User manual
Table Of Contents
- Table of Contents
- New features
- Introduction
- First steps
- Dorico concepts
- User interface
- Windows
- Workspace setup
- Switching between layouts
- Opening new tabs
- Closing tabs
- Switching between tabs
- Changing the order of tabs
- Showing multiple tabs in the same project window
- Moving tabs to another tab group
- Moving tabs to other windows
- Opening multiple project windows
- Changing to full screen mode
- Switching to galley/page view
- Changing the window color theme
- Changing your preferred unit of measurement
- Preferences dialog
- Key Commands page in the Preferences dialog
- Project and file handling
- Setup mode
- Project window in Setup mode
- Project Info dialog
- Layout Options dialog
- Players, layouts, and flows
- Players
- Ensembles
- Instruments
- Instrument numbering
- Instrument changes
- Transposing instruments
- Fretted instrument tuning
- Adding instruments to players
- Adding empty percussion kits to players
- Combining individual percussion instruments into kits
- Changing instruments
- Moving instruments
- Deleting instruments
- Edit Percussion Kit dialog
- Adding instruments to percussion kits
- Changing instruments in percussion kits
- Defining percussion kits as drum sets
- Creating groups of instruments within grid presentation percussion kits
- Renaming groups in grid presentation percussion kits
- Deleting groups within grid presentation percussion kits
- Changing the positions of instruments within percussion kits
- Changing the size of gaps between lines in percussion grids
- Removing individual instruments from percussion kits
- Edit Strings and Tuning dialog
- Player groups
- Flows
- Layouts
- Player, layout, and instrument names
- Flow names and flow titles
- Videos
- Write mode
- Project window in Write mode
- Inputting vs. editing
- Rhythmic grid
- Note input
- Caret
- Inputting notes
- Selecting note/rest durations
- Inputting notes with rhythm dots
- Inputting notes into multiple voices
- Inputting notes and notations onto multiple staves
- Inputting notes in Insert mode
- Inputting notes in percussion kits
- Inputting notes on tablature
- Inputting accidentals
- Inputting rests
- Inputting ties
- Inputting grace notes
- Inputting chords
- Inputting tuplets
- Adding notes above/below existing notes
- Changing the pitch of individual notes
- MIDI recording
- Notations input
- Inputting articulations
- Inputting slurs
- Inputting fingerings
- Input methods for key signatures
- Input methods for time signatures
- Input methods for tempo marks
- Input methods for bars and barlines
- Input methods for dynamics
- Input methods for chord symbols
- Input methods for clefs and octave lines
- Input methods for holds and pauses
- Input methods for ornaments, arpeggio signs, glissando lines, guitar bends, and jazz articulations
- Ornaments popover
- Ornaments panel
- Inputting ornaments with the popover
- Inputting ornaments with the panel
- Inputting arpeggio signs with the popover
- Inputting arpeggio signs with the panel
- Inputting glissando lines with the popover
- Inputting glissando lines with the panel
- Inputting jazz articulations with the popover
- Inputting jazz articulations with the panel
- Inputting guitar bends with the popover
- Inputting guitar bends with the panel
- Inputting guitar pre-bends
- Input methods for playing techniques, pedal lines, string indicators, and harp pedal diagrams
- Playing techniques popover
- Playing Techniques panel
- Inputting playing techniques with the popover
- Inputting playing techniques with the panel
- Inputting pedal lines and retakes with the popover
- Inputting pedal lines and retakes with the panel
- Inputting harp pedal diagrams
- Inputting string indicators outside the staff with the popover
- Inputting string indicators outside the staff with the panel
- Inputting string indicators inside the staff
- Input methods for lines
- Inputting lyrics
- Inputting rehearsal marks
- Inputting markers/timecodes
- Input methods for repeats and tremolos
- Repeats popover
- Repeat Structures panel
- Inputting repeat endings with the popover
- Inputting repeat endings with the panel
- Inputting repeat markers with the popover
- Inputting repeat markers with the panel
- Inputting tremolos with the popover
- Inputting tremolos with the panel
- Inputting slash regions
- Inputting bar repeats
- Inputting text
- Editing and selecting
- Selecting/Deselecting notes and items individually
- Selecting more items of the same type
- Selecting multiple items using marquee selections
- Large selections
- System track
- Filters
- Playing/Muting notes during note input/selection
- Playing all/individual notes in chords during note input/selection
- Disabling automatic linking of dynamics and slurs when pasting
- Changing existing items
- Changing the staff-relative placement of items
- Resetting the appearance of items
- Resetting the position of items
- Navigation
- Signposts
- Arranging tools
- Splitting flows
- Comments
- Layout and formatting
- Engrave mode
- Frames
- Master pages
- Flow headings
- Page formatting
- Changing page margins
- Changing the page size and orientation
- Changing the default staff size
- Changing the default staff/system spacing
