User Manual
Table Of Contents
- Introduction
- Requirements
- Installing and setting up
- Overview
- Basic methods
- Editing in the Wave window
- About this chapter
- Creating new empty documents
- Opening Waves
- Window overview and adjustments
- Setting the zoom factor
- Navigating through the file
- Snapshots
- Setting the ruler start position
- Working with a meter based display
- Setting the wave cursor position
- Selecting
- Basic editing commands
- File handling in Wave windows
- Editing attributes and getting information
- About the Loudness envelope display mode
- Playback and recording
- Metering
- Off-line processing
- Introduction
- Applying processing
- Level Normalizer
- Gain Change
- Loudness Normalizer
- Pan Normalizer
- Dynamics
- Level envelope
- Fade-in and fade-out
- Crossfade
- Invert Phase
- Reverse
- Eliminate DC Offset
- Waveform Restorer
- Time Stretch
- Pitch Correction
- Pitch Quantize
- Pitch Bend
- Harmonization
- Hi-fi Chorus
- EQ
- Convert sample rate
- Effect Morphing
- Support for reNOVAtor™
- Master Section
- Spectrum Editor
- Batch processing
- Batch file encoding
- Batch renaming
- Markers
- Using Auto Split
- Preparing a Basic Audio CD
- Creating, opening and saving Basic Audio CDs
- About the Basic Audio CD window
- Adding files to a Basic Audio CD
- Setting the order of the tracks on the CD
- Deleting files from Basic Audio CDs
- Managing list columns
- “Unfolding” a track
- Opening CD tracks for wave editing
- About the relation between the track list and CD markers
- Working with CD markers
- Adjusting pauses
- Naming tracks
- Other settings
- Checking the total length of the CD
- Playing files in the track list
- Creating a disc image
- Exporting audio files from a track list
- Preparations done!
- About the DVD-Audio format
- The Audio Montage
- Introduction
- The Audio Montage window
- Assembling the Montage
- Zooming and navigating
- Playing back
- Recording
- Rearranging clips
- The Zoom view
- Editing in the Clips view
- Managing clips and source files
- The volume envelope
- Using fades and crossfades in the Montage
- The pan envelope
- Transforming clips
- Adding effects to tracks and clips
- Managing effects in the Plug-ins view
- The Meta Normalizer
- Groups
- Using markers in the Montage
- Undo/Redo and History
- File handling in the Audio Montage
- Using video tracks
- Multichannel operation in the Montage
- Mixing down – The Render function
- Preparing the Audio Montage for CD/DVD- Audio burning
- Creating an Audio CD report
- Using DVD-A picture and text tracks
- Exporting and importing AES-31 files
- XML Export/Import of Audio Montages
- DVD-Audio projects
- Burning an audio CD
- Data CD/DVD Projects
- Importing audio CD/DVD tracks
- Creating labels
- Analysis
- Generating signals
- Synchronizing WaveLab to external devices
- Using samplers and creating loops
- Introduction
- Background information
- Setting up your sampler(s)
- Transmitting samples
- Receiving samples
- Deleting and getting information about samples
- The Transmit Back feature
- In case of problems
- Using WaveLab with Steinberg HALion
- Editing sample attributes
- Basic looping
- Using the Crossfade Looper
- Using the Loop Tone Equalizer
- Audio Databases
- What is an Audio Database and why do I need it?
- Creating and opening Audio Databases
- How Audio Databases are saved
- Window overview and adjustments
- Adding files to the Audio Database
- Customizing the File List
- Selecting in the File List
- Finding out where files are located
- Opening a file for editing
- Playing a file
- Other file operations
- Working with categories
- Location operations
- Filtering the list
- Finding files
- Changing the default categories and keywords
- Workspaces
- Using WaveLab for backup
- Customizing
- Plug-in Processor Reference
- Sampler Details
- SDS - Generic Sample Dump Standard
- SMDI (Standard SCSI transfer)
- Akai S1000/1100 including PB models
- Akai S2000/S2800/S3000/S3200, including all “i”, CD, and “XL” derivatives etc.
- Ensoniq, EPS, EPS16+, ASR-10, ASR-88
- E-mu Esi-32
- E-mu EIV, e64 and other samplers running the EOS operating system
- Kurzweil K2000 and K2500
- Roland S-760
- Troubleshooting
- General problems
- Problems with opening files
- Problems with saving files
- Recording problems
- Playback problems
- Editing problems
- Audio database and workspace problems
- Troubleshooting and precautions
- Sampler communication problems
- Problems and solutions
- Questions and Answers
- Day to day precautions for trouble free CD writing
- Hardware and setup issues
- Key commands
- Index
WAVELAB
Using Auto Split 16 – 343
• On the second page you select the type of splitting you wish to perform:
• The third page of the dialog varies according to the chosen split method.
The following pages of the dialog are common to all types of Auto Split, except that certain
options are greyed out in the dialogs if not applicable.
• The fourth page is where you specify what to do with the regions created
by Auto Split.
You can choose to save the regions as separate files or to create clips and add these to a
new or existing Montage. You can also select to not split the file(s) but to create markers at
the split points instead. Click the question mark icon in the dialog for details.
• On the fifth page you can set various options.
Here you can insert silence at the start and/or end of the files, or automatically assign root
key note numbers to the files. Click the question mark icon in the dialog for details.
• On the last page you specify how the files, clips or markers created by
Auto Split should be named before finally performing the splitting.
Options include a source file name plus a key name or number, or the file name as specified
in a text file. Click the question mark icon in the dialog for details.
Option Description
Split according to
markers
This will split the file(s) at specific marker positions. If you select this, the
next page allows you to select which marker type should govern where
splitting will occur.
Split at specific
intervals
This will split the file(s) at specific time intervals. If you select this, the
next page allows you to specify this time interval (and thus the duration
of each region).
Split between
silences
This will split the file(s) so that each non-silent section becomes a sepa-
rate region. If you select this, the next page lets you specify the minimum
region duration, minimum duration of a silent section, and the signal level
that should be considered as “silence”.
Learn regions from
text file
This mode allows you to split an audio file according to a description of
regions stored in a text file. See “About the “Learn regions from text file”
option” on page 346.
Split at beats This option will detect “beats” in the audio material and split the file(s) at
each beat. If you select this, the next page allows you to specify the sen-
sitivity of the beat detection, the minimum beat level to create a split
point, and the minimum region duration (i.e. no regions shorter than the
specified duration will be created).
Cut head and tail This will remove sections from the start and/or end of the file(s), either
silent sections or sections specified by you on the next page.
Convert stereo files
to two mono files
This will split stereo files into two mono files. Since there are no addi-
tional settings for this, the next page will be the “fourth page” below, on
which you specify where to save the files.