User Manual
Table Of Contents
- Introduction
- Requirements
- Installing and setting up
- Overview
- Basic methods
- Editing in the Wave window
- About this chapter
- Creating new empty documents
- Opening Waves
- Window overview and adjustments
- Setting the zoom factor
- Navigating through the file
- Snapshots
- Setting the ruler start position
- Working with a meter based display
- Setting the wave cursor position
- Selecting
- Basic editing commands
- File handling in Wave windows
- Editing attributes and getting information
- About the Loudness envelope display mode
- Playback and recording
- Metering
- Off-line processing
- Introduction
- Applying processing
- Level Normalizer
- Gain Change
- Loudness Normalizer
- Pan Normalizer
- Dynamics
- Level envelope
- Fade-in and fade-out
- Crossfade
- Invert Phase
- Reverse
- Eliminate DC Offset
- Waveform Restorer
- Time Stretch
- Pitch Correction
- Pitch Quantize
- Pitch Bend
- Harmonization
- Hi-fi Chorus
- EQ
- Convert sample rate
- Effect Morphing
- Support for reNOVAtor™
- Master Section
- Spectrum Editor
- Batch processing
- Batch file encoding
- Batch renaming
- Markers
- Using Auto Split
- Preparing a Basic Audio CD
- Creating, opening and saving Basic Audio CDs
- About the Basic Audio CD window
- Adding files to a Basic Audio CD
- Setting the order of the tracks on the CD
- Deleting files from Basic Audio CDs
- Managing list columns
- “Unfolding” a track
- Opening CD tracks for wave editing
- About the relation between the track list and CD markers
- Working with CD markers
- Adjusting pauses
- Naming tracks
- Other settings
- Checking the total length of the CD
- Playing files in the track list
- Creating a disc image
- Exporting audio files from a track list
- Preparations done!
- About the DVD-Audio format
- The Audio Montage
- Introduction
- The Audio Montage window
- Assembling the Montage
- Zooming and navigating
- Playing back
- Recording
- Rearranging clips
- The Zoom view
- Editing in the Clips view
- Managing clips and source files
- The volume envelope
- Using fades and crossfades in the Montage
- The pan envelope
- Transforming clips
- Adding effects to tracks and clips
- Managing effects in the Plug-ins view
- The Meta Normalizer
- Groups
- Using markers in the Montage
- Undo/Redo and History
- File handling in the Audio Montage
- Using video tracks
- Multichannel operation in the Montage
- Mixing down – The Render function
- Preparing the Audio Montage for CD/DVD- Audio burning
- Creating an Audio CD report
- Using DVD-A picture and text tracks
- Exporting and importing AES-31 files
- XML Export/Import of Audio Montages
- DVD-Audio projects
- Burning an audio CD
- Data CD/DVD Projects
- Importing audio CD/DVD tracks
- Creating labels
- Analysis
- Generating signals
- Synchronizing WaveLab to external devices
- Using samplers and creating loops
- Introduction
- Background information
- Setting up your sampler(s)
- Transmitting samples
- Receiving samples
- Deleting and getting information about samples
- The Transmit Back feature
- In case of problems
- Using WaveLab with Steinberg HALion
- Editing sample attributes
- Basic looping
- Using the Crossfade Looper
- Using the Loop Tone Equalizer
- Audio Databases
- What is an Audio Database and why do I need it?
- Creating and opening Audio Databases
- How Audio Databases are saved
- Window overview and adjustments
- Adding files to the Audio Database
- Customizing the File List
- Selecting in the File List
- Finding out where files are located
- Opening a file for editing
- Playing a file
- Other file operations
- Working with categories
- Location operations
- Filtering the list
- Finding files
- Changing the default categories and keywords
- Workspaces
- Using WaveLab for backup
- Customizing
- Plug-in Processor Reference
- Sampler Details
- SDS - Generic Sample Dump Standard
- SMDI (Standard SCSI transfer)
- Akai S1000/1100 including PB models
- Akai S2000/S2800/S3000/S3200, including all “i”, CD, and “XL” derivatives etc.
- Ensoniq, EPS, EPS16+, ASR-10, ASR-88
- E-mu Esi-32
- E-mu EIV, e64 and other samplers running the EOS operating system
- Kurzweil K2000 and K2500
- Roland S-760
- Troubleshooting
- General problems
- Problems with opening files
- Problems with saving files
- Recording problems
- Playback problems
- Editing problems
- Audio database and workspace problems
- Troubleshooting and precautions
- Sampler communication problems
- Problems and solutions
- Questions and Answers
- Day to day precautions for trouble free CD writing
- Hardware and setup issues
- Key commands
- Index
WAVELAB
33 – 774 Plug-in Processor Reference
• The light green line.
This is simply a graphic representation of the Offset parameter.
The light green Offset line should be adjusted so that it appears as close
above the yellow noise floor graph as possible. The dark green spectrum
plot is there to help you fine-tune the Offset setting, so that only the noise
is removed, not parts of the signal (ideally, the light green line should be
between the yellow line and the spectrum plot).
Parameters
Parameter Description
Freeze If you activate this button, you “freeze” the noise floor detection pro-
cess. The yellow noise floor graph in the display will hold its current
value (as will the numeric noise floor value display below) until you de-
activate Freeze. This allows you to take a closer look at the readings.
Reduction Governs the amount of noise reduction. The display below this fader
shows the amount of dB by which the noise level is being reduced. The
final result also depends on the Ambience parameter, and on the auto-
matic Ambience and Transient analysis of the original material, as de-
scribed above.
Ambience This parameter is used to specify a balance between the noise suppres-
sion and the amount of natural ambience, which is essential for a natural
result. With a low Ambience setting, the sound can become somewhat
lifeless and sterile. A high setting, on the other hand, preserves more of
the ambient character of the sound, but the noise suppression is less
effective.
Offset This parameter serves as a threshold, governing the overall level at
which the noise reduction is performed. For optimal noise reduction
with a minimum of sound coloration, this parameter should be set to a
value slightly above the noise floor level. To help you do this, the offset
value is shown as a light green line in the noisefloor display, while the
noise floor is shown as a yellow line.
A/B/Store These are described below this table.
Classic When this is activated, a less CPU-intensive version of the DeNoiser al-
gorithm is used. Use Classic mode if you are short on processing
power. However, for optimum noise suppression, we recommend that
you deactivate Classic mode.
Bypass When this is activated, the signal passes through the plug-in but you
don’t hear the results of the processing. Use this to compare the sound
with and without processing. Note: the analysis is always performed, re-
gardless of the Bypass switch. This allows you to monitor the noise
floor, spectrum and level in the spectrum display.