- Changing the vertical justification of staves/systems
- Hiding/Showing empty staves
- Starting layouts on left-hand pages
- Allowing/Disallowing multiple flows on the same page
- Changing when the First master page is used
- Hiding/Showing flow headings
- Changing the margins above/below flow headings
- Hiding/Showing information in running headers above flow headings
- Changing the default music frame margins
- Changing the horizontal justification of final systems
- Staff size
- Casting off
- Frame breaks
- System breaks
- Tacets
- Condensing
- Part formatting propagation
- Music Fonts dialog
- Text objects vs. text in text frames
- Note spacing
- Staff spacing
- Play mode
- Project window in Play mode
- Event display
- Tracks
- Playhead
- Playing back music
- Swing playback
- Mixer
- Transport window
- Playback templates
- Endpoints
- Expression maps
- Percussion maps
- Played vs. notated note durations
- Print mode
- Notation reference
- Introduction
- Accidentals
- Articulations
- Bars
- Barlines
- Bar numbers
- Beaming
- Note and rest grouping
- Brackets and braces
- Chord symbols
- Chord diagrams
- Clefs
- Octave lines
- Cues
- Dynamics
- Types of dynamics
- Positions of dynamics
- Showing dynamics in parentheses
- Copying dynamics
- Deleting dynamics
- Voice-specific dynamics
- Niente hairpins
- Dynamic modifiers
- Gradual dynamics
- Groups of dynamics
- Linked dynamics
- VST Expression Maps for volume types
- Fingering
- General placement conventions for fingering
- Changing fingerings to substitution fingerings
- Changing existing fingerings
- Changing the staff-relative placement of fingerings
- Hiding/Showing fingering
- Deleting fingerings
- Cautionary fingerings
- Fingerings for fretted instruments
- Fingering slides
- Fingerings for valved brass instruments
- Hiding/Showing string fingering shift indicators
- Fingerings imported from MusicXML files
- String indicators
- Front matter
- Grace notes
- Holds and pauses
- Key signatures
- Lyrics
- Notes
- Harmonics
- Ornaments
- Arpeggio signs
- Glissando lines
- Guitar bends
- Jazz articulations
- Page numbers
- Harp pedaling
- Pedal lines
- Playing techniques
- Lines
- Rehearsal marks
- Markers
- Timecodes
- Repeat endings
- Repeat markers
- Bar repeats
- Rhythm slashes
- Rests
- Slurs
- Staff labels
- Staves
- Divisi
- Tablature
- Stems
- Tempo marks
- Ties
- Time signatures
- Tremolos
- Tuplets
- Unpitched percussion
- Percussion kits vs. individual percussion instruments
- Percussion kits and drum sets
- Changing the playing techniques of notes on percussion kit staves
- Moving notes to different instruments in percussion kits
- Notations on notes in percussion kits
- Percussion kit presentation types
- Playing techniques for unpitched percussion instruments
- Percussion legends
- Voices in percussion kits
- Unpitched percussion in Play mode
- Universal Indian Drum Notation
- Voices
- Glossary
- Index
However, on staves with multiple voices, rests are placed higher on the staff, or above the staff,
for up-stem voices and lower on the staff, or below the staff, for down-stem voices.
Example rest positions in a multiple-voice context
Rests in multiple voices must not overlap. You can consolidate rests so that only one is shown
when multiple voices have a rest of the same duration at the same rhythmic position.
The precise vertical positioning of rests is limited, as their detailed shapes require specic
positions relative to staff lines and staff spaces.
RELATED LINKS
Deleting rests on page 776
Turning explicit rests into implicit rests on page 775
Implicit vs. explicit rests
Implicit rests are automatically shown between the notes you input, and their duration
automatically follows the time signature and their position in the bar. Explicit rests are rests that
are explicitly entered during note input by forcing their duration, or rests that were imported
from a MusicXML
le.
Dorico SE notates implicit rests according to the current time signature, for example, different
implicit rests are shown in 6/8 compared to 4/4. This also applies if you later change the time
signature for existing notes and rests.
Therefore, it is not necessary to input rests in Dorico SE, as implicit rests are automatically shown
around the notes that you input. You can turn implicit rests into explicit rests by forcing their
duration to be xed.
A quarter note input at the fourth eighth note of the
bar in a 6/8 time signature has a dotted quarter
implicit rest at the start of the bar.
A quarter note input at the fourth eighth note of the
bar in a 4/4 time signature has two implicit rests, a
quarter and an eighth, at the start of the bar.
Explicit rests cannot be suppressed when using the Starts voice and Ends voice properties to
hide rests before the rst note in voices and after the last note in voices.
You can show rest colors to see which rests are implicit and which are explicit in your project.
RELATED LINKS
Inputting rests on page 182
Inputting notes on page 164
Forcing the duration of notes/rests on page 169
Turning explicit rests into implicit rests on page 775
Deleting rests on page 776
Hiding/Showing rest colors on page 776
Rests
Implicit vs. explicit rests
774
Dorico SE 3.1.10