User Manual
Table Of Contents
- Introduction
- Requirements
- Installing and setting up
- Overview
- Basic methods
- Editing in the Wave window
- About this chapter
- Creating new empty documents
- Opening Waves
- Window overview and adjustments
- Setting the zoom factor
- Navigating through the file
- Snapshots
- Setting the ruler start position
- Working with a meter based display
- Setting the wave cursor position
- Selecting
- Basic editing commands
- File handling in Wave windows
- Editing attributes and getting information
- About the Loudness envelope display mode
- Playback and recording
- Metering
- Off-line processing
- Introduction
- Applying processing
- Level Normalizer
- Gain Change
- Loudness Normalizer
- Pan Normalizer
- Dynamics
- Level envelope
- Fade-in and fade-out
- Crossfade
- Invert Phase
- Reverse
- Eliminate DC Offset
- Waveform Restorer
- Time Stretch
- Pitch Correction
- Pitch Quantize
- Pitch Bend
- Harmonization
- Hi-fi Chorus
- EQ
- Convert sample rate
- Effect Morphing
- Support for reNOVAtor™
- Master Section
- Spectrum Editor
- Batch processing
- Batch file encoding
- Batch renaming
- Markers
- Using Auto Split
- Preparing a Basic Audio CD
- Creating, opening and saving Basic Audio CDs
- About the Basic Audio CD window
- Adding files to a Basic Audio CD
- Setting the order of the tracks on the CD
- Deleting files from Basic Audio CDs
- Managing list columns
- “Unfolding” a track
- Opening CD tracks for wave editing
- About the relation between the track list and CD markers
- Working with CD markers
- Adjusting pauses
- Naming tracks
- Other settings
- Checking the total length of the CD
- Playing files in the track list
- Creating a disc image
- Exporting audio files from a track list
- Preparations done!
- About the DVD-Audio format
- The Audio Montage
- Introduction
- The Audio Montage window
- Assembling the Montage
- Zooming and navigating
- Playing back
- Recording
- Rearranging clips
- The Zoom view
- Editing in the Clips view
- Managing clips and source files
- The volume envelope
- Using fades and crossfades in the Montage
- The pan envelope
- Transforming clips
- Adding effects to tracks and clips
- Managing effects in the Plug-ins view
- The Meta Normalizer
- Groups
- Using markers in the Montage
- Undo/Redo and History
- File handling in the Audio Montage
- Using video tracks
- Multichannel operation in the Montage
- Mixing down – The Render function
- Preparing the Audio Montage for CD/DVD- Audio burning
- Creating an Audio CD report
- Using DVD-A picture and text tracks
- Exporting and importing AES-31 files
- XML Export/Import of Audio Montages
- DVD-Audio projects
- Burning an audio CD
- Data CD/DVD Projects
- Importing audio CD/DVD tracks
- Creating labels
- Analysis
- Generating signals
- Synchronizing WaveLab to external devices
- Using samplers and creating loops
- Introduction
- Background information
- Setting up your sampler(s)
- Transmitting samples
- Receiving samples
- Deleting and getting information about samples
- The Transmit Back feature
- In case of problems
- Using WaveLab with Steinberg HALion
- Editing sample attributes
- Basic looping
- Using the Crossfade Looper
- Using the Loop Tone Equalizer
- Audio Databases
- What is an Audio Database and why do I need it?
- Creating and opening Audio Databases
- How Audio Databases are saved
- Window overview and adjustments
- Adding files to the Audio Database
- Customizing the File List
- Selecting in the File List
- Finding out where files are located
- Opening a file for editing
- Playing a file
- Other file operations
- Working with categories
- Location operations
- Filtering the list
- Finding files
- Changing the default categories and keywords
- Workspaces
- Using WaveLab for backup
- Customizing
- Plug-in Processor Reference
- Sampler Details
- SDS - Generic Sample Dump Standard
- SMDI (Standard SCSI transfer)
- Akai S1000/1100 including PB models
- Akai S2000/S2800/S3000/S3200, including all “i”, CD, and “XL” derivatives etc.
- Ensoniq, EPS, EPS16+, ASR-10, ASR-88
- E-mu Esi-32
- E-mu EIV, e64 and other samplers running the EOS operating system
- Kurzweil K2000 and K2500
- Roland S-760
- Troubleshooting
- General problems
- Problems with opening files
- Problems with saving files
- Recording problems
- Playback problems
- Editing problems
- Audio database and workspace problems
- Troubleshooting and precautions
- Sampler communication problems
- Problems and solutions
- Questions and Answers
- Day to day precautions for trouble free CD writing
- Hardware and setup issues
- Key commands
- Index
WAVELAB
The Audio Montage 19 – 529
8. Select whether you want to create a named file or not.
If you activate “Create named file(s)”, you must specify a name and location for the file (or
just a location in case Regions are used). If you don’t activate the option, a temporary file is
created, with the bit resolution specified in the Preferences dialog–File tab.
9. If “Create specific file” is selected you can click the item at the bottom of
the dialog to open the Audio File Format dialog.
Here you can specify the various audio properties for the file(s) to be rendered. For certain
compressed file formats (mp3/mp2/WMA/Ogg Vorbis), you can make encoding settings
from the Encode pop-up menu. Click the question mark icon in the dialog for details.
Do fade-in/out at
boundaries
“Do fade-in/out at boundaries” is selectable when “Regions” is acti-
vated. In this case, the generated files get a short fade-in at the start, and
a short fade-out at the end.
The fade time and shape is set in the “Default fade/crossfade” section in
the Preferences–Wave edit tab. The fade processor is located after the
master fader, and before the post-master/dither slot. This allows the sig-
nal to benefit from dithering, if used.
If the fade time is longer than half the length of the processed file, it is not
performed.
Create Basic
Audio CD
This option (available when “Whole Montage” is selected and CD track
markers have been added, see “Preparing the Audio Montage for CD/
DVD-Audio burning” on page 531) creates a temporary file of the whole
Montage including clip and Master effects and opens it as a Basic Au-
dio CD window. This is a way to perform the processing and the CD
burning separately (to conserve computing power). However, since not
all Montage features are available in a Basic Audio CD, you may want to
use the Create CD image method instead.
Create CD image
and cue-sheet
This option (available when “Whole Montage” and “Create Specific file”
are selected and CD track markers have been added) lets you export an
Audio Montage as a CD image with an accompanying cue sheet (a text
file identifying the CD tracks in the image file). The cue sheet and the
image file it describes can then be imported into any CD recording ap-
plication that supports this function (including WaveLab), and written
onto CD.
Open as new Audio
Montage
If you have selected “Create CD image and cue-sheet”, you can select
this option, in which case the created CD image will open as a new Au-
dio Montage on completion. This is the method to use when burning a
CD from a CPU-intensive Montage, as it lets you render the processing
and burn the CD in two separate passes, without losing any Montage
functionality (see “About the two CD write methods” on page 540). If
you have added DVD track markers in a Montage, this option is also
available. Montages that are (or will become) part of a DVD-Audio
project will always be rendered anyway before burning, but you could
still use this option to “print” the Montage effects, allowing you to add
more effects, etc.
Option Description