User manual
Table Of Contents
- Table of Contents
- New features
- Introduction
- First steps
- Dorico concepts
- User interface
- Windows
- Workspace setup
- Switching between layouts
- Opening new tabs
- Closing tabs
- Switching between tabs
- Changing the order of tabs
- Showing multiple tabs in the same project window
- Moving tabs to another tab group
- Moving tabs to other windows
- Opening multiple project windows
- Changing to full screen mode
- Switching to galley/page view
- Changing the window color theme
- Changing your preferred unit of measurement
- Preferences dialog
- Key Commands page in the Preferences dialog
- Project and file handling
- Setup mode
- Project window in Setup mode
- Project Info dialog
- Layout Options dialog
- Players, layouts, and flows
- Players
- Ensembles
- Instruments
- Instrument numbering
- Instrument changes
- Transposing instruments
- Fretted instrument tuning
- Adding instruments to players
- Adding empty percussion kits to players
- Combining individual percussion instruments into kits
- Changing instruments
- Moving instruments
- Deleting instruments
- Edit Percussion Kit dialog
- Adding instruments to percussion kits
- Changing instruments in percussion kits
- Defining percussion kits as drum sets
- Creating groups of instruments within grid presentation percussion kits
- Renaming groups in grid presentation percussion kits
- Deleting groups within grid presentation percussion kits
- Changing the positions of instruments within percussion kits
- Changing the size of gaps between lines in percussion grids
- Removing individual instruments from percussion kits
- Edit Strings and Tuning dialog
- Player groups
- Flows
- Layouts
- Player, layout, and instrument names
- Flow names and flow titles
- Videos
- Write mode
- Project window in Write mode
- Inputting vs. editing
- Rhythmic grid
- Note input
- Caret
- Inputting notes
- Selecting note/rest durations
- Inputting notes with rhythm dots
- Inputting notes into multiple voices
- Inputting notes and notations onto multiple staves
- Inputting notes in Insert mode
- Inputting notes in percussion kits
- Inputting notes on tablature
- Inputting accidentals
- Inputting rests
- Inputting ties
- Inputting grace notes
- Inputting chords
- Inputting tuplets
- Adding notes above/below existing notes
- Changing the pitch of individual notes
- MIDI recording
- Notations input
- Inputting articulations
- Inputting slurs
- Inputting fingerings
- Input methods for key signatures
- Input methods for time signatures
- Input methods for tempo marks
- Input methods for bars and barlines
- Input methods for dynamics
- Input methods for chord symbols
- Input methods for clefs and octave lines
- Input methods for holds and pauses
- Input methods for ornaments, arpeggio signs, glissando lines, guitar bends, and jazz articulations
- Ornaments popover
- Ornaments panel
- Inputting ornaments with the popover
- Inputting ornaments with the panel
- Inputting arpeggio signs with the popover
- Inputting arpeggio signs with the panel
- Inputting glissando lines with the popover
- Inputting glissando lines with the panel
- Inputting jazz articulations with the popover
- Inputting jazz articulations with the panel
- Inputting guitar bends with the popover
- Inputting guitar bends with the panel
- Inputting guitar pre-bends
- Input methods for playing techniques, pedal lines, string indicators, and harp pedal diagrams
- Playing techniques popover
- Playing Techniques panel
- Inputting playing techniques with the popover
- Inputting playing techniques with the panel
- Inputting pedal lines and retakes with the popover
- Inputting pedal lines and retakes with the panel
- Inputting harp pedal diagrams
- Inputting string indicators outside the staff with the popover
- Inputting string indicators outside the staff with the panel
- Inputting string indicators inside the staff
- Input methods for lines
- Inputting lyrics
- Inputting rehearsal marks
- Inputting markers/timecodes
- Input methods for repeats and tremolos
- Repeats popover
- Repeat Structures panel
- Inputting repeat endings with the popover
- Inputting repeat endings with the panel
- Inputting repeat markers with the popover
- Inputting repeat markers with the panel
- Inputting tremolos with the popover
- Inputting tremolos with the panel
- Inputting slash regions
- Inputting bar repeats
- Inputting text
- Editing and selecting
- Selecting/Deselecting notes and items individually
- Selecting more items of the same type
- Selecting multiple items using marquee selections
- Large selections
- System track
- Filters
- Playing/Muting notes during note input/selection
- Playing all/individual notes in chords during note input/selection
- Disabling automatic linking of dynamics and slurs when pasting
- Changing existing items
- Changing the staff-relative placement of items
- Resetting the appearance of items
- Resetting the position of items
- Navigation
- Signposts
- Arranging tools
- Splitting flows
- Comments
- Layout and formatting
- Engrave mode
- Frames
- Master pages
- Flow headings
- Page formatting
- Changing page margins
- Changing the page size and orientation
- Changing the default staff size
- Changing the default staff/system spacing
- Changing the vertical justification of staves/systems
- Hiding/Showing empty staves
- Starting layouts on left-hand pages
