User Manual

ManualsBrandsSteinberg ManualsAudio SoftwareHALion 6 - Educational - SOFTWARE FOR SAMPLING AND SOUND SYNTHESIS

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Table Of Contents

Table of Contents
Installation and Setup
- Conventions
- System Requirements
- Downloading Program Files
- Installing the Program
- Activating Your License
- Registering Your Software
- How You Can Reach Us
- About the Documentation
- Setting Up
HALion Control Panel
- Configuring the Control Panel
  - Setup Options
- View and Tab Operations
- Window Handling
- Setting the Focus
- Available Editors
Common Editing Methods
- Dials and Sliders
- Multi Selection and Parameter Controls
- Buttons
- Value Fields
- Using Key Commands
- Presets
  - Handling Section and Module Presets
  - Handling VST Presets
Global Functions and Settings
- Plug-in Functions Section
- Plug-in Name and Steinberg Logo
- Toolbar
- Keyboard Editor
- Quick Controls
- Options Editor
- AI Knob Support
Automation
- Automation Parameters
- Automation Editor
- Setting Up Automation
Managing Your Sounds
- About Programs, Layers, Multis, Macro Pages, and Presets
- Registering VST Sounds
- Loading Programs and Layers
  - Finding Missing Samples
- Load Dialog
- Slot Rack
- Managing and Loading Files
- Working with General MIDI Files
Mapping Zones
- Mapping Editor
- Mapping Editor Context Menu
- Sample Zones and their Root Keys
- Moving Zones
- Creating Fades and Crossfades
- Setting Key Range and Velocity Range
- Zooming
- Selecting Zones
- Importing Single Samples Using Drag And Drop
- Importing Multiple Samples Using Drag And Drop
Editing Programs and Layers
- Main Section
- Trigger Section
- Voice Management Section
  - Voice Groups
  - Assigning Zones to Voice Groups
- Variation Groups Section
  - Assigning Zones to Variation Groups
- Quick Control Assignments Section
- Note Expression Section
Editing Zones
- Adding Zones
- Zone Types
- Adding Samples to Empty Zones
- Absolute and Relative Editing
- Editing Selected Zones or All Zones
- Global Zone Settings
  - Managing Sections
- Voice Control Section
- Voice Control Section for Organ Zones
- Pitch Section
- Oscillator Section
- Sample Oscillator Section
- Organ Oscillator Section
- Wavetable Section
- AudioWarp Section
  - Modulating AudioWarp Parameters in the Modulation Matrix
- Filter Section
- Amplifier Section
- Envelope Section
  - Zooming
  - Selecting Nodes
  - Adjusting the Time Parameter
  - Adjusting the Level Parameter
  - Adjusting the Curve Parameter
  - Adding and Removing Nodes
  - Adding Nodes Using the Fill Function
  - Scaling the Level of the Release Node with the Level at Note-Off
  - Using Sync
  - Setting Up the Loop
- LFO Section
- Step Modulator
  - Editing Steps
  - Producing Modulations in Steps of Semitones
- Modulation Matrix
  - Creating Modulations
  - Modulation Matrix Context Menu
  - Modulation Matrix Parameters
Editing Samples in the Sample Editor
- Loading and Previewing Samples
- Toolbar
- Info Line
- Overview Line
- Waveform Display
- Parameter Section
- Sample Editor Context Menu
- Markers
- Zooming
- Editing Samples in an External Editor
- Creating Loops
- Creating Slices Automatically
  - Modifying Start and End of Slices
  - Editing Parameter Curves
- Replacing Samples
Wavetable Synthesis
- Wavetable Editor
- Creating a Wavetable
- Pitch Detection
  - Pitch Detection Curve
- Markers
- Replacing Samples
- Importing Wavetables
- Managing Wavetables
Granular Synthesis
- Grain Oscillator
  - Grain Tab
  - Sample Tab
- Modulating the Grain Oscillator
MIDI Editing and Controllers
- MIDI Editor
- MIDI Controllers
Mixing, Routing, and Effect Handling
- Mixer Window
- Audio Bus Architecture
- Insert Effects
  - Using the Insert Effect Slots
Loading and Managing Programs via the Program Table
- Program Table
- Configuring the Program Table
- Program Table Context Menu
Program Tree
- Program Tree Elements
- Program Tree Columns and Controls
- Editing Programs, Zones and Layers
- Importing Samples
  - Import Samples Dialog
- Replacing Samples
- Exporting Samples
  - Export Samples Dialog
- Exporting Programs and Layers with Samples
  - Export Preset with Samples Dialog
- Exporting Programs and Layers as HALion Sonic SE Layer Presets
