User Manual
Table Of Contents
- Introduction
- Requirements
- Installing and setting up
- Overview
- Basic methods
- Editing in the Wave window
- About this chapter
- Creating new empty documents
- Opening Waves
- Window overview and adjustments
- Setting the zoom factor
- Navigating through the file
- Snapshots
- Setting the ruler start position
- Working with a meter based display
- Setting the wave cursor position
- Selecting
- Basic editing commands
- File handling in Wave windows
- Editing attributes and getting information
- About the Loudness envelope display mode
- Playback and recording
- Metering
- Off-line processing
- Introduction
- Applying processing
- Level Normalizer
- Gain Change
- Loudness Normalizer
- Pan Normalizer
- Dynamics
- Level envelope
- Fade-in and fade-out
- Crossfade
- Invert Phase
- Reverse
- Eliminate DC Offset
- Waveform Restorer
- Time Stretch
- Pitch Correction
- Pitch Quantize
- Pitch Bend
- Harmonization
- Hi-fi Chorus
- EQ
- Convert sample rate
- Effect Morphing
- Support for reNOVAtor™
- Master Section
- Spectrum Editor
- Batch processing
- Batch file encoding
- Batch renaming
- Markers
- Using Auto Split
- Preparing a Basic Audio CD
- Creating, opening and saving Basic Audio CDs
- About the Basic Audio CD window
- Adding files to a Basic Audio CD
- Setting the order of the tracks on the CD
- Deleting files from Basic Audio CDs
- Managing list columns
- “Unfolding” a track
- Opening CD tracks for wave editing
- About the relation between the track list and CD markers
- Working with CD markers
- Adjusting pauses
- Naming tracks
- Other settings
- Checking the total length of the CD
- Playing files in the track list
- Creating a disc image
- Exporting audio files from a track list
- Preparations done!
- About the DVD-Audio format
- The Audio Montage
- Introduction
- The Audio Montage window
- Assembling the Montage
- Zooming and navigating
- Playing back
- Recording
- Rearranging clips
- The Zoom view
- Editing in the Clips view
- Managing clips and source files
- The volume envelope
- Using fades and crossfades in the Montage
- The pan envelope
- Transforming clips
- Adding effects to tracks and clips
- Managing effects in the Plug-ins view
- The Meta Normalizer
- Groups
- Using markers in the Montage
- Undo/Redo and History
- File handling in the Audio Montage
- Using video tracks
- Multichannel operation in the Montage
- Mixing down – The Render function
- Preparing the Audio Montage for CD/DVD- Audio burning
- Creating an Audio CD report
- Using DVD-A picture and text tracks
- Exporting and importing AES-31 files
- XML Export/Import of Audio Montages
- DVD-Audio projects
- Burning an audio CD
- Data CD/DVD Projects
- Importing audio CD/DVD tracks
- Creating labels
- Analysis
- Generating signals
- Synchronizing WaveLab to external devices
- Using samplers and creating loops
- Introduction
- Background information
- Setting up your sampler(s)
- Transmitting samples
- Receiving samples
- Deleting and getting information about samples
- The Transmit Back feature
- In case of problems
- Using WaveLab with Steinberg HALion
- Editing sample attributes
- Basic looping
- Using the Crossfade Looper
- Using the Loop Tone Equalizer
- Audio Databases
- What is an Audio Database and why do I need it?
- Creating and opening Audio Databases
- How Audio Databases are saved
- Window overview and adjustments
- Adding files to the Audio Database
- Customizing the File List
- Selecting in the File List
- Finding out where files are located
- Opening a file for editing
- Playing a file
- Other file operations
- Working with categories
- Location operations
- Filtering the list
- Finding files
- Changing the default categories and keywords
- Workspaces
- Using WaveLab for backup
- Customizing
- Plug-in Processor Reference
- Sampler Details
- SDS - Generic Sample Dump Standard
- SMDI (Standard SCSI transfer)
- Akai S1000/1100 including PB models
- Akai S2000/S2800/S3000/S3200, including all “i”, CD, and “XL” derivatives etc.
- Ensoniq, EPS, EPS16+, ASR-10, ASR-88
- E-mu Esi-32
- E-mu EIV, e64 and other samplers running the EOS operating system
- Kurzweil K2000 and K2500
- Roland S-760
- Troubleshooting
- General problems
- Problems with opening files
- Problems with saving files
- Recording problems
- Playback problems
- Editing problems
- Audio database and workspace problems
- Troubleshooting and precautions
- Sampler communication problems
- Problems and solutions
- Questions and Answers
- Day to day precautions for trouble free CD writing
- Hardware and setup issues
- Key commands
- Index
WAVELAB
12 – 294 Batch processing
The available variables have the following functions:
There is one exception to the statements above, and this is drive names. If
you explicitly specify a drive name, this will always be used, regardless of
where the source is located and what type of variables are used.
For example, if you have a source file in “c:\MyFolder\” and specify
“e:\<SourcePath>\”, the new file will be stored in “e:\MyFolder\”.
We will also give two more examples of variables, to show you what
advanced specifications you can make:
Let’s say you have a file with the following path:
“c:\Folder1\Folder2\Folder3\Sound.wav”. It is part of a batch titled
“Orange” with a “Banana” path specified for it.
Variable Function Example
Batch Name Creates a folder with the
name of the batch, as
specified on the Input tab
(see “Setting up file locations
and names” on page 292).
If you have a group called MyAudioFiles,
and the Destination file reads “c:\<Batch-
Name>\” the files will be stored in a folder
called “MyAudioFiles”, located in the root of
the C drive.
Batch Path Same as above, but instead
uses the path that can
optionally be specified for
each batch, see “Renaming
and setting attributes for a
batch” on page 279.
If the path “c:\MyFolder\” has been speci-
fied for a batch, the files in that batch will be
stored in a folder called “MyFolder” on the
root of the C drive.
Source file path This specifies the same path
as that in which the source
file(s) are stored.
Using this without any additional tags, will
put the outputs files in the same folder as
the source file. If you combine this with no
pre/suffix for file names (see below), the
output files will overwrite the original files.
Source file
path – down 1
Same as above, but specifies
a folder one level down in the
hierarchy.
If the source file is located in
“c:\Folder1\Folder2\Folder3\”, this speci-
fies the file location “c:\Folder2\Folder3\”.
Source file
path – down 2
Same as above, but specifies
a folder two levels down in
the hierarchy.
If the source file is located in
“c:\Folder1\Folder2\Folder3\”, this speci-
fies the file location “c:\Folder3\”.
No file output No output file is created at
all.
This is not a “variable” but a “constant”. If
you use this, nothing else should be entered
on the line. It is only useful for processors
that analyse the file (not producing any out-
put audio file at all) rather than process it.