User Manual
Table Of Contents
- Introduction
- Requirements
- Installing and setting up
- Overview
- Basic methods
- Editing in the Wave window
- About this chapter
- Creating new empty documents
- Opening Waves
- Window overview and adjustments
- Setting the zoom factor
- Navigating through the file
- Snapshots
- Setting the ruler start position
- Working with a meter based display
- Setting the wave cursor position
- Selecting
- Basic editing commands
- File handling in Wave windows
- Editing attributes and getting information
- About the Loudness envelope display mode
- Playback and recording
- Metering
- Off-line processing
- Introduction
- Applying processing
- Level Normalizer
- Gain Change
- Loudness Normalizer
- Pan Normalizer
- Dynamics
- Level envelope
- Fade-in and fade-out
- Crossfade
- Invert Phase
- Reverse
- Eliminate DC Offset
- Waveform Restorer
- Time Stretch
- Pitch Correction
- Pitch Quantize
- Pitch Bend
- Harmonization
- Hi-fi Chorus
- EQ
- Convert sample rate
- Effect Morphing
- Support for reNOVAtor™
- Master Section
- Spectrum Editor
- Batch processing
- Batch file encoding
- Batch renaming
- Markers
- Using Auto Split
- Preparing a Basic Audio CD
- Creating, opening and saving Basic Audio CDs
- About the Basic Audio CD window
- Adding files to a Basic Audio CD
- Setting the order of the tracks on the CD
- Deleting files from Basic Audio CDs
- Managing list columns
- “Unfolding” a track
- Opening CD tracks for wave editing
- About the relation between the track list and CD markers
- Working with CD markers
- Adjusting pauses
- Naming tracks
- Other settings
- Checking the total length of the CD
- Playing files in the track list
- Creating a disc image
- Exporting audio files from a track list
- Preparations done!
- About the DVD-Audio format
- The Audio Montage
- Introduction
- The Audio Montage window
- Assembling the Montage
- Zooming and navigating
- Playing back
- Recording
- Rearranging clips
- The Zoom view
- Editing in the Clips view
- Managing clips and source files
- The volume envelope
- Using fades and crossfades in the Montage
- The pan envelope
- Transforming clips
- Adding effects to tracks and clips
- Managing effects in the Plug-ins view
- The Meta Normalizer
- Groups
- Using markers in the Montage
- Undo/Redo and History
- File handling in the Audio Montage
- Using video tracks
- Multichannel operation in the Montage
- Mixing down – The Render function
- Preparing the Audio Montage for CD/DVD- Audio burning
- Creating an Audio CD report
- Using DVD-A picture and text tracks
- Exporting and importing AES-31 files
- XML Export/Import of Audio Montages
- DVD-Audio projects
- Burning an audio CD
- Data CD/DVD Projects
- Importing audio CD/DVD tracks
- Creating labels
- Analysis
- Generating signals
- Synchronizing WaveLab to external devices
- Using samplers and creating loops
- Introduction
- Background information
- Setting up your sampler(s)
- Transmitting samples
- Receiving samples
- Deleting and getting information about samples
- The Transmit Back feature
- In case of problems
- Using WaveLab with Steinberg HALion
- Editing sample attributes
- Basic looping
- Using the Crossfade Looper
- Using the Loop Tone Equalizer
- Audio Databases
- What is an Audio Database and why do I need it?
- Creating and opening Audio Databases
- How Audio Databases are saved
- Window overview and adjustments
- Adding files to the Audio Database
- Customizing the File List
- Selecting in the File List
- Finding out where files are located
- Opening a file for editing
- Playing a file
- Other file operations
- Working with categories
- Location operations
- Filtering the list
- Finding files
- Changing the default categories and keywords
- Workspaces
- Using WaveLab for backup
- Customizing
- Plug-in Processor Reference
- Sampler Details
- SDS - Generic Sample Dump Standard
- SMDI (Standard SCSI transfer)
- Akai S1000/1100 including PB models
- Akai S2000/S2800/S3000/S3200, including all “i”, CD, and “XL” derivatives etc.
- Ensoniq, EPS, EPS16+, ASR-10, ASR-88
- E-mu Esi-32
- E-mu EIV, e64 and other samplers running the EOS operating system
- Kurzweil K2000 and K2500
- Roland S-760
- Troubleshooting
- General problems
- Problems with opening files
- Problems with saving files
- Recording problems
- Playback problems
- Editing problems
- Audio database and workspace problems
- Troubleshooting and precautions
- Sampler communication problems
- Problems and solutions
- Questions and Answers
- Day to day precautions for trouble free CD writing
- Hardware and setup issues
- Key commands
- Index
WAVELAB
8 – 162 Metering
2. Adjust the settings as desired.
By using the Apply button, you can check the results of your changes without closing the
dialog. The following settings are available:
Setting Description
Global colors Click these buttons to select colors for the meter background, marks
(scale units) and grid lines.
Global range This is where you specify the low and high end of the displayed level range.
Typically, you may want to create a preset showing the full level range, and
other presets for detailed view of a smaller range.
Peak meter –
Ballistics
These settings determine how fast the peak level meter falls after a peak
(Release rate) and for how long the numerical peak indication remains dis-
played after a peak (Peak hold time).
Peak meter –
Zones
The color buttons allow you to select colors for the peak level meters’ low,
middle and top zones. You can also define what should be considered
“middle” and “top” zones, by changing the “Middle zone from” and “Top
zone from” values.
Peak meter –
Cursor mode
These settings are only relevant when using the meters in Cursor mode
(“Monitor Edit-cursor position” selected). Here, you can choose by which
units the peak levels should be displayed.
There is also a choice of whether to display the value of the single sample
at the cursor position (checkbox ticked) or the peak value of the range
around the cursor position (this range is set with the Samples to scan pa-
rameter in the VU meter section). Generally, the option is best activated
when you have zoomed in on the waveform to see the details, and best
turned off when you’re working at normal zoom.
VU meter –
Show
Allows you to activate or deactivate the VU meters.
VU meter –
Mode
On the pop-up you can select between Standard and three special K-Sys-
tem modes. The K System metering modes are described below this table.
VU meter –
Ballistics
These settings determine how the VU meter responds:
Resolution is the sample width of the “average window” for the VU meter
(the number of samples continuously evaluated to calculate the average).
The smaller this is, the more the VU meter behaves like the peak meter.
Range inertia determines the “average windows” for the recent minimum
and maximum value lines, and will therefore affect how quickly these re-
spond to changes in loudness.
VU meter –
Zones
The color buttons allow you to select colors for the VU level meters’ low,
middle and top zones. You can also define what should be considered
“middle” and “top” zones, by changing the “Middle zone from” and “Top
zone from” values (only available in Standard VU mode).
VU meter –
Cursor mode
This setting determines how many samples to scan when calculating the
VU meter value in “Monitor edit-cursor position” mode.