User manual

Table Of Contents
Voices
For many instruments, such as ute or trombone, each staff usually contains a single musical line
in a single voice that is read from left to right along the staff. When multiple, independent lines
must be shown in a single staff, each line can be a separate voice.
The most common use for showing multiple voices in a single staff is in vocal music, when the
soprano and alto lines share a single staff and the tenor and bass lines share another staff.
Showing each vocal line in its own voice helps to separate the lines, making the music easier to
read and making the shape of each melodic line clear.
In Dorico SE, you can create as many voices as you like on each staff. Each voice has its own
color, which you can see if you show voice colors. This can help you to keep track of which notes
are in which voices if there are multiple overlapping musical lines in your project.
Voices in Dorico SE are divided into up-stem voices and down-stem voices. Stems of notes in up-
stem voices point upwards, while stems of notes in down-stem voices point downwards.
However, in bars where only one voice contains notes, stem directions are automatically changed
to the directions they would have if there were only one voice on the staff. By default, the
rst
voice on the staff is up-stem.
Following most notation conventions, rests are shown in bars for all voices that have notes in the
bar. If two or more voices have a rest of the same rhythmic duration at the same rhythmic
position, that rest is consolidated: instead of showing two identical rests, only one is shown.
RELATED LINKS
Inputting notes into multiple voices on page 171
Hiding/Showing voice colors on page 887
Adding notes above/below existing notes on page 189
Stem direction on page 814
Implicit rests in multiple-voice contexts on page 775
Moving rests vertically on page 779
Note positions in multiple-voice contexts
Notes are usually placed directly above each other and at the same horizontal position, so that it
is immediately clear which notes are played together. However, the horizontal alignment of
notes can be different in multiple-voice contexts.
When there are three or more voices in a single staff, some notes must be positioned slightly to
one side in a different voice column to ensure the division of notes across the voices is clear.
Interlocking notes in different voices can be positioned in two ways:
1.
Notehead to notehead, which allows noteheads to overlap partially. This voice order often
takes up less horizontal space than positioning notes stem to stem, as notes can overlap.
2.
Stem to stem, which does not allow noteheads to overlap. This voice order keeps notes in
different voices separate.
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Dorico SE 3.1.10