User Manual
Table Of Contents
- Introduction
- Requirements
- Installing and setting up
- Overview
- Basic methods
- Editing in the Wave window
- About this chapter
- Creating new empty documents
- Opening Waves
- Window overview and adjustments
- Setting the zoom factor
- Navigating through the file
- Snapshots
- Setting the ruler start position
- Working with a meter based display
- Setting the wave cursor position
- Selecting
- Basic editing commands
- File handling in Wave windows
- Editing attributes and getting information
- About the Loudness envelope display mode
- Playback and recording
- Metering
- Off-line processing
- Introduction
- Applying processing
- Level Normalizer
- Gain Change
- Loudness Normalizer
- Pan Normalizer
- Dynamics
- Level envelope
- Fade-in and fade-out
- Crossfade
- Invert Phase
- Reverse
- Eliminate DC Offset
- Waveform Restorer
- Time Stretch
- Pitch Correction
- Pitch Quantize
- Pitch Bend
- Harmonization
- Hi-fi Chorus
- EQ
- Convert sample rate
- Effect Morphing
- Support for reNOVAtor™
- Master Section
- Spectrum Editor
- Batch processing
- Batch file encoding
- Batch renaming
- Markers
- Using Auto Split
- Preparing a Basic Audio CD
- Creating, opening and saving Basic Audio CDs
- About the Basic Audio CD window
- Adding files to a Basic Audio CD
- Setting the order of the tracks on the CD
- Deleting files from Basic Audio CDs
- Managing list columns
- “Unfolding” a track
- Opening CD tracks for wave editing
- About the relation between the track list and CD markers
- Working with CD markers
- Adjusting pauses
- Naming tracks
- Other settings
- Checking the total length of the CD
- Playing files in the track list
- Creating a disc image
- Exporting audio files from a track list
- Preparations done!
- About the DVD-Audio format
- The Audio Montage
- Introduction
- The Audio Montage window
- Assembling the Montage
- Zooming and navigating
- Playing back
- Recording
- Rearranging clips
- The Zoom view
- Editing in the Clips view
- Managing clips and source files
- The volume envelope
- Using fades and crossfades in the Montage
- The pan envelope
- Transforming clips
- Adding effects to tracks and clips
- Managing effects in the Plug-ins view
- The Meta Normalizer
- Groups
- Using markers in the Montage
- Undo/Redo and History
- File handling in the Audio Montage
- Using video tracks
- Multichannel operation in the Montage
- Mixing down – The Render function
- Preparing the Audio Montage for CD/DVD- Audio burning
- Creating an Audio CD report
- Using DVD-A picture and text tracks
- Exporting and importing AES-31 files
- XML Export/Import of Audio Montages
- DVD-Audio projects
- Burning an audio CD
- Data CD/DVD Projects
- Importing audio CD/DVD tracks
- Creating labels
- Analysis
- Generating signals
- Synchronizing WaveLab to external devices
- Using samplers and creating loops
- Introduction
- Background information
- Setting up your sampler(s)
- Transmitting samples
- Receiving samples
- Deleting and getting information about samples
- The Transmit Back feature
- In case of problems
- Using WaveLab with Steinberg HALion
- Editing sample attributes
- Basic looping
- Using the Crossfade Looper
- Using the Loop Tone Equalizer
- Audio Databases
- What is an Audio Database and why do I need it?
- Creating and opening Audio Databases
- How Audio Databases are saved
- Window overview and adjustments
- Adding files to the Audio Database
- Customizing the File List
- Selecting in the File List
- Finding out where files are located
- Opening a file for editing
- Playing a file
- Other file operations
- Working with categories
- Location operations
- Filtering the list
- Finding files
- Changing the default categories and keywords
- Workspaces
- Using WaveLab for backup
- Customizing
- Plug-in Processor Reference
- Sampler Details
- SDS - Generic Sample Dump Standard
- SMDI (Standard SCSI transfer)
- Akai S1000/1100 including PB models
- Akai S2000/S2800/S3000/S3200, including all “i”, CD, and “XL” derivatives etc.
- Ensoniq, EPS, EPS16+, ASR-10, ASR-88
- E-mu Esi-32
- E-mu EIV, e64 and other samplers running the EOS operating system
- Kurzweil K2000 and K2500
- Roland S-760
- Troubleshooting
- General problems
- Problems with opening files
- Problems with saving files
- Recording problems
- Playback problems
- Editing problems
- Audio database and workspace problems
- Troubleshooting and precautions
- Sampler communication problems
- Problems and solutions
- Questions and Answers
- Day to day precautions for trouble free CD writing
- Hardware and setup issues
- Key commands
- Index
WAVELAB
Plug-in Processor Reference 33 – 761
Chorus
The Chorus plug-in (only available in the Master Section) is a classic ste-
reo chorus based on a sweeping delay, with the following parameters:
Parameter Description
Delay (0.1~60ms) Use this parameter to specify the basic time delay for the chorused sig-
nal with respect to the “dry” signal. The higher the value, the more pro-
minent the effect. Low settings (up to 7ms) create flanger-like effects.
Settings up to 25ms are for classic chorus while settings above this
value are mainly for special effects.
Width (0~100%) Use this parameter to specify how much the delay time is allowed to
vary with the modulation. It is this variation in delay time that causes the
sweeping effect. Note that the value 0% should probably be avoided
since it might create the impression that you are experiencing phase
problems.
Frequency
(0.01~25Hz)
The Frequency parameter sets the speed of the sweep (the modula-
tion). The higher the value, the faster the modulation. You will probably
not use values above 7Hz except for special effects.
Feedback
(0~100%)
This parameter specifies how much of the output from the effect is fed
back to the input (the feedback signal is also phase inverted). The
higher the value, the more prominent the effect. At short delay times, this
creates a flanger-like effect. At larger settings it creates more of a slap-
back repetition type of sound.
Fb Balance
(0~100%)
Use this parameter to set the volume of the Feedback signal (see
above) in the mix. If this is set to 100%, and combined with a Feedback
setting between 65% and 100%, the effect goes into self-oscillation.
Glimmer 1,
Glimmer 2
(0~100%)
The two Glimmer parameters allow you to specify to what extent the
Chorus signal should move around in the stereo image. They work in
more or less the same way as the Auto Panner but only apply to the
Chorus signals. Glimmer 1 processes the right channel signal, while
Glimmer 2 processes a combination of the left and right channels (the
actual left channel always remains at 0).
Stereo Spread
(0~100%)
This parameter specifies the width the Chorus effect will occupy in the
stereo sound image. The value 0% creates a mono impression, and
since left and right channel signals are then mixed together, the Chorus
becomes louder.
Mix (0~100%) Use this parameter to specify the balance in level between the dry and
the delayed signal. The value 0% means that only the dry signal will be
heard, while 100% actually means a 50/50 mix between dry and effect
signal.
Output Lev
(-48dB~0dB)
This is an attenuator that allows you to reduce the output level of the
Chorus effect, avoiding clipping and hence distortion. If the Clip indica-
tor lights up continuously, lower this value.