User Manual
Table Of Contents
- Introduction
- Requirements
- Installing and setting up
- Overview
- Basic methods
- Editing in the Wave window
- About this chapter
- Creating new empty documents
- Opening Waves
- Window overview and adjustments
- Setting the zoom factor
- Navigating through the file
- Snapshots
- Setting the ruler start position
- Working with a meter based display
- Setting the wave cursor position
- Selecting
- Basic editing commands
- File handling in Wave windows
- Editing attributes and getting information
- About the Loudness envelope display mode
- Playback and recording
- Metering
- Off-line processing
- Introduction
- Applying processing
- Level Normalizer
- Gain Change
- Loudness Normalizer
- Pan Normalizer
- Dynamics
- Level envelope
- Fade-in and fade-out
- Crossfade
- Invert Phase
- Reverse
- Eliminate DC Offset
- Waveform Restorer
- Time Stretch
- Pitch Correction
- Pitch Quantize
- Pitch Bend
- Harmonization
- Hi-fi Chorus
- EQ
- Convert sample rate
- Effect Morphing
- Support for reNOVAtor™
- Master Section
- Spectrum Editor
- Batch processing
- Batch file encoding
- Batch renaming
- Markers
- Using Auto Split
- Preparing a Basic Audio CD
- Creating, opening and saving Basic Audio CDs
- About the Basic Audio CD window
- Adding files to a Basic Audio CD
- Setting the order of the tracks on the CD
- Deleting files from Basic Audio CDs
- Managing list columns
- “Unfolding” a track
- Opening CD tracks for wave editing
- About the relation between the track list and CD markers
- Working with CD markers
- Adjusting pauses
- Naming tracks
- Other settings
- Checking the total length of the CD
- Playing files in the track list
- Creating a disc image
- Exporting audio files from a track list
- Preparations done!
- About the DVD-Audio format
- The Audio Montage
- Introduction
- The Audio Montage window
- Assembling the Montage
- Zooming and navigating
- Playing back
- Recording
- Rearranging clips
- The Zoom view
- Editing in the Clips view
- Managing clips and source files
- The volume envelope
- Using fades and crossfades in the Montage
- The pan envelope
- Transforming clips
- Adding effects to tracks and clips
- Managing effects in the Plug-ins view
- The Meta Normalizer
- Groups
- Using markers in the Montage
- Undo/Redo and History
- File handling in the Audio Montage
- Using video tracks
- Multichannel operation in the Montage
- Mixing down – The Render function
- Preparing the Audio Montage for CD/DVD- Audio burning
- Creating an Audio CD report
- Using DVD-A picture and text tracks
- Exporting and importing AES-31 files
- XML Export/Import of Audio Montages
- DVD-Audio projects
- Burning an audio CD
- Data CD/DVD Projects
- Importing audio CD/DVD tracks
- Creating labels
- Analysis
- Generating signals
- Synchronizing WaveLab to external devices
- Using samplers and creating loops
- Introduction
- Background information
- Setting up your sampler(s)
- Transmitting samples
- Receiving samples
- Deleting and getting information about samples
- The Transmit Back feature
- In case of problems
- Using WaveLab with Steinberg HALion
- Editing sample attributes
- Basic looping
- Using the Crossfade Looper
- Using the Loop Tone Equalizer
- Audio Databases
- What is an Audio Database and why do I need it?
- Creating and opening Audio Databases
- How Audio Databases are saved
- Window overview and adjustments
- Adding files to the Audio Database
- Customizing the File List
- Selecting in the File List
- Finding out where files are located
- Opening a file for editing
- Playing a file
- Other file operations
- Working with categories
- Location operations
- Filtering the list
- Finding files
- Changing the default categories and keywords
- Workspaces
- Using WaveLab for backup
- Customizing
- Plug-in Processor Reference
- Sampler Details
- SDS - Generic Sample Dump Standard
- SMDI (Standard SCSI transfer)
- Akai S1000/1100 including PB models
- Akai S2000/S2800/S3000/S3200, including all “i”, CD, and “XL” derivatives etc.
- Ensoniq, EPS, EPS16+, ASR-10, ASR-88
- E-mu Esi-32
- E-mu EIV, e64 and other samplers running the EOS operating system
- Kurzweil K2000 and K2500
- Roland S-760
- Troubleshooting
- General problems
- Problems with opening files
- Problems with saving files
- Recording problems
- Playback problems
- Editing problems
- Audio database and workspace problems
- Troubleshooting and precautions
- Sampler communication problems
- Problems and solutions
- Questions and Answers
- Day to day precautions for trouble free CD writing
- Hardware and setup issues
- Key commands
- Index
WAVELAB
12 – 288 Batch processing
Other considerations
• Off-line processors might not have presets.
• Off-line processors that require extra processing “passes”, slightly increase the
overall processing time.
The included off-line processors
• DC Remover. This removes any DC Offset in the file (see “Eliminate DC Offset”
on page 195). This would normally be inserted at the beginning of the processing
list, preparing the file for processing, so to speak.
• Normalizer. This is normally included at the end of the list to get the resulting file
back up into “full level”. Alternatively, it can be inserted in between other proces-
sors when required (for example before the input of a compressor). You can add
as many Normalizers as you need, in between other processors, if required.
• Time Stretch and Pitch Correction. See “Time Stretch” on page 196 and “Pitch
Correction” on page 201.
• Loudness Restorer. This is used to “capture” the loudness at a certain point in the
audio chain and restore that loudness at some other point. For this reason, these
must be inserted in pairs into the signal chain (one plug-in “capturing” and one
“restoring”). Click the question mark icon in the dialog for details.
• Meta Normalizer. This allows you to give all the processed files the same level af-
ter processing. Click the question mark icon in the dialog for details.
• Meta Leveler. This lets you raise the level of all processed files by a certain
amount while maintaining the original level differences between the files. Click the
question mark icon in the dialog for details.
• Resizer. This allows you to set the sample length of a file to a given value.
• Stereo -> Mono. Lets you convert stereo files to mono files and limit the level of
these to avoid clipping.
• Fade-In and Fade-Out. These allow you to apply identical fade-ins and fade-outs
to all the processed files. You can specify the fade curve shape, the length of the
fades and the desired start (fade-in) and end (fade-out) amplitudes.
• External Gear. This is located in the “ASIO” subfolder. This allows you to Batch
process using an external processor – see “Using External effects” on page 252.
Ultra-pass processors
An ultra-pass processor analyses all files in the batch, collects the result,
and applies it to the files by various amounts, if desired. This means that
the result of the analysis of one file, can affect how other files are pro-
cessed. A typical example is the (included) Meta Normalizer, which can
process a number of files so that they all get the same loudness as the
loudest file in the batch. It does this by analyzing all files to find out which
is the loudest (and how loud it is) and then process them all by various
amounts so that they get the same level.