User Manual
Table Of Contents
- Introduction
- Requirements
- Installing and setting up
- Overview
- Basic methods
- Editing in the Wave window
- About this chapter
- Creating new empty documents
- Opening Waves
- Window overview and adjustments
- Setting the zoom factor
- Navigating through the file
- Snapshots
- Setting the ruler start position
- Working with a meter based display
- Setting the wave cursor position
- Selecting
- Basic editing commands
- File handling in Wave windows
- Editing attributes and getting information
- About the Loudness envelope display mode
- Playback and recording
- Metering
- Off-line processing
- Introduction
- Applying processing
- Level Normalizer
- Gain Change
- Loudness Normalizer
- Pan Normalizer
- Dynamics
- Level envelope
- Fade-in and fade-out
- Crossfade
- Invert Phase
- Reverse
- Eliminate DC Offset
- Waveform Restorer
- Time Stretch
- Pitch Correction
- Pitch Quantize
- Pitch Bend
- Harmonization
- Hi-fi Chorus
- EQ
- Convert sample rate
- Effect Morphing
- Support for reNOVAtor™
- Master Section
- Spectrum Editor
- Batch processing
- Batch file encoding
- Batch renaming
- Markers
- Using Auto Split
- Preparing a Basic Audio CD
- Creating, opening and saving Basic Audio CDs
- About the Basic Audio CD window
- Adding files to a Basic Audio CD
- Setting the order of the tracks on the CD
- Deleting files from Basic Audio CDs
- Managing list columns
- “Unfolding” a track
- Opening CD tracks for wave editing
- About the relation between the track list and CD markers
- Working with CD markers
- Adjusting pauses
- Naming tracks
- Other settings
- Checking the total length of the CD
- Playing files in the track list
- Creating a disc image
- Exporting audio files from a track list
- Preparations done!
- About the DVD-Audio format
- The Audio Montage
- Introduction
- The Audio Montage window
- Assembling the Montage
- Zooming and navigating
- Playing back
- Recording
- Rearranging clips
- The Zoom view
- Editing in the Clips view
- Managing clips and source files
- The volume envelope
- Using fades and crossfades in the Montage
- The pan envelope
- Transforming clips
- Adding effects to tracks and clips
- Managing effects in the Plug-ins view
- The Meta Normalizer
- Groups
- Using markers in the Montage
- Undo/Redo and History
- File handling in the Audio Montage
- Using video tracks
- Multichannel operation in the Montage
- Mixing down – The Render function
- Preparing the Audio Montage for CD/DVD- Audio burning
- Creating an Audio CD report
- Using DVD-A picture and text tracks
- Exporting and importing AES-31 files
- XML Export/Import of Audio Montages
- DVD-Audio projects
- Burning an audio CD
- Data CD/DVD Projects
- Importing audio CD/DVD tracks
- Creating labels
- Analysis
- Generating signals
- Synchronizing WaveLab to external devices
- Using samplers and creating loops
- Introduction
- Background information
- Setting up your sampler(s)
- Transmitting samples
- Receiving samples
- Deleting and getting information about samples
- The Transmit Back feature
- In case of problems
- Using WaveLab with Steinberg HALion
- Editing sample attributes
- Basic looping
- Using the Crossfade Looper
- Using the Loop Tone Equalizer
- Audio Databases
- What is an Audio Database and why do I need it?
- Creating and opening Audio Databases
- How Audio Databases are saved
- Window overview and adjustments
- Adding files to the Audio Database
- Customizing the File List
- Selecting in the File List
- Finding out where files are located
- Opening a file for editing
- Playing a file
- Other file operations
- Working with categories
- Location operations
- Filtering the list
- Finding files
- Changing the default categories and keywords
- Workspaces
- Using WaveLab for backup
- Customizing
- Plug-in Processor Reference
- Sampler Details
- SDS - Generic Sample Dump Standard
- SMDI (Standard SCSI transfer)
- Akai S1000/1100 including PB models
- Akai S2000/S2800/S3000/S3200, including all “i”, CD, and “XL” derivatives etc.
- Ensoniq, EPS, EPS16+, ASR-10, ASR-88
- E-mu Esi-32
- E-mu EIV, e64 and other samplers running the EOS operating system
- Kurzweil K2000 and K2500
- Roland S-760
- Troubleshooting
- General problems
- Problems with opening files
- Problems with saving files
- Recording problems
- Playback problems
- Editing problems
- Audio database and workspace problems
- Troubleshooting and precautions
- Sampler communication problems
- Problems and solutions
- Questions and Answers
- Day to day precautions for trouble free CD writing
- Hardware and setup issues
- Key commands
- Index
WAVELAB
Plug-in Processor Reference 33 – 771
The whole Declicking process can be visually monitored in the Input and
Output displays of the DeClicker window (showing the incoming audio
and the processed - DeClicked - audio, respectively). This helps you to
adjust the parameters. Furthermore, if you activate the Audition button,
only the removed material will be heard (and shown in the Output display).
Make sure that no low-pass filter has been applied to your audio material
before you edit it with DeClicker. This may affect the detection of clicks.
Parameters
Parameter Description
Audition button When this is activated, only the removed material will be heard. The
Output display will also show the waveform image of the removed mate-
rial in this mode.
Classic When this is activated, the DeClicker attempts to remove both audible
clicks and crackle noise. When it’s deactivated, only single clicks will be
removed while crackles (rapidly repeated clicks) are ignored. Which
mode to choose depends on the source material. Note also that Classic
mode requires less CPU power.
Threshold This setting determines the amplitude (level) required for a click to be
detected. In many cases, DeClicker’s sensitive algorithms identify a lot
more clicks than you can actually hear. To avoid wasting processing
power to remove inaudible clicks, raise this parameter to a high value,
and then lower it until all the artefacts that you actually want removed
are detected. The lower the setting, the more clicks will be detected but
also the higher the risk of audible artefacts. If in doubt, activate Audition
mode and check that the removed material doesn’t contain any actual
musical or rhythmical information, etc.
DePlop This setting controls a special highpass filter which works on signals
below 150 Hz. It cuts away the “plop noise” which sometimes appears
after eliminating a click. The slider adjusts the filter frequency (off - 150
Hz).
Note: This function is best applied to older recordings, which often use
a narrow frequency range. Be careful when applying this function to
modern recordings, as you may risk removing parts of the useful signal!
Quality This determines the quality of the click removal and audio restoration,
with “4” being the best quality setting. Please note that selecting higher
quality settings also means that more processing power is consumed.
Also, note that in some situations it might be more productive to use a
lower Quality value. One example of this is when two clicks follow each
other in quick succession or when you tackle a click in a low level part
that is followed by a loud part.