- Importing Sliced Loops
  - Playing Back Sliced Loops
  - Slice Player
- Selections in the Program Tree
- Navigating in the Program Tree
- Sorting the Program Tree Elements
- Setting Up the Program in the Program Tree
- Renaming Elements
Sample Recorder
- Recording From an Audio Track With Multiple Drum Sounds
- Recording the Output of Another Plug-In
- Recording Samples in the Standalone Version
Included Instruments
- Auron
- Trium
- Voltage
- Model C
- HALiotron
  - Main Page
  - Filter Page
- B-Box
- World Instruments
  - Sound Page
  - Arp Page
- World Percussion
- Anima
- Skylab
- Raven
- Eagle
- Hot Brass
- Studio Strings
Parameter List
Macro Pages
- Macro Pages, Templates, Controls, Resources, and Libraries
- Getting Started
- Macro Page Designer
- Editing and Assembling Elements
- Libraries
  - Icons for Libraries and Macro Pages
- Connecting Macro Page Controls to HALion Parameters
  - Removing a Connection
- Collaborating on Macro Pages
- Cleaning Up and Consolidating Your Macro Pages
  - Removing Unused Files
  - Exporting Macro Pages with their Resources
- Saving Macro Pages
Library Creator
- Libraries
- Library Creator Editor
- Unassigned VST Sound Containers
- Consistency Check
Library Manager
- Library Manager Editor
Effects Reference
- Introduction
- Reverb Effects
  - REVerence
  - Reverb
- Delay Effects
  - Multi Delay
- EQ Effects
- Filter Effects
- Distortion Effects
- Pitch Shift Effects
  - Octaver
- Modulation Effects
- Dynamics Effects
- Spatial and Panner Effects
  - Stereo Pan
  - Stereo Enhancer
- Surround Effects
  - Surround Panner
  - Downmix
- Tools Effects
  - Channel Router
- Legacy Effects
  - HALion 3 Legacy Effects
MIDI Modules Reference
- Common Functions
- FlexPhraser
- Trigger Pads
- MIDI Player
- Drum Player
- Mono Envelope
  - Mono Envelope Parameters
- Mono LFO
  - Mono LFO Parameters
- Mono Step Modulator
  - Mono Step Modulator Parameters
- True Pedaling
  - True Pedaling Parameters
  - Setting up a Crossfade between Two Layers
- MegaTrig
- Layer Alternate
- Key Switch Alternate
- Key Switch Remote
  - Key Switch Remote Parameters
  - Refreshing the Expression List
- MIDI Randomizer
  - MIDI Randomizer Parameters
- CC Mapper
  - CC Mapper Parameters
  - Remapping Controllers
- Velocity Curve
  - Velocity Curve Parameters
- Tuning Scale
  - Editing Tuning Scales
- Lua Script
  - Creating a Script With the Internal Editor
  - Setting Up an External Editor
Key Commands Reference
Note Expression
- Note Expression Editor
Using the Standalone Version of the Plug-In
- Making Preferences Settings
- Preferences Dialog
- Selecting the MIDI Input and the Audio Output
- Scratch Pad
- Loading a MIDI File
  - MIDI Channel Filter
- Saving a MIDI File
- Master Volume
Index

MIDI Modules Reference

True Pedaling

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Fade In Curve

Sets the curvature of the fade in. Use negative values for an outward shaped

curve and positive values for an inward shaped curve.

Fade Out Time

Specifies the fade out time of the modulation signal, when you lift the sustain

pedal.

Fade Out Curve

Sets the curvature of the fade out. Use positive values for an outward shaped

curve and negative values for an inward shaped curve.

Time Out

On acoustic pianos, pressing the sustain pedal after a certain time has little to

no effect. You can achieve the same effect by using this parameter: Pressing

the sustain pedal after the time that you set here has no effect. Any resonance

samples that have been triggered, but were not faded in, are released.

Setting up a Crossfade between Two Layers

PROCEDURE

1. Set the Level parameter of the zones with the note-on samples to 0

dB.

2. Set the Level parameter of the zones with the sustain resonance samples to the

minimum setting.

3. In the modulation matrix, select the True Pedaling module as modulation source and

assign it to the Level modulation destination.

4. To bring the crossfade into effect, modulate the level of the note-on samples in

negative direction and the level of the sustain resonance samples in positive direction.

RESULT

The resonance samples are triggered with each note, but they are only heard if you press the

sustain pedal.