat in a bar).
Lo Note/Velocity Sets the MIDI note number and velocity for the “low notes” (the other
beats).
Activate Audio
Click
Selects whether or not the metronome sounds via the audio
hardware. You can set the level of the click with the slider.
Beeps When this is selected, the audio clicks will be beeps generated by
the program. Adjust the pitch and level of the beeps for the
“Hi”
(first) beat and “Lo” (other) beats using the sliders below.
Sounds When this is selected, you can click in the “Sound” fields below to
load any audio files for the “Hi” and “Lo” metronome sounds. The
sliders set the level of the click.
!
If you are storing your tracks on different drives (by using individual record folders), the
time display refers to the medium with the least storage space available.