User Manual
Table Of Contents
- Introduction
- Requirements
- Installing and setting up
- Overview
- Basic methods
- Editing in the Wave window
- About this chapter
- Creating new empty documents
- Opening Waves
- Window overview and adjustments
- Setting the zoom factor
- Navigating through the file
- Snapshots
- Setting the ruler start position
- Working with a meter based display
- Setting the wave cursor position
- Selecting
- Basic editing commands
- File handling in Wave windows
- Editing attributes and getting information
- About the Loudness envelope display mode
- Playback and recording
- Metering
- Off-line processing
- Introduction
- Applying processing
- Level Normalizer
- Gain Change
- Loudness Normalizer
- Pan Normalizer
- Dynamics
- Level envelope
- Fade-in and fade-out
- Crossfade
- Invert Phase
- Reverse
- Eliminate DC Offset
- Waveform Restorer
- Time Stretch
- Pitch Correction
- Pitch Quantize
- Pitch Bend
- Harmonization
- Hi-fi Chorus
- EQ
- Convert sample rate
- Effect Morphing
- Support for reNOVAtor™
- Master Section
- Spectrum Editor
- Batch processing
- Batch file encoding
- Batch renaming
- Markers
- Using Auto Split
- Preparing a Basic Audio CD
- Creating, opening and saving Basic Audio CDs
- About the Basic Audio CD window
- Adding files to a Basic Audio CD
- Setting the order of the tracks on the CD
- Deleting files from Basic Audio CDs
- Managing list columns
- “Unfolding” a track
- Opening CD tracks for wave editing
- About the relation between the track list and CD markers
- Working with CD markers
- Adjusting pauses
- Naming tracks
- Other settings
- Checking the total length of the CD
- Playing files in the track list
- Creating a disc image
- Exporting audio files from a track list
- Preparations done!
- About the DVD-Audio format
- The Audio Montage
- Introduction
- The Audio Montage window
- Assembling the Montage
- Zooming and navigating
- Playing back
- Recording
- Rearranging clips
- The Zoom view
- Editing in the Clips view
- Managing clips and source files
- The volume envelope
- Using fades and crossfades in the Montage
- The pan envelope
- Transforming clips
- Adding effects to tracks and clips
- Managing effects in the Plug-ins view
- The Meta Normalizer
- Groups
- Using markers in the Montage
- Undo/Redo and History
- File handling in the Audio Montage
- Using video tracks
- Multichannel operation in the Montage
- Mixing down – The Render function
- Preparing the Audio Montage for CD/DVD- Audio burning
- Creating an Audio CD report
- Using DVD-A picture and text tracks
- Exporting and importing AES-31 files
- XML Export/Import of Audio Montages
- DVD-Audio projects
- Burning an audio CD
- Data CD/DVD Projects
- Importing audio CD/DVD tracks
- Creating labels
- Analysis
- Generating signals
- Synchronizing WaveLab to external devices
- Using samplers and creating loops
- Introduction
- Background information
- Setting up your sampler(s)
- Transmitting samples
- Receiving samples
- Deleting and getting information about samples
- The Transmit Back feature
- In case of problems
- Using WaveLab with Steinberg HALion
- Editing sample attributes
- Basic looping
- Using the Crossfade Looper
- Using the Loop Tone Equalizer
- Audio Databases
- What is an Audio Database and why do I need it?
- Creating and opening Audio Databases
- How Audio Databases are saved
- Window overview and adjustments
- Adding files to the Audio Database
- Customizing the File List
- Selecting in the File List
- Finding out where files are located
- Opening a file for editing
- Playing a file
- Other file operations
- Working with categories
- Location operations
- Filtering the list
- Finding files
- Changing the default categories and keywords
- Workspaces
- Using WaveLab for backup
- Customizing
- Plug-in Processor Reference
- Sampler Details
- SDS - Generic Sample Dump Standard
- SMDI (Standard SCSI transfer)
- Akai S1000/1100 including PB models
- Akai S2000/S2800/S3000/S3200, including all “i”, CD, and “XL” derivatives etc.
- Ensoniq, EPS, EPS16+, ASR-10, ASR-88
- E-mu Esi-32
- E-mu EIV, e64 and other samplers running the EOS operating system
- Kurzweil K2000 and K2500
- Roland S-760
- Troubleshooting
- General problems
- Problems with opening files
- Problems with saving files
- Recording problems
- Playback problems
- Editing problems
- Audio database and workspace problems
- Troubleshooting and precautions
- Sampler communication problems
- Problems and solutions
- Questions and Answers
- Day to day precautions for trouble free CD writing
- Hardware and setup issues
- Key commands
- Index
WAVELAB
Preparing a Basic Audio CD 17 – 359
About relations between markers in a file
To understand how CD markers relate to the items in the Basic Audio
CD, please read the following:
• A track in the Basic Audio CD is defined by a track start or track splice marker in
the actual audio file! Delete the track start/splice marker, and the track item van-
ishes from the list! Also, edit the track start or end position, and the change is re-
flected in all Basic Audio CDs that include this track.
• Just because you create the markers for it, this does not mean the track will be
added to a Basic Audio CD window. You have to do this “manually”, using drag
and drop to the desired Basic Audio CD(s). As a matter of fact, you can have sev-
eral tracks defined in a single audio file, but still decide to only use one or a few of
them in a Basic Audio CD.
• Whenever you create a track start marker, WaveLab will automatically create a
track end marker at the start of the next track or at the end of the file, whichever
occurs first. It’s then up to you to adjust the position of that end marker if you like.
• WaveLab does not allow tracks that start but have no end. Neither will it allow
overlapping or nested tracks (tracks inside tracks). If you try to move track mark-
ers to invalid places (beyond the end of the file, to a position inside another track,
etc.), WaveLab will automatically reorganize the markers to a valid configuration.
• The track splice marker indicates the end of one track and the start of another. In
other words, it's a combined start and end marker. If you drop a start marker after
another start marker, it will automatically convert into a splice marker since you
can't have two starts after each other without an end between them.
• If you use one file in multiple Basic Audio CDs, beware that any changes you
make to the audio file will be reflected in all Basic Audio CDs!
• Sub-index markers can be added between starts and ends as required. The only
limitation is that there can only be 98 sub-index markers per track. You can’t in-
sert a sub-index outside a CD track. If you move a sub-index out of a CD track, it
is deleted.
• Whenever you insert a sub-index, its position is quantized to a CD frame (1/75th
of a second, or 588 audio frames) relative to the track start. If you move the CD
track start marker, all sub-index markers will need to be re-quantized. You will be
warned about this via an alert box. This is usually not a problem, since you will nor-
mally only start defining sub-indexes once your start and end points have been
established.