User Manual
Table Of Contents
- Introduction
- Requirements
- Installing and setting up
- Overview
- Basic methods
- Editing in the Wave window
- About this chapter
- Creating new empty documents
- Opening Waves
- Window overview and adjustments
- Setting the zoom factor
- Navigating through the file
- Snapshots
- Setting the ruler start position
- Working with a meter based display
- Setting the wave cursor position
- Selecting
- Basic editing commands
- File handling in Wave windows
- Editing attributes and getting information
- About the Loudness envelope display mode
- Playback and recording
- Metering
- Off-line processing
- Introduction
- Applying processing
- Level Normalizer
- Gain Change
- Loudness Normalizer
- Pan Normalizer
- Dynamics
- Level envelope
- Fade-in and fade-out
- Crossfade
- Invert Phase
- Reverse
- Eliminate DC Offset
- Waveform Restorer
- Time Stretch
- Pitch Correction
- Pitch Quantize
- Pitch Bend
- Harmonization
- Hi-fi Chorus
- EQ
- Convert sample rate
- Effect Morphing
- Support for reNOVAtor™
- Master Section
- Spectrum Editor
- Batch processing
- Batch file encoding
- Batch renaming
- Markers
- Using Auto Split
- Preparing a Basic Audio CD
- Creating, opening and saving Basic Audio CDs
- About the Basic Audio CD window
- Adding files to a Basic Audio CD
- Setting the order of the tracks on the CD
- Deleting files from Basic Audio CDs
- Managing list columns
- “Unfolding” a track
- Opening CD tracks for wave editing
- About the relation between the track list and CD markers
- Working with CD markers
- Adjusting pauses
- Naming tracks
- Other settings
- Checking the total length of the CD
- Playing files in the track list
- Creating a disc image
- Exporting audio files from a track list
- Preparations done!
- About the DVD-Audio format
- The Audio Montage
- Introduction
- The Audio Montage window
- Assembling the Montage
- Zooming and navigating
- Playing back
- Recording
- Rearranging clips
- The Zoom view
- Editing in the Clips view
- Managing clips and source files
- The volume envelope
- Using fades and crossfades in the Montage
- The pan envelope
- Transforming clips
- Adding effects to tracks and clips
- Managing effects in the Plug-ins view
- The Meta Normalizer
- Groups
- Using markers in the Montage
- Undo/Redo and History
- File handling in the Audio Montage
- Using video tracks
- Multichannel operation in the Montage
- Mixing down – The Render function
- Preparing the Audio Montage for CD/DVD- Audio burning
- Creating an Audio CD report
- Using DVD-A picture and text tracks
- Exporting and importing AES-31 files
- XML Export/Import of Audio Montages
- DVD-Audio projects
- Burning an audio CD
- Data CD/DVD Projects
- Importing audio CD/DVD tracks
- Creating labels
- Analysis
- Generating signals
- Synchronizing WaveLab to external devices
- Using samplers and creating loops
- Introduction
- Background information
- Setting up your sampler(s)
- Transmitting samples
- Receiving samples
- Deleting and getting information about samples
- The Transmit Back feature
- In case of problems
- Using WaveLab with Steinberg HALion
- Editing sample attributes
- Basic looping
- Using the Crossfade Looper
- Using the Loop Tone Equalizer
- Audio Databases
- What is an Audio Database and why do I need it?
- Creating and opening Audio Databases
- How Audio Databases are saved
- Window overview and adjustments
- Adding files to the Audio Database
- Customizing the File List
- Selecting in the File List
- Finding out where files are located
- Opening a file for editing
- Playing a file
- Other file operations
- Working with categories
- Location operations
- Filtering the list
- Finding files
- Changing the default categories and keywords
- Workspaces
- Using WaveLab for backup
- Customizing
- Plug-in Processor Reference
- Sampler Details
- SDS - Generic Sample Dump Standard
- SMDI (Standard SCSI transfer)
- Akai S1000/1100 including PB models
- Akai S2000/S2800/S3000/S3200, including all “i”, CD, and “XL” derivatives etc.
- Ensoniq, EPS, EPS16+, ASR-10, ASR-88
- E-mu Esi-32
- E-mu EIV, e64 and other samplers running the EOS operating system
- Kurzweil K2000 and K2500
- Roland S-760
- Troubleshooting
- General problems
- Problems with opening files
- Problems with saving files
- Recording problems
- Playback problems
- Editing problems
- Audio database and workspace problems
- Troubleshooting and precautions
- Sampler communication problems
- Problems and solutions
- Questions and Answers
- Day to day precautions for trouble free CD writing
- Hardware and setup issues
- Key commands
- Index
WAVELAB
The Audio Montage 19 – 533
6. If you like, activate the option “Adjust pause before tracks”.
This automatically adjusts the pause before each track, either to a fixed value (as specified
in the Set time value box) or to the number of whole seconds closest to each current pause
in the Montage.
If you want to adjust the pauses between tracks but don’t want the start time of the first
track in the Montage to change, be sure to activate “Don’t change first pause”. If you do, the
original position of the first track will not change relative to the start of the Montage.
• The Red Book audio CD standard requires that the pause before the first
track is at least 2 seconds (this does not apply to DVD-Audio).
If the option “Automatically set the standard duration for pause #1” is activated on the CD/
DVD-A view : Options menu, WaveLab will automatically adjust the first pause to 2 sec-
onds. This option is activated by default.
7. Adjust the other settings if you want.
Click the question mark icon in the dialog for details.
8. Click Apply.
The dialog closes. Now, CD or DVD track markers are generated and pauses are adjusted
according to your settings. The CD/DVD view will now display a list of CD or DVD tracks,
as defined by the corresponding track markers.
9. You can use the Play Next/Play Previous buttons on the toolbar (also
available on the Functions menu) to audition tracks.
10. You can use the “Play all track starts” playback option on the toolbar (also
available on the Functions menu) to check the beginning of – or the tran-
sition between – consecutive tracks, see “Checking transitions between
tracks” on page 539.
11. If needed, you can adjust the CD or DVD track markers manually in the
Track View or Markers view.
An example of a situation where you would need to add markers manually would be a con-
tinuous recording (one clip, e.g. a live recording), which you want to divide into separate
CD/DVD tracks. Since this would contain neither clip boundaries nor crossfade points, the
CD/DVD Wizard would not add any markers (apart from at the start and end of the whole
clip). Then it would be necessary to add track splice markers at the desired positions. Other
instances are track indexes (see “The different types of “events” on an audio CD” on page
578 – this describes events on an audio CD but applies to events on a DVD-A as well).
However, in most cases the CD/DVD Wizard will do a good job, and we recommend that
you don’t edit the generated markers unless you really need to.
12. Select “Check” from the CD/DVD-A view : Functions menu or click the
“glasses” icon.
WaveLab will check the CD/DVD list and inform you whether it’s OK or not (this check is
also performed automatically before actually burning a CD from the Montage). For DVD-Au-
dio you can also use the check function for all Montages added to a DVD-Audio project be-
fore the final rendering process.