User Manual
Table Of Contents
- Introduction
- Requirements
- Installing and setting up
- Overview
- Basic methods
- Editing in the Wave window
- About this chapter
- Creating new empty documents
- Opening Waves
- Window overview and adjustments
- Setting the zoom factor
- Navigating through the file
- Snapshots
- Setting the ruler start position
- Working with a meter based display
- Setting the wave cursor position
- Selecting
- Basic editing commands
- File handling in Wave windows
- Editing attributes and getting information
- About the Loudness envelope display mode
- Playback and recording
- Metering
- Off-line processing
- Introduction
- Applying processing
- Level Normalizer
- Gain Change
- Loudness Normalizer
- Pan Normalizer
- Dynamics
- Level envelope
- Fade-in and fade-out
- Crossfade
- Invert Phase
- Reverse
- Eliminate DC Offset
- Waveform Restorer
- Time Stretch
- Pitch Correction
- Pitch Quantize
- Pitch Bend
- Harmonization
- Hi-fi Chorus
- EQ
- Convert sample rate
- Effect Morphing
- Support for reNOVAtor™
- Master Section
- Spectrum Editor
- Batch processing
- Batch file encoding
- Batch renaming
- Markers
- Using Auto Split
- Preparing a Basic Audio CD
- Creating, opening and saving Basic Audio CDs
- About the Basic Audio CD window
- Adding files to a Basic Audio CD
- Setting the order of the tracks on the CD
- Deleting files from Basic Audio CDs
- Managing list columns
- “Unfolding” a track
- Opening CD tracks for wave editing
- About the relation between the track list and CD markers
- Working with CD markers
- Adjusting pauses
- Naming tracks
- Other settings
- Checking the total length of the CD
- Playing files in the track list
- Creating a disc image
- Exporting audio files from a track list
- Preparations done!
- About the DVD-Audio format
- The Audio Montage
- Introduction
- The Audio Montage window
- Assembling the Montage
- Zooming and navigating
- Playing back
- Recording
- Rearranging clips
- The Zoom view
- Editing in the Clips view
- Managing clips and source files
- The volume envelope
- Using fades and crossfades in the Montage
- The pan envelope
- Transforming clips
- Adding effects to tracks and clips
- Managing effects in the Plug-ins view
- The Meta Normalizer
- Groups
- Using markers in the Montage
- Undo/Redo and History
- File handling in the Audio Montage
- Using video tracks
- Multichannel operation in the Montage
- Mixing down – The Render function
- Preparing the Audio Montage for CD/DVD- Audio burning
- Creating an Audio CD report
- Using DVD-A picture and text tracks
- Exporting and importing AES-31 files
- XML Export/Import of Audio Montages
- DVD-Audio projects
- Burning an audio CD
- Data CD/DVD Projects
- Importing audio CD/DVD tracks
- Creating labels
- Analysis
- Generating signals
- Synchronizing WaveLab to external devices
- Using samplers and creating loops
- Introduction
- Background information
- Setting up your sampler(s)
- Transmitting samples
- Receiving samples
- Deleting and getting information about samples
- The Transmit Back feature
- In case of problems
- Using WaveLab with Steinberg HALion
- Editing sample attributes
- Basic looping
- Using the Crossfade Looper
- Using the Loop Tone Equalizer
- Audio Databases
- What is an Audio Database and why do I need it?
- Creating and opening Audio Databases
- How Audio Databases are saved
- Window overview and adjustments
- Adding files to the Audio Database
- Customizing the File List
- Selecting in the File List
- Finding out where files are located
- Opening a file for editing
- Playing a file
- Other file operations
- Working with categories
- Location operations
- Filtering the list
- Finding files
- Changing the default categories and keywords
- Workspaces
- Using WaveLab for backup
- Customizing
- Plug-in Processor Reference
- Sampler Details
- SDS - Generic Sample Dump Standard
- SMDI (Standard SCSI transfer)
- Akai S1000/1100 including PB models
- Akai S2000/S2800/S3000/S3200, including all “i”, CD, and “XL” derivatives etc.
- Ensoniq, EPS, EPS16+, ASR-10, ASR-88
- E-mu Esi-32
- E-mu EIV, e64 and other samplers running the EOS operating system
- Kurzweil K2000 and K2500
- Roland S-760
- Troubleshooting
- General problems
- Problems with opening files
- Problems with saving files
- Recording problems
- Playback problems
- Editing problems
- Audio database and workspace problems
- Troubleshooting and precautions
- Sampler communication problems
- Problems and solutions
- Questions and Answers
- Day to day precautions for trouble free CD writing
- Hardware and setup issues
- Key commands
- Index
WAVELAB
The Audio Montage 19 – 479
The dialog contains the following common elements:
Dialog item Description
Send level
slider
This controls the send level for the chosen effect. Only available when Split
mode is selected.
Latency Certain effect plug-ins that have to analyze the sound before passing it on, will
introduce a latency (delay) in the audio path. WaveLab automatically compen-
sates for this delay with regard to other tracks. However, real-time changes
(like turning an effect knob) will be delayed according to the maximum latency
found among all clips (the largest sum of latencies for a single clip). Plug-ins
with latency cannot be used as Split mode effects (see below).
Tail Effects like reverb and delay produce audio “tails”, i.e. the effect sound contin-
ues after the clip sound ends. If for example you add echo to a clip without
specifying a tail value, the echo effect is muted as soon as the clip ends, which
is in most cases undesirable. Set the tail length so that the effect is allowed to
decay naturally. If you add another plug-in to the clip that also produces a tail,
a separate tail value does not have to be set for this plug-in unless the new ef-
fect has a longer natural decay tail than the first. The overall tail length for the
clip is the sum of each plug-in’s tail. The maximum tail setting is 30 seconds.
Split mode If Split mode is activated for an effect, the send level for the effect can be ad-
justed, as described in the section “Effect type: Insert or Split Mode?” on page
477. For some effects, this setting cannot be changed.
Bypass If this is activated, the effect is bypassed.
Effects
button
This button opens the Effects menu where you can select to remove the slot’s
current effect, or select a new one from the menu for the same slot. Changing
the effect using this menu will erase any unsaved changes to the previously se-
lected effect.
Preset
button
This button opens the preset menu where you can load or save effect banks or
effects. There are also two items named Load and Save Default Bank. Saving
as default bank will store the effect settings in the same folder as the plug-in’s
.dll file, and each time you load the plug-in this bank will automatically be
loaded. This is the way to customize the default presets of a plug-in.
Functions
button
This button opens the Functions menu which allows you to copy/paste effect
settings between clips, rearrange the order of the effect slots and switch be-
tween the different effect dialogs currently active. See “Copying effect settings
to another clip” and “Rearranging the order of the effect slots” below.