- Allowing/Disallowing multiple flows on the same page
- Changing when the First master page is used
- Hiding/Showing flow headings
- Changing the margins above/below flow headings
- Hiding/Showing information in running headers above flow headings
- Changing the default music frame margins
- Changing the horizontal justification of final systems
- Staff size
- Casting off
- Frame breaks
- System breaks
- Tacets
- Condensing
- Part formatting propagation
- Music Fonts dialog
- Text objects vs. text in text frames
- Note spacing
- Staff spacing
- Play mode
- Project window in Play mode
- Event display
- Tracks
- Playhead
- Playing back music
- Swing playback
- Mixer
- Transport window
- Playback templates
- Endpoints
- Expression maps
- Percussion maps
- Played vs. notated note durations
- Print mode
- Notation reference
- Introduction
- Accidentals
- Articulations
- Bars
- Barlines
- Bar numbers
- Beaming
- Note and rest grouping
- Brackets and braces
- Chord symbols
- Chord diagrams
- Clefs
- Octave lines
- Cues
- Dynamics
- Types of dynamics
- Positions of dynamics
- Showing dynamics in parentheses
- Copying dynamics
- Deleting dynamics
- Voice-specific dynamics
- Niente hairpins
- Dynamic modifiers
- Gradual dynamics
- Groups of dynamics
- Linked dynamics
- VST Expression Maps for volume types
- Fingering
- General placement conventions for fingering
- Changing fingerings to substitution fingerings
- Changing existing fingerings
- Changing the staff-relative placement of fingerings
- Hiding/Showing fingering
- Deleting fingerings
- Cautionary fingerings
- Fingerings for fretted instruments
- Fingering slides
- Fingerings for valved brass instruments
- Hiding/Showing string fingering shift indicators
- Fingerings imported from MusicXML files
- String indicators
- Front matter
- Grace notes
- Holds and pauses
- Key signatures
- Lyrics
- Notes
- Harmonics
- Ornaments
- Arpeggio signs
- Glissando lines
- Guitar bends
- Jazz articulations
- Page numbers
- Harp pedaling
- Pedal lines
- Playing techniques
- Lines
- Rehearsal marks
- Markers
- Timecodes
- Repeat endings
- Repeat markers
- Bar repeats
- Rhythm slashes
- Rests
- Slurs
- Staff labels
- Staves
- Divisi
- Tablature
- Stems
- Tempo marks
- Ties
- Time signatures
- Tremolos
- Tuplets
- Unpitched percussion
- Percussion kits vs. individual percussion instruments
- Percussion kits and drum sets
- Changing the playing techniques of notes on percussion kit staves
- Moving notes to different instruments in percussion kits
- Notations on notes in percussion kits
- Percussion kit presentation types
- Playing techniques for unpitched percussion instruments
- Percussion legends
- Voices in percussion kits
- Unpitched percussion in Play mode
- Universal Indian Drum Notation
- Voices
- Glossary
- Index
Layouts panel (continued)
Setup mode 90, 94
showing 94
left pages
starting from 336
left panel 46
left-foot pedals. See harp pedaling
left-hand
ngering 582
inputting 203, 206
placement 578
popover 206
position 584
size 582
slides 585, 586
legends
percussion. See percussion legends
length
arpeggio signs 256, 257, 668
bar repeat phrases 309, 757
bar repeats 758
chord symbol regions 536
dynamics 388, 567
hairpins 562
jazz articulations 684
lines 726–728
notated duration of notes 456
notes 168, 377, 456
octave lines 553
pedal lines 701, 703
percussion legend names 881
percussion legend ranges 880
played duration of notes 456
playing techniques 712
repeat endings 748
slash regions 768
slurs 783, 786
staff labels 795
stems 818
system dividers 804
tempo marks 828
trills 658
lento. See tempo marks
letter paper sizes 473
level changes for pedal lines 698
levels
channels 421
dynamics 383
nested tuplets 859
libraries
fretted instrument tunings 125
percussion 449
sound 369, 372, 425, 440, 449
lifts
jazz articulations. See jazz articulations
pedal lines. See pedal retakes
light swing. See swing playback
light theme 57
linear points
386, 396
inputting 385, 395
lines 672, 713, 719, 721
angled 276, 719, 725
annotations 721
appearance 719, 729
lines (continued)
arpeggio signs. See arpeggio signs
attachment types 722
attachments 276, 719
automation 393, 395
barlines 495
beams. See beaming
caps 719, 729
changing 729
columns 723
components 721
cross-staff 278
drawing 402
duration 727
dynamics 383, 385
end position 728
ngerings 588
glissando. See glissando lines
grace note slashes 598
grace notes 723
guitar bends. See guitar bends
harp pedaling 690, 694
hiding 715
holds. See hold lines. See also guitar bends
horizontal 719, 722
horizontal position 722, 723
inputting 275, 276, 278
jazz articulations 682, 684
joining notes. See beams
length 726–728
lyric extender 626
lyrics 615, 626
moving 722, 723, 725
notes. See stems. See also beaming
octave lines. See octave lines
order 723
pedal. See pedal lines
placement 722, 724, 725
playback. See playhead
playing techniques. See playing technique lines
position 722
repeat endings. See repeat endings
reversing 730
secondary beams 520
size 726
staff-relative placement 724, 725
staves 801
string indicators 273, 274, 591
string shift indicators 588
system breaks 721
system dividers. See system dividers
tablature 809
tempo marks 400, 829
text 360, 721, 730–732
ties 838, 839
trills 657, 658
tuplet brackets. See tuplet brackets
types 719, 722
velocity 392
vertical 719, 722
vertical position 722, 724
wiggly 657, 666
Index
931
Dorico Elements 3.